[313] HCI and music software

2001-05-31 Thread Nick Walsh
Hi all,
I now have 4 weeks until the end of my course and I
have to do ANOTHER slightly lesser project. Luckily,
I'd planned out what I wanted to do ages ago... I want
to develop an interface for some kind of music
software. 

I've got lots of very general resources for HCI (Human
Computer Interface) because I studied it a year or so
ago. However, I'm looking for something a little more
specific. Does anybody know where I can get
information about HCI and the impact of the user
interface on the usability etc of music software (or
hardware for that matter!!). Also, information the
psychology elements (obviously!) of music software
interfaces would be great. 

The importance of the design of the interface of music
software doesn't seem to have been covered at all
Seems downright weird to me, maybe I shouldn't use
Yahoo Search:)

Thanks,
Nick:)

Ps. I hope everyone had a great time at the DEMF. It
sounded like it was an awesome experience, just like
the last time!!! I am so jealous of you all it makes
me feel sick!! What makes it worse is that Titonton's
set was great... and I missed it... not fair... :) Oh
well, keep reminding me how good it was, it gives me
motivation to try and get a big bucks job so I can
join you one day:)


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Re: [313] Rick Davis... WTF???!!!

2001-05-25 Thread Nick Walsh
I think that site is wicked... loads of seminaked
orientals in there if you have a look. I should've
done Titonton's site like that;) 

Latez,
Nick:)

--- [EMAIL PROTECTED] wrote:  
 
 I think this explains what's going on
 
 Rik, an acknowledged Eastern Mystic, claims to be
 an incarnation of The El
 Ma'Arij D'Jinn! and declares that for vast
 effronteries, and offenses against
   The God of Rock... He Rik, will now go down
 and war upon the Satanic Rock
 Sectors of Cyberspace.
 
 Paul
 
 
 
 
 [EMAIL PROTECTED] on 05/25/2001 12:32:21 PM
 To:   313@Hyperreal.Org
 cc:   (bcc: Paul Matheson/US/BBHComm)
 
 Subject:  Re: [313] Rick Davis... WTF???!!!
 
 
 
 
 Ok... That's definitely NOT a work-safe site (but
 thanks to my trusty
 laptop and dial-up connection, it becomes one!).
 
 Ummm... What the hell happened to him? Bad drugs?
 Alien abduction? There's
 some pretty bizarre stuff there.
 
 
 
 
 
 Jonny McIntosh [EMAIL PROTECTED] on
 05/25/2001 12:19:55 PM
 
 To:   George Jones/US/ABNAMRO/[EMAIL PROTECTED],
 313@hyperreal.org
 cc:
 Subject:  Re: [313] Rick Davis... MIA?
 
 
 Try www.cybotron.com, but be prepared for a shock.
 
 Jonny.
 
  Just had a thought cross my mind... What ever
 happened to Rick Davis (of
  Cybotron)?
 
 
 
 
 
 
 

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Re: [313] TITONTON DUVANTE ALBUM!!!!

2001-05-18 Thread Nick Walsh
Yup, it's out. I was intending to tell you all but
I've not had much time recently... It started shipping
on the 14th as far as I know... There should be a
whole spate of new releases from Titonton over the
next few months... I'll try to keep you updated...

Nick:)
--- T.J.Johnson [EMAIL PROTECTED] wrote:
 I'm just curious.  Is this an advertisement?  Or are
 you actually a fan of Duvante?  
 
 On Thu, 17 May 2001, Arne Weinberg wrote:
 
  
  Hey folks!
  
  Go and get the new Titonton album! It´s in the
 stores finally and it´s one of 
  the best albums of this year!
  
  Nothing more to say!
  
  Cheers, Arne
  
  Arne Weinberg
  GROUNDZERO Rec. / PROPAGANDA REC.
  °
  
  
 

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 TJ
 www.mp3.com/wraith313
 www.outrecords.com
 
 PeoplePC:  It's for people. And it's just smart. 
 http://www.peoplepc.com 
 

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[313] I'm very sorry but I had to post this... excessively OT

2001-05-16 Thread Nick Walsh
Mr T. vs Ali G, a bit passé but I nearly passed out
laughing at this... Yes, I am very childish...

http://www.russell.newlove.btinternet.co.uk/mr_t_vs_ali_g_part_1.htm

Nick:)



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[313] spam [OT]

2001-05-15 Thread Nick Walsh
Hi 313er's,
I am getting so much spam these days, I wonder if any
of you guys know what I can do about it other than
change my email address and disassociate myself from
every list, bbs and message board I've ever been
involved with... I never reply to them, or click
remove or unsubscribe, I send a copy of it to their
domain admin... but I reckon I must be on one of those
1 million mugs you can sell anything to cd-rom's...
Is there a better way of telling them to f*** off?

Help please,
Nick:)


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Re: [313] spam [OT]

2001-05-15 Thread Nick Walsh
When I said domain admins, I meant forwarding the msg
to [EMAIL PROTECTED] if they're using a yahoo addy to
send these messages. I didn't mean getting back to the
suckers... In fact they actually edit the headers so
that it only LOOKS like it's come from yahoo but
there're ways to stop them... I dunno how but I know
you can do it...

Thanks for the advice,
Nick:)


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Re: [313] in support of Carl

2001-05-14 Thread Nick Walsh

--- Carissa Tintinalli [EMAIL PROTECTED]
wrote:  You can get packages of t-shirt transfers at
most
 Business Depots/Staples/I 
 don't know what you call businees/stationary stores
 in the US.
 
 They're basically sheets of paper you put in your
 printer, print anything 
 you want on...(like logos from the Planet E website)
 and
 iron onto t-shirts.

You can't get the logo from the planet e site as it's
all coded in Flash now... Believe me, I've tried. I
need the logo for Titonton's site...

bye,
Nick:)


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Re: [313] The history of house music retold!

2001-05-14 Thread Nick Walsh
OMG.. is this for real... Gawd!!! I've never heard of
Leonard watz'isface... Well, if Jimmy Saville invented
scratch mixing then I spose anything's possible... I
wanna see him up against DJ Pogo:) Thanks for that...

Later,
Nick:)


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Re: [313] CARL CRAIG ASKED TO STEP DOWN

2001-05-11 Thread Nick Walsh
F***in hell!!! See, no sooner as they get their foot
in the door, they take over... He'd better not stand
down... No down they'll be using strong arm tactics to
persuade him to hand the DEMF over... Those
b*ds. If anything happens, we have to remain true
to the scene alright?!?! Underground, 300 years ahead,
they can't kill us all...

Nick (Dj Pacific:)

--- Roberto Ty [EMAIL PROTECTED] wrote:  Carl Craig
has been asked to step down as creative
 director for the DEMF. Read:
 

http://www.freep.com/entertainment/music/demf11_20010511.htm
 

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Re: [313] CARL CRAIG ASKED TO STEP DOWN

2001-05-11 Thread Nick Walsh
Hi everybody,

 Before we start accusing anyone of being an evil
 bastard out to corrupt 
 americas youth and steal techno, we need some more
 info. It is real easy to 
 yell and scream when you have no real information
 about what is really going 
 on.

Scares them tho, doesn't it... There's more of us...
Perhaps you're right tho, maybe I'm jumping to
conclusions. What do we do if it happens tho? What if
they start selling OUR music as if it was always
theirs? Maybe it's a big plot by Sony so that they own
everything Mad Mike wouldn't let them have...

Nick:)


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Re: [313] Carl Craig Fired!

2001-05-11 Thread Nick Walsh
Hey,

 Not to say I told you so, but as I recall when I was
 commenting on this list 
 about the lineup a few weeks ago, saying I didn't
 feel it was extremely 
 representative of Detroit talent, I feel I was
 getting hated on a little. Matter 
 of fact, noone really wanted to touch that topic
 that much at all, which is 
 one that I felt was certainly worth discussing on a
 313 list. It's almost as if 
 people didn't want to dare question the holy DEMF
 and Carl Craig. But 
 now here it is, from the mouth of the prodigal son
 of techno himself, Mr. 
 Derrick May. And it seems that Carl Craig is on the
 out and out with this 
 festival anyway. What do y'all think now?

I dunno what you're talking about... What about the
Conspiracy Theory post by Logavo or did you miss that?
I dunno how long you've been on this list but you'd
better realise, people won't acknowledge you unless
you stand out. I'm rude to people and I question what
people class as accepted, that's how I get a response.
It's not the best way tho... Better just to make very
good posts...

Later,
Nick:)


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[313] Pal Joey?

2001-05-11 Thread Nick Walsh
Hey,
I don't want to sound like a complete idiot but who is
Pal Joey... Did he do some old house or something?
There's a track I want by him I think... 

Help me out please,
Nick:)


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Re: [313] Pal Joey?

2001-05-11 Thread Nick Walsh
Thanks for the info everybody,
So I know he's real:) Now, did who do a track with
this guy saying something at the start, kinda
introducing the track... something to do with the
house conductor and mr earth people himself and
some other stuff... It's got this real old school
sound to it... Do you know what that track is? Sorry I
can't be more specific... No one seems to know who he
is around here... I heard Freddy Fresh play it ages
ago and I've wanted it ever since...

