Dear Anton Hoger,
   I sent you a private email trying to be helpful and was therefore a bit
   surprised to find you didn't reply to me but instead fired off a touchy
   general response!  And I really don't know what you mean by
   'insinuations' - insinuations of what? Believe it, or not, I was simply
   trying to helpfully suggest that you might save yourself a lot of time
   and effort if you read pieces directly from the staff notation and also
   learned figured bass rather than always having to employ an
   intermediate stage of written intabulation.
   Now you raise the matter, generally I do think that most reasonably
   competent players should be encouraged to make their own
   arrangements/transcriptions in their own style and, as I say, to be
   able to play reasonably fluently from staff notation without always
   having to rely on a modern intabulation made by a third party.
   Similarly, I think it good for lute players to be encouraged to become
   fluent in Italian tablature without needing to rely on transcriptions
   into the French system. The reliance on other peoples' arrangements and
   transcriptions can, in my view, be restrictive and effectively close
   much of the enormous wealth of music from all ages.  I also believe
   that the process of making ones own arrangements/transcriptions is
   thoroughly enjoyable one (and really not 'rocket science') and is a
   personally creative way for individuals to discover original music and
   repertoire new to them. And, I might add, to create something which
   ideally matches their individual technical capabilities, instrument(s)
   and musical tastes.
   MH
     __________________________________________________________________

   From: jean-michel Catherinot <[email protected]>
   To: Bruno Cognyl -Fournier <[email protected]>; Anton HAP:ger
   <[email protected]>; List Lutelist <[email protected]>
   Sent: Wednesday, 3 August 2016, 13:35
   Subject: [LUTE] Re: insinuations
     I agree Bruno...
     Le Mercredi 3 aoA>>t 2016 13h25, Bruno Cognyl -Fournier
     <[1][email protected]> a A(c)crit :
       Anton
       let me say that I admire your work very much. Of course playing
   ftom
       notation is always good to be able to do and something I have
   taught
     to
       the few students I have had in 40 years, however one can usually do
       that on one or two sets of tunings..playing in trios and quartets
     with
       g, a, c , and d lutes become more tricky for the average guy.  your
       work is fantastic and allows players to be exposed to more than
   just
       lute repertoire.  I will be retiring ftom my job in a few years and
       intend on teaching lute to beginners . your material will be of
   great
       use.
       one wish..set some medieval pieces  especially the trecento
   stuff...
       regards
       Bruno Cognyl-Fournier
       Montreal
       Sent from Samsung Mobile
       -------- Original message --------
       From: Anton Hoeger
       Date:2016-08-03 03:24 (GMT-05:00)
       To: List Lutelist
       Subject: [LUTE] insinuations
       >
       > Hi everyone,
       >
       > Martin Hogson wrote:
       >
       > Dear Anton Hoger,
       >
       > Have you ever considered learning to play from figured bass? This
       would save you much mundane work making these unnecessary
       transcriptions/arrangements.
       >
       > MH
       >
       > Ja natuerlich! Aber was haben meine Renaissance Intabulations mit
       Dimunitions mit einem figured bass zu tun?
       > Das eine hat doch mit dem anderen nichts zu tun.
       > Ich habe bisher nur sehr wenig Fruehbarocke Generalbassstuecke
       bearbeitet. Ausserdem waeren doch genau diese Ausarbeitungen fuer
   den
       Interpreten interessant. Als Anregung, Alternativen oder sogar als
       fertige Ausfuehrun..
       > Meine 100000 downloads und Tausend Danksagungen zeigen ein
   anderes
       Bild, als Dein  ...making these unnecessary transcriptions!!!
       > Bitte unterlasse doch diese Unverschaemtheiten, wenn Du keine
     Ahnung
       hast.
       >
       > Anton
       >
       > Yes of course! But how do you bring my Renaissance Intabulations
     with
       Dimunitions in relation with a figured bass?
       > These one has nothing to do with the other one!
       > On the other side I have so far only very few Earlybaroque
   figured
       Bass edited pieces. Exactly this Arrangements may be interesting
   for
       the interprets. As a suggestion or such ways.
       > My 100000 downloads and thousand credits show a different image
     than
       Your:  ...making these unnecessary transcriptions!.........
       > Please stop these insinuations, if you have no idea.
       >
       >
       > Anton
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