> I'm a singer, and have been using my own not-very-formal-or-complete
> numeric system for quickly capturing melodies on paper while they're
> fresh in mind. I don't think it ever occurred to me to look around for
> some existing system that would work well for this. Is there one? I
> suspect Tonic Sol-Fa may not be best for this, but I'm unsure.

It's been around for 150 years so a fair few people think it's good.


> Where might I find a real explanation of the Tonic Sol-Fa system?

John Curwen: "The Standard Course of Lessons and Exercises in the
Tonic Sol-Fa Method", pub. J. Curwen & Sons, London & Philadelphia,
1858.  I have the seventh edition, "Re-written, 1901".  It's probably
still in print, and turns up second-hand fairly often (though most
copies were probably worn ragged and then thrown away by non-singer
family members after the owner's death).

But it covers much more than sol-fa notation.  It's a complete course
in music: voice training, conducting, reading staff notation, musical
form...  Curwen's publishing firm covered the lot: graded courses for
children with standard tests, teachers' handbooks, texts on acoustics
and orchestration, hymn tune books, a handbook for organists, newly
commissioned songs, etc etc etc.  Not surprising they made a lasting
impact.  (There are a few throwaway remarks in the book that suggest
Curwen had first-hand knowledge of the Highlands, which might go some
way towards explaining why his system did so well there).

What they didn't try was brass band music.  If they'd made a concerted
push into the main genre of instrumental mass music-making in the 19th
century, staff notation might be a historical curiosity like neumes.


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