Thanks again,
Nick:)

--- Sakari Karipuro [EMAIL PROTECTED] wrote:  On
Fri, 11 May 2001, Nick Walsh wrote:
 
  Hey,
  I don't want to sound like a complete idiot but
 who is
  Pal Joey... Did he do some old house or something?
  There's a track I want by him I think... 
 
 yeah, pal joey is a house head. i have some stuff by
 him at my shelf,
 very jazzy and quite deep. i'll dig out some info
 later for you
 (busy now). btw, does anyone know if he's still out
 there doing stuff?


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RE: [313] HP-DJ mixing + misuse of electronic intruments (was som ething else)

2001-05-10 Thread Nick Walsh
mmm... I don't think The Who had as much to do with
the influence of elcetronic instruments as Isao Tomito
for example(I'm proud that I can spell it:) I
personally would rather play Tomito than The Who.
Besides, does detroit techno have to be electronic?
I've asked this question to lots of people, would it
be possible to create it using live, acoustic
instruments and it still be called detroit?

Later,
Nick(Dj Pacific:)
--- FC3 Richards [EMAIL PROTECTED] wrote: 
isn't that just copying off of the who???  i believe
 that is what they did
 (in a way) back when they started using them.but
 then again they were
 setting the standard for rock and synth's...and i
 think they have done a
 much better job then everyone else.  i still love
 listening to who are you
 and baba o'rieley
 i also think that they are pretty instrumental (no
 pun intended) in the
 beginnings of electronic music.  no one throws them
 in the mix as influences
 even though they are one of the first...
 
 jeff
 
  -Original Message-
  From:   M Elliot-Knight [SMTP:[EMAIL PROTECTED]
  Sent:   Wednesday, May 09, 2001 9:46 AM
  To: [EMAIL PROTECTED]
  Cc: 313@hyperreal.org
  Subject:Re: [313] HP-DJ mixing + misuse of
 electronic intruments
  (was something else)
  
  Or they use them to fill in gaps where otherwise
 they ran out of ideas.
  I don't know how many demos and post-rock CDs
 I've listend to that have 
  artists showing off their impressive collection of
 Arps and Moogs only to 
  have them occasionaly go bloop inbetween the
 guitar parts.
  
  
  
 

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Re: [313] Global Underground series - HP-DJ mixing

2001-05-09 Thread Nick Walsh
I think that's the point with electronic music
entirely. A lot of people that played real
instruments think that sequencers and samplers make it
too easy. I think it should allow us to reach
further... It's a pity the mainstream caught on to it
and now everybody uses electronic instruments... They
use them to sound or play like real instruments, the
future is outside of that...  

Nick:)
--- JARED WILSON [EMAIL PROTECTED] wrote: 
There are no rules.  The only thing I find
 regressive, is when you use a 
 technology such as pro-tools or final scratch to
 emulate another technology. 
   To make mixes done on pro-tools sound like they
 where done on turntables 
 is limiting the ways we experience and perceive
 sound and music. We should 
 be using these technologies to push the framework of
 music and to find new 
 ways in which to experience it.
 
 Jared Wilson
 FTM Records
 
 
 From: Mad Wax [EMAIL PROTECTED]
 To: 313@hyperreal.org
 Subject: Re: [313] Global Underground series -
 HP-DJ mixing
 Date: Wed, 9 May 2001 09:47:42 -0600
 
 however, if a DJ has proved that he/she can carry a
 live mix (such as
 hawtin, sasha, digweed, etc), I dont see a problem
 with a mix being touched
 up with pro-tools, especially as these CDs are mass
 produced and the artist
 in question I'm sure wants a perfect mix for the
 consumers purchasing it.
 
 Thats a big difference then say, a DJ releasing a
 demo tape/cd done in pro
 tools, getting booked and showing up without the
 skills to manage the
 turntables.
 
 mad wax | the vocode project |
 http://www.vocode.com
 
 - Original Message -
 From: [EMAIL PROTECTED]
 To: 313@hyperreal.org
 Sent: Wednesday, May 09, 2001 9:29 AM
 Subject: Re: [313] Global Underground series -
 HP-DJ mixing
 
 
   Y'know, I have a real problem with mix CD's like
 that. I though the 
 whole
   idea of a mix cd was to show some skills on the
 decks, not how much you
 can
   pay someone to blend tracks with ProTools. It
 was a huge letdown when I
   heard that Richie's DE909 mix cd was done like
 this, like the guy can't
 mix
   it live or something (he can).
  
   Someone might as well do an HP-DJ mix cd series.
 No one will know the
   difference.
  
  
  
  
  
   tim maughan [EMAIL PROTECTED] on
 05/09/2001 10:20:13 AM
  
   To:   Bulger, Tim [EMAIL PROTECTED], 'Gwendal
 Cobert'
 [EMAIL PROTECTED]
   cc:   313@hyperreal.org
   Subject:  Re: [313] Global Underground series
  
  
   whoaa...really? i nearly bought the darren
 emmerson one...i havn't heard
 it
   but he usually plays a good set..so u saying he
 didn't mix that himself?
  
  
   - Original Message -
   From: Bulger, Tim [EMAIL PROTECTED]
   To: 'Gwendal Cobert' [EMAIL PROTECTED]
   Cc: 313@hyperreal.org
   Sent: Wednesday, May 09, 2001 4:11 PM
   Subject: RE: [313] Global Underground series
  
  
The majority of the series is mixed via
 ProTools, with the DJ on the
   cover
only selecting the tracks.  This can be
 verified by poking around on
   their
web site a little bit.  The supposed exception
 to this being Tenaglia,
   and
possibly John Digweed.  But if that doesn't
 bother you tremendously, I
   think
that all the Tenaglia and the Steve Lawler CDs
 are pretty good.
   
-Original Message-
From: Gwendal Cobert
 [mailto:[EMAIL PROTECTED]
Sent: Wednesday, May 09, 2001 2:33 AM
To: 313@hyperreal.org
Subject: [313] Global Underground series
   
   
 Danny Tenaglia's Global Underground Athens
 2XCD  :so dark,  moody 
 and
 perfect...
BTW - I have always been intrigued by these
 series, they usually 
 feature
   DJs
I do not know or like, any other
 recommandations ?
Gwendal
   
   
   

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Re: [313] 313?

2001-05-08 Thread Nick Walsh
Hello all,

I hate to agree with Omar's message but this:

I didnt see you complaining when people were sending
dumb snippets of just GOOFY stuff to the list. 

...is s true. I think a lot of posts recently
(including my own) are pretty unoriginal. People just
rehash what has already been said... There isn't
really much point is there? I'm sure you all have work
to do... :)

My fave mixtape is the Regression - Ratty Part 2
tape live at Sterns (so it says:)... Not all rave,
some old warehouse stuff too... so We are ie is in
there... so what... The whole tape is breakbeat
central... I love Ratty, so don't mess, okay?  

Later,
Nick:)

np. Cocteau Twins - BBC Sessions - Bella Union/BBC


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Re: [313] Bush front

2001-05-08 Thread Nick Walsh
 I don't know about the Bush's, but it wouldn't
 surprise me.  Prior to the
 American involvement in the war, there were many
 supporters of Germany.
 Germany was a mess prior to the nasty H-man, and
 when he rose, everything
 was really really improved in every way (sorry for
 my laymen wording, but
 I'm tired and lazy right now (after all, I am an
 American!!;-]))  MY
 grandmother tells me how, prior to the war, allot of
 people in our area
 Cleveland Ohio, USA, actually flew Nazi flags, or
 had pictures of big bad H
 on their wall.  It wasn't till the end of the war,
 and the trials that
 people became aware of the atrocities, and even
 then, it was very hush
 hush...
 
 There was even a large American Nazi party...
 
 The 30's was a very interesting era, and the social
 thoughts at the time are
 very different than now.

I can't understand why people make such a big deal out
of Mr H etc... Germany suffered a lot too... And made
a sincere apology afterwards...
(http://www.thetimes.co.uk/article/0,,3-124741,00.html)

Something Bush finds very difficult to do... 

Anyway, we can't spend our lives hurting forever...
People have to move on... Humility is a small price to
pay...

Later,
Nick:)


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Re: [313] R: [313] Bush front

2001-05-08 Thread Nick Walsh

--- fab137 [EMAIL PROTECTED] wrote:  
  I can't understand why people make such a big deal
 out
  of Mr H etc... Germany suffered a lot too... And
 made
  a sincere apology afterwards
 
 What are you trying to say?!?!?!?!?! Are you some
 sort of historical
 revisionist?

Well, if you want to revel in the misery of our
forefathers forever, then that's up to you.
Personally, I had nothing to do with it. You can't
prejudice a nation because of the wrongs of one man
committed more than 50 years ago... That's racism
isn't it? 

They always talk about the massacre of the Jews in the
war but what about the Turkish Massacre of the
Armenians years before? Besides it wasn't just the
Jews that were persecuted, the Nazis also murdered
homosexuals and people of other religious
organisations. There are more Nazi's in Scotland than
there are in Germany... Germany is not to blame, the
people of any country can be warm and loving or
hateful and selfish but individuals should not suffer
because of things that there brother has done... It is
your attitude that causes conflicts like the one in
Israel/Palistine at the moment...

Later,
Nick:)


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Re: [313] about moby and his corporate money he receives...

2001-05-04 Thread Nick Walsh

--- Omar Hackett [EMAIL PROTECTED] wrote:  Peace Be
unto U
 
 Funny, Kent
 
 I have been on the list long enough to know when you
 didnt even use
 the word hater, but now your own the bandwagon
 using it as though
 your all in..come on Chap give it a rest,
 pretty please with  
 sugar and cherry on top!
 
