-And I would like to add that Anton jumped right in with an incredibly generous, quick response when I needed help finding lute/harp duets.

Thanks again, Anton! -I don't know how you keep up your intense production.

Dan

On 8/3/2016 7:10 AM, Helen Atkinson wrote:
    I'm a fan of your work, Anton. Many thanks.
    Helen

    On 3 August 2016 at 14:49, Jean-Marie Poirier
    <[1][email protected]> wrote:

      I do agree completely too !
      Best and very well done indeed, Anton !
      Do keep up the good work !
      Jean-Marie Poirier
      --------------

    >    Anton
    >
    >    let me say that I admire your work very much. Of course playing
    ftom
    >    notation is always good to be able to do and something I have
    taught to
    >    the few students I have had in 40 years, however one can usually
    do
    >    that on one or two sets of tunings..playing in trios and quartets
    with
    >    g, a, c , and d lutes become more tricky for the average guy.
    your
    >    work is fantastic and allows players to be exposed to more than
    just
    >    lute repertoire.   I will be retiring ftom my job in a few years
    and
    >    intend on teaching lute to beginners . your material will be of
    great
    >    use.
    >
    >    one wish..set some medieval pieces   especially the trecento
    stuff...
    >
    >    regards
    >
    >    Bruno Cognyl-Fournier
    >
    >    Montreal
    >
    >    Sent from Samsung Mobile
    >
    >    -------- Original message --------
    >
    >    From: Anton Hoeger
    >
    >    Date:2016-08-03 03:24 (GMT-05:00)
    >
    >    To: List Lutelist
    >
    >    Subject: [LUTE] insinuations
    >
    >    >
    >    > Hi everyone,
    >    >
    >    > Martin Hogson wrote:
    >    >
    >    > Dear Anton Hoger,
    >    >
    >    > Have you ever considered learning to play from figured bass?
    This
    >    would save you much mundane work making these unnecessary
    >    transcriptions/arrangements.
    >    >
    >    > MH
    >    >
    >    > Ja natuerlich! Aber was haben meine Renaissance Intabulations
    mit
    >    Dimunitions mit einem figured bass zu tun?
    >    > Das eine hat doch mit dem anderen nichts zu tun.
    >    > Ich habe bisher nur sehr wenig Fruehbarocke Generalbassstuecke
    >    bearbeitet. Ausserdem waeren doch genau diese Ausarbeitungen fuer
    den
    >    Interpreten interessant. Als Anregung, Alternativen oder sogar als
    >    fertige Ausfuehrun..
    >    > Meine 100000 downloads und Tausend Danksagungen zeigen ein
    anderes
    >    Bild, als Dein   ...making these unnecessary transcriptions!!!
    >    > Bitte unterlasse doch diese Unverschaemtheiten, wenn Du keine
    Ahnung
    >    hast.
    >    >
    >    > Anton
    >    >
    >    > Yes of course! But how do you bring my Renaissance Intabulations
    with
    >    Dimunitions in relation with a figured bass?
    >    > These one has nothing to do with the other one!
    >    > On the other side I have so far only very few Earlybaroque
    figured
    >    Bass edited pieces. Exactly this Arrangements may be interesting
    for
    >    the interprets. As a suggestion or such ways.
    >    > My 100000 downloads and thousand credits show a different image
    than
    >    Your:   ...making these unnecessary transcriptions!.........
    >    > Please stop these insinuations, if you have no idea.
    >    >
    >    >
    >    > Anton
    >    --
    >    To get on or off this list see list information at

      >    [2]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
      >

    --

References

    1. mailto:[email protected]
    2. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html




Reply via email to