Honestly, Gilbert, I'm just trying to figure out which chords and notes
   it worked for. Obviously it worked for some people as a genuine tool
   for getting the notes out. No judgements here.
   I'm not interested whatsoever in the question of its impropiety,
   politics, cleaness of execution, health aspects [no, all these topics
   haven't been brought up but just hedging] or anything else.
   Was it part of a barre? Hitting the low A in an F chord? The low minor
   3rd in a Gmin? Was it for dances?
   _Probably_ a self-taught technique (as someone upthread suggested),
   yes, but what were they playing?
   Sean

   On Thu, Apr 26, 2018 at 1:16 PM, Gilbert Isbin
   <[1][email protected]> wrote:

   What a fuss about nothing. (much ado about nothing) When it sounds
   right it sounds right. So many great players in every genre, played and
   are playing with there thumbs around the neck with such a wonderful
   results. Who cares ?   If it sounds musical then it's music.

   With kind regards,

   Met vriendelijke groeten,

   Bien cordialement,
   Gilbert Isbin
   [2]www.gilbertisbin.com
   [3][email protected]
   2018-04-26 22:07 GMT+02:00 Arthur Ness <[4][email protected]>:

        The Como Francesco portrait and the engraving in the Marcolini
     1536
        print also show the thumb poised over the 6th course.   Likewise
     the
        title page of Hans Judenkoenig's tablatgure of 1523.    And many
     more as
        Ron remarkeed.    And musicians are often very fussy if they are
        depicted in a faulty playing position, or with an outmoded
     instrument.
        Arthur Ness
        [5][email protected]
        -----Original Message-----
        From: anotherdamn6c <[6][email protected]>
        To: lute <[7][email protected]>
        Sent: Thu, Apr 26, 2018 3:35 pm
        Subject: [LUTE] Re: Left thumb on the sixth.
        Thanks, Jean-Marie and Ron. I'll check those images when I get
     home.
        I'm just trying to figure out which chords or notes that
     facilitates.
        Sean
        On Thu, Apr 26, 2018, 12:18 PM Jean-Marie Poirier
        <[1][1][8][email protected]> wrote:
        Have a look there :
        [1][2][2][9]http://le.luth.free.fr/pouce/index.html
        Best,
        Jean-Marie
        Le 26 avr. 2018 Ã 20:47, Ron Andrico
        <[2][3][3][10][email protected]> a
        Ã ©crit :
        Using the thumb to fret the sixth course was absolutely an
        element of
        16th century lute playing, based on iconography and a few
        mentions in
        historical sources that escape me at the moment. The
        20th-21st
        century
        revivalist prejudice against this technique is and has been
        advanced
        by
        lutenists who start out as classical guitarists. Full stop.
        I
        seldom
        use the technique on the lute, mostly because the neck of my
        72cm
        six-course is a bit clubby. But I do use the technique on
        guitar.
        It
        was good enough for Reverend Gary Davis, and it's good enough
        for me.
        RA
        ___________________________________________________________
     _______
        From: [3][4]lute-[4][11][email protected]
        <[4][5]lute-[5][12][email protected]> on
        behalf
        of anotherdamn6c <[5][6][6][13][email protected]>
        Sent: Thursday, April 26, 2018 5:41 PM
        To: lute
        Subject: [LUTE] Left thumb on the sixth.
        Hi all,
        I've always wondered: under what circumstances was the thumb
        around
        the
        neck to stop the 6th course thought to be an advantage? We
        see its
        use
        sporadically in the 16th century in occasional iconography
        but I
        gather
        it is not (and was not) recommended. Personally I can't do
        it and
        still
        have any facility on other courses--and it's painful. But I
        see it
        in
        contemporary guitar playing so it seems to work for some.
        Shot in the dark: Were they tuning the 6th course down a
        step and
        this
        trick gave them the 6th at nominal pitch?
        Sean
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        References
        1. [11][11][18]http://le.luth.free.fr/pouce/index.html
        2. [12]mailto:[12][19][email protected]
        3. [13]mailto:[13][20][email protected]
        4. [14]mailto:[14][21][email protected]
        5. [15]mailto:[15][22][email protected]
        6. [16][16][23]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.
     html
        7. [17][17][24]http://www.cs.dartmouth.edu/
        8. [18][18][25]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.
     html
        9. [19][19][26]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.
     html
        --
        References
        1. [20]mailto:[27][email protected]
        2. [21][28]http://le.luth.free.fr/pouce/index.html
        3. [22]mailto:[29][email protected]
        4. [23]mailto:[30][email protected]
        5. [24]mailto:[31][email protected]
        6. [25]mailto:[32][email protected]
        7. [26][33]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
        8. [27][34]http://www.cs.dartmouth.edu/
        9. [28][35]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
        10. [29][36]http://www.cs.dartmouth.ed
     u/~wbc/lute-admin/index.html
        11. [30][37]http://le.luth.free.fr/pouce/index.html
        12. [31]mailto:[38][email protected]
        13. [32]mailto:[39][email protected]
        14. [33]mailto:[40][email protected]
        15. [34]mailto:[41][email protected]
        16. [35][42]http://www.cs.dartmouth.ed
     u/~wbc/lute-admin/index.html
        17. [36][43]http://www.cs.dartmouth.edu/
        18. [37][44]http://www.cs.dartmouth.ed
     u/~wbc/lute-admin/index.html
        19. [38][45]http://www.cs.dartmouth.ed
     u/~wbc/lute-admin/index.html
        --
     References
        1. mailto:[46][email protected]
        2. [47]http://le.luth.free.fr/pouce/index.html
        3. mailto:[48][email protected]
        4. mailto:[49][email protected]
        5. mailto:[50][email protected]
        6. mailto:[51][email protected]
        7. [52]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
        8. [53]http://www.cs.dartmouth.edu/
        9. [54]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
       10. [55]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
       11. [56]http://le.luth.free.fr/pouce/index.html
       12. mailto:[12][57][email protected]?
       13. mailto:[13][58][email protected]?
       14. mailto:[14][59][email protected]?
       15. mailto:[15][60][email protected]?
       16. [61]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
       17. [62]http://www.cs.dartmouth.edu/
       18. [63]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
       19. [64]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
       20. mailto:[65][email protected]?
       21. [66]http://le.luth.free.fr/pouce/index.html
       22. mailto:[67][email protected]?
       23. mailto:[68][email protected]?
       24. mailto:[69][email protected]?
       25. mailto:[70][email protected]?
       26. [71]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
       27. [72]http://www.cs.dartmouth.edu/
       28. [73]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
       29. [74]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
       30. [75]http://le.luth.free.fr/pouce/index.html
       31. mailto:[76][email protected]?
       32. mailto:[77][email protected]?
       33. mailto:[78][email protected]?
       34. mailto:[79][email protected]?
       35. [80]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
       36. [81]http://www.cs.dartmouth.edu/
       37. [82]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
       38. [83]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

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  82. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  83. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

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