 I do agree with one thing you said, how the heck
 could a Moby even be  
 discussed.  Thus I wont!  I will however deal with
 one issue.
 
 Who the hell said that money helps, hunh, who said
 it?  Unbelievable!
 Dont any of you know that we been doing this sh*t
 for years without
 money!  If we compiled all the brothas together that
 are engineers, general
 technicians, lighting technicians, a builder to
 build the stages(who takes scraps
 from the lumber yard), rented some microphones and
 other digital  
 equipment, planners and organizers, cats in
 production, promotions etc..., coupled with all the
 other trimmings I'd imagine that it could be pulled
 off.  But who has the courage to try it?
 
 Point:
 
 U dont need, necessarily, corporate sponsors for
 this type of thing.  These brothas
 and others around the country and globe have been
 doing this stuff for years...with just
 what they have, and no one is mad on this side about
 it.  Basically, we'd hope
 U'd get the message to keep churging ahead with what
 you got, forging networks
 of people with LIKEMIND, and thats how it could be
 even bigger and better without
 the corporations cash and still retain its
 integrity.   
 
 QUESTION:
 
 Do any of you believe in coming together, and that
 something positive, organized,  
 and constructive can result from such a unity?
 DONT ANSWER, its rhetorical.  I would guess that if
 you did believe it, then your
 post, as well as your treatment of people outside
 the world of 313 would  
 reflect such a belief.
 
 Nick W, keep up the good work!

Thanks for that... In response to Laura's post
yesterday (tho it's sort of relevant to this also)...

I went home and had a big long think about Laura's
post... The truth is that this was bound to happen
eventually. What can we do about it? Do we boycott
Derrick May because he sold out supposedly? 

Miss G, I wonder if Ritual had offered you a three
year contract instead of Ms. Marvin would you take it?
As Omar says above, a lot of artists live on a
shoestring, very few are millionaries. It's the
promoters that are making the big bucks... If you're
offered the chance to make a bit more money, you'd
take it... Wanting to make money isn't a bad thing...
It's greed that's bad... 

What Ford and SFX are doing is greedy and potentially
destructive but, as John O and Tristan pointed out,
the underground will never die... not whilst there are
people that truly love music...

What it boils down to is that, even if detroit techno
becomes popular or even mainstream, it will split the 
scene between those that are in it for the money and
the hardcore... the REAL detroit heads... 

The scene may need to evolve but I think we also need
to decide which side of the fence we're on now. Just
the people on this list can change the course of the
scene. Most of all, realise that there is nothing to
worry about... We can take care of the scene as long
as we do what we've always done, remain true to what
you believe in...

Nick (Dj Pacific:)


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Re: [313] Ford steals souls....[long] veering OT

2001-05-03 Thread Nick Walsh

--- Dennis Donohue [EMAIL PROTECTED] wrote:  
 
  Second, corporate america can't steal things
 that you don't allow them 
 to.
 
 heh. sony did. :P jaguar much?
 
 And what happened...  We rose up in such numbers
 that they ended up canning 
 the whole idea.  We should save our energy for
 situations like that.  Not 
 worrying about the implications of Ford's marketing
 schemes.

The Sony/BMG version of Jaguar WAS released and played
by loads of stupid trance dj's and lots of people got
the BMG version and not the real version... I don't
think Sony lost anything or learnt anything... The
boycott of Sony/BMG music products was an almost
valueless gesture... For Sony, nothing has changed...
However, I think detroit techno is getting greater
recognition IMO.

Nick:)


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Re: [313] Ford steals souls....[long] veering OT

2001-05-03 Thread Nick Walsh

 --- Dennis, I know you have done pretty good so far
 what jobs are 
 concerned, but I don't think you can really judge on
 what really can go down 
 unless you have experienced it firsthand. The thing
 they did to me at my 
 first job in the bank was so horrible that I would
 go to court over it now. 
 Unfortunately it was my first job and I had no
 experience whatsoever. I did 
 my job well, but was exploited and if that weren't
 enough I got f***ed even 
 worse after a bit more than a month at work. My
 first boss had my driving 
 around the city to post his publicity. I had to do
 this with my own car 
 after working hours. He put in the stamps it would
 normally take for those 
 things to get posted as expenses. He threatened me
 to let go of my vacation 
 period. He had me cleaning the floor after closing
 hours etc. And then some 
 more really bad stuff happened to me resulting in
 being unemployed for more 
 than a week while actually being at work, resulting
 in having to switch to 
 another office, resulting in a reduced paycheck,
 resulting in a forced 
 course of insurances, resulting in shame, disbelief
 and a world crushing 
 down on a guy who only had worked for about a month.
 My first boss and the 
 one from the other office had figured out this whole
 scheme even before 
 employing me. I was heading towards a major
 depression when I saw the chance 
 to get out. I did in a flash.

And this stuff happens to s many people too...
Everyone has a bad experience like this... Some people
work like this day to day and get paid a pitance for
it and they don't have a choice because money makes
the world go round and the more they can crush out of
you the better... People don't matter... I did systems
anaylsis last year and the description of this kind of
behaviour we used was the use of a hard systems
methodology in a soft systems environment. Basically,
many big companies don't give a sh*t about employees
feelings. They aren't valued assets, they are
resources and they are expendable... despite the fact
that job satisfaction improves employee
productivity...

This brings me to the Anticapitalist Mayday things
that went on around the world and the riots in Quebec
and Seattle. People are sick of it... And people have
the power to change things... Leads onto the Ur vs
Sony thing... It's all interrelated. 

There's no doubt companies like Ford have put the US
and Japan and countries in Europe ahead financially...
but the US etc, don't need MORE money... When there
are still, in the year 2001, third world countries and
poverty and starvation, even in the UK and US. It used
to be survival of the richest but people are tired of
this sh*t. Things have to change... it's up to us...

Nick:)


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Re: [313] about moby and his corporate money he receives...

2001-05-03 Thread Nick Walsh

--- tim maughan [EMAIL PROTECTED] wrote: 
h..interesting, but can he reverse what he's
 done by becomming (in
 effect) an advocate for the car company he's worked
 for? wouldn't it be
 easier to just tell them to f*** off in the first
 place? and then maybe,
 make a big deal out of doing that, thus hopefully
 heightening awareness of
 the cause among his millions of fans?

Nobody would get any money in that case... Those who
deserve it or those who don't. The way he's going is
clever, someone benefits and it upholds his cleancut
image.

Later,
Nick:)


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Re: [313] faceless techno b******s

2001-05-02 Thread Nick Walsh
This should be private shouldn't it? Also, I think
everyone on Earth knows about BBC Radio 1 as the BBC
is one of the (if not THE) oldest broadcasting
organisation/s in the world...

Yahoo is very poor and has been for weeks, it seems I
only get crap mail through recently... 

Thanks,
Nick:)

--- tim maughan [EMAIL PROTECTED] wrote: 
yeah...im in the uk..we get a load of MTV channels
 here: MTV Europe (plays a
 lot of crap - like MTV US i guess) MTV 2 (plays
 mainly alternative rock -
 with sprinkling of techno) MTV Bass (hip-hop/rnb)
 and MTV Dance, usually
 pretty commercial but with the odd gem. so between
 them we actually get to
 see that vid quite alot.
 
 plus, when it first came out - the breakfast dj on
 radio 1 (ultra commercial
 station) decided he liked it, and played it EVERY
 morning at 6.45 for about
 8 weeks...
 
 which was cool;)
 
 
 - Original Message -
 From: T.J.Johnson [EMAIL PROTECTED]
 To: [EMAIL PROTECTED]
 Sent: Wednesday, May 02, 2001 1:50 PM
 Subject: Re: [313] faceless techno b**s
 
 
  hEY tIM,
 
  WHEN DO YOU SEE THE JAGUAR VID ON MTV?  tHE ONLY
 THING I EVER CATCH ON
 THERE IS trl.  iS 120 MINUTES STILL AROUND?  Whoops
 sorry bout the caps I
 just realized!!! =)
 
  Are you in the UK or Europe by chance?
 
 
  TJ
  www.mp3.com/wraith313
  www.outrecords.com
  
  PeoplePC:  It's for people. And it's just smart.
  http://www.peoplepc.com
 
 
 

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Re: [313] Interesting Insight

2001-05-02 Thread Nick Walsh
What a wicked post... A last a chance for some REAL
discussion

  Basically, what it boils down to is...unless we
 break
 the cycle-we're our own worst enemy.
 
 *Re the part about ford: Ford is trying to label or
 brand Detroit techno.They want to own this. They
 want
 to reach a point where 'techno=cool=fun=Ford' and
 one
 owes itself to the other. I owe this eye opener to
 Miss G.
 The only way they'll own it is if its allowed. I'm
 not
 saying ban the DEMF or Ford's money. But rather, use
 them as the rich aunt. Sure, throw the money around
 all you want-but it doesn't mean I'm suddenly going
 to
 praise you or acknowledge you in my life liner
 notes.

Totally, I've mentioned this before ages ago...
There're a lot of people involved in this scene at
roots level. If there're people at this level then it
can never become commercial and it will never be
possible to stick it in it's own special rack in HMV
or Tower... Detroit techno is just to broad. 

Example... There is still good underground hip hop
about despite the fact that it's all in the charts
(stateside and in Europe) and has sprung in and out of
fashion a few times over the past 20 years. The
reason for this is that it's easy to produce and
there're lots of kids at roots level that can just
pick up a mike and MC without even considering getting
a big record deal... That's when the best music is
made... 

