I sure would like to get my hands on a copy of this. 
http://sunzi.lib.hku.hk/ER/detail/hkul/2679785

"The aesthetics of indeterminacy: a meeting ground between eastern mysticism 
and postmodernism and selected novels by tom robbins, richard brautigan, and 
robert pirsig" by Doo-Ho Shin


Indeterminacy has become a dominant concern in postmodern literature and 
literary criticism as well as in other postmodern cultures and the research 
done these areas demonstrates an abiding interest in indeterminacy. However, 
little effort has been made in establishing a meeting ground between Eastern 
mystical traditions and Western postmodernist thought. And even less research 
has been done on the postmodern writers who pave a new way of understanding 
postmodern Western culture by establishing dialogue between the traditions of 
the East and literary postmodernism of the West.This dissertation explores a 
meeting ground between Eastern mystical traditions and postmodern Western 
culture, attempts to account for it theoretically, and discusses how such 
dialogue works in selected novels by postmodernist writers, who not only employ 
postmodern indeterminacy but also incorporate Eastern mystical ideas in their 
works: Tom Robbins's Another Roadside Attraction, Even Cowgirls Get the 
 Blues, Richard Brautigan's Trout Fishing in America, and Robert Pirsig's Zen 
and the Art of Motorcycle Maintenance. A general discussion of my method covers 
the historical and current debates concerning the issue of determinacy and 
indeterminacy in the areas of the new physics, deep ecology, deconstruction 
language theory, and philosophy in each chapter, in relation not only to 
literature and literary criticism, but also to Eastern mysticism.Eastern 
mystical traditions share striking similarities with postmodern thinking about 
indeterminacy in these areas. Indeterminacy has been constantly accepted in 
Eastern mystical traditions, while in the West it has only recently gained 
attention. And these writers who were familiar with both traditions well 
developed the theme of indeterminacy in their writing.By studying these three 
authors' dominant concerns as these radiate out from indeterminacy, we get a 
better sense of how far they have taken us in a postmodernist East-West dialo
 gue of contemporary thought and expression and how the Easterners are 
potentially well equipped with spiritual traditions not only to understand 
Western postmodern literary phenomena which are still new to most Eastern 
readers but also to develop their own culture specific versions of postmodern 
literature and criticism.                                       
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