Corrected link.. http://open.spotify.com/track/0HOh8tT4hPM6RcwRzmA9OI

26 aug 2014 x kl. 23:17 skrev Jan Anders Andersson <[email protected]>:

> Yes
> 
> There is a razor too, the dividing principle, known as ethic betterness. The 
> betterness of jumping into a superior level.
> 
> "So what Phaedrus was saying was that not just life, but everything,
> is an ethical activity. It is nothing else. When inorganic patterns of
> reality create life the Metaphysics of Quality postulates that they've
> done so because it's "better" and that this definition of "betterness"
> -this beginning response to Dynamic Quality-is an elementary unit of
> ethics upon which all right and wrong can be based.” Lila
> 
> The hunt for step two is to find the very treshold from organic into social 
> betterness.
> Where is it?
> 
> While looking around we’re listening to the dynamic canadian fiddler Jaron 
> Freeman-Fox: http://open.spotify.com/track/0HOh8tT4hPM6RcwRzmA9OI
> 
> all the best
> 
> Jan-Anders
> 
> 
> 26 aug 2014 x kl. 22:59 Ant McWatt <[email protected]> wrote:
> 
>> Jan,
>> 
>> The link for the updated paper by Eric Preizkalns & myself is now:
>> 
>> http://moq.robertpirsig.org/MOQTime.html
>> 
>> 
>> Jan Anders said to DMB, Aug 25th 2014:
>> 
>> I began this thread about step one, two, three, the steps of the 4 
>> levels of MOQ with Anthony McWatt and Eric Priezkaln's little essay 'The
>> Role of Evolution, Time and Order in Robert Pirsig's "Metaphysics of 
>> Quality”.' Anthony issued a revised version called "The MOQ and Time" 
>> recently but I can’t find it on the web just now. This little essay also
>> hold some responses from RMP so I think you should have it in your 
>> library.
>> 
>> 
>> Ant McWatt comments:
>> 
>> I noticed in the late 1990s that (probably) the largest gap that remained 
>> then regarding Pirsig's metaphysical work, was any in-depth look at the 
>> concept of time.  It meant that Pirsig, Eric (who remember is quite a 
>> logical positivist in his "philosophical outlook"!) and myself had to 
>> basically start from scratch with the topic...  Anyway, Jan-Anders is 
>> correct; most, if not all, quotes by Pirsig in that paper are therefore 
>> unique to it (though it did eventually become the Appendix for the Ph.D).
>> 
>> Either way, it's good to see this paper being used (appropriately!) as a 
>> starting point.
>> 
>> Best wishes,
>> 
>> Ant
>> 
>> 
>> Jan Anders said to DMB, Aug 25th 2014:
>> 
>> ------------CUT------------
>> 
>> My quest is based on two points:
>> 
>> The diagram on page 4 which shows how static patterns of quality are 
>> divided into four systems. The treshold, where a step into a new level 
>> evolves, is located at the left of each field-level.
>> 
>> On 
>> page 7 RMP wrote to Ant: "The MOQ starts with the source of 
>> undifferentiated perception itself as the ultimate reality. The very 
>> first differentiation is probably ‘change’. The second one may be 
>> ‘before and after’. From this sense of ‘before and after’ emerge more 
>> complex concepts of time.” Step zero is that start.
>>> 
>>> And from Lila of course.
>> 
>>> I am curious about every little detail in this figure. What are the details 
>>> in this 4 levels. I want to know and I can see that misconceptions about 
>>> the levels are causing some trouble and miscomfort here and there. I think 
>>> it would be useful to master this little issue. A romantic prefer what it 
>>> is today, a classic will be more into how it works and the eternal 
>>> mechanisms behind.
>> 
>>> So about my book. If you are not interested in reading it is ok for me. 
>>> I’ll just give a short brief about its background anyway.
>>> 
>>> The novel is really about money and the art of losing control! But if you 
>>> aren’t interested in money and rather want to keep control, don’t read it. 
>>> Do never crack up or fall in love. Stay away from accidentual experiences 
>>> even if it could be of dynamic quality. I wrote that book because the story 
>>> sort of went up in my mind. It’s mostly fiction but I had some inspiration 
>>> from ZAMM and Lila. I have also a lot of inspiration from other sources 
>>> too. I was travelling around a lot in my car and all the pieces in the 
>>> jig-saw puzzle fell together eventually so it took me just one month to 
>>> write it down. There was a lot of yellow notes floating around in my mind 
>>> that had to be put in order.
>> 
>> 
>> ------------CUT------------
>> 
>> 
>>> The story takes some effort to read in the beginning because my plan, the 
>>> structure, was to make it like a circular movement, uphill, hard and sweaty 
>>> until you reach the top from where the roller coaster goes down again. I’ve 
>>> been working on roofs of buildings for many years so I know how hard it is 
>>> to walk up until you can enjoy the perspective. My intention was that from 
>>> the top in chapter 7 and further on it mostly would be fun to read. It was 
>>> fun to write too.
>>> 
>>> It’s free on Itunes bookstore, you can also buy it as paperback here: 
>>> https://www.createspace.com/3895126 
>> 
>> 
>> ------------CUT------------
>> 
>> 
>> .
>> 
>>                                        
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