In fact, I spoke to a mate about this the other day.
We came to the conclusion that most legendary bands
and artists only ever produce one really great album,
the first one... Then they start making money and
there's no enthusiasm to create good new music
anymore... Not true for all bands tho obviously.

This links with the recent posts about secertive
producers... Lots of producers have released stuff on
UR but are never credited and they don't care. That's
one of the reasons the label is so good and so true to
detroit techno...

What do you think?

Nick:)


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Titonton news

2001-05-01 Thread Nick Walsh
Hi peeps,
Titonton just got in touch about his LP... Apparently
it hasn't been released yet because of massive
problems with the vinyl final copies... It will
hopefully be out in the US May 14th... So you got an
exclusive after all, Gary:)

He gave me a LOAD of incredible news about future
sh*t... Damn, check his new one with Tejada on
Palette... All I'm gonna say is expect more collabs in
this vain from the guy (VERY soon too)... Also, got
loads more dates coming soon... Titonton will be back
in the states on Thursday.

I'll try and get his site finished very soon. I can
have it all done by this time next week, if I go flat
out... 

Later,
Nick:)


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RE: [313] Titonton LP/CD

2001-04-30 Thread Nick Walsh

--- Bulger, Tim [EMAIL PROTECTED] wrote:  If it's
'Voyeurism', I just picked that up recently
 and it's been blowing me
 away.. It's not your typical 4/4 pounding techno
 beat, but he changes it up
 alot with clever breakdowns and stuff.  Really cool.

Hi all,
Yeah, the one in the Orange sleeve is Voyeurism...
This isn't his new LP/CD tho, His new one is called
Selections for Intercourse and has real strings and
opera vocals in it... It's supposedly been out since
the 9th but I haven't seen it about... Titonton's on
his European tour at the moment but I'll ask him when
he gets back if it's been put back (again). Residual
is a great label but they're not so good at sticking
to deadlines:)

Later,
Nick:)
 -Original Message-
 From: Michael Kim [mailto:[EMAIL PROTECTED]
 Sent: Saturday, April 28, 2001 4:51 PM
 To: 313@hyperreal.org
 Subject: Re: [313] Titonton LP/CD
 
 
 
 hi, i don't know if it's the same one that i picked
 up, but i picked up a 
 2x12 by Titonton Duvante (in an orange sleeve, i
 can't remember the title 
 right now) from Recordtime already.  it is GREAT,
 IMO, no make that really 
 great.  1 hard song on there, and the rest is just
 really beautiful techno.
 
 WELL worth the $21 i bought it for (ouch).
 
 Mike
 
 From: Powdered Toastman [EMAIL PROTECTED]
 To: [EMAIL PROTECTED], 313@hyperreal.org
 Subject: Re: [313] Titonton LP/CD
 Date: Fri, 27 Apr 2001 10:13:01 -0700
 
 Hey Nick, is Titonton's LP really out??  I keep
 bugging the record stores
 and they said they haven't seen anything
 listedexcept the John Tejada 
 Titonton release on Palette.  Is there a
 distribution problem, date pushed
 back or are my local record store guys just being
 lame slags?
 
 
 
 From: Nick Walsh [EMAIL PROTECTED]
 
 Hi ppl,
 it's my duty to remind everyone that Titonton's
 CD/LP
 Selections for Intercourse supposedly came out
 yesterday (the 9th). It is great BTW, so at least
 hear
 it even if you don't like Titonton's stuff.
 
 Later,
 Nick:)
 
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Sonic EP

2001-04-27 Thread Nick Walsh
Talking of UR stuff... I've got this old track on a
mixtape that sounds a lot like the track orbit off
of the Sonic EP... I dunno, were there any remixes of
that track? Need it if there is...

Later,
Nick:)


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Re: [313] Quick question...

2001-04-27 Thread Nick Walsh

--- Ian [EMAIL PROTECTED] wrote:  on 4/27/01 6:27 AM,
[EMAIL PROTECTED] wrote:
 
  If your in  
  the line of music---I can understand it, and I
 guess
  if you say 95% of the music---I can now understand
 it,
  but maybe I just fit the stereotype of being
 lazy--I just like
  the Program option, the repeat option, clarity,
 etc
 
 I knew I'd end up dragging myself into this...
 I don't buy the 95% estimate.  In my experience,
 many vinyl-only buyers
 don't care to find out what's available on CD. 
 Sure, lots of labels never
 release CDs, and I think that's a shame.  But if you
 actively seek out good
 music, and are patient, you'll find a lot more is
 available than a quick run
 through the CD bins would indicate.  What tends to
 never make it to CD is
 the loop based, floor-filler bangers, which aren't
 good listening-room
 material anyway.

Well, some stuff only comes out on CD... CD versions
often have more tracks on them too... I think it's
worth it to have whatever device is necessary to hear
your favourite music... be it on vinyl or CD or
cassette or MD...

Later,
Nick:) 


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Re: [313] Kirk Degiorgio

2001-04-25 Thread Nick Walsh

--- Matthew Gerbasi [EMAIL PROTECTED]
wrote:  hello,
 
 I was told kirk was involved in the following
 releases.does anyone know in what fasion he
 was involved
 
 4 hero// Mr. Kirk's nightmare//smile
 various//no categories 2//Ubiquity
 
 thanks
 matthew
 
 Is there any other recent (since late 2000)
 production or remixing that I have missed?

He did a remix for the Ars Antiqua CD on Atomcandy.
That was released March this year...

Nick:)


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Re: [313] Re: ezmlm response

2001-04-25 Thread Nick Walsh

--- Otto Koppius [EMAIL PROTECTED] wrote:  tim
maughan wrote:
  
  so what? we can't discuss music software/hardware
 here? what if i prefix
  everything with as used by (insert member of the
 holy trinity here) before
  everything?
 
 So you want to talk about clothes (as worn by...),
 breakfast cereals (as
 eaten by...) and toilet paper (as used by...) too?
 :)
 
 Gear talk was exactly why 313TechKnow was created,
 check
 http://groups.yahoo.com/group/313TechKnow for
 subscription info.

I think there should be a little leeway with our
discussion on this list... detroit techno has it's
influences and has influenced many styles of music. If
we don't keep adding new influences, the music will
never progress.

Nick:)


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Re: [313] Cambridge UK: vinyl dump...

2001-04-23 Thread Nick Walsh
Martin,

 loads of todd terry, X103 'atlantis', R+S, KMS,
 trax, the odd Metroplex. 
 they had KMS 'forcefield'. [i thought of you Marcel]
 
 i picked up:
 
 Reese ' just another chance' [house classics]
 Dan curtain 'Time undefined' [strictly rhythm]

B***ard!!! I've been looking for this for s
long... Wanna swap for something?

Later,
Nick:)


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Re: [313] what is electro, now s.o.l.?

2001-04-19 Thread Nick Walsh

--- darw_n [EMAIL PROTECTED] wrote:   Well
detroit was the beginning of electronic music
 as
  we know it so..
 
 
 ??  huh!?!?!?

Okay... The origins are pretty ambiguous but what I
meant was Detroit up at the start of techno and house
(when it was being called techno and house)...

Don't get me arguing pls:)

Nick:)


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Re: [313] what is electro, now s.o.l.?

2001-04-19 Thread Nick Walsh
Hi,

 No... Just Techno. House is Chicago's claim to fame.

Oh really?! I'm not saying house started in detroit...
Oh god... what's the point?!?!?! *sigh* I guess you're
all too clever me, you already know everything about
techno and house and who made the first ever 4/4
rhythm and everything right? You'd better help the
young chap who was asking then if you're so smart...
The question was What is Electro? Do you remember?
You ain't that smart, freaks... 

Eat dust,
Nick:|



 Nick Walsh [EMAIL PROTECTED] on 04/19/2001
 10:02:26 AM
 
 To:   313@hyperreal.org
 cc:
 Subject:  Re: [313] what is electro, now s.o.l.?
 
 
 
 --- darw_n [EMAIL PROTECTED] wrote:   Well
 detroit was the beginning of electronic music
  as
   we know it so..
 
 
  ??  huh!?!?!?
 
 Okay... The origins are pretty ambiguous but what I
 meant was Detroit up at the start of techno and
 house
 (when it was being called techno and house)...
 
 Don't get me arguing pls:)
 
 Nick:)
 


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RE: [313] what is electro, now s.o.l.?

2001-04-18 Thread Nick Walsh

--- Sean Deason [EMAIL PROTECTED] wrote:  all
those who dont see whats techno about Strings
 of Life? please form a
 line before the firing squad.
 
 Detroit techno comes on so many flavors and draws
 from so many inspirations
 that it's impossible to define it with any one sound
 or any one artist
 (hell, even that one artists work will jump numerous
 genres in the space of
 one album). so when does a techno artist cross
 that line and is considered
 to be no longer in the techno realm? Look at the
 Detroit 11 Phases
 compilation on Sublime. there are a few tracks on
 there that I feel would
 not be out of place on a traditional Detroit
 techno album.

Well detroit was the beginning of electronic music as
we know it so... Detroit certainly has it's own
feeling... People who aren't in the know associate
techno with the more recent tribal sound but techno
isn't that at all... D.May is detroit techno, T1000 is
detroit techno, A Guy Called Gerald was (and still is)
detroit techno, UR are detroit techno, Claude Young is
detroit techno, Dan Bell is detroit techno... All of
these records fit together... 

