On Wednesday 01 August 2007 23:06, D. Michael McIntyre wrote:
> That's clunky, but I don't think it will
> happen very often in the real world, because people who use the
> voices in this fashion are the least likely to be people who really
> value the MIDI performance as an end to itself.

Composers I think routinely aim for a reasonably high quality "draft" 
performance of a piece, if only to give the musicians more of an idea 
what they have in mind.

> If that's the
> only think you're worried about for splittable multi-voice parts,
> then we should go do some homework and see what Sibelius/Finale/etc.
> do.  I would bet you can't split voices out into separate staffs with
> those high dollar big boys, but I could be wrong.

Part extraction was the main selling point of Sibelius 4, I think.


Chris

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