Thanks, Ron. Good points. I like that.
   As to the tuning down and up a step. Yes, it's a pain but I wonder if
   some players split the 6th course into two fundamentals a step apart.
   Similarly it could be done on a 5th course of a 5-c lute (and one would
   suddenly be able to play a number of Spinacino pieces on it, btw).
   They'd have to be seperated a bit more and we'd see evidence of it in
   surviving bridges/nuts. To be fair, I haven't heard of such from
   survivor examinations.
   If they were two fundamentals a step apart it would make sense to wrap
   that thumb on the bottom string for a doubled course. It's a fine point
   to listen for and maybe the cognescenti would have a cow but a couple
   of dancers or a room full of talkers would hardly care.
   I gather there were more tunings (and approaches to string striking)
   than we give the print/mss. credit for. Dalza has a suite where both 6
   and 5 are down a step, Capirola condones a split and Ganassi loves his
   variant tunings. Pros would probably have more than one instrument.
   This is just speculation. Different players played for different
   audiences on different ocassions for different reasons. Then there were
   the instruments, strings available, pieces and player educations. Circa
   1500 is pretty opaque at this point but I'm curious to pursue what
   might have happened though we'll never prove one thing or another.
   Sean

   On Thu, Apr 26, 2018 at 1:27 PM, Ron Andrico <[1][email protected]>
   wrote:

        On guitar, the thumb typically plays the F-natural and F-sharp
     (first
        and second frets), as well as bass notes up the neck when
     necessary.   I
        would say that in lute music such bass notes are mostly more a
     function
        of moving polyphonic lines rather than part of a chord shape.
        Sean, as to your speculation that the sixth course may have tuned
     down
        a step and noted at the second fret when necessary, I doubt it.
     It is
        much less of pain to tune the course down and up again as
     necessary
        than to have to constantly fret what could easily be an open
     course.
          ____________________________________________________________
     ______
        From: [2][email protected] <[3][email protected]>
     on behalf
        of anotherdamn6c <[4][email protected]>
        Sent: Thursday, April 26, 2018 7:33 PM
        To: lute
        Subject: [LUTE] Re: Left thumb on the sixth.
           Thanks, Jean-Marie and Ron. I'll check those images when I get
     home.
           I'm just trying to figure out which chords or notes that
        facilitates.
           Sean
           On Thu, Apr 26, 2018, 12:18 PM Jean-Marie Poirier
           <[1][5][email protected]> wrote:
                Have a look there :
                [1][2][6]http://le.luth.free.fr/pouce/index.html
                Best,
                Jean-Marie
                Le 26 avr. 2018 Ã   20:47, Ron Andrico
             <[2][3][7][email protected]> a
                Ã ©crit :
                  Using the thumb to fret the sixth course was absolutely
     an
             element of
                  16th century lute playing, based on iconography and a
     few
             mentions in
                  historical sources that escape me at the moment.    The
             20th-21st
                century
                  revivalist prejudice against this technique is and has
     been
             advanced
                by
                  lutenists who start out as classical guitarists.
     Full stop.
             I
                seldom
                  use the technique on the lute, mostly because the neck
     of my
             72cm
                  six-course is a bit clubby.    But I do use the
     technique on
             guitar.
                It
                  was good enough for Reverend Gary Davis, and it's good
     enough
             for me.
                  RA
             ____________________________________________________________
     ______
                  From: [3][4][8][email protected]
             <[4][5][9][email protected]> on
                behalf
                  of anotherdamn6c <[5][6][10][email protected]>

                Sent: Thursday, April 26, 2018 5:41 PM
                To: lute
                Subject: [LUTE] Left thumb on the sixth.
                   Hi all,
                   I've always wondered: under what circumstances was the
      thumb
              around
                the
                   neck to stop the 6th course thought to be an advantage?
   We
           see its
                use
                   sporadically in the 16th century in occasional
   iconography
           but I
                gather
                   it is not (and was not) recommended. Personally I can't
   do
           it and
                still
                   have any facility on other courses--and it's painful.
   But
      I
           see it
                in
                   contemporary guitar playing so it seems to work for
   some.
                   Shot in the dark: Were they tuning the 6th course down
   a
           step and
                this
                   trick gave them the 6th at nominal pitch?
                   Sean
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   5. mailto:[email protected]
   6. http://le.luth.free.fr/pouce/index.html
   7. mailto:[email protected]
   8. mailto:[email protected]
   9. mailto:[email protected]
  10. mailto:[email protected]
  11. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  12. http://www.cs.dartmouth.edu/
  13. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  14. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  15. http://le.luth.free.fr/pouce/index.html
  16. mailto:[email protected]
  17. mailto:[email protected]
  18. mailto:[email protected]
  19. mailto:[email protected]
  20. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  21. http://www.cs.dartmouth.edu/
  22. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  23. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  24. mailto:[email protected]
  25. http://le.luth.free.fr/pouce/index.html
  26. mailto:[email protected]
  27. mailto:[email protected]
  28. mailto:[email protected]
  29. mailto:[email protected]
  30. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  31. http://www.cs.dartmouth.edu/
  32. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  33. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  34. http://le.luth.free.fr/pouce/index.html
  35. mailto:[email protected]
  36. mailto:[email protected]
  37. mailto:[email protected]
  38. mailto:[email protected]
  39. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  40. http://www.cs.dartmouth.edu/
  41. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  42. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  43. mailto:[email protected]
  44. http://le.luth.free.fr/pouce/index.html
  45. mailto:[email protected]
  46. mailto:[email protected]
  47. mailto:[email protected]
  48. mailto:[email protected]
  49. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  50. http://www.cs.dartmouth.edu/
  51. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  52. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  53. http://le.luth.free.fr/pouce/index.html
  54. mailto:[email protected]
  55. mailto:[email protected]
  56. mailto:[email protected]
  57. mailto:[email protected]
  58. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  59. http://www.cs.dartmouth.edu/
  60. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  61. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

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