House and techno aren't that different anyway... on my
copy of Nude Photo is says on the sleeve WARNING:
This is the real house sound of Detroit. Sheesh, who
cares about genres... detroit is detroit... If I like
it it's detroit, okay? 4Hero is detroit... I love
4Hero... Yet they're music is called jungle or
d'n'b... Genre's are stupid... 

Later,
Nick:)


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Re: [313] DEMF

2001-04-18 Thread Nick Walsh

--- tom johnson [EMAIL PROTECTED] wrote: 
Thank you for all of your help!
 
 Why isn't DJ T-1000 playing at this year's lineup?
 Is there some sort of bad relationship between the
 DEMF
 and him? There are few people left in Detroit that
 have not played yet, why is he not on there?

Why aren't UR there? Why isn't Rob Hood or Mills
there? They're more detroit than most of the freaks
playing this year...

Later,
Nick:)



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Re: [313] who go juan atkins it happen last week no one care i cry a lot play with puppies

2001-04-17 Thread Nick Walsh

--- Arsenal 2001 [EMAIL PROTECTED] wrote:  
 personally i am sick and tired of seeing these
 posts. i find them offensive 
 and a complete waste of inbox space. please delete
 yourself from my 
 existence as well as my inbox. thank you.

He's just mucking about... The guy isn't as stupid as
he looks you know... I'm sure p***ing ignorant people
off is his intention... Why can't you just have a
laugh with it? Personally, I think this detroit
muusic/public effairs guy is by hilarious... 

Later,
Nick:)


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Re: [313] fill in the blanks : ) (was: Dego at DEMF track ID)

2001-04-17 Thread Nick Walsh
He played the first Archive release too I think...
That Nubian Mindz track... Black Science...

Later,
Nick:)
--- jurren baars [EMAIL PROTECTED] wrote: 
with all those track id's the last two days, i wrote
 down what i know about 
 this set so far, let's see if any of you can fill in
 the blanks.
 
 Dego at the first DEMF.
 
 - seiji  second nature   bitasweet
 - ??
 - ??
 - wookie down on me  manchu
 - ??
 - ??
 - pepe braddock  deep burnt  kif
 - ??
 - hasheemal-naafiysh cutting
 - phoojunsomeatime   archive
 - ??
 - homecookin'lazy days   sole music   
 1)
 - ??  
 2)
 - likwid biskit  the all new ummmpeople
 - isolee beau mot plage  classic
  freeform reform remix
 - neon phusion   timeless motion co-op
 - ??
 
 1) not sure, don't have this one, but i know it's by
 seiji, so that would 
 make sense if it's in a dego set, that and the fact
 that volcov from archive 
 rated it one of his top tunes for 2000,
 
 2) this one samples tony allen's afro disco beat
 from his progress LP, 
 that's all i know about it,
 
 that's all i know (well... all about this set that
 is!)
 bye,
 
 jurren

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Re: [313] DJ Shufflemaster, Fenton, San

2001-04-17 Thread Nick Walsh
Totally, Paul was right... People associate Mills with
one sound... A sound that he doesn't make anymore and
people should stop associating him with it... Mills
has progressed...

Later,
Nick:)
--- Michael Kim [EMAIL PROTECTED] wrote:  
 umm, which Millsian?  Metropolis Mills?  Changes of
 Life Mills?  Step to 
 Enchantment Mills?
 
 give me a break.
 
 Mike
 
 From: Cyclone Wehner [EMAIL PROTECTED]
 To: 313 Detroit 313@hyperreal.org
 Subject: Re: [313] DJ Shufflemaster, Fenton, San
 Date: Tue, 17 Apr 2001 00:14:09 +1000
 
 Actually, coming from a 'journalist', 'Millsian' is
 a very fluid term - it
 doesn't mean hard techno, it means what it says.
 
 Also, people move on to new things. It's called
 'growth'. :)
 
  no real standouts probably but every track is
 usable in a
  harder set. and as for emulating mills i just
 wish he was
  making good hard music aswell these days and not
 the
  rubbish that's been out on purpose maker
 recently.
  lazy journalism (sorry tom) and done by so many,
 to
  describe hard minimal techno as like mills,
 millsian etc.
  more like mills plays than actually makes.
 

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Jega

2001-04-17 Thread Nick Walsh
This should really be for the IDM list but I have to
tell everyone... I've been listening to Jega's whore
(was a CD only release on Skam) for the past month
almost continuously and I think it is prolly my fave
track in the whole world ever... Does anyone have
copies of this or his first release on Skam that they
could sell? (the one with Norton Midgate on it)

Later
Nick (Dj Pacific:)

np. Intron v


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Titonton LP/CD

2001-04-10 Thread Nick Walsh
Hi ppl,
it's my duty to remind everyone that Titonton's CD/LP
Selections for Intercourse supposedly came out
yesterday (the 9th). It is great BTW, so at least hear
it even if you don't like Titonton's stuff.

Later,
Nick:)

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Re: [313] Titonton

2001-04-05 Thread Nick Walsh

--- jean-francois baum [EMAIL PROTECTED] wrote:
 You can check an old titonton's interview here
 http://www.d2b.org/EAR/INTW/08/titonton_duvante.html

He recently did a little interview for Jockey Slut...
The release date for Selections is wrong tho... It's
April the 9th...


Nick:)

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Re: [313] Titonton

2001-04-05 Thread Nick Walsh

--- .placebo . [EMAIL PROTECTED] wrote:
 Trace Elements 2 was a collab with Morgan
 Geist.
 
 nope, trace 2 featured a track by titonton called
 scrazzelnyph. trace 3 had 
 a track he and morgan did.

Yeah, 1 was Jizzak inda Bizza, 2 was Scrazzleniph and
3 was the collab... a tune called Up Innis and
probably the best of the 3...

Later,
Nick:)

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RE: [313] jazzanova - kings of west london sound?

2001-04-05 Thread Nick Walsh

--- Steven Taylor [EMAIL PROTECTED] wrote:
 DB or Jungle wasn't taken seriously by who
 exactly???

When it started out Ibiza Records were calling it
racist... Oops... sorry...

Well, it was an attempt to put reggae and ragga with
the UK rave of the day and the name jungle wasn't
approved of by everybody for some reason... 'twasn't
4Hero that started jungle tho... As far as I know it
all started in Tivoli Gardens way back...

Nick:)
  no offence, just love mark and dego´s stuff.. when
 they 
  started that sound
  ,db or jungle wasn´t taken seriously... i tink
 its time to 
  acknowledge their
  immense influence on music as we know it today..
  
  154
  
  
  
 

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Re: [313] jazzanova - kings of west london sound?

2001-04-05 Thread Nick Walsh

--- Stewart Caig [EMAIL PROTECTED] wrote:
 
 - Original Message -
 From: [EMAIL PROTECTED]
 To: 313@hyperreal.org
 Sent: Thursday, April 05, 2001 2:27 PM
 Subject: RE: [313] jazzanova - kings of west london
 sound?
 
 
 
 
 everyone who wasn´t makin it or not runnin around
 with the mighty
 glowsticks...
 
 Although don't forget that 4 hero were big on the
 rave scene when they
 bought out Mr Kirks Nightmare and that Cooking up
 your Brain ep.

They were a quartet then weren't they? They're first
release was Rising Sun in 1990. The other major oldie
they did was Space '91... People only remember the
hardcore stuff tho... They were miles slower than
their peers when hardcore was getting faster and
faster... You had to put Head in the Clouds at +4 at
least...

Nick:)

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RE: [313] Stacey Pullen and Mark and Dego

2001-04-05 Thread Nick Walsh

--- Steven Taylor [EMAIL PROTECTED] wrote:
 Do 2000 Black have a website?

nah... but check Stephen Kelly's Twoplayer site... it
has a full discog... http://www.twoplayer.org/ He dj's
on Nortroute too... http://www.nortroute.net/

Notice a pattern yet?

Nick:)

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4Hero Pseudonyms

2001-04-05 Thread Nick Walsh
 so many puesdonyms
 any one care to list them...

4Hero = Tek9 (Dego), Manix (Mark), Points Proven,
NuEra, Jacob's Optical Stairway, Tom and Jerry, Pavel
Dego Kostiuk is Dego too I think...  

Nick:)



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Fwd: RE: [313] jazzanova - kings of west london sound?

2001-04-05 Thread Nick Walsh

--- Mann, Ravinder   [CCS]
[EMAIL PROTECTED] wrote:
 From: Mann, Ravinder   [CCS]
 [EMAIL PROTECTED]
 To: 'Nick Walsh' [EMAIL PROTECTED]
 Subject: RE: [313] jazzanova - kings of west london
 sound?
 Date: Thu, 5 Apr 2001 14:52:17 +0100 
 
 d+b for me it goes a little something like this
 
 slowly buidling up from Bristol (early 3 stripe
 recordings)
 More Rockers, Smith and Mighty, Fresh Four fusing
 dub and mid tempo breaks...(somebody please remember
 these monumental tracks...)
 
 to London...i kid you not Rebel MC  - Word Sound and
 Power (after those 'street tuff' escapede released a
 fine
 d+b + roots - Even had Dennis Brown on it !
 
 and then onto  Gerald, Jacobs Optical Stairway,
 Bukem, Metalheads,  Grooverider
 
 back to Bristol for the Reprazent
 
 I dont know where we are know
 
 
  Well, it was an attempt to put reggae and ragga
 with
  the UK rave of the day and the name jungle
 wasn't
  approved of by everybody for some reason...
 'twasn't
  4Hero that started jungle tho... As far as I know
 it
  all started in Tivoli Gardens way back...
  
