Well, not to be carrying on so much, P�l is right that the Z1p wasn't
marketed as a pro camera.� It was more an "advanced" users camera.� The
MZ-S is clearly marketed as a pro camera (just read every article written
on it and the "few' Pentax ads that they were motivated to put out).�
Notice that in Pop Photo that they labeled the Z1p as best suited for
"advanced amateurs" while the MZ-S is for "advanced amateurs,
professional."�While the Z1p has a higher fps rate, 1/3 stop exp. comp.,
better hyper modes,�if you look at it it has less than the MZ-S.� The Z1p
has no 6 pt AF (& it has a slower AF), HSS flash, multi-segment
pre-flash, wireless flash, AA battery grip with vertical release, very
soft mirror/shutter....Plus the MZ-S is metal while the Z1p is all
plastic (on the outside).�Having both cameras, I feel that the MZ-S is
more of a pro camera.� It's sturdier, has a VERY solid feel, while the
Z1p feels too plastic and flimsy in comparison.� However, like all Pentax
cameras, I've abused my Z1p in the field & it's very reliable.�Anyway,
Pentax made more with less with the MZ-S.� They took away the features
not many Pentax users needed/wanted (or put them elsewhere like the AF360
FGZ flash), and made this camera sturdy & light.� For me I mostly do
nature photography, so I'm in manual mode 98% of the time.� The MZ-S
is�geared more toward outdoor/nature photography, for those who actually
leave their cars and go backpacking, hiking, climbing, skiing, etc (N & C
users are lazier...kidding).This is why I say that Pentax broke new
ground.� It's easier to design a heavy, feature-packed blob pro�camera,
but to make it like the MZ-S...�BTW, If we judge pro cameras by how many
features they have, where does that leave the LX?�Just my�opinion.� :� )�Best,�Cliff

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