LOL..

J

--- On Fri, 10/15/10, Walter Gilbert <[email protected]> wrote:

> From: Walter Gilbert <[email protected]>
> Subject: Re: GESO: Megan W.
> To: "Pentax-Discuss Mail List" <[email protected]>
> Date: Friday, October 15, 2010, 10:53 AM
>    Now there's a
> bumper sticker for Photoshop dilettantes the world 
> over:  "Why dodge and burn when you can fiddle and
> hope?"
> 
> That's a pretty apt description of my Photoshop technique.
> 
> -- Walt
> 
> On 10/15/2010 12:49 PM, Jack Davis wrote:
> > I'd go for the saturation and color cures sliders. Try
> knocking down the glistening skin by gently bringing down
> the highlights. Burn tool would be another possibility.
> Surgical use of the clone tool(?) MAY then be an option in
> restoring skin tone.
> > As you can tell, I'd just fiddle with it and hope.
> > Probably many others on this list would have better
> ideas.
> >
> > Jack
> >
> > --- On Fri, 10/15/10, Walter Gilbert<[email protected]> 
> wrote:
> >
> >> From: Walter Gilbert<[email protected]>
> >> Subject: Re: GESO: Megan W.
> >> To: "Pentax-Discuss Mail List"<[email protected]>
> >> Date: Friday, October 15, 2010, 10:25 AM
> >>     I have to agree,
> >> Jack.  I've been trying to tone down the
> colors a bit,
> >> but what has really bothered me is the shine on
> her skin
> >> that you mentioned.  I'm trying to mitigate
> that some,
> >> but nothing I do seems to work, and often makes
> it
> >> worse.  I thought maybe a b&w conversion
> might help
> >> a little, but boy was I WRONG!  Any ideas on
> how to do
> >> ease it up a bit with very rudimentary Photoshop
> skills?
> >>
> >> I really liked the window frame shot, too. 
> As I
> >> mentioned to Paul S. in my reply to him, it was a
> horrible
> >> time of day to try to shoot that shot.  She
> was sitting
> >> inside a zebra striped Land Rover with a canvas
> canopy on
> >> it.  I actually took that one just to be
> taking a shot
> >> -- she wanted some taken on the Rover, I just
> figured it was
> >> a lost cause, but I wanted to go ahead and give it
> a try,
> >> just to satisfy her.  If I'd thought there
> was a chance
> >> in hell of it turning out as well as it did, I'd
> have tried
> >> a little harder on the focusing and
> metering.  The shot
> >> truly was atrocious before I salvaged it.  It
> just so
> >> happened to catch her face at its most flattering
> angle, I
> >> think.
> >>
> >> Thanks for the input!
> >>
> >> -- Walt
> >>
> >>
> >> On 10/15/2010 7:59 AM, Jack Davis wrote:
> >>> I realize from your introductory comments that
> you
> >> have a background issue. In addition, rather harsh
> tonality
> >> while it may be intentional, adds a degree
> "pressure." 
> >> In many shots the model's face glistens as though
> perspiring
> >> and to me, conveys a sense of discomfort.
> >>> The window shot is the cleanest and best pose
> although
> >> the model almost seems secondary to the window
> frame.
> >>> Jack
> >>>
> >>>
> >>> --- On Fri, 10/15/10, Walter Gilbert<[email protected]>
> >> wrote:
> >>>> From: Walter Gilbert<[email protected]>
> >>>> Subject: GESO: Megan W.
> >>>> To: "Pentax-Discuss Mail List"<[email protected]>
> >>>> Date: Friday, October 15, 2010, 2:55 AM
> >>>>     Hi all,
> >>>>
> >>>> Well, I had my very first photo shoot
> today.
> >> All
> >>>> things considered, I think it went fairly
> >> well.  I did
> >>>> get some good shots, a couple of great
> shots, and
> >> many that
> >>>> will wind up being salvageable.  Here
> are a
> >> few shots
> >>>> to give a reasonable approximation:
> >>>>
> >>>> http://www.flickr.com/photos/walt_gilbert/sets/72157625167892920/
> >>>>
> >>>> Nothing went as planned, and I hadn't the
> foggiest
> >> notion
> >>>> what I was doing.  But, somehow, I
> managed
> >> not to lose
> >>>> my friend (Megan, the model) -- at least
> until
> >> she's seen
> >>>> the images.  There are a few that
> have
> >> clunky
> >>>> backgrounds that I intend to obscure at
> some
> >> point. Beyond that, does anyone have any hits or
> tips that I
> >> might
> >>>> use to make the images look better?
> >>>>
> >>>> Comments, critiques, and advice are, of
> course,
> >> welcome.
> >>>> Best,
> >>>>
> >>>> Walt
> >>>>
> >>>>
> >>>>
> >>>>
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> >>>
> >>
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