Re: reusing melody in different TabVoice instruments

You can use transpose. \transpose c c' { music } Peter C

Re: Dynamics in Lyrics?

> "David" == David Kastrup writes: David> if you want a David> context to engrave dynamics, it needs the respective engravers. Thanks David, This all kind-of-works. It'll probably do for my immediate needs; but the output is a bit ugly. I'll have to have a think about

Dynamics in Lyrics?

Hi Folks, Is there a simple way to add dynamic markings to lyrics? In a multi-verse song, the dynamics can be different verse to verse. I'd like to do something like this: \score { << \new Staff \context Voice = tune {\repeat volta 2 { c c c c }} \new Lyrics \lyricsto tune

Re: Aw: Re: Where can I see if there are answers.

I think that link is broken; but it wuldn't contain any answers to a question anyway. Your last question is at https://lists.gnu.org/archive/html/lilypond-user/2024-07/msg00171.html If you go to the bottom of the page for an email that has answers, youll see a 'next in thread' button. Your email

Re: Where can I see if there are answers.

> "Zlobinsky" == Zlobinsky Michael writes: Zlobinsky> I see links like following in the e-mails. Zlobinsky> ; Strip off the > at the end of the URL --- looks like something in your mail reader is changing >

Markup in ChordNames context

Hi, Sometimes in vocal+ukulele music I want to indicate that a particular chord uses an alternate fingering. I'd like to add an asterisk and a footnote with fret diagram for these cases. But the obvious \chordmode { d^"*" } fails with "error:

Re: Score and parts

> "bob" == bobroff@centrum is writes: bob> For different output in score vs part you can use tags. bob> http://lilypond.org/doc/v2.18/Documentation/notation/different-editions-from-one-source.html You can also create a 'global' music to put in parallel with each part. E.g., \version "2.2

Re: Notesheet Flute varibles defined and ready for call...

> "darkijah" == darkijah writes: darkijah> If anyone knows how to make a whole lyrics line into one darkijah> specific colors, please do share! :) Lots of ideas, but I am darkijah> new and do not have a programmers mind! : Just set whatever colour you want ... \version "2.22.0" lyricBlack

Re: Changing volta number text

>>>>> "Peter" == Peter Chubb writes: >>>>> "Ralph" == Ralph Palmer writes: Ralph> I've gone slightly crazy on a couple of occasions, trying to Ralph> figure out how to change a volta number, either to a different Ralph> number(s)

Re: Changing volta number text

27; g' | d'4 c' b' | \set Score.repeatCommands = #'((volta #f) (volta "2.") end-repeat) r2. \set Score.repeatCommands = #'((volta #f) end-repeat (volta "4.")) g'4 a' b' | \set Score.repeatCommands = #'((volta #f)) c'2. } \score { \test } -- Dr Peter Chubbhttps://trustworthy.systems/ Trustworthy Systems GroupCSE, UNSW

Re: Tempo marking with 2 notes

> "Ahanu" == Ahanu Banerjee writes: Ahanu> Can anyone provide a simple way to make a tempo marking like Ahanu> this: "♩= 𝅗𝅥 " ? Something like this? \version "2.22.0" \score { \new Staff { \time 3/4 r2.^ \markup { \note {2.} #UP

Re: Lyrics as verses or in system?

Thanks that looks pretty much like what I want. I felt sure that someone would have done it already! -- Peter C

Lyrics as verses or in system?

;this is a verse" "it really could be worse" -- Peter Chubb

Re: Another way \articulate messes up bar line checks

rightHand = \relative c' { \repeat volta 2 { \partial 4 f4 c4 d e f | c4 d e } \repeat volta 2 { f4 | c4 d e % f } f4 | } \score { \unfoldRepeats \rightHand } -- Peter ChubbTel: +61 2 9490 5852 http://ts.data61.csiro.au/ Trustworthy Systems GroupCSIRO's Data61

Re: URL in footer

>>>>> "Noeck" == Noeck writes: Noeck> Hi, you are looking for \with-url (it is a bit hidden under the Noeck> section “Graphic”): Thanks! I was searching through the "text" section and missed this. -- Dr Peter Chubb Tel: +61 2 9490 5852

Re: \unfoldRepeats for midi file

> "Ming" == Ming Tsang writes: Ming> Peter, I did reply all and I got mail Ming> delivery fail on your rmail address. You probably included HTML, which causes my spam daemon to reject it. Ming> Thank you for the Ming> answer. One question: how can I just want to show few color Ming> lyric t

