My boss is a devoted sports photographer who was spending a huge amount
of money on Ilfochrome prints at a very good custom lab. I asked him to
let me see a sheet of his transparencies. I scanned them on our Agfa
Duoscan T2500 at 4000 dpi, then printed the 50 meg images on Ilford Fine
Art paper in my Epson 1200. When I handed hime the 10 x 7 prints, he was
absolutely blown away. The images were crisper and more vibrant than his
Ilfochromes. The very next day he bought an Epson 1280, a new G4 880
Mac, and a Nikon film scanner. (He makes an obscene amount of money, the
bastard. I billed him for the half dozen sheets of that expensive paper
:-) 
Paul

Shel Belinkoff wrote:
> 
> Mike ...
> 
> If you mean using digital cameras, well, I'm not particularly interested
> at this point.  Digital cameras don't work properly for much of my
> photography.  However, I do scan some of my work and put it up for all
> to see, and it's quite possible that, given a good photograph and a good
> negative and a good scan, I may have a digital print made. Actually, I
> intend to do just that, and have already contacted a couple of places to
> get an idea of what's required for a high end print.
> 
> Also, although it's a cheap one, I've been using a digital camera longer
> than it seems you have, albeit for entirely different purposes.
> 
> Mike Johnston wrote:
> 
> > But while we're on the subject of changing viewpoints, I think what you (and
> > Shel and Mafud and Christian etc.) are forgetting is that I was just like
> > you a year ago. I was saying all the same things, making all the same
> > arguments.
> >
> > Digital is coming to your lives as photographers, just as it came to mine
> > (whether we also stick with film or not). The only difference between any of
> > us is WHEN we jump in.
> --
> Shel Belinkoff
> mailto:[EMAIL PROTECTED]
> http://home.earthlink.net/~belinkoff/pow/enter.html
> http://home.earthlink.net/~belinkoff/cameras/pentax_repair_shops.html
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