  


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Re: [313] 4Hero Pseudonyms

2001-04-05 Thread Nick Walsh
Oh yeah... Cold Mission or something too...
--- .placebo . [EMAIL PROTECTED] wrote:
 internal affairs...
 
 
 From: Nick Walsh [EMAIL PROTECTED]
 To: 313@hyperreal.org
 Subject: [313] 4Hero Pseudonyms
 Date: Thu, 5 Apr 2001 06:47:03 -0700 (PDT)
 
   so many puesdonyms
   any one care to list them...
 
 4Hero = Tek9 (Dego), Manix (Mark), Points Proven,
 NuEra, Jacob's Optical Stairway, Tom and Jerry,
 Pavel
 Dego Kostiuk is Dego too I think...
 
 Nick:)
 
 
 
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Re: [313] record shops worldwide..

2001-04-05 Thread Nick Walsh

--- janos [EMAIL PROTECTED] wrote:
 Hi
 
 I'm putting together a list of worldwide record
 hops.
 There was some a few days ago, but i need more.
 
 Tell me about good record shops in your city and
 others that you know...

Pure Sheng (my local:)
80 Micklegate 
York

Innercity Records
11a Headingley Lane
Leeds 
http://www.innercity.co.uk/

Very good selection here... they do mail order... Paul
(the propriator) is a list member:)

There's one just opposite called Sublevel too.

There's a mint shop in my hometown of Leicester called
Rock a Boom too which has loads of deep house and
stuff:) 

Rockaboom
4 St. Martins Square
Leicester
http://www.rockaboom.co.uk/

5HQ is the other good one in Leicester. It's run by
the Formation Records crew (AKA DJSS and friends).
It's mostly jungle/d'n'b but they do have other styles
in there... It's quite a scary place to be IMO... All
these rough looking blokes were looking at me when I
went in and it reminds me of seedy strip joint... 

Also...

Vinyl Underground
Northampton
http://www.vinylunderground.force9.co.uk/

Vinyl Junkies
Soho, London
http://www.vinyl-junkies.co.uk/

Earcandy
Edinburgh
http://www.earcandy.co.uk/

I know a few others too, can't remember them just
yet... Have you tried
http://www.moremusic.co.uk/sitemap.htm ? There have a
massive directory of record shops in the UK and
internationally:)

Later,
Nick:)

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Re: [313] jazzanova - kings of west london sound?

2001-04-05 Thread Nick Walsh

--- tim maughan [EMAIL PROTECTED] wrote:
 not wanting to start some contoversy herebut
 IMHO meat beat manifesto
 kikked dnb off...radio babylon saw them merging big
 fat dub basslines and
 speeded up breaks...they were ripped off by the
 hardcore breakbeat crowd and
 that developed into dnb

I don't even know where d'n'b came from... I heard a
load of MC's talking about the drum's and the bass and
suddenly, in '95, it became a widely used term for
what I knew as jungle... a year later jungle and d'n'b
were two different things?!?!

I dunno what was going on...

Nick:)

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Re: [313] Titonton

2001-04-04 Thread Nick Walsh
Hi there,

 the other week i picked up the new planet e double. 
 its got a track buy 
 Titonton thats tight.
 I was just wondering what other tracks people like
 from him.  hes got some 
 stuff on Residual and a double called Voyeurism (i
 think).
 One day i overheard kent williams talking about how
 Titonton was more of a 
 composer and was taught music theory.
 i havent seen his new cd yet.  is it something thats
 going to be pressed on 
 wax.

The Selections for Intercourse CD and LP is coming
out on April 9th. The LP has 8 trakcs and the CD has
13 (and is a lot more forward thinking).

Titonton released his first vinyl EP entitled
Embryonic on Metamorphic in 1995. He has been featured
on 21 releases to date and is currently djing and
performing live about the US...

he is appearing at Motor on the 7th...

Any Titonton quessies, send them to me privately. I
know too much about Titonton Duvanté... he certainly
deserves a LOT more respect...

Later,
Nick:)

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Re: [313] A bit harsh?

2001-04-04 Thread Nick Walsh
Hi ppl...
--- Phonopsia [EMAIL PROTECTED] wrote:
 - Original Message -
 From: Phonopsia [EMAIL PROTECTED]
 To: Philip Sherburne [EMAIL PROTECTED];
 313@hyperreal.org
 Sent: Tuesday, April 03, 2001 8:52 PM
 Subject: Re: [313] brinkmann opens the can of worms
 [LONG]
 
 
  And would someone please boot this Chrise fella?
 (S)he is contributing
  nothing but kerosene.
 
 I thought maybe I was a bit harsh with this
 statement, but chinaman and
 arab? ? ? Come on, please at least make an attempt
 at sensitivity.

I think people are being too sensitive about it... In
fact, if you're all as mature as you say you are you'd
stop dropping bombs yourself... I think the most
intelligent response I've heard so far was by that
Timothy Johnson fella right at the start... 

I had a bit of an epiphany about this thread last
night and I realise noone oughta apologise for
speaking what they feel. However, the thread is going
nowhere and you guys keep posting the same thing in
different word arrangements. It is rather tiresome...

Take care,
Nick (Dj Pacific:)

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Re: [313] Titonton

2001-04-04 Thread Nick Walsh
Hi again,

--- Sakari Karipuro [EMAIL PROTECTED] wrote:
 On Tue, 3 Apr 2001, ryan burns wrote:
 
  
  the other week i picked up the new planet e
 double.  its got a track buy 
  Titonton thats tight.
  I was just wondering what other tracks people like
 from him.  hes got some 
  stuff on Residual and a double called Voyeurism (i
 think).
 
 i have the remixes of Voyerism on Starbaby. Can't
 remember what tracks
 and remixes there was, and by whom. Anyway, good
 12. 

Remixes by Stefan Manceau/Christophe Bouthé/Jymmy Dark
and Rue East... It also has the original version of
Boudoir on it...

 I also like that
 Extrapolation remixes 12 on Metamorphic - it's
 quite nice. Although,
 once again, can't remember who did the remixes, it's
 a bit electro-y
 stuff, but not the current retro-80's or
 detroit-electro -styles. More
 like electro in Metamorphic way, ie it's really
 weird.

2 remixes by Dan Curtin which are the electro ones and
one by Dego on the d'n'b tip (obviously). The original
version of Extrapolation is featured on the Endorphin
Ep. The Dego remix is also featured on that:)

bubbye,
Nick:)

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RE: [313] Titonton

2001-04-04 Thread Nick Walsh
Hello,
--- Batory, Jason [EMAIL PROTECTED] wrote:
 My favourite is his e.p. on Environ that he did with
 Morgan Geist. I think
 it was just called Titonton  Morgan or
 vice-versa, either way it is top
 class.  

Titonton and Morgan Ep was released on Environ/Phono.
You may as well get Morgan Geist's Into a separate
space CD/LP which features all the tracks on that ep
anyway as well as other stuff from the first 3 environ
releases...

I'll be back soon,
Nick:)

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Re: [313] the good good (was:Titonton)

2001-04-04 Thread Nick Walsh
Hi...

--- Matthew Gerbasi [EMAIL PROTECTED]
wrote:
 I'm sorry if this was already discussed...
 
 I noticed the track listing is different on the
 planet e release than on the 2000 black release
 
 specifically the 4 hero track is not on the planet
 e.

Are you talking about the 4Hero cover of John
Coltrane's Naima? This isn't available as a single
unfortunately (as far as i know). I've heard that a
bunch of Naima covers will be appearing on Laws of
Motion soon... It might already be out actually so I
the 4Hero mix MIGHT be on there...

 is this track available on a vinyl single so that I
 do not have to spend 20 something more dollars for
 the import cd just to get the 4 hero and the few
 other tracks only on the import?

Hmmm... I have an MP3 of that track... you want it?

Later,
Nick:)

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Re: [313] Race and Techno Annoyance

2001-04-03 Thread Nick Walsh
Forget it Scott... Half the list has tried explaining
your point before... Do they listen? Noo... It's
like, after thousands of years of civilisation there
are still wars and famine and disease... A person is
clever but people are stupid... f**k 'em, don't bother
complaining... I wonder if there are any half caste
kids on the list? My cousin's are half caste but they
act like they are black... Some act like they are
white... Because it's weird to be trapped between two
cultures... 

The reason people are so xenophobic in my country is
because people from other nations can come along and
get what they want because people are too scared to
tell them if they do wrong. As soon as a NATIVE,
ABORIGINAL english person (oops almost said man
there:) cries out about it, their chastised for being
racist... Just forget it... Say anything about race
and colour and people get shirty about it straight
away as if it belongs to them... Well, this is a big
f**k you to all you closed minded b***ards out there.
Welcome to the 21st century... Another 100 years of
death and hatred ahead I bet... Why can't people just
put up with it, hey? It's only bl***y music for
Christ's sake...

Later suckers,
Nick:)

--- Scott Brandon [EMAIL PROTECTED]
wrote:
 In response to KDJ quotes from Charles Prince...
 
