Well said, Joe.
RT

Sent from my iPhone

> On Mar 14, 2018, at 5:54 PM, Mayes, Joseph <[email protected]> wrote:
> 
> Hello Mr. Isbin
> 
> I can only answer your questions from my own perspective - naturally. I have 
> tried to do so below:
> ________________________________________
> From: [email protected] <[email protected]> on behalf of 
> Gilbert Isbin <[email protected]>
> Sent: Wednesday, March 14, 2018 5:33 PM
> To: LS LUTELIST
> Subject: [LUTE] Some questions
> 
>   Why is the lute world ruled by early music ? Because the lute is considered 
> an "early instrument" most if not all of the players were attracted to the 
> instrument through its music.
>   Why are 90 or 95% of the lutenists afraid to play new music for the
>   lute ? This is a poorly stated question, as in, "Are you still on parole?" 
> Rather than ask why lutenists are "afraid" why not ask why they prefer music 
> other than new music. For me, I like the style of the older music and despise 
> the pretentiousness of some new music.
>   Why did guitarists, recorder players, cellists, pianists , oud players
>   etc. took the challenge to play today's music and the lute world almost
>   - with a very few exeptions - doesn't ? See above response.
>   Why are luteplayers afraid to play something different ? Have you stopped 
> beating your mother?
>   Why do lutenists think the lute must be played with a very specific
>   approach ? Why do contemporary composers think "pretty" is a pejorative?
>   Why are lots of lutenists looking down at lutenists who are trying to
>   do something else with the instrument, with other techniques, new
>   approaches? Again - poorly stated question. You ask why something that may 
> or may not be true is true. Like my asking why all composers insist on 
> writing for de-tuned mandolin?
>  What is the future for the lute music if it stays to be that dogmatic ? Good 
> question.
>   I guess Dowland and all the other wonderful lutes composers would have
>   a good laugh with the today's lute world approach to the instrument. If 
> Dowland et al heard new music I believe they would choose another line of 
> work.
> 
> 
>   With kind regards,
> 
>   Met vriendelijke groeten,
> 
>   Bien cordialement,
>   Gilbert Isbin
>   [1]www.gilbertisbin.com
>   [2][email protected]
> 
>   --
> 
> References
> 
>   1. http://www.gilbertisbin.com/
>   2. mailto:[email protected]
> 
> 
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> 
> 


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