Well, there are certain laws of physics involved here. Reflected light images (prints) will never match transmitted light images. sRGB is designed to approximate reflected light imaging. If your output is primarily going to be prints it is probably the best standard to use. Something else is going to give you richer images if your output is going to be some kind of transmitted light image.

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David Mann wrote:

A lot of people match their working space to the capabilities of their output device (ie printer). This is great in the short term as it gives the greatest possible tonality within the limitations of the printer - in other words you're not wasting space by storing information about colours that you can't print anyway. This approach can be a limiting factor as technology improves because you can't regenerate the data you threw away, so if a wider-gamut printer comes along you won't be able to take full advantage of it.



-- graywolf http://graywolfphoto.com/graywolf.html




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