Re: Question about the horizontal spacing

lyrics { \override LyricText.self-alignment-X = #LEFT a bb cc dd aa bb cc dd bb cc dd a bb cc dd } } >> \new Staff { \relative c' { c d e f c d e f c d e f c d e f } } >> } -- Dr Peter Chubb

Re: [OT] Grammatic gender

- Dr Peter Chubb Tel: +61 2 9490 5852 http://ts.data61.csiro.au/ Trustworthy Systems Group Data61 (formerly NICTA) ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Suggestions for page layout

> "David" == David Wright writes: David> On Wed 25 Oct 2017 at 13:34:04 (-0700), Flaming Hakama by David> Elaine wrote: >> I was hoping for something more organic to lilypond, that is text- >> and command line-based. >> >> Does anyone have any suggestions for a workflow to accomplish this,

Re: Halving/doubling durations

> "David" == David Kastrup writes: David> pe...@chubb.wattle.id.au writes: >> >> It'd be fairly easy to write a music function that does this, but I >> wanted to ask first if there was one already existing I could use. David> \shiftDurations #1 #0 { music ... } Thanks David! That's exactl

Re: \articulate command and "rit." was: Re: lilypond-user Digest, Vol 147, Issue 102

> "Cynthia" == Cynthia Karl writes: Cynthia> Maybe you can answer a question about \articulate: if I Cynthia> generate a pdf file for the score containing the \midi block, Cynthia> why doesn't the pdf file reflect what is in the midi file? Cynthia> For example, the pdf file generated by my ori

Re: Bug in articulate.ly + TrillSpan + full-measure rests

>>>>> "Davide" == Davide Liessi writes: Davide> Dear Peter, Il 24/02/15 06.48, Peter Chubb ha scritto: >> I had a brainstorm -- the problem is SkipMusic which isn't handled >> anywhere. But we can use a SkipEvent instead, and it all works!!! Davi

Re: Bug in articulate.ly + TrillSpan + full-measure rests

>>>>> "Davide" == Davide Liessi writes: Davide> Dear Peter, Il 04/02/15 09.46, Peter Chubb ha scritto: >> Looks like the code that was added to do agogic accents (aka swing) >> expands MultiMeasureRestMusic and throws away any articulation >> events

Re: Bug in articulate.ly + TrillSpan + full-measure rests

>>>>> "Davide" == Davide Liessi writes: Davide> Dear Peter, Il 04/02/15 09.46, Peter Chubb ha scritto: >> Looks like the code that was added to do agogic accents (aka swing) >> expands MultiMeasureRestMusic and throws away any articulation >> events

Re: Bug in articulate.ly + TrillSpan + full-measure rests

he code that was added to do agogic accents (aka swing) expands MultiMeasureRestMusic and throws away any articulation events (like the end of the trill spanner) on the way. The fix is probably to add the ariculations in at the end of ac:unFoldMusic when expanding

Re: Rallentando and accelerando in MIDI

and just as markup, but nothing seems to work. This used to work, but it's possible that changes in Lily have made it stop working. Last time it worked, \tempo "rit" wasn't available, so the syntax was: a^"rit." or similar. -- Dr Peter Chub

Re: \articulate problem

> "Patrick" == Patrick or Cynthia Karl writes: Interesting. The problem is in the Prall rendition: It comes out as: { < d'' >32 < c'' > < d'' > < c'' >1*-1/32 } This is generated from a ly:music-compress function applied to { 32} to squash it to the same length as the original s

Re: One instrument out of form

> "Dan" == Dan van Ginhoven writes: Dan> Hi! I'm writing lilypond score for six brass instruments from Dan> old handwritten sheets. The tune I'm working with has the form: Dan> {Intro 4 bars} {A repeat twice 32 bars} {B repeat twice 16 bars} Dan> {A 32 bars} {Trio repeat twice 32 bars } D

Re: MIDI and Volta repeats in parallel music

> "Michael" == Michael Ellis writes: Michael> On Sun, Nov 23, 2014 at 4:46 PM, Michael> wrote: >> What's more, is there a reason to have the structure in a different >> voice? Michael> Good question. For me, it's mostly about the DRY principle Michael> (don't repeat yourself). I'm in the p

