I have one other reference to the use of the term citara for cittern 
(rather than guitar) from Gary Boye who said

"Citara tiorbata" could possibly refer to a cittern. 

There is one early cittern book which uses that term, without the 
tiorbata qualification: 

Vincenti, Giacomo -  Secondo libro d'intavolatura di citara, nel quale 
si contengono varie, et diverse sorti di Balli. Raccolta da diversi 
autori et nuovamente stampati (Venice, [Italy]: Giacomo Vincenti, 
1602).

Gary might know more about it.

Monica


----Original Message----
From: [email protected]
Date: 01/02/2018 11:34 
To: "Lutelist Net"<[email protected]>, "[email protected]"
<[email protected]>
Subj: [LUTE] Re: [Citara tiorbata]

Dear Alain,
   Perhaps Virgo is actually (Paolo) Virchi (1551 - 1610)?
   His father(?) was Giraolamo Virchi (or de Virchi) a maker of 
citterns
   Martyn
   
-----------------------------------------------------------------------
   -------------------
   From: Alain Veylit <[1][email protected]>
   Date: 28 January 2018 at 19:01
   Subject: [LUTE] Re: [Citara tiorbata]
   To: Lute List <[2][email protected]>
   Hi all,
   I revised a transcription I made some time ago of P.P. Melli's 
Balletto
   del Ardito Gracioso (1616),  a suite for 9 instruments, including 3
   (arch)lutes and a citara tiorbata "cordatura del Signor Virgo). I am
   still struggling with the tuning of that instrument which was
   apparently more a cittern than a guitar. The Signor Virgo is nowhere 
to
   be found on the Net, otherwise I would ask him about his tuning I
   guess, but given his elusiveness I am wondering if one of you may be
   able to provide more information than I was able to gather already.
   See: [3]http://fandango.musickshandmad e.
com/collections/preview/185.
   The instrumentation of that suite is definitely exotic : why would 
the
   double-strung harp (alpa doppia) play the same notes as the viola 
(da
   gamba presumably)?
   Happy Sunday,
   Alain
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