I thought the 30 degree angle was the moonwalk! Shows you what i know
about walking on the moon! Thanks.

On Jul 10, 8:21�am, Michael Berkovits <[email protected]> wrote:
> As far as I know, the "special shoes fitted into slots in the stage
> floor which made the moves possible" has to do with the physically
> impossible leaning at a 30 degree angle that he did in the Smooth
> Criminal video. �The Moonwalk is a move that anyone can do without
> special shoes. MJ just did it better than most, as he did most dance
> moves better than most.
>
> On Jul 10, 7:20�am, rigsy03 <[email protected]> wrote:
>
>
>
> > I think Diane Sawyer explained the moonwalk as special shoes fitted
> > into slots in the stage floor which made the moves possible.
>
> > I agree with your assessment of Jackson and two teens at the time
> > never were interested. An older brother liked Prince for a time.
>
> > Now, Scott Joplin, Louis Armstrong and Duke Ellington are in an
> > entirely different class in my personal view.
>
> > I simply tuned out the entire circus event that I was forced to view
> > till reporters got around to mentioning seven USA dead in Afghanistan.
>
> > On Jul 8, 7:51 am, Ian Pollard <[email protected]> wrote:
>
> > > Rather than derailing Molly's thread on beauty, here's a new one 
> > > continuing
> > > my discussion with Slip on Michael Jackson and art. Of course, anyone else
> > > is welcome to contribute.
>
> > > 2009/7/8 Slip Disc <[email protected]>
>
> > > > Ian really, the Caravaggio comparison is pertinent but only in the
> > > > context of that era and Jackson in this era. Equally they crossed the
> > > > line, creating a frenzy of mind boggling spectacle.
>
> > > Each to their own. If crotch-grabbing/thrusting is your bag, then more 
> > > power
> > > to you! If you think that the moonwalk was art -- rather than a fun/cheesy
> > > gimmick -- then that's okay too.
>
> > > I found nothing Jackson produced to be "mind-bloggling". He was labelled 
> > > the
> > > "King of Pop", but pop -- by its very nature -- is asinine, disposable, 
> > > and
> > > commercial... with due exception given to the genres of indie pop and C86.
> > > See:
>
> > >http://en.wikipedia.org/wiki/Indie_pop
>
> > > Of course
>
> > > > if you can produce evidence of another artist that issued such
> > > > extraordinary talent preceding that of Jackson, I, as well as others,
> > > > would concede to your view.
>
> > > I can only assume this is a joke -- often hard to tell if we're not
> > > face-to-face -- or you have had very limited exposure to music. I am happy
> > > to talk about music and could offer up examples for longer than you'd 
> > > likely
> > > care to hear them. However, for the purposes of this discussion, I'll give
> > > you a single, and I think comparable example, of a male solo writer and
> > > performer: David Bowie.
>
> > > > I personally have no interest, never had,
> > > > in the Jackson attraction. I am only motivated by your lack of
> > > > recognition of the innovation,
>
> > > Innovation is a serious word to throw around in music; I suggest you 
> > > proceed
> > > cautiously with the examples I am looking forward to you offering up. I'd 
> > > be
> > > particularly cautious when referring to Michael Jackson's contributions,
> > > however, because, as I am sure you know, he did very little himself... 
> > > thus
> > > any credit for innovation will be, at the very best, diluted.
>
> > > > Art is something of a misnomer
> > > > in that people will and are paying thousands of dollars for
> > > > contemporary "Graffiti" art, which for me as an artist styled in
> > > > Renaissance period art view as pure "garbage". So in that sense, your
> > > > view of Micheal Jackson as less than an art form is reflective of your
> > > > lack of understanding what "art" is all about.
>
> > > Mend your tone a little, Slip.
>
> > > Ian- Hide quoted text -
>
> - Show quoted text -
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