Re: ?ly2video - create videos from your LilyPond projects

> "FireTight" == FireTight writes: FireTight> Hello, my name is Jiri "FireTight" Szabo and I would like FireTight> to introduce program ly2video to you. This program can FireTight> generate videos from your LilyPond projects that contains FireTight> moving music staff, which is synchronized

Re: Problem with articulate.ly

. Nick> /home/nick/lilypond/examples/test.ly:8:59: warning: already have Nick> a beam \times 4/6 { a32[( g) fis( g) \appoggiatura { fis16 [ g] Nick> } a32 g] } warning: cannot end slur warning: unterminated slur -- Dr Peter Chubb peter.chubb AT nic

Re: articulate.ly with "rall" not working?

>>>>> "Malte" == Malte Meyn writes: Malte> On 13.03.2012 03:52, Peter Chubb wrote: >>>>>>> "Thomas" == Thomas Morley >>>>>>> writes: >> Malte> Hm. I see two problems: 1. Did I understand right, that -&qu

Re: articulate.ly with "rall" not working?

s the work. I'll have a go at changing articulate to fix this. -- Dr Peter Chubb peter.chubb AT nicta.com.au http://www.ssrg.nicta.com.au Software Systems Research Group/NICTA ___ lilypond-user mailing lis

Re: articulate.ly with "rall" not working?

4.2" \include "articulate.ly" \score { \displayLilyMusic\unfoldRepeats \articulate << \relative c' { \set tempoWholesPerMinute = #(ly:make-moment 4 80) c8-. d-. e-. f-. g-.-"rall" f-. e-. d-. c

Re: Git - date of last modification for each score

t the most recent revision --pretty=%ai -- Print the author's commit date in ISO format. Peter C -- Dr Peter Chubb http://www.gelato.unsw.edu.au peterc AT gelato.unsw.edu.au http://www.ertos.nicta.com.au ERTOS within National ICT Australia ___

Re: Lyrics in StaffGroup

= #"Cello" \clef Peter> "bass_8" } Peter> \score { Peter> \new StaffGroup << Peter> \new Staff << \mezzoSopranoVoice >> \lyricsto tune \new Lyrics \lyricmode{ words } Peter> \new Staff << \cello >> Peter>

Re: Adding dynamics to lyrics

>>>>> "Christ" == Christ van Willegen writes: Christ> On Wed, Aug 31, 2011 at 05:48, Peter Chubb Christ> wrote: >> For the benefit of search-engine-land, the way to do this is to use >> a separate dynamics context.  Like this: Christ> The proble

Re: Adding dynamics to lyrics

>>>>> "Peter" == Peter Chubb writes: Peter> Hi, I've been trying to work out how to add dynamics to lyrics, Peter> to give singers guidance. For the benefit of search-engine-land, the way to do this is to use a separate dynamics context. Like this:

Adding dynamics to lyrics

I was expecting either a syntax error or for them to be interprete as dynamics). Peter C -- Dr Peter Chubb http://www.gelato.unsw.edu.au peterc AT gelato.unsw.edu.au http://www.ertos.nicta.com.au ERTOS within National ICT Australia ___ lil

Re: Editors? Emacs bindings for Frescobaldi?

>>>>> "James" == James Harkins writes: James> At Tue, 21 Jun 2011 13:33:48 +1000, Peter Chubb wrote: >> I just do C-c C-c and then View --- xpdf then runs in the >> background. C-c C-c again reruns lilypond, hit R in the Xpdf >> window and it

Re: Editors? Emacs bindings for Frescobaldi?

say yes, it closes James> the window. I just do C-c C-c and then View --- xpdf then runs in the background. C-c C-c again reruns lilypond, hit R in the Xpdf window and it refreshes. Done! Peter C -- Dr Peter Chubb http://www.gelato.unsw.edu.aupeterc AT gelato.unsw.edu.au http://www.

