I agree Bruno...
   Le Mercredi 3 aoA>>t 2016 13h25, Bruno Cognyl -Fournier
   <[email protected]> a A(c)crit :
     Anton
     let me say that I admire your work very much. Of course playing ftom
     notation is always good to be able to do and something I have taught
   to
     the few students I have had in 40 years, however one can usually do
     that on one or two sets of tunings..playing in trios and quartets
   with
     g, a, c , and d lutes become more tricky for the average guy.  your
     work is fantastic and allows players to be exposed to more than just
     lute repertoire.  I will be retiring ftom my job in a few years and
     intend on teaching lute to beginners . your material will be of great
     use.
     one wish..set some medieval pieces  especially the trecento stuff...
     regards
     Bruno Cognyl-Fournier
     Montreal
     Sent from Samsung Mobile
     -------- Original message --------
     From: Anton Hoeger
     Date:2016-08-03 03:24 (GMT-05:00)
     To: List Lutelist
     Subject: [LUTE] insinuations
     >
     > Hi everyone,
     >
     > Martin Hogson wrote:
     >
     > Dear Anton Hoger,
     >
     > Have you ever considered learning to play from figured bass? This
     would save you much mundane work making these unnecessary
     transcriptions/arrangements.
     >
     > MH
     >
     > Ja natuerlich! Aber was haben meine Renaissance Intabulations mit
     Dimunitions mit einem figured bass zu tun?
     > Das eine hat doch mit dem anderen nichts zu tun.
     > Ich habe bisher nur sehr wenig Fruehbarocke Generalbassstuecke
     bearbeitet. Ausserdem waeren doch genau diese Ausarbeitungen fuer den
     Interpreten interessant. Als Anregung, Alternativen oder sogar als
     fertige Ausfuehrun..
     > Meine 100000 downloads und Tausend Danksagungen zeigen ein anderes
     Bild, als Dein  ...making these unnecessary transcriptions!!!
     > Bitte unterlasse doch diese Unverschaemtheiten, wenn Du keine
   Ahnung
     hast.
     >
     > Anton
     >
     > Yes of course! But how do you bring my Renaissance Intabulations
   with
     Dimunitions in relation with a figured bass?
     > These one has nothing to do with the other one!
     > On the other side I have so far only very few Earlybaroque figured
     Bass edited pieces. Exactly this Arrangements may be interesting for
     the interprets. As a suggestion or such ways.
     > My 100000 downloads and thousand credits show a different image
   than
     Your:  ...making these unnecessary transcriptions!.........
     > Please stop these insinuations, if you have no idea.
     >
     >
     > Anton
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