All of Europe's population was drunk all the time, until 1683, when
coffee was adopted
from the Turks.
RT
Wasn't Dowland fired by King Christian of Denmark for being drunk
all
the time? Could it be then considered that playing ‘stoned' was more
‘authentic'?
A. John Mardinly, Ph.D., P.E.
The Sleep of Reason Produces Monsters
Francisco Goya
On Feb 2, 2018, at 5:26 AM, fournierbru <[1][email protected]>
wrote:
the Montreal community will be able to get stoned legalllly as of
july
1st...personally at 59..I am no longer interested..prefer playing
Ballard and Gaultier
Bruno
Envoyé de mon appareil Samsung de Bell via le réseau le plus vaste
au
pays.
-------- Message d'origine --------
De : Dan Winheld <[2][email protected]>
Date : 18-02-01 8:44 PM (GMT-05:00)
À : Susan Sandman <[3][email protected]>, Tristan von
Neumann
<[4][email protected]>
Cc : lutelist Net <[5][email protected]>
Objet : [LUTE] Re: Cherbury lute book
They are legalizing Marijuana all over the place, come to
California
if
you want to get stoned! (I gave up that little distraction decades
ago,
but I also much prefer Ballard). :-D
Dan
On 2/1/2018 5:15 PM, Susan Sandman wrote:
Stoning is medieval, appropriate only hundreds of years
before...
Susan
On Thu, Feb 1, 2018 at 6:46 PM Tristan von Neumann
<[1][6][email protected]> wrote:
Do I get stoned by the community if I say that I like Ballard
more
anyway? :)
Am 02.02.2018 um 00:36 schrieb Jean-Marie Poirier:
En guise de conclusion ;-) :
If you look at the chronological development of Ennemond's
career
and life, his "his high reputation" as a baroque lute super
hero
simply doesn't hold.
So there must be other material around to explain this
phenomenon.
Cherbury is only one piece in the puzzle and certainly not
the
most interesting one concerning old Ennemond! There is a lot
more to
see and play in at least a dozen other ms. and of course his
production in accords nouveaux is another essential aspect of
the
problem.
Merci de votre intà ©rà ªt et la "chasse" continue... :-)!
Best,
Jean-Marie
Le 1 fà ©vr. 2018 à 22:53, G. C. <[2][7][email protected]>
a à ©crit
:
PS.
And of course, I meant to say "you and Jean-Marie"
SORRY! :D
On Thu, Feb 1, 2018 at 10:27 PM, G. C.
<[1][3][8][email protected]> wrote:
Great that you feel that way, Ron. I'm just saying,
that
comparing to
what there is of real quality music for the lute
out
there, and
trying
to keep in mind, the "high reputation" of Ennemond
Gaultier, I'm
sadly,
not at all impressed by these alleged simple
courantes
and voltas
in
Cherbury. Whatever his fame might otherwise be,
these little
pieces
just don't cut the mustard IMHO.
But if you, as a renowned player, recognise
Ennemond's
style in
those
little ditties, I'm definitely not going to argue.
:)
Best
G
On Thu, Feb 1, 2018 at 10:09 PM, Ron Andrico
<[1][2][4][9][email protected]>
wrote:
G, I think you may have misunderstood my
message.
I was
not
saying
there were concordances in the CNRS edition of
Vieux
Gaultier
that
definitely linked pieces in Herbert to the
proper
Gaultier.
I
said
that one could easily identify the style of
music
in that
edition
and
compare to the sparse style of the Herbert
pieces
attributed
to
Gaultier. From a player's point of view, I
feel
a very
strong
similarity, and one only has to supply
ornamented
repeats in
the
proper
style to flesh out the bones of these pieces
and
make some
very
fine
music.
RA
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[11]https://urldefense.proofpoint.com/v2/url?u=http-3A__www.cs.dartmout
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13. [13]mailto:[email protected]
14. [14]mailto:[email protected]
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[15]https://urldefense.proofpoint.com/v2/url?u=http-3A__www.cs.dartmout
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16. [16]mailto:[email protected]
17. [17]mailto:[email protected]
18. [18]mailto:[email protected]
19. [19]mailto:[email protected]
20. [20]mailto:[email protected]
21.
[21]https://urldefense.proofpoint.com/v2/url?u=http-3A__www.cs.dartmout
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22. [22]mailto:[email protected]
23. [23]mailto:[email protected]
24. [24]mailto:[email protected]
25.
[25]https://urldefense.proofpoint.com/v2/url?u=http-3A__www.cs.dartmout
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