Re: Autobeam partial and grace note

> "christophe" == christophe 1710 writes: christophe> \version "2.14.0" \header {tagline =""} christophe> One = \relative d'' { christophe> \time 3/4 | % 1 \partial 8*2 \acciaccatura d8 c8\p christophe> ( b8 ) c4-. 4 -. 4 -. } christophe> Two = \relative c { \clef "bass" \tim

Re: problem with articulate and ties in chords

4~ a} \\ {c8.. r16 c4}>> and unfortunately that's beyond my scheme ability. If you split it before articulate sees it, like so: << {a ~ a} {c c}>> the MIDI will be correct. You need to fiddle stem directions usually, to make the PDF look OK when you do this. -- Dr Peter

Re: problem with articulate and ties in chords

wrong. You've just run into an issue I hadn't thought of in the design of Articulate --- none of the instruments I play can do chords! I shan't have time to look at the problem until next week. In the meantime if there are any Scheme coders out there, please have a go

Re: Dynamics on chords

7;4 This is what I use. It's nowhere near perfect. \version "2.12.1" \relative c' { f1 ~ << { < f c' ~ ais'> c'4 } \\ {s8\< s4. \!\> s4. s8\!} >> c2\pp << \\ {s8

Re: with 2.13.61, file on wikipedia no longer compiles

ents/Au Clair de Marc> la Lune.ps)' failed (1) error: failed files: Marc> "C:\\Users\\Marc\\Documents\\Au Clair de la Lune.ly" I see this kind of thing if my current locale is set to a non-UTF-8 locale, and I try to process files containing UTF-8 characters. Dunno how to

Re: Tied notes interfere with correct placement of lyric

Richard> keep it from extending past a8 in the 2nd measure? Th Richard> Richard Opheim Richard> ___ lilypond-user Richard> mailing list lilypond-user@gnu.org Richard> https://lists.gnu.org/mailman/listinfo/lilypond-user -- Dr Peter

Re: Soundfonts and MIDI output (beginner questions)

pc51.cfg containing only: soundfont /usr/share/midi/PC51.sf2 then do timidity -c pc51.cfg file.midi to use it. Heather> 2. Is there an easy way to see a list of all the instruments Heather> in a soundfont and hear samples of the sounds? You could try something like sw

Re: Using the "articulate.ly" script AND getting nice-looking engraved output - how to

s function. Peter C -- Dr Peter Chubb http://www.gelato.unsw.edu.au peterc AT gelato.unsw.edu.au http://www.ertos.nicta.com.au ERTOS within National ICT Australia ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailm

Re: Using the "articulate.ly" script AND getting nice-looking engraved output - how to

n anyone suggest a way that this can be changed outside the script? I tried legato=#(set! ac:normalFactor '(1 . 1)) in a normal lily file, but it didn't seem to work. The value in the #(define...) statement in the included file was the one used. -- Dr Peter Chubb

Re: suggestion for articulate

>>>>> "Graham" == Graham Percival writes: Graham> On Fri, Apr 15, 2011 at 12:54:53PM +1000, Peter Chubb wrote: David> A fixed ratio seems a mistake to me: like optical scaling of David> fonts, the ratio should depend on the length of the note as David> wel

Re: suggestion for articulate

he final chord of a cadence: and cadences usually fall at the end of a phrase marked with a phrasing slur or are explicitly marked tenuto so it isn't an issue. I can see there could be problems in some music though. -- Dr Peter Chubb peter DOT chubb AT ni

Re: suggestion for articulate

ee Jackson, `Performance Practice: A Dictionary-guide for Musicians' on articulation. Performance practice varies widely. -- Dr Peter Chubb peter DOT chubb AT nicta.com.au http://www.ertos.nicta.com.au ERTOS within National ICT

Re: New version of articulate available

ate Sorry i can't give a link to the direct download file, as the CMS generates such links in ways I can't fathom. -- Dr Peter Chubb http://www.gelato.unsw.edu.au peterc AT gelato.unsw.edu.au http://www.ertos.nicta.com.au ERTOS within Na

Re: Notes lining up, and warnings

> "Father" == Father Gordon Gilbert writes: Father> Can someone help me here? On this Anglican chant , in the Father> tenth measure (end of the first section of verse two) the Father> melody notes are 1/2 notes and the harmony notes are whole Father> notes, yet in my pdf viewer, they are not

Re: New version of articulate available

eme into C++?). The *only* tricky bit, the only part of articulate that contains any substantial IP, is calculating trill timings. And it's a real hack full of mostly but not perfect heuristics, and should probably be redesigned anyway. Peter C -- Dr Peter Chubb http://www.gelato.unsw.edu.au p