 OK,
 It takes a bit to get me to post, but here goes... 
 I'm so sick of this
 Black/White thing...  Race is race, and music is
 music...  The two are in
 some ways intertwined but a piece of music is it's
 own entity, sentient and
 soveriegn...  Yes the founding fathers of techno
 were black, and deserve a
 great deal of respect for their accomplishment... I
 love KDJ's music...  But
 I can't help but be bothered that this stereotype,
 and reverse racism is
 being carried on   To say that to understand
 soul music you have to be
 black, because that's who it was made by and
 intended for, is like to say
 that to understand Christianity you have to be
 Jewish, because that's who it
 was made by and initially intended for (Just an
 anology)...  The whole thing
 sucks  Ideas are Ideas...  Techno is an Idea... 
 or if you look at it
 Jeff Mill's way, it's beyond an Idea...
 
 Isn't techno constantly refered to as 'future
 music'???  What about a future
 that is void of a separation between races???  It
 seems that actually many
 people are still living in the past... I'm of white
 skin color   I love
 techno and house  I FEEL techno, and
 house in my soul...  All of
 it...  From the hard to the deep (actually more on
 the deep side)...   Who's
 to say who can and can't feel certain music just
 because of race, color, or
 creed???   I may not have lived Curtis Mayfield's
 life, and neither did
 anyone else on this planet, but I can ***FEEL*** his
 music...  I can feel
 what he's talking about, what he's expressing
 through his music, and his
 voice...  The same with Marvin Gaye or Chic, it's
 the beauty of the human
 ability to empathize...  I would never tell Alan
 Oldham that because he's
 not white he can't appreciate My Bloody Valentine or
 Shoegazer music (which
 he loves and respects), or tell Jeff Mills he
 couldn't do Final Cut because
 industrial was a white thing... This is because I
 refuse to lump sentient
 human entities into catagories!!!  Music has no
 color...  It's like a white
 guy getting pissed that Carl Craig remixed 'Moskow
 Diskow' or 'Problemes De
 Amore' because they were white musics, or to say
 that giorgio moroder had
 no soul.  Pretty Rediculous Right???  What was
 techno?? Who and who
 stuck in an elevator with a drum machine???  I think
 you see where I'm
 going   It seems sometimes that for a group of
 people who spend alot of
 time trying to hide their identities or remain
 'underground' once it comes
 to race it seems everyone's talking, and it's not
 about all their
 influences
 
 The truth is when it comes to the ***ART*** of
 making music from the soul,
 every soul speaks an individual language and who is
 anyone to interpret that
 message for anyone  Or to tell anyone what they
 can or can't feel???
 That's just irrational judgementalism.   Let's
 just get back to talking
 about the music we love and not who can and can't
 love and feel it.
 
 My 2 cents...
 
 - sb
 One Ear to the Ground Communications
 http://www.totheground.com (Coming Soon!!)
 
 - Original Message -
 From: Jongsma, K.J. [EMAIL PROTECTED]
 To: 313@hyperreal.org
 Sent: Tuesday, April 03, 2001 5:35 AM
 Subject: RE: [313] Good artist steals?
 
 
 
 
   one of my fav music quotes is
  
   Sad in the 20th century, in the 1990s, we still
 have to go
   thru the same bullshit
   route that other artists had to go to get
 acceptance. If it
   wasnt for the independents,
   if it wasnt for the small little cities, and the
 few little
   ghetto guys trying to make music,
   it would of never happened. Some of these guys
 will never
   make a dime. Some of
   these guys will be poor 

Re: [313] the race debate

2001-04-03 Thread Nick Walsh

--- [EMAIL PROTECTED] wrote:
 So this article is fact??
 
 What about this?
 
 http://www.msnbc.com/news/548387.asp
 
 Is this fact also?

There is no such thing as fact... Check the Flat Earth
Society for example... You can prove any opinion wrong
if you think about it long enough... Therefore the
other opinion must be right... Or is it...

Later,
Nick:)

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Re: [313] Race and Techno Annoyance

2001-04-03 Thread Nick Walsh


 You are more likely to bring someone around to your
 perspective if you take
 the time to foster an open discussion offline than
 by citing rhetorically
 charged quotes in a global public forum. If your
 goal is to piss people off
 that don't understand where you're coming from, keep
 on spewing heated
 rhetoric. If your goal is to educate, persuade, and
 (God forbid) learn, then
 find out why you disagree and start a discussion -
 offline.

Yeah, totally... Like I said, we've been through the
race stuff before... Every few months we do it
again... I think I bemoaned it last time in fact, I
said this would happen didn't I? Who cares... Why
don't we start a new list???... 313RaceFlames... We
could argue forever, I mean no one wants to find an
answer...

No smilie this time,
Nick

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Re: [313] Race and Techno

2001-04-03 Thread Nick Walsh

--- Otto Koppius [EMAIL PROTECTED] wrote:
 tim maughan wrote:
  
  it really upsets me to watch you all b*tch at each
 other like this. when i
  was a kid, techno was a unifying force...well, at
 least here in the UK. 
 
 [snip]
  
  and the poeple i did this with - who i talked,
 danced, got high, and loved
  with - weren't ANY color. hey - yeah..they were
 black, asian, white, male,
  female, rich kids, ghetto kids, straight, gay,
 disabled...but no one cared.
  no one said anything. why? cos only one thing
 mattered:
  
  techno.
 
 On the dancefloor, yes, absolutely right.
 
 BUT...

A... shove your but up your ass... Hmm... That's
not possible is it?

Later,
Nick:)

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Re: [313] FWD: RE: [313] Race and Techno

2001-04-03 Thread Nick Walsh

--- kharris [EMAIL PROTECTED] wrote:
 yeah well i grew up hanging out in detroit where
 racist skins would come to 
 shows and fights would happen and cops would come
 and i learned at an early 
 age _race does matter_..politics _matter_..if you
 choose to ignore it, if you 
 choose to not be a force for change that is fine but
 i won't sit here and have 
 someone preach that it doesn't..everything you do is
 political on some level

What is your point? Are you saying that showing the
differences between black and white is gonna help
that? I don't understand, how does harping on about
race issues stop skinheads from beating people up?

Nick...

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Re: [313] FWD: RE: [313] Race and Techno

2001-04-03 Thread Nick Walsh

 i originally wrote this message.  it seems a little
 harsh now that i read it 
 again, i apologize

Lot of us have been making stupid comments. Including
myself (I think I'm probably the worst). I'm really
sorry about my stupid comments... I think this shows
just what a pointless thread this is... 

Nick...

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Re: [313] West London soun'

2001-04-02 Thread Nick Walsh
Hi Andy,

 As for Titonton, his Beta Lounge set is still doing
 my head in.
 Can anyone recommend DJ sets online in a similar
 style?

You could check Nortroute.net (as I've said millions
of times) but noone seems to listen to me anyway... 

Titonton hasn't always been like this but he is
progressing in an interesting direction. I actually
liked his double edged 2 mixtape... The first thing
I heard from the guy. 

I spose someone else will say almost exactly the same
thing in a couple of posts and you'll all be
responding to that so Dunno why I bother really...

Later,
Nick (Dj Pacific:)

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Re: [313] chi-house sets

2001-04-02 Thread Nick Walsh
http://deephousepage.com/

Nick(Dj Pacific:)

--- Samuel Hobbs [EMAIL PROTECTED] wrote:
 i am hoping someone might know of any web sites that
 would have archived sets of chicago house from the
 80's.  i am mainly looking for the early chicago
 masters.
 -sam
 
 
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Re: [313] i have to dj and i'm scared.

2001-03-29 Thread Nick Walsh
Hey,

--- tristan watkins [EMAIL PROTECTED] wrote:
 --- paul [EMAIL PROTECTED] wrote:
  jesus, if he's this worried why is he even djing.
  and for a 'dj' to even ask other people what they
  feel he should play,
  well.
 
 Come on, don't you think that's a bit harsh? We all
 learn at our own pace, no? And the practicalities of
 DJing often entail finding a way to work outside of
 your normal parameters *if you want to get gigs*.
 Some
 of us are less flexible on this point than others,
 thus we DJ less often. 

Totally, I agree... In fact there's no need for that
kind of 'tude. Not like you Paul at all... Is
everything okay? 

I reckon that you should just play whatever takes your
fancy... This trance guy should be worrying about
fitting in with YOUR stuff. If he can't keep up then
that's his problem... And if the promoter gets shirty
about it and never hires you again, well... good...
His loss... Putting trance with detroit tech is a
stupid idea and shows how much this goon of a promoter
knows... It's not your problem, mate... It's a job, do
it, collect the cheque, get out of there.

Later,
Nick (Dj Pacific:)

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Re: [313] Detroit Electronic Music Festival

2001-03-28 Thread Nick Walsh
Fine... Well then, Titonton is definitely gonna be at
the DEMF as he told me... I'm programming his site and
it will be officially online soon... He'll be playing
at the 7th City stand... I can provide proof but
you'll have to reply privately... 

Nick:)

--- atomly [EMAIL PROTECTED] wrote:  On Wed, Mar
28, 2001 at 10:39:46AM -0800, diana
 potts wrote:
  http://www.billboard.com/daily/2001/0326_09.asp
 
 Check this:
 
 http://www.billboard.com/daily/2001/0327_07.asp
 
 -- 
 :: atomly :: 
 
 [EMAIL PROTECTED] | [EMAIL PROTECTED] |
 [EMAIL PROTECTED]
 http://www.atomly.com | http://www.mp3.com/atomly   

 

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RE: [313] D?EMF Line-Up

2001-03-27 Thread Nick Walsh
Yup yup, I can tell you from a very reliable source
that HDNone is talking a load of pap. I also know a
few dj's that are gonna be there but the line ups may
change, it's still being organised, so there's no room
for speculation. Things will be clearer soon, there's
no point wasting bandwidth now when the full details
will be displayed way before the event anyway...

