Hi, I don't have a "high-flying" art career.  I have a pretty big
carbon footprint, though.

But it seems as though this project is negatively motivated,
minimalist through purification, not simplicity: stop, avoid,
less,"careering."

I feel that we've just gotten to the point where outside the major
cities more than one sort of lettuce is available and more than one
ethnicity is represented, where, rather than short wave radio and
inter-library loan and mail and phone, we can actually see and
communicate more, with more people.  Which is why, now,
counter-cultural types are turning back toward "the local".

"relate differently to their own local cultures and to connect more
imaginatively to other cultures"

not everyone is suited to fighting the good fight against
fundamentalism and anti-intellectualism in small towns by day and
making wild and free art alone in a barn / basement server room of
one's own by night; not everyone wants to join an art colony or
commune or live on a college campus; not every practice thrives on
solitude; not every practice thrives on jetting around "networking"
with "important people"

-- 
All best,
Catherine Daly
c.a.b.d...@gmail.com
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