I'm very late coming to this, because I tend to let Netbehaviour posts 
pile up and then trawl through them a week or so at a time, but this has 
been a very absorbing thread, especially the exchange between Alan and 
Curt about significance in art, art-teaching, etc.

I'd just like to say a belated word in defence of manifestos. I'm quite 
anti-manifesto personally, in the sense that I don't personally want to 
get involved with one, or can't think of one with which I would want to 
get involved; but I can see that they sometimes serve their purpose. 
Radically new art sometimes has to create the critical framework from 
which it should be judged, and manifestos can help with this. Being a 
literary sort of person I'm thinking of things like the Imagist 
manifesto, George Eliot's lengthy remarks about realism in literature in 
Scenes from Clerical Life (or was it Adam Bede?) and Wordsworth and 
Coleridge's preface to The Lyrical Ballads, with its plea that poetry 
should be written in "language really used by men" instead of the 
highly-artificial diction favoured by the Augustans. Exciting ideas, and 
ideas which helped to alter the course of our literature.

- Edward
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