On Sunday 26 July 2009, Jani Frilander wrote:
> Then about drum matrix. In classic I am slightly irritated by the fact drum
> notes have
> no particular duration.

I think the whole idea is predicated on the understanding that synths just 
fire off a command to play a sample until it's finished when they receive a 
note on for a percussion channel.  Some in fact do exactly that.

My Sound Canvas, I'm pretty sure if you trigger the "tinkle bells" sound, it 
doesn't matter if you do so with a whole note or a 256th note, it will sound 
exactly the same.

Also, I think it was all patterned a bit after Hydrogen, where you just mark a 
dot and the drum plays for however long the sample is, with no duration 
control.

I'd be interested in playing with a soundfont or something where the duration 
of percussion notes really makes a big difference, and I'd be interested in 
studying just how common this is.

Anyway, the way I'm thinking on all of that comes down to maybe we should just 
give both matrix views a new set of options allowing them to transform into 
each other, and starting a "percussion matrix" just comes up with one set of 
options active by default.

A new toggle for "show percussion keys / show keyboard keys" and "show real 
duration / show little diamonds where notes start" in both views could turn 
one into the other, but it would probably still be convenient to have two 
"open in n matrix editor" options; also for legacy reasons, to avoid 
confusion.

Just quick thoughts on the fly though.
-- 
D. Michael McIntyre

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