Hey Chris,

I agree with you that explanation of the problems of SOM have to go hand in 
hand with exposition of Pirsig's philosophy.  Most of my expositions of 
Pirsig's philosophy are centrally concerned with the problems of opposed 
philosophy, which has garnered some impatience, but I think are relevant and 
needed.

My own short "Catechism of Quality," as Pirsig called such a thing in Lila, is 
on my blog (dedicated to philosophy, particularly Pirsig): 
http://pirsigaffliction.blogspot.com/2006/05/introduction-to-pirsig.html.  I'll 
post it here for ease in case anyone is interested.  (I should note for people 
not familiar with my writings: while I do occasionally write in order to 
explicate Pirsig's position--so-called scholarship--much of the time I'm more 
interested in promoting what I think is living in Pirsig's philosophy, which 
means that the picture I paint might be slightly warped.  Indeed, this 
introduction functions, in its way, as both an introduction to Pirsig and an 
introduction to my own particular approach to Pirsig, which is different than 
others'.)

Introduction to Pirsig
---------------
A little belatedly, but I thought I might provide an introduction to the 
namesake of my little blogthingy I got going on here. I'm simply going to 
present what I take to be Pirsig's main philosophical suggestions.

Pirsig's first book, Zen and the Art of Motorcyle Maintenance, presents his 
"Quality thesis". This thesis has many sides, but it comes out of a reaction to 
the dominant subject/object distinction in post-Cartesian modern philosophy. 
Pirsig sees quite rightly that if we dissolve the dichotomy between the knowing 
subject and the known object that we end up with a play of values. Pirsig's way 
of getting there is to attack the Greek idea that our primary relationship to 
reality is one of knowing. Pirsig asserts, rather, that our primary 
relationship is one of valuing, and that everything else falls from there.

What this thesis ends up meaning from "there," however, is disputed to a 
certain extent. Some people are content to follow Pirsig in offering a broad, 
general onto-cosmological view of reality centered around the undefinable 
"Quality." I consider such views to be occasional poems with a determinate 
subject matter that are potentially beautiful, but generally shouldn't be taken 
too seriously. Because if they are taken seriously (as Pirsig and most of those 
who do write and enjoy such poetry), they turn back into the Platonic 
philosophy of knowing that Pirsig was trying to get rid of. When it comes to 
philosophical theses (of the kind that get bandied about in professional 
circles), Pirsig should be seen as only offering negative ones against a 
predominate image of philosophy--Subject-Object Metaphysics.

One of the theses that Pirsig presciently sides up with in ZMM and continues in 
Lila is that of historicism. Pirsig suggests that we are situated in history, 
in a continuing conversation with "ghosts of history" that produces what we 
call knowledge: "the building of analogues upon analogues upon analogues". In 
the cosmological poem to reality that Pirsig offers us in Lila, he adds an 
important nuance--the distinction between static and Dynamic. Our static 
patterns of value are broken by Dynamic Quality, those crazy new things that we 
sometimes just instinctively feel are better. If these crazy new things end up 
being better, then they leave behind in their wake new static patterns, which 
eventually become the new crust of convention that Pirsig, like Dewey before 
him, suggested we should always be ready to break through.

The importance of the connection between Pirsig's Quality thesis and his 
historicism is that the move from knowing to valuing moves us from essentialism 
to relationalism. No longer do we have objects with an essence that we can 
know. Instead, we have "objects" that are constituted by the layerings of value 
placed upon them. And since any "subject" doing the valuing is also a 
collection of these layers of placed value, we invite a kind of 
panrelationalism in which any "object," or "subject," or more generally, any 
"thing" we differentiate from any other "thing" is defined by its relations to 
every "thing" it's being differentiated from (including what's doing the 
differentiating).

This is why the static/Dynamic distinction becomes very helpful in Pirsig's 
later philosophy. All objects are static patterns of value of some kind. A 
static pattern of value is a repetitive way of valuing some "object," but since 
all there is to this "object" are those repetitive valuings, we call the locus 
of those valuings the "object" and name it, e.g., a "rock" or a "molecule" or 
an "electron." However, the relations between things change over time. Sex 
changed biology. The Greeks changed politics. The Romantics changed the way we 
create ourselves. All of those things changed the way things were previously 
done and are retrospectively viewed as progressive (namely because they allowed 
the other things after them to occur). But more importantly, we must become 
historicists after renouncing essentialism because essentialism held up the 
ideal of being rational by correctly identifying objects with particular 
amounts of intrinsic value. By rejecting essentialism, we reject t
 he idea of intrinsic value and so reconstitute the process of valuing (and the 
rationality of it) as an historical process of advancing betterness. A break in 
the old patterns of valuing is defended, sometimes only retrospectively, by the 
betterness accrued in the new patterns, and betterness can only assessed by 
other old patterns being left in place. Eventually, it is theoretically 
possible that we may tear down so many of these old patterns that there are 
none left that we could identify with, essentially making us a new form of 
life. But as long as we can tell a story of progressive betterness, of how we 
got from there to here, we can be rational and avoid the charge of nihilism 
often attributed to those who deny essentialism.

There are a lot more facets to Pirsig's philosophy, and even more to his 
writings. But I take the above to be basic to the position in philosophical 
space that Pirsig occupies. While I don't think a whole lot cosmologically 
follows from the above, I do think think that it breaks down Plato as Pirsig 
wished to do.
----------

Matt
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