Besides, I've heard the DEMF is gonna be split into
sites for individual labels and I've only heard
detroit labels mentioned so half of those guys HDNone
suggests are out... 

later,
Nick (Dj Pacific:)

--- Andrew Wilson [EMAIL PROTECTED] wrote: 
:::I have VERY RELIABLE sources that have informed
 me of who is and isn't
 :::playing this years D?EMF(as in Detroit???
 Electronic Music Festival).
 :::According to my sources there were originally NO
 Detroit DJs
 :::scheduled to
 :::play the main stage at all this year!
 and apparently Carl Craig has decided to make a
 whole heap of eurotrance
 tunes and plans to sign Eiffel 65 and the Britney
 Spears to planet e
 
 PUHlease!!! can people do as diana potts asked and
 wait until the press
 conference b4 telling everyone they have reliable
 sources if they were that
 reliable then you'd tell us who said them and show
 us some proof



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Re: [313] fair play to juan atkins

2001-03-26 Thread Nick Walsh
Hi,

 I would think that anyone who knew enough to think
 someone an amazing dj 
 due to the flawlessness of a mix would understand
 what digitally mized means.

I don't think so...

 Isn't it all about the resulting product and it's
 effect on the end-user, 
 anyways?  Whether you mix vinyl, cds, or tracks on a
 computer, realtime or 
 previously recorded... isn't it about how it sounds
 in the end?

No... It's about the ride not just the finale... 
 
 Wasn't there a similar argument made by traditional
 musicians when 
 synthesizers first started to pop up(same for drum
 machines, etc)?  A 
 general they're cheating attitude, or something to
 that 
 effect...  

Totally, if you judge a dj on how the final product
sounds, then fine. If you judge someone on the
techinical skill required then that's cool too. Mr.
Semen or whatever his name is gonna disappoint if he
does a live set and it isn't the same quality as his
cd mix. The technology is there tho...

Eventually, I think it all distills down
 into how the final 
 product sounds, not as much how much skill (talent
 and creativity yes, 
 skill no) and good timing and luck it took to get to
 that point.

That's how many closed minded individuals feel... It's
not the years of research scientists have done to get
this cure for cancer. Just that it works... If it
doesn't work tho... Do you still pay them?
  
 It's the misrepresentation of talent part that
 bugs me... a djs job is to 
 choose tracks, combine them into a set, to the end
 of creating a 
 synergistic piece that entertains whoever listens. 

John Cage is really boring and weird but I respect the
work he has done...

Later,
Nick (Dj Pacific:)

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RE: [313] Oh Lordy...

2001-03-23 Thread Nick Walsh
That won't happen... Moby knows what sells... He tries
to please the mainstream... Duke Ellington did what he
wanted to do and his stuff has a place in music
history... The difference between Ellington and Moby
is that Duke Ellington isn't a sellout... People that
sellout generally start making crap music... Kinda
like when the money got to Michael Jackson's head, he
went all weird. 

Nick:)
--- Gwendal Cobert [EMAIL PROTECTED] wrote:  The
way I see your explanation, the problem is not
 Moby - but MTV. Say they
 suddenly decide to label Duke Ellington as techno,
 and that's the only
 techno they show in their programs, will it change
 anything to the quality
 of Duke Ellington's music ? Should Duke Ellington be
 blamed because millions
 of stupid american teenagers will associate big band
 jazz with techno ?
 Gwendal
 
  When XYZ teenager from XYZville, America looks to
 MTV for all
  their music,
  and sees this guy Moby on the TV, they think
 oh, this is
  techno! Surely
  due to the fact that he is labelled as techno
 and it's the
  only thing
  resembing techno that MTV (and thus the largest
 purveyor of
  teen culture
  in america) chooses to play. So, basically, his
  commercialization of good
  music makes the whole electronic movement look
 dry, even
  though its just one
  performer.
 
 

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The issue (was RE: [313] is moby still Techno)

2001-03-22 Thread Nick Walsh

--- Sean Deason [EMAIL PROTECTED] wrote:  Theres 
Hi all,

 much more to Moby than Go or that song from
 The Beach. I think
 his past work earns him respect for thier place and
 impact on electronic
 music. I dont know why people are so up in arms over
 Moby's success with
 electronic music. Its the same old I want my
 favorite musicians to remain
 unknown and poor because once people less cool than
 *me* start liking them
 I'll be obliged to hate them debate we have here
 periodically.

This is the issue with the Richie Hawtin @ Gatecrasher
thing. It seems kind of hypocritical to criticise the
mainstream for being too sterile, yet as soon as they
take an interest in our music, we're up in arms. 

I think a lot of people think of our music as if it is
our child so to speak. We diss them nasty,
good-for-nothing kids outside for their behaviour and
don't want our kid playing with them (I know it sounds
kinda stupid but...).  

The only way to resolve this issue IMO is for the
mainstream to change so that the music industry isn't
a world of superstars and underground music and stuff.
People need to be allowed to like what they like, not
what is said to be cool. We might give the other
kids a chance if they were willing to change. Places
like Gatecrasher need to stop bringing in dj's that
they know will sell and bring some real music in. Not
just techno either the whole system is wrong at the
moment.  

Just thinking,
Nick (Dj Pacific:)

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Re: [313] Fw: Ritchie Hawtin lives in the UK (B'ham, in a box behind McDonalds)

2001-03-21 Thread Nick Walsh
I dunno, is this such a bad thing? Maybe Richie is a
sell out?! What does it all mean? Maybe he has a
message for the kids!?!... I might go to smash his 909
over my knee in Derrick May fashion... Hahaha... Is
this OT? 

Nick (Dj Pacific;)
[Dave's house (his bro's bday party)/Mark's flat/6th
Form (end of term disco)]
--- David Bate [EMAIL PROTECTED] wrote:  I
believe the 430 West Crew has played Gatecrasher
 as well
 
 But being in the states.. that could just a be rumor
 
 Mark Hughes wrote:
 
  No it REALLY can't be Gatecrasher, it can't be! 
 Next
  thing we'll be hearing that he's playing Cream
 because
  they are now down with the Underground.
 
  Cheers
  Mark
 
  --- paul [EMAIL PROTECTED] wrote: 
  
   
U.K. LIVE DATES IN APRIL
Fri 13th April: Generation Arena @
 Gatecrasher,
   NEC, Birmingham
   
   you've got to be kidding! who else is playing
   gatecrasher?
  
   paul
  
  
  
 

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Re: [313] Track ID's from Eddie Fowlkes DEMF set

2001-03-15 Thread Nick Walsh


 No clue on the first, but I can help with these RB
 classics:
 
  2. has the lyric dancing in september i've heard
 this track alot, but
  don't know the name or artist.
 
 Possibly September by Earth Wind and Fire.  May
 have been a sample, but
 Eddie is the type to slap down the original.   23
 years old.

It has recently been rereleased on a label called
Vinyl Junkie. It has Boogie Wonderland on the other
side:)

Nick:)

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Re: [313] Jeff Mills

2001-03-15 Thread Nick Walsh
I think we have reached the point of no return... 

bye,
Nick(Dj Pacific:)
np: More Songs About Food  Revolutionary Art...

--- Paul McClean [EMAIL PROTECTED] wrote:  Hi
people.
 
 Our radio show has Jeff Mills on tonight, 8-10pm GMT
 speaking about his new
 material and general chat including why he never
 wants to DJ in the UK
 again. We've also got an interview with Jori
 Hulkkonen and some prizes.
 Its a Belfast based show, but we stream on the web
 www.bbc.co.uk/atl
 
 Hoep some of you can join us.
 
 paul
 
 
 Paul McClean, Producer, Across the Line
 BBC Radio Ulster, 92-95fm/1341mw
 0044 (0)28 90338939
 0044 (0)772 0077430
 [EMAIL PROTECTED]
 www.bbc.co.uk/atl
 
 
 
 
 
 
 
 
 
 

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 the information in any way, and notify me
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Re: [313] Drexciya was Venue Info

2001-03-08 Thread Nick Walsh
This is old news... move on...

Nick (Dj Pacific:)
--- ani [EMAIL PROTECTED] wrote:  i think that
posting people's identities on a list
 like 313 is wrong, and i
 *will* be a bitch about this until you respect
 peoples' anonymity.  let
 artists reveal themselves or credit themselves as
 they see fit, not because
 you need another tidbit of info...
 
 it's in poor taste to talk about people's business
 in a one-on-one
 situation, let alone a large mailing list.
 
 --
 cut  pasted from a previous post to 313:
 
 i think if you respect an artist (or a collective of
 artists like
 underground resistance) you should respect their
 desire to be anonymous (and
 any artist who wears a mask wants to remain
 anonymous).  i think discussing
 people's real names and identities on a very public
 list with no moderation
 could cause problems...
 
 direct flames to:
 ani
 record time
 [EMAIL PROTECTED]
 www.recordtime.com
 ph  810.775.1550
 fax 810.775.5830
 icq# 33610265
 aol im: recordtime313
 want to be on the record time mailing list?
 send an email message from the address you want to
 subscribe with
 subscribe in the subject
 
 
 - Original Message -
 From: _DipfthonG_ [EMAIL PