It was 28/7/04 9:55 pm, when Malcolm Jeffs wrote:

> If, however, the selected
> white balance on the camera acts like a means of changing the "film" type
> (eg like "tungsten" or "daylight" film) even on RAW image files, then the
> correct choice of white balance on the camera must be useful in eliminating
> the bulk of any colour cast at the outset, leaving you to "fine tune" the
> image netrality, tonal range and colour balance in the RAW conversion
> process, or even later in Photoshop.
> Yours, still deliberating,

Malcolm

The fact that you can choose As Shot (for some cameras) in the Camera Raw
plug-in leads me to believe the white balance settings are embedded in the
Raw file. 

So, setting the correct white balance before you shoot must help to get you
into the ballpark when you process your Raw file.

Basically, all you are doing when you process your Raw file is what the
camera would have done had you shot in JPEG or TIFF mode: taken the raw data
and the camera settings to convert the data to JPEG or TIFF and save it to
your storage device.


Shangara Singh.
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