On Sat, Sep 26, 2009 at 02:49:56PM -0400, paul stenquist wrote:
>
> On Sep 26, 2009, at 2:17 PM, Anthony Farr wrote:
>
>>>>
>>> The photographer didn't crop it. The magazine did, and the  
>>> photographer was
>>> displeased.
>>>
>>
>> That's a semantic juggle.  Unless the view is an immersive 360 degrees
>> in all planes, the photographer ALWAYS selects the field of view as a
>> portion of the entire reality.  He/she is no more innocent than the
>> editors who continued the act of cropping that the photographer began.
>>
> The photographer accurately portrayed the event that was taking place in 
> the room. The magazine cropped it in such a way that its message was 
> altered. That's not a semantic juggle. It's fact.

No - it's your interpretation.  Apparently you seem to think that what
Dick Cheney is doing is somehow different when viewed in isolation,
rather than when viewed against a background involving other people.

Personally I agree with the dismissal of the whole thing as a boring
crop of a boring photograph.  If you want to see hidden messages in
the crop that's your perogative, but it certainly isn't a "fact".


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