Sounds good, David. Thanks for letting us know about Patrick Doorly's new
book. Looking forward to it.

On Sat, Jun 1, 2013 at 1:52 PM, david buchanan <[email protected]>wrote:

>
>
> As some MOQers may recall, Patrick Doorly of Oxford University is a major
> league MOQer. He organized the MOQ Study Day at Oxford back in 2009. He has
> written a book that's scheduled to be out this August. It's titled "The
> Truth about Art: Reclaiming Quality".
> http://www.zero-books.net/books/truth-about-art  I imagine that Pirsig
> must be pretty happy about this. Let the intellectual infiltration begin at
> the top, right where Pirsig wants it to start! This is very exciting, eh?
>
>
> Amazon says, "Patrick Doorly was educated at St John’s College, Oxford;
> Stockholm University; and the Courtauld Institute of Art. For much of his
> career he taught critical and theoretical studies to students on
> studio-based courses in art and design. Since 2000 he and his wife have
> lived in Oxford, where he divides his time between writing and teaching art
> history at the university’s Department for Continuing Education."
>
>
> "...The message that Doorly seeks to drive home, sometimes with almost
> missionary zeal, is that Art and Truth are not facts of nature but
> constructs with a cultural legacy, and that the word ‘art’ in particular
> has throughout its history had changing meanings attached to it. His aim is
> systematically to question, from first principles and without preconceived
> ideas, what it is that distinguishes art from artefact or object. His
> approach to the half-jocular question “but is it Art?” is deeply serious,
> and impatient of orthodoxies, whether those of Kant or Winckelmann or of
> more recent critical theory; he has a sharp eye for flawed argument, and
> takes a slightly schoolmasterly delight in leading his class through the
> basic facts, the etymologies and semantics, the evolution of ideas, so as
> to lay bare a long history of misapprehension. The fundamental hypothesis
> that he proposes and proceeds to test is that art is ‘high quality
> endeavour’ (a hypothesis that tellingly only fails when confronted with
> what he calls the ‘intellectual pranks’ of Duchamp), aiming to show that
> significant artists have at all times sought to achieve excellence by
> building on and improving or transcending the tradition that they have
> inherited. Doorly concludes that Quality is of the essence, and that
> Pirsig’s model of the interaction between the Dynamic Quality of the
> creative individual and the Static Patterns of a culture is the most
> promising conceptual model of artistic endeavour that he has encountered.
> Readers who delight in the works of artists of all periods (other than the
> professionals of the art and art-historical worlds, who may well not
> welcome this book on account of its uncomfortable home truths) will find
> Doorly’s systematic demystification of the critical apparatus surrounding
> these works enlightening. The obvious integrity of his enquiry and the
> clarity with which it is conducted enrich our ability to understand what it
> is that delights us, and give a further dimension to our appreciation of
> the creative process." ~ Nicholas Mann, Director of the Warburg Institute
> (1990–2001)
>
>
> "Doorly has written a book that is full of interest, and he presents his
> thesis in language that sparkles with clarity. I am in broad agreement with
> his treatment of the Italian Renaissance, and with his views of virtue,
> quality, and related topics. In areas where I have no expertise, I learned
> a lot about artistic creation from his ideas and from the conclusions he
> draws from an enormous amount of essential reading. The book deserves to be
> widely read." ~ John Woodhouse, Fiat-Serena Professor Emeritus of Italian,
> Oxford University
>
>
>
>
>
>
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