Re: Verse-chorus-verse with repeat, multiple ending, pick-up, and varying rhythm

ontext Lyrics=Two \preambleThree \lyricsto interverse \context Lyrics=Three { \preambleThree \lastWordFour} >> } -- Dr Peter Chubb http://www.gelato.unsw.edu.au peterc AT gelato.unsw.edu.au http://www.ertos.nicta.com.au ERTOS within National ICT Australia ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: New version of articulate available

aham> released under GPL version 2.0" It will so work. It was written to use the public interfaces provided by version 2.12, which is GPL version 2.0. And that is why GPL v2.0 was chosen as the licence when I went through the rigmarole I had to to get clearan

Re: New version of articulate available

On 20/03/2011, at 7:55 PM, Francisco Vila wrote: > 2011/3/18 Francisco Vila : >> 2011/3/18 Graham Percival : >>> On Fri, Mar 18, 2011 at 09:17:47AM +0100, Marc Hohl wrote: Just adding articulate.ly in ly/ and giving one example in the docs is probably not what you expect ... >>> >>>

Re: New version of articulate available

nning> Didn’t check: Does articulate handle fermatas/ritardandos? It handles ritardandos if they're marked rall. or rit. Fermatas are still on the to-do list. -- Dr Peter Chubb http://www.gelato.unsw.edu.au peterc AT gelato.unsw.edu.au http://www.ertos.nicta.com.au ERTOS with

Re: New version of articulate available

>>>>> "Martin" == Martin Tarenskeen writes: Martin> On Fri, 18 Mar 2011, Peter Chubb wrote: >> (from Messiaen's `Abime des Oiseaux', bar 13) -- a smooth crescendo >> over almost the full range of the instrument. Martin> I love that

New version of articulate available

denzaOn << fis'1 \\ { s8\ppp \< ~ s2. ~ s8 \!\ } >> \bar "|" } \layout{} \midi{} } but that renders really badly. -- Dr Peter Chubb peter DOT chubb AT nicta.com.au http:

Re: [OT] Vivi, the Virtual Violinist, plays LilyPond music

(and some semi-pro) clarinettists have, we can work out how to teach them not to. Peter C -- Dr Peter Chubb http://www.gelato.unsw.edu.au peterc AT gelato.unsw.edu.au http://www.ertos.nicta.com.au ERTOS within National ICT Australia

Re: [OT] Vivi, the Virtual Violinist, plays LilyPond music

http://marcs.uws.edu.au/links/ICoMusic/Full_Paper_PDF/deGraaff_Schubert.pdf And I'm sure you've also seen the automatic music performance work from KTH? http://www.speech.kth.se/music/performance/download/ It's all open source. -- Dr Peter Chubb

Re: Baroque Articulation mark

h ornament go by what sounds best. A lot of marks in early music just mean, `ornament this note' with the form of the ornament left to the taste and skill of the performer. Peter C -- Dr Peter Chubb peter DOT chubb AT nicta.com.au http://www.ertos.nicta.com

Re: soprano staff did not transpose

... } } -- Dr Peter Chubb peter DOT chubb AT nicta.com.au http://www.ertos.nicta.com.au ERTOS within National ICT Australia All things shall perish from under the sky/Music alone shall live, never to die __

Re: Intersystem marks?

> "Marek" == Marek Klein writes: Marek> (quoted-printable)>] Hi Peter, Marek> I have found it: Marek> http://lilypond.org/doc/v2.13/Documentation/notation-big-page# Marek> separating-systems Thankyou, that's just what I was looking for. Peter C ___

Intersystem marks?

ences in the likely places, and can't find it. -- Dr Peter Chubb http://www.gelato.unsw.edu.au peterc AT gelato.unsw.edu.au http://www.ertos.nicta.com.au ERTOS within National ICT Australia ___ lilypond-user mailing list lilypond-user@gn

Re: Suppressing chords in MIDI output

<< \context Chords \accomp \context Staff {\key c \major \time 4/4 \tune} >> \layout{} } \score { \unfoldRepeats << \context Staff {\key c \major \time 4/4 \tune} >> \midi {} } -- Dr Peter Chubb http://www.ge

Re: Confusion about beaming

nest strictly. But slurs, phrasemarks and beams can span groups, and each other. -- Dr Peter Chubb peter DOT chubb AT nicta.com.au http://www.ertos.nicta.com.au ERTOS within National ICT Australia All things shall perish from under the sky/Music alone s

Re: please help a newbie with partial measures

tials except at the start. See some of the hymns I've typeset at mutopiaproject.org. For example: http://www.mutopiaproject.org/cgibin/piece-info.cgi?id=195 But basically, a \bar "||" just causes a double barline to be typeset without changing Lilypond's id

Re: new website 24-hour test

nd instead point `documentatioon index' at http://lilypond.org/manuals.html -- Dr Peter Chubb peter DOT chubb AT nicta.com.au http://www.ertos.nicta.com.au ERTOS within National ICT Australia All things s

Re: Hide staff on printout but retain midi

> "northofscotland" == northofscotland writes: northofscotland> I am typesetting a mediaeval trouvere song and want northofscotland> to add a drone to the midi but hide the somewhat northofscotland> redundant music in the printout. Is there a simple northofscotland> way to do this, please?

