Op dinsdag 13 februari 2007 08:29, schreef Yves Guillemot:
> From a purely theoretical point of view, I think you are right.
> Nevertheless, looking at some printed scores I have here, I don't see any
> "8" below the clefs.
> For some reason, in some old time, composers, then typesetters, didn't
> bothered to add it and now it seems to be a rule.
> The example is only the first one I found on the net, and it corresponds to
> the usual printed scores.

Must second that. I hardly play any guitar at all, but I /did/ work my way 
through two course-books, with not a \clef "G_8" in sight.

It's not unheard of that instruments use the - technically speaking - wrong 
clef for their music notation. The soprano recorder is similar: it is 
(almost) always written with \clef "G" while actually it should be 
\clef "G^8". (I hope I got the LilyPond notation right.) The sopranino 
recorder is the same. Alto recorders always get a \clef "G" and are usually 
denoted properly - but not always: sometimes their notes are written as if 
there were a \clef "G^8" in front even when there isn't. 

Similarly, euphonium parts are commonly written using \clef "G" and then sound 
a full ninth lower than written. (To make things more complicated: 
they /also/ have parts written in \clef "F" and then sound as written /or/ a 
secund lower than written - but if a treble clef appears in the middle of 
these scores then it should /not/ sound a ninth lower. And then occasionally 
you even see a C clef on the fourth line. Being a musician ain't easy.) In 
wind bands, bass tuba parts get an F clef when there should've been an F_8.

In other words: examples abound.

Groeten,
-- 
Jasper

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