Could part of the answer be that you see/hear/know a limited set of
   lute players, a set that tends to gather in this forum, and don't
   see/hear the more broadly minded lute players in this world? Or perhaps
   does this forum tend to talk mostly about hipp lute playing, even
   though many of its members are more broadly oriented? I
   meet/see/talk/know many lute players who play a lot of other music
   besides the canon composed by our beloved and revered Old Ones. I don't
   think playing one kind of music excludes playing another kind of music,
   and I see many colleagues, professional and amateur, although perhaps
   more amongst the first than among the latter, who share my point of
   view. I think the lute playing world exhibits a wide variety of music
   styles that happily coexist.
   I play pop, jazz, contemporary, folk and early music on any of my
   instruments, lutes included, and I know many of my professional
   colleagues who do the same in their concerts, CD recordings and
   privately. It's even a kind of a current fashion, a gimmick or selling
   point: cross-over programmes.
   David
   On Wed, 14 Mar 2018 at 22:34, Gilbert Isbin
   <[1][email protected]> wrote:

        Why is the lute world ruled by early music ?
        Why are 90 or 95% of the lutenists afraid to play new music for
     the
        lute ?
        Why did guitarists, recorder players, cellists, pianists , oud
     players
        etc. took the challenge to play today's music and the lute world
     almost
        - with a very few exeptions - doesn't ?
        Why are luteplayers afraid to play something different ?
        Why do lutenists think the lute must be played with a very
     specific
        approach ?
        Why are lots of lutenists looking down at lutenists who are
     trying to
        do something else with the instrument, with other techniques, new
        approaches?
        What is the future for the lute music if it stays to be that
     dogmatic ?
        I guess Dowland and all the other wonderful lutes composers would
     have
        a good laugh with the today's lute world approach to the
     instrument.
        With kind regards,
        Met vriendelijke groeten,
        Bien cordialement,
        Gilbert Isbin
        [1][2]www.gilbertisbin.com
        [2][3][email protected]
        --
     References
        1. [4]http://www.gilbertisbin.com/
        2. mailto:[5][email protected]
     To get on or off this list see list information at
     [6]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

   *******************************
   David van Ooijen
   [7][email protected]
   [8]www.davidvanooijen.nl
   *******************************

   --

References

   1. mailto:[email protected]
   2. http://www.gilbertisbin.com/
   3. mailto:[email protected]
   4. http://www.gilbertisbin.com/
   5. mailto:[email protected]
   6. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   7. mailto:[email protected]
   8. http://www.davidvanooijen.nl/

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