Re: noobie question. percussion instruments

3 ) Roberto> (
crashcymbal default #f 1) ) ) There are some non-printing characters in there -- a control-B and a control-A --- they may be perturbing your results. -- Dr Peter Chubb peter DOT chubb AT nicta.com.au http://www.ertos.nicta.com.au ERTO

\autochange and rests

} \context Staff = LH \relative c' { \clef "F" \time 2/2 \key a \minor a2 a4 a | R1 | } >> } -- Dr Peter Chubb peter DOT chubb AT nicta.com.au http://www.ertos.nicta.com.au

Re: Accidental not properly notated in score

aybe: \relative g'' { \partial 4 r4 | r2. dis4 | e2. c8 dis | \repeat volta 2 { e2. } \alternative { { c8 dis | }{ r4 | } } } -- Dr Peter Chubb peter DOT chubb AT nicta.com.au http://www.ertos.nicta.

Re: Tempo markings and tempo dynamics

quot;rall" marking as a >> \markup, as > suggested in the documentation. >> Thecurrent version of the articulte script understands \markup "a tempo" and rall etc., to change the MIDI tempo. See http://www.nicta.com.au/people/chubbp/articulate for the script. I ha

Re: articulate and tie playback above 2.13.8

Hi, Please try the attached fixed script -- I think it'll work now. articulate.ly Description: Binary data ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: articulate and tie playback above 2.13.8

late script no longer parses it correctly, so tries to shorten the first note that's tied. Peter C -- Dr Peter Chubb http://www.gelato.unsw.edu.au peterc AT gelato.unsw.edu.au http://www.ertos.nicta.com.au ERTOS within National ICT Australia __

Re: dynamic and midi velocity

> "bachelet" == bachelet writes: bachelet> any luck finding this script, I'd like to use it, too It was in this mailing list, at http://www.mail-archive.com/bug-lilyp...@gnu.org/msg03960.html Peter C ___ lilypond-user mailing list lilypond-us

Re: Lyrics across multi-voice sections

the `I'm hearing voices' section, or add an explicit `implicit voice instantiation with vocals' section. Or some other solution? If you tell me which you'd prefer I'll try to whip yup a patch this week. -- Dr Peter Chubb peter DOT chubb AT nicta.com

Re: lilypond tool and MidiInput

>>>>> "Graham" == Graham Percival writes: Graham> On Mon, Feb 15, 2010 at 12:37 AM, Peter Chubb Graham> wrote: >>>>>>> "Trevor" == Trevor Daniels writes: >> Trevor> Peter's original announcement, with articulate.ly

Re: dynamic and midi velocity

swell stops on the organ, etc. So I'm leaving it in the `too hard' basket for now. Peter C -- Dr Peter Chubb peter DOT chubb AT nicta.com.au http://www.ertos.nicta.com.au ERTOS within National ICT Australia All things shall perish from under

Re: lilypond tool and MidiInput

13/Documentation/contributor/documentation-suggestions Graham> (in particular, the "small additions" section) I'm more used to generating patches. :-) Peter C -- Dr Peter Chubb peter DOT chubb AT nicta.com.au http://www.ertos.nicta.com.au

Re: dynamic and midi velocity

IDI dynamics. There's a perl script `ConvertToVeolcity.perl' that can convert the midi output and add velocity info to each note. -- Dr Peter Chubb peter DOT chubb AT nicta.com.au http://www.ertos.nicta.com.au ERTOS within National ICT Australia All things sha

Re: lilypond tool and MidiInput

sn't really quite fit into the current LilyPond codebase anywhere that's obvious. Any chance of adding a `contrib' directory so things like this could be distributed with LilyPond? Or if not that, then a `loosely related work' section to the webpage? -- Dr Peter Chub

