Il 09/12/2012 19:52, Felix Janda ha scritto:
A possible strategy is using minimumFret when I don't want to show the
> string number, but I'm a bit afraid of the warnings that it may generate
> (done just few tests).
> What do you recommend?
It sounds like a good strategy. What warnings? How about for example setting
minimumFret to 7 and enabling restrainOpenStrings in measure 8?
Yes, in measure 9.
The warning is:
warning: No string for pitch #<Pitch d > (given frets (10 7 7))
warning: No string for pitch #<Pitch d, > (given frets (7 10 7 7))
If I comment restrainOpenStrings the warning disappears.
But I can't reproduce the error in a minimal example, I can't understand
what's wrong.
Any thoughts?
--
Federico
\version "2.17.9"
% copied and pasted from Saltarello
% get no warnings here
first = \relative c' {
\time 3/4
\set minimumFret = #7
\set restrainOpenStrings = ##t
d8\3 ( e) fis4\2 g
\set minimumFret = #0
a\2
}
second = \relative c, {
\time 3/4
d4 a' d
}
\score {
\new StaffGroup <<
\new Staff = "guitar" <<
\context Voice = "first voice" { \clef "G_8" \voiceOne \first }
\context Voice = "second voice" { \clef "G_8" \voiceTwo \second }
>>
\new TabStaff = "tab" \with {
stringTunings = #guitar-drop-d-tuning
} <<
\context TabVoice = "tab first voice" { \clef "moderntab" \voiceOne \first }
\context TabVoice = "tab second voice" { \clef "moderntab" \voiceTwo \second }
>>
>>
}
\version "2.16.1"
P=\rightHandFinger #1
\header {
title = "Saltarello"
composer = "GalileiV"
instrument = "Guitar"
enteredby = "Emre Akbas"
piece = \markup { \circle 6 = D } % drop D tuning
% mutopia headers
mutopiatitle = "Saltarello"
mutopiacomposer = "Vincenzo Galilei (1520-1591)"
mutopiainstrument = "Guitar"
style = "Renaissance"
copyright = "Public Domain"
maintainer = "Federico Bruni"
moreinfo = "Originally typesetted by Emre Akbas (emreak...@yahoo.com)"
lastupdated = "2001/Aug/26"
footer = "Mutopia-2001/08/26-110"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org"; \line { \teeny www. \hspace #-0.5 MutopiaProject \hspace #-0.5 \teeny .org \hspace #0.5 } ⢠\hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org"; \line { \teeny www. \hspace #-0.5 LilyPond \hspace #-0.5 \teeny .org } by \maintainer \hspace #-0.6 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain"; http://creativecommons.org/licenses/publicdomain } } } }
}
global = {
\time 3/4
\key d \major
% Removed manual beaming in bars 5, 13 and 29 because of issue 2907:
% http://code.google.com/p/lilypond/issues/detail?id=2907
% Nevertheless, using the following settings is probably better anyway
\set Timing.beamExceptions = #'()
\set Timing.baseMoment = #(ly:make-moment 1 8)
\set Timing.beatStructure = #'(2 2 2)
}
first = \relative c' {
\global
\repeat volta 2 {
% 1
d8 ( e\2 ) fis4 g |
a2 \glissando b4 |
g4 e a |
fis2. |
% 5
e8\2( d) e( fis) g( e) |
fis2 g4 ~ |
g4 e e8 ( fis) |
d2. |
\set minimumFret = #7
\set restrainOpenStrings = ##t
d8\3 ( e) fis4\2 g |
\set minimumFret = #0
% 10
a2\2 \glissando b4\2 |
g4\2 e\3 a\2 |
fis2.\2 |
e8\2 ( d) e\2 ( fis\2) g\2 ( e\2) |
fis4\2 e8[ fis] g[ fis] |
% 15
e8[ d] cis[ d] e[ fis] |
d2. |
fis4 e d |
fis2. |
fis4\2 e\3 d\3 |
% 20
a'2.\2 |
fis4 e d |
a'2 g4 ~ |
g4 e4. fis8 |
d2. |
% 25
g8\2 ( fis\2 ) e4\3 d\3 |
fis2.\2 |
g8\2 ( fis\2 ) e4\3 d\3 |
a'2.\2 |
e8\2 ( d\2 ) e\2( fis\2) g\2( e\2) |
% 30
fis4\2 g8[ fis] e[ d] |
cis[ b] cis[ d] e[ fis] |
d2. |
R2.
\harmonicByFret #7 <g,\3 b,,\2 e,\1>2. |
<d,,, a' d d'\3 fis\2 d'\1>2.\arpeggio |
}
}
second = \relative c {
\global
\repeat volta 2 {
% 1
d,4\f_\P a'_\P d_\P |
d,4 a' d |
d,4 a' d |
d,4 a' d |
% 5
d,4 a' d |
d,4 a' d |
d,4 a' d |
d,4 a' d |
d,4\p a' d |
%10
d,4 a' d |
d,4 a' d |
d,4 a' d |
d,4 a' d |
d,4 a'\f d |
% 15
d,4 a' d |
d,4 a' d |
d,4\f a' d |
d,4 a' d |
d,4\p a' d |
% 20
d,4 a' d |
d,4\f a' d |
d,4 a' d |
d,4 a' d |
d,4 a' d |
% 25
d,4\p a' d |
d,4 a' d |
d,4 a' d |
d,4 a' d |
d,4 a' d |
% 30
d,4 a'\f d |
d,4 a' d |
d,4 a' d |
\harmonicByFret #12 { d,,4 a d, } |
s2.*2 |
}
}
\score {
\new StaffGroup <<
\new Staff = "staff" \with {
midiInstrument = "acoustic guitar (nylon)"
% Avoid collision between stems and string numbers in bar 1 and 9
\override StringNumber #'add-stem-support = ##t
\override Fingering #'add-stem-support = ##t
}
<<
\context Voice = "staff first voice" { \clef "G_8" \voiceOne \slurDown \tieDown \first }
\context Voice = "staff second voice" { \clef "G_8" \voiceTwo \second }
>>
\new TabStaff = "tab" \with {
stringTunings = #guitar-drop-d-tuning
}
<<
\context TabVoice = "tab first voice" { \clef "moderntab" \voiceOne \first }
\context TabVoice = "tab second voice" { \clef "moderntab" \voiceTwo \second }
>>
>>
\layout {
% line breaks every 7 bars
system-count = #5
}
\midi {
\tempo 4 = 96
}
}_______________________________________________
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