I'm a fan of your work, Anton. Many thanks.
Helen
On 3 August 2016 at 14:49, Jean-Marie Poirier
<[1]jmpoiri...@wanadoo.fr> wrote:
I do agree completely too !
Best and very well done indeed, Anton !
Do keep up the good work !
Jean-Marie Poirier
--------------
> Anton
>
> let me say that I admire your work very much. Of course playing
ftom
> notation is always good to be able to do and something I have
taught to
> the few students I have had in 40 years, however one can usually
do
> that on one or two sets of tunings..playing in trios and quartets
with
> g, a, c , and d lutes become more tricky for the average guy.
your
> work is fantastic and allows players to be exposed to more than
just
> lute repertoire. I will be retiring ftom my job in a few years
and
> intend on teaching lute to beginners . your material will be of
great
> use.
>
> one wish..set some medieval pieces especially the trecento
stuff...
>
> regards
>
> Bruno Cognyl-Fournier
>
> Montreal
>
> Sent from Samsung Mobile
>
> -------- Original message --------
>
> From: Anton Hoeger
>
> Date:2016-08-03 03:24 (GMT-05:00)
>
> To: List Lutelist
>
> Subject: [LUTE] insinuations
>
> >
> > Hi everyone,
> >
> > Martin Hogson wrote:
> >
> > Dear Anton Hoger,
> >
> > Have you ever considered learning to play from figured bass?
This
> would save you much mundane work making these unnecessary
> transcriptions/arrangements.
> >
> > MH
> >
> > Ja natuerlich! Aber was haben meine Renaissance Intabulations
mit
> Dimunitions mit einem figured bass zu tun?
> > Das eine hat doch mit dem anderen nichts zu tun.
> > Ich habe bisher nur sehr wenig Fruehbarocke Generalbassstuecke
> bearbeitet. Ausserdem waeren doch genau diese Ausarbeitungen fuer
den
> Interpreten interessant. Als Anregung, Alternativen oder sogar als
> fertige Ausfuehrun..
> > Meine 100000 downloads und Tausend Danksagungen zeigen ein
anderes
> Bild, als Dein ...making these unnecessary transcriptions!!!
> > Bitte unterlasse doch diese Unverschaemtheiten, wenn Du keine
Ahnung
> hast.
> >
> > Anton
> >
> > Yes of course! But how do you bring my Renaissance Intabulations
with
> Dimunitions in relation with a figured bass?
> > These one has nothing to do with the other one!
> > On the other side I have so far only very few Earlybaroque
figured
> Bass edited pieces. Exactly this Arrangements may be interesting
for
> the interprets. As a suggestion or such ways.
> > My 100000 downloads and thousand credits show a different image
than
> Your: ...making these unnecessary transcriptions!.........
> > Please stop these insinuations, if you have no idea.
> >
> >
> > Anton
> --
> To get on or off this list see list information at
> [2]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>
--
References
1. mailto:jmpoiri...@wanadoo.fr
2. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
