Or is there an opportunity here for "no Arts Council funding no fee"
services - following the idea of those insurance experts who advertise
on afternoon TV and specialise in victim compensation? I'm being
cynical I suppose ...

dave



On 7 November 2011 14:55, Simon Biggs <[email protected]> wrote:
> Most times I've been successful in acquiring Arts Council funds it has been
> through indirect means - somebody applying on my behalf, usually through a
> commissioning body (gallery, producer, festival, etc). The people who hold
> responsible positions in such organisations are expert grant writers and
> have a much better hit-rate than 2.5%. If that is the likely success rate
> then I'd tend to feel it is not worthwhile applying. You need a better
> likelihood than that. Even 10% is marginal. 20% is about when it starts to
> get worthwhile, in terms of the odds.
> One of the main reasons I shifted from being a freelance artist to working
> in academia was due to issues around funding. During the 80's and 90's I'd
> been lucky with ACE, British Council and other funders. But in the late 90's
> the new government changed the focus of arts funding, which resulted in many
> of the key funding avenues being closed down (like the new film fund - which
> happily funded new media projects with reasonably serious amounts of money).
> The writing was on the wall and the research councils started to look like a
> better bet, with relatively generous fellowships available, as well as
> medium to large project funds being available to creative practice based
> projects, especially if technology was involved (eg: six or seven figures).
> Things are more competitive now, with less money available and more
> applicants than ever, but the hit-rate is still better than 10% and, for
> some funds, much better than that. Follow-on funding, for those who have
> already held research council funds, is better than 50/50.
> State funding of the arts is in a dire situation now and it is little
> surprise that many feel it is pointless to apply - but if you look at it
> another way, somebody has to apply and you can't win it if you aren't in
> it. I'd recommend you develop a relationship with one or more sponsoring
> organisations that can work with you on developing a relationship with the
> funders. They need to know you a bit, understand what you are doing and why
> and to develop a trust based relationship. In hard times they are even more
> risk averse than normal.
> best
> Simon
>
> On 7 Nov 2011, at 12:09, dave miller wrote:
>
> I'm guilty of this - have never applied for funding. I always assume I'd
> never get any and with the scale of the cuts going on, I've more or less
> forgotten that funding even exists!
> dave
>
>
> On 7 November 2011 11:45, marc garrett <[email protected]>
> wrote:
>>
>> Arts funding: why so many artists don't apply for the money.
>>
>> Dany Louise introduces a report she wrote on arts funding that reveals
>> some surprising statistics.
>>
>> "The key finding is that surprisingly few individual artists apply for
>> money in their own right and even fewer are successful. In England, less
>> than 5% of artists apply in their own name every year and of those, less
>> than 2.5% are successful. This means that there is little direct funding
>> being given to artists to pursue and develop their own projects, under
>> their own control: under 20% of available funding for the visual arts in
>> England, 14% for Northern Ireland and around 18% for Scotland and Wales
>> in 2009-2010."
>>
>>
>> http://www.guardian.co.uk/culture-professionals-network/culture-professionals-blog/2011/nov/04/arts-funding-artists-dont-apply
>>
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> Simon Biggs
> [email protected]  www.littlepig.org.uk  @SimonBiggsUK  skype:
> simonbiggsuk
> [email protected]  Edinburgh College of Art, University of Edinburgh
> www.eca.ac.uk/circle www.elmcip.net  www.movingtargets.co.uk
>
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