On 6th November 2003 Richard Kenward wrote:-
 
> Buying as high a quality monitor in peak condition as you can
> afford/justify, set up correctly as regards to calibration and
> profiling, and in an ideal viewing situation is an important element in
> how seriously you consider the limitations are for you.

.....and some of the colours in Adobe RGB cannot be seen by the human eye
never mind a monitor. Monitors are analog devices and no two are the same -
close but not the same. Main thing is the calibration.....and recalibration
until the guns and phosphors get whacked with age. I am not bothered that my
(ahem) four year old monitor cannot show everything in Adobe RGB, but it
still calibrates fine across the tube. A look at a PS CMYK preview is quite
enough to keep my confidence in the monitor. Still get a kick from comparing
profiled printouts with the screen and seeing little difference. Actually,
the prints show slightly more colour separation than the monitor, so if I
see what I think is the max on the screen I know the print is going to be
fab. I also find that the eye dropper in PS is invaluable for when
interpreting contrast ranges on screen for print, and hey I'm no expert. CRT
and LCD technologies have real, quite definite limitations when displaying
optical colour imagery, and so long as they get and give the best of it, the
human mind happily makes up the rest.

Remember, human vision is 'liquid' and the mind's eye get used to, then
forgives and forgets the true nature of its surroundings very easily and
conveniently. Like looking at a Halloween mask until it no longer looks
scary, or saying the word 'monkey' a thousand times until meaningless.

Which reminds me, must recalibrate my monitor.

William Curwen


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