Thanks Arlo,
Yes, I agree that it is more noble from the point of philosophy to deal with 
the two stated forms of Quality.  One of my interests is drawing in the masses, 
as I try to do in conversations outside of this forum.

As I see it in my simple way, A/D is said by Nietzsche, as an expression of 
"energy" as described by the analogy of world view.  What does N say about 
their interconversion?  DQ and sq are often depicted as distinct concepts with 
DQ promoting sq.  It is this relationship that I am interested in within MoQ, 
and I am hoping that your reading may shed some light on this.

Thanks,

Mark

On Oct 17, 2011, at 4:45 AM, "ARLO J BENSINGER JR" <[email protected]> wrote:

> [Mark]
> Thanks for your thoughts.  Is it possible that Pirsig is describing this
> dialectic when he presents the Classical and the Romantic?  While that is a
> toned down version of A/D for simple people such as myself, it seems to have
> the basic ingredients of what you present, in bestseller format.  Just
> wondering your thoughts on that.
> 
> [Arlo]
> A couple of times I've said its very hard to miss associating A/D with C/R
> split of ZMM, and Matt said he had a philosophy professor who did just that. I
> think, though, that since Nietzsche is talking about the 'creative dialectic'
> that gives birth to 'art', some parallel to DQ/SQ (even framed as
> 'pre-intellectual, cutting-edge awareness/static intellectual quality) is
> fascinating (to me). 
> 
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