A good indicator would be this progression, which can be found in Francesco for sure.
c6 c4 d3 c1, solving to b4 We discussed this topic maybe 15 years ago here.... Regards Stephan Von meinem Samsung Galaxy Smartphone gesendet. -------- Ursprüngliche Nachricht -------- Von: anotherdamn6c <[email protected]> Datum: 27.04.18 22:41 (GMT+01:00) An: lute <[email protected]> Betreff: [LUTE] Re: Left thumb on the sixth. That would be interesting if FdM used that technique, too. The Jannequin Battle (descordato) is a monster and now I wonder if that thumb was in their bag of tricks to get through it. Wouldn't you like to invite one of these guys over for an evening and (if we let them finish playing) pester them with questions? Thanks, Arthur Sean On Thu, Apr 26, 2018 at 1:07 PM, Arthur Ness <[1][email protected]> wrote: The Como Francesco portrait and the engraving in the Marcolini 1536 print also show the thumb poised over the 6th course. Likewise the title page of Hans Judenkoenig's tablatgure of 1523. And many more as Ron remarkeed. And musicians are often very fussy if they are depicted in a faulty playing position, or with an outmoded instrument. Arthur Ness [2][email protected] -----Original Message----- From: anotherdamn6c <[3][email protected]> To: lute <[4][email protected]> Sent: Thu, Apr 26, 2018 3:35 pm Subject: [LUTE] Re: Left thumb on the sixth. Thanks, Jean-Marie and Ron. I'll check those images when I get home. I'm just trying to figure out which chords or notes that facilitates. Sean On Thu, Apr 26, 2018, 12:18 PM Jean-Marie Poirier <[1][5][email protected]> wrote: Have a look there : [1][2][6]http://le.luth.free.fr/pouce/index.html Best, Jean-Marie Le 26 avr. 2018 à 20:47, Ron Andrico <[2][3][7][email protected]> a à ©crit : Using the thumb to fret the sixth course was absolutely an element of 16th century lute playing, based on iconography and a few mentions in historical sources that escape me at the moment. The 20th-21st century revivalist prejudice against this technique is and has been advanced by lutenists who start out as classical guitarists. Full stop. I seldom use the technique on the lute, mostly because the neck of my 72cm six-course is a bit clubby. But I do use the technique on guitar. It was good enough for Reverend Gary Davis, and it's good enough for me. RA __________________________________________________________________ From: [3][4]lute-[8][email protected] <[4][5]lute-[9][email protected]> on behalf of anotherdamn6c <[5][6][10][email protected]> Sent: Thursday, April 26, 2018 5:41 PM To: lute Subject: [LUTE] Left thumb on the sixth. Hi all, I've always wondered: under what circumstances was the thumb around the neck to stop the 6th course thought to be an advantage? We see its use sporadically in the 16th century in occasional iconography but I gather it is not (and was not) recommended. Personally I can't do it and still have any facility on other courses--and it's painful. But I see it in contemporary guitar playing so it seems to work for some. Shot in the dark: Were they tuning the 6th course down a step and this trick gave them the 6th at nominal pitch? Sean -- To get on or off this list see list information at [1][6][7][11]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html [2]Lute Mail list technical information [7][8][12]www.cs.dartmouth.edu Frequently Asked Technical Questions about the lute mail list. getting on and off the list; How do I get on the lute mail list? How do I get off the lute mail list? -- References 1. [8][9][13]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html 2. [9][10][14]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html -- References 1. [11][15]http://le.luth.free.fr/pouce/index.html 2. [16]mailto:[12][email protected] 3. [17]mailto:[13][email protected] 4. [18]mailto:[14][email protected] 5. 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