I don't see why he should stop if he like what he's doing. And there is
   a world of difference between "these unnecessary transcriptions" and "I
   think these transcriptions are unnecessary." just saying. Personally I
   will soon have my first opportunity to explore Anton's work.

   Cheers,
   Max

   On 3 Aug 2016 14:38, "jean-michel Catherinot"
   <[1][email protected]> wrote:
   >
   >    I agree Bruno...
   >    Le Mercredi 3 aoA>>t 2016 13h25, Bruno Cognyl -Fournier
   >    <[2][email protected]> a A(c)crit :
   >      Anton
   >      let me say that I admire your work very much. Of course playing
   ftom
   >      notation is always good to be able to do and something I have
   taught
   >    to
   >      the few students I have had in 40 years, however one can usually
   do
   >      that on one or two sets of tunings..playing in trios and
   quartets
   >    with
   >      g, a, c , and d lutes become more tricky for the average guy.
   your
   >      work is fantastic and allows players to be exposed to more than
   just
   >      lute repertoire.   I will be retiring ftom my job in a few years
   and
   >      intend on teaching lute to beginners . your material will be of
   great
   >      use.
   >      one wish..set some medieval pieces   especially the trecento
   stuff...
   >      regards
   >      Bruno Cognyl-Fournier
   >      Montreal
   >      Sent from Samsung Mobile
   >      -------- Original message --------
   >      From: Anton Hoeger
   >      Date:2016-08-03 03:24 (GMT-05:00)
   >      To: List Lutelist
   >      Subject: [LUTE] insinuations
   >      >
   >      > Hi everyone,
   >      >
   >      > Martin Hogson wrote:
   >      >
   >      > Dear Anton Hoger,
   >      >
   >      > Have you ever considered learning to play from figured bass?
   This
   >      would save you much mundane work making these unnecessary
   >      transcriptions/arrangements.
   >      >
   >      > MH
   >      >
   >      > Ja natuerlich! Aber was haben meine Renaissance Intabulations
   mit
   >      Dimunitions mit einem figured bass zu tun?
   >      > Das eine hat doch mit dem anderen nichts zu tun.
   >      > Ich habe bisher nur sehr wenig Fruehbarocke Generalbassstuecke
   >      bearbeitet. Ausserdem waeren doch genau diese Ausarbeitungen
   fuer den
   >      Interpreten interessant. Als Anregung, Alternativen oder sogar
   als
   >      fertige Ausfuehrun..
   >      > Meine 100000 downloads und Tausend Danksagungen zeigen ein
   anderes
   >      Bild, als Dein   ...making these unnecessary transcriptions!!!
   >      > Bitte unterlasse doch diese Unverschaemtheiten, wenn Du keine
   >    Ahnung
   >      hast.
   >      >
   >      > Anton
   >      >
   >      > Yes of course! But how do you bring my Renaissance
   Intabulations
   >    with
   >      Dimunitions in relation with a figured bass?
   >      > These one has nothing to do with the other one!
   >      > On the other side I have so far only very few Earlybaroque
   figured
   >      Bass edited pieces. Exactly this Arrangements may be interesting
   for
   >      the interprets. As a suggestion or such ways.
   >      > My 100000 downloads and thousand credits show a different
   image
   >    than
   >      Your:   ...making these unnecessary transcriptions!.........
   >      > Please stop these insinuations, if you have no idea.
   >      >
   >      >
   >      > Anton
   >      --
   >      To get on or off this list see list information at
   >      [1][3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   >
   >    --
   >
   > References
   >
   >    1. [4]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   >
   --

References

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