The parable of the rotisserie assembly instructions following this 
clarifies this point even more. Bo insists that there is only one
way to assemble the rotisserie when it may be successfully
be assembled in a variety of different ways, The instructions
authority being derived by an arbitrary worker who is valued the least
in the actual operating procedure.

-Ron




________________________________
From: david buchanan <[email protected]>
To: [email protected]
Sent: Saturday, February 28, 2009 12:38:40 PM
Subject: Re: [MD] The Quality/MOQ dichotomy


Bo said:
...DMB represents the view that the pre-everything's unity is destroyed by our 
"definitions and conceptualizations. 


dmb says:
Huh? Concepts and definitions don't destroy anything. They simply express and 
stabilize particulars. These static patterns are derived from DQ and are 
distinguished from it like a snapshot captures and stabilizes a moment from the 
total visual field. I don't see how a photograph could destroy the world of 
light from which it is derived any more that I can see how static patterns 
destroy DQ.

I was thinking about one of the early scenes in ZAMM, where all four travelers 
are outside their motel talking about ghosts. It's something like a prelude to 
what's coming. It's gonna be a bit of a ghost story insofar as the narrator is 
being pursued by Phaedrus and, more to the point, this scene is where the 
reader is introduced to the idea that the law of gravity is a ghost, that it's 
in the "mind" of Europeans and that this a cultural difference between Western 
people and the Indians who just don't see that kind of ghost. On the other 
hand, the Indians have their own ghosts and that they seem just as real to 
Indians as gravity does to us. In the language of Lila, this is where the 
reader is introduced to the idea that there is more than one way to 
conceptualize experienced reality. This cultural difference can reasonable be 
compared to the difference between SOM and the MOQ, although the latter 
difference is philosophical and deliberate rather than
 simply inherited. 

This early scene is also the prelude to the attack on SOM. Here he is already 
saying that "gravity" is not objectively real, that it is subjective, contrary 
to what most Western people think. 



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