MessageI see nothing wrong with stamping or signing the backing. This shows the 
restorer stands behind their work. If the market puts a value upon the 
restorers work, then so be it.

Doug
  ----- Original Message ----- 
  From: lobby card invasion 
  To: [email protected] 
  Sent: Monday, June 15, 2009 12:56 PM
  Subject: Re: [MOPO] Should restorers sign their work?


  Oh yeah, that's all we need, now the identity of the restorer will decide the 
value of a poster.  

  A great poster, with the most minimal work done to it, but performed by the 
uknownn Joe Schmo, rather than the prestegious big "studio", will suddenly be 
shunned.

  We don't want to go there.

  Zeev


    ----- Original Message ----- 
    From: Glenn Taranto 
    To: [email protected] 
    Sent: Monday, June 15, 2009 11:01 AM
    Subject: Re: [MOPO] Should restorers sign their work?


    I was in no way implying the restorer should sign the front of the work. Of 
course not. But there is a back to the poster.

    The Sistine Chapel won't be resold but posters pass from hand to hand all 
the time.

    I know that some people hold certain restorers in high esteem and it would 
be interesting to see if that would play a part in a poster's value...
      ----- Original Message ----- 
      From: Franc 
      To: [email protected] 
      Sent: Monday, June 15, 2009 4:48 AM
      Subject: Re: [MOPO] Should restorers sign their work?


      Nobody to my knowledge signed the Sistine Chapel after its latest 
restoration. I think a paper stamp on the back of the restored poster would be 
okay but certainly not on the work itself. Frankly the restoration should and 
will speak for itself, so it really doesn't matter who the restorer was.  FRANC
        -----Original Message-----
        From: MoPo List [mailto:[email protected]] On Behalf Of 
Glenn Taranto
        Sent: Monday, June 15, 2009 12:09 AM
        To: [email protected]
        Subject: [MOPO] Should restorers sign their work?


        What are the pros and cons of restorers signing thier work?

        Would it add or subtract from the value of a piece?

        It would be easier to do with paper items, a simple rubber stamp of 
some kind. I suppose it could be done the same on linen.

        Years go by and you wonder, who did the work on this piece.

        Your thoughts?

        Glenn T.
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