Re: Alternatives in the *middle* of a volta

>>>>> "Tim" == Tim McNamara writes: Tim> On Feb 14, 2010, at 2:54 AM, Peter Chubb wrote: >> Is there a sane way to do this? Tim> Thinking as a player, I'd rather see this as a coda It's only one bar in the middle. I'd like to get it onto o

Alternatives in the *middle* of a volta

| music|| end|| music ... | :| Lilypnd 2.12.2 doesn't like \alternative in the middle of a repeated section. Is there a sane way to do this? -- Dr Peter Chubb www.nicta.com.aupeter DOT chubb AT nicta.com.au http://www.ertos.nicta.com.au

New Articulate script available for better midi output

lled `lilywrap' in the tarball that makes exactly these additions to a lilypond file and invokes lilypond for you). Peter C The direct download link is http://www.nicta.com.au/__data/assets/file/0009/21888/articulate-1.3.tar.gz -- Dr Peter Chubb peter DOT chubb

Re: score runs off the page

-R1*5/4*111 | +R1*5/4*11 | } tuba = \relative c, { -- Dr Peter Chubb www.nicta.com.aupeter DOT chubb AT nicta.com.au http://www.ertos.nicta.com.au ERTOS within National ICT Australia ___ lilypond-user mailing list l

Re: Switching music for PDF and Midi

> "Akira" == Akira writes: Akira> What I want to say is just on this picture. Please see this Akira> picture: Akira> http://lh6.ggpht.com/_Rub71FvXx30/Sv1NLn_iKgI/ADc/I-Amwi5RrK8/differentmusicpdfmidi.JPG Akira> I'm typesetting a piece that includes trills, but a problem Akira> occ

Re: anybody know apache? (dir structure of docs)

rewriting the serving path >> without rewriting the URL that appears in browser window? Graham> I would like this. I'd like that a lot. We could keep the Graham> simpler build structure, but still have simpler urls. Graham> Cheers, - Graham Graham>

Re: chord names in piano staff

chordmode { ...} upper = \relative { ... } lower = \relative { ... } \score { << \context ChordNames \guitarChords \context GrandStaff << \context Staff = upper \upper \context Staff = lower \lower >> >> } -- Dr P

Funny partcombine behaviour

xt for the lyrics to match to. But is there a neater way to get what I want? -- Dr Peter Chubb peter DOT chubb AT nicta.com.au http://www.ertos.nicta.com.au ERTOS within National ICT Australia All things shall perish from unde

Re: [midi] [articulate] \stopTrillSpan, \staccatissimo, and \appoggiatura

y about licensing. I know my patches are really small, Iain> possibly---probably?---not big enough to be copyrightable. I Iain> also know that articulate.ly is licensed as GPL v2 only... Iain> However, for the sake of being unambiguous: I consider my Iain> patches to

Re: Can't compile Mutopia file

d out which lilypond version it is for. Then add a line \version "x.y.z" (where x.y.z is the version it is for) and run convert-ly on the result. Then try again with LilyPond. -- Dr Peter Chubb www.nicta.com.aupeter DOT chubb AT nicta.com.au http://www.ertos.nicta.com.

Re: mugshots for web page? [WAS: The LilyPond Report, again!]

ess you can find a Anthony> picture of your place on the Round Table? That might be a Anthony> good one. Unfortunately, E.H. Shepherd is still in copyright. -- Dr Peter Chubbwww.nicta.com.au peter DOT chubb AT nicta.com.au http://www.ertos.nicta.com.au ER

Thoughts on Midge (was: Re: [midi] Re: Articulate midi script)

r a standard binary MIDI file is very small. And the hard bits would still be hard: understanding the textual annotations that composers put into their scores, and interpreting them. -- Dr Peter Chubbwww.nicta.com.au peter DOT chubb AT nicta.com.au http://www.ertos.ni

Thoughts on Midge (was: Re: [midi] Re: Articulate midi script)

po variations such as rit. or stringendo, etc., etc) has to be interpreted and written explicitly in expanded form into the midge source. While midge could be used as an intermediate format for MIDI output, I can't see at present what it would gain for us --- the level of abstraction over a

Re: Articulate midi script

>>>>> "Peter" == Peter Chubb writes: Peter> You probably have dash installed as the system shell. Here's Peter> an updated verion of the script that will work with Dash, and Peter> will *still* work on POSIX compliant shells, but will no longer Pete

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