A number of years ago at the Sydney Conservatorium there was a performance called the Two Robert Johnsons, played on lute.
Regards, Charles Moller From: Gilbert Isbin <[email protected]> To: LS LUTELIST <[email protected]> Sent: Thursday, 15 March 2018, 8:34 Subject: [LUTE] Some questions Why is the lute world ruled by early music ? Why are 90 or 95% of the lutenists afraid to play new music for the lute ? Why did guitarists, recorder players, cellists, pianists , oud players etc. took the challenge to play today's music and the lute world almost - with a very few exeptions - doesn't ? Why are luteplayers afraid to play something different ? Why do lutenists think the lute must be played with a very specific approach ? Why are lots of lutenists looking down at lutenists who are trying to do something else with the instrument, with other techniques, new approaches? What is the future for the lute music if it stays to be that dogmatic ? I guess Dowland and all the other wonderful lutes composers would have a good laugh with the today's lute world approach to the instrument. With kind regards, Met vriendelijke groeten, Bien cordialement, Gilbert Isbin [1]www.gilbertisbin.com [2][1][email protected] -- References 1. [2]http://www.gilbertisbin.com/ 2. mailto:[3][email protected] To get on or off this list see list information at [4]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html -- References 1. mailto:[email protected] 2. http://www.gilbertisbin.com/ 3. mailto:[email protected] 4. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
