Actually a lot of the newer lenses don't get much in the way of extra coverage 
as they are stopped down wheras some of the older designs get a huge amount.  
The difficulty is defining coverage, since a lot of the older lenses get very 
soft at the edges. In some cases older examples of the same design will have 
more coverage than newer ones since the manufacturers have tweaked them to 
reduce the image circle so that the edges don't get too soft. If you are 
contact printing from an ULF neg, say 12x20, then you really don't need much 
resolution but if you are doing mural prints from 4x5 the you will want it to 
be bleedingly sharp across the entire neg. The 8x10 and ULF guys will often 
distinguish between the area that is illuminated and the area that is covered, 
with coverage being a subjective measurement based on the photographer's own 
requirements for sharpness.  The phrase YMMV gets used a lot in discussions of 
LF lenses.


Paul Ewins
Melbourne, Australia

27/12/2011, at 3:14 PM, William Robb wrote:

> On 26/12/2011 10:04 PM, Darren Addy wrote:
>> I'm mostly view-camera illiterate, so I'm sure a more informed voice
>> could chime in here, but I'm seeing that "maximum coverage" is
>> achieved on some lenses only when stopped down significantly. On a
>> camera with rise, swing and tilt capability, I'm guessing that
>> "maximum coverage" could only be achieved with the lens and film back
>> parallel (I'm sure someone will correct me if that is inaccurate).
>> 
> 
> I think all lenses do get an increased image circle as it is stooped down. 
> Generally this is only important to the large format user who depends on a 
> large image circle to allow the use of camera movements.
> Often, in order to cover the entire format when using significant tilt of the 
> lens or shifting of the lens or film, the lens also needs to be stopped down 
> to secure coverage of the corners of the film
> 
> 
> -- 
> 
> William Robb
> 
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