Agreed. Or you could act like you never heard the track.
There really is no easy way to tell somebody they are not cut out for a job, 
especially one in music. So you got to give it straight. If you don't, trust 
me, a somebody will.

> On Jul 24, 2017, at 7:11 PM, Kevin Reeves <reeves...@gmail.com> wrote:
> 
> I would stop working with him altogether. I would just say that due to 
> artistic differences or whatever, it's not a good collaborative relationship. 
> I personally don't have time to change diapers or deal with emotional issues 
> when it comes to business like this.
> It's nothing personal, it's just business. Your time is valuable. It should 
> be spent making music, not trying to smooth over bruised egos.   
> 
> Sent from my iPhone
> 
>> On Jul 24, 2017, at 6:36 PM, Christopher-Mark Gilland 
>> <clgillan...@gmail.com> wrote:
>> 
>> OK, so I have a friend who sent me a track he had recorded. Granted, he did 
>> it in Reaper not PT, but that's kind of not exactly the point.
>>  
>> He wanted my opinion on his mix, etc.
>>  
>> First off, the guy is almost 2 whole steps off key. I know, as I know very 
>> well the song that he recorded. This isn't him using improvization. It's 
>> more truely him being off the correct note or anything there close.
>>  
>> Secondly, his vocals clipped horribly. With no processing or anything, the 
>> meters are showing him at positive 9.3DB.
>>  
>> On his reverb, he ran both the wet, and the dry mix at 100%, so he sounds 
>> like he's in the grand cannyon. Plus, he's got major major headphone 
>> bleedover, so bad, I almost can make out each note individually from the 
>> karaoke track he used.
>>  
>> When he hits the higher notes, he's singing from his throat, I can tell, as 
>> he's straining badly, and literally almost shouting.
>>  
>> On the compressor, he used a 8/1 with the attack as fast as the compressor 
>> plug would let him, and the attack as slow as it would. Then, he set the 
>> threshold at negative 14DB, which obviously means he's squashing the living 
>> shit out of things! Worse is, he not only did this on his vocal, but he then 
>> reduplicated it on the master fader as well. Aaa, my aching! ears!
>>  
>> Finally, he turned up all frequencies around 60HZ  by about 5 DB.
>>  
>> When I told him this needed a lot of work, being he wanted my honest 
>> opinion, he says he cannot hear the things I'm talking about nor how it 
>> negatively effected the mix.
>>  
>> This guy's been through a lot of emotional psychological trauma, which so've 
>> I, so I know how it feels. I don't wanna tell him this sounds like utter 
>> F***ing shit, but, that said, this is about the 5th song he's sent me like 
>> this. I just don't think he's cut out for a vocalist let alone a producer. 
>> OK, who 'em I to judge! I know, I know, I'm not the greatest myself, but at 
>> least I listen and try taking advice when people give it, hince why I've 
>> improved as much over the years as I have. This guy simply won't take any 
>> advice I nor anyone else give him. He didn't pay me to listen, he just asked 
>> me as a friend to tell him. He's not expecting me to do this as him being a 
>> client.
>>  
>> So, client or not, what's the best way with love, mind you, to more politely 
>> say, Jane Doe? You absolutely suck!
>>  
>> Surely some of you all have had vocalists or musicians who you listenned to, 
>> who you had to turn down the job from as they just weren't seen as fit for 
>> it. They just didn't have what it would take.
>>  
>> How do you let those guys off easy, without being a nasty Simon Cowell the 
>> second? My christian morrals won't let me lie, but if I say what I really 
>> think, it's gonna break his heart! I can't do that to such a dear friend! I 
>> just can't! What do I do!
>>  
>> Chris.
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