Bakfarks use of split-course technique in the Krakow lute book:
1. Jesu nomen sanctissimum. Secunda pars: Sit nomen domini, measure 9
2. Circumdederunt me, measure 25, measure 56
3. Secunda pars: Quoniam tribulatio, measure 15
4. Qui habitat in adjutorio, measure 59
5. Secunda pars: Non accedar, measure 27
G.
On Tue, May 12, 2015 at 7:47 PM, Lex van Sante <[1][email protected]>
wrote:
Of course I did not mean the fourth but the third course, sorry for
the confusion. So Capirola as far as I know did not employ split
octave courses.
Where does Fuenllana mention splitting the courses? I have not found
any reference. As I have no complete edition of Bakfark where does
he use this technique?
Can anyone inform?
--
References
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