I'm with Franc on this one. I'm sure even Michaelangelo had off days, and so do some of the best-known restorers in the hobby. A lot depends on which studio employee is doing the restoration. There are usually a fair number of people working at a busy studio. As in any other artistic endeavor, skill levels are going to vary somewhat, and there also seems to be a certain amount of turnover in these facilities. On the other hand, I had some really good work done by the much-maligned Eugene Hughes. I actually got my posters back, too. Go figure. Still, there is an average level of quality associated with certain names out there, like Studio C, Precision Restoration, or our own Susan Olson. A sticker on the back of the poster, like Heritage has on its auction items, wouldn't be a bad thing. But nobody's perfect; hell, even Stevie Ray Vaughan missed a lick or two occasionally.
Greg Douglass
Franc wrote:
The problem is that I've had some really fine work done by some well-known restorers whose names we would all recognize and also some really lousy work by the same well-known restorers. Putting a stamp of the back of posters wouldn't necessarily mean anything. FRANC

    -----Original Message-----
    *From:* MoPo List [mailto:[email protected]] *On Behalf
    Of *Sean Linkenback
    *Sent:* Monday, June 15, 2009 5:19 PM
    *To:* [email protected]
    *Subject:* Re: [MOPO] Should restorers sign their work?

        I agree that the work should speak for itself, but having
        attended a lot of auctions over the years and having seen a
        lot of shoddy restoration jobs it certainly would save a lot
        of time in looking at items if I knew lot X was restored by
        person Y – then I wouldn’t even need to waste my time looking
        at the piece.

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