Thanks Stan.  I was really intending only to take a general scene, and with the 
16-45 it
would have been difficult to take closer shots without intruding on the action 
too much.
Finding the three contained images seemed to be a bonus! 

John Coyle
Brisbane, Australia




-----Original Message-----
From: [email protected] [mailto:[email protected]] On Behalf Of Stan 
Halpin
Sent: Saturday, 4 February 2012 7:11 AM
To: Pentax-Discuss Mail List
Subject: Re: GESO - Bologna, three in one


On Feb 3, 2012, at 2:45 AM, John Coyle wrote:

> The link is to a small gallery (4 shots) taken in Bologna, last year.  
> The first image is good enough as a shot of a bunch of university 
> students on a big (graduation) day for them, but on processing the 
> image I thought there might be three images contained in it that could 
> stand-alone.
> Was I right?
> 
> http://www.members.iinet.net.au/[email protected]/Inclusions/index.
> html
> 
> 
> John Coyle
> Brisbane, Australia
> 

I agree that you have three subordinate images buried in the larger. The full 
scene is
good enough, but really too busy; there are at least three different areas of 
interest!
(:-)> Of the three narrower scenes, the third is ok. But of course the context 
is lost.

In some ideal world, a place I seldom have a chance to spend much time in, you 
would be
able to discard all four images - the full scene and its piece-parts. Then you 
would move
to the next frame on the film roll and delightedly examine a slightly different 
image.
This other image would show the full scene, but the camera view would be 
shifted to the
right a few notches. The trio standing in discussion would be the focal point, 
and all of
the actors in motion around them would be contrasting minor players in the 
scene.

stan
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