I prefer to play music of the 16th c. on my lute, but one should
   remember that during its heyday (some 250 years?) the lute, its players
   and its composers adapted: five courses to 14, new tunings, new styles.
    What would Dalza think of Weiss? Or of the chordal structure of the
   "modern" compositions?

   Regards,

   Leonard Williams
   -----Original Message-----
   From: Wim Loos <[email protected]>
   To: gilbert.isbin <[email protected]>
   Cc: LuteNet list <[email protected]>
   Sent: Wed, Mar 14, 2018 5:56 pm
   Subject: [LUTE] Re: Some questions
   A great number of instruments survived the ages since composers and
   players wrote music and applied techincs that fitted the spirit of that
   moment. So why not the lute.
   It's a challenge for contemporary composers to make modern music for
   this beatifull instrument. Do not only look back, but have an eye in
   the future.
   Gilbert you are a good example from the new generation of lute
   composers.
   Best regards,
   Wim Loos
   Op 14 mrt. 2018 22:34 schreef "Gilbert Isbin"
   <[1][1][email protected]>:
   Why is the lute world ruled by early music ?
   Why are 90 or 95% of the lutenists afraid to play new music for
   the
   lute ?
   Why did guitarists, recorder players, cellists, pianists , oud
   players
   etc. took the challenge to play today's music and the lute world
   almost
   - with a very few exeptions - doesn't ?
   Why are luteplayers afraid to play something different ?
   Why do lutenists think the lute must be played with a very
   specific
   approach ?
   Why are lots of lutenists looking down at lutenists who are
   trying to
   do something else with the instrument, with other techniques, new
   approaches?
   What is the future for the lute music if it stays to be that
   dogmatic ?
   I guess Dowland and all the other wonderful lutes composers would
   have
   a good laugh with the today's lute world approach to the
   instrument.
   With kind regards,
   Met vriendelijke groeten,
   Bien cordialement,
   Gilbert Isbin
   [1][2][2]www.gilbertisbin.com
   [2][3][3][email protected]
   --
   References
   1. [4][4]http://www.gilbertisbin.com/
   2. [5]mailto:[5][email protected]
   To get on or off this list see list information at
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   References
   1. [7]mailto:[email protected]
   2. [8]http://www.gilbertisbin.com/
   3. [9]mailto:[email protected]
   4. [10]http://www.gilbertisbin.com/
   5. [11]mailto:[email protected]
   6. [12]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. mailto:[email protected]
   2. http://www.gilbertisbin.com/
   3. mailto:[email protected]
   4. http://www.gilbertisbin.com/
   5. mailto:[5][email protected]?
   6. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   7. mailto:[email protected]?
   8. http://www.gilbertisbin.com/
   9. mailto:[email protected]?
  10. http://www.gilbertisbin.com/
  11. mailto:[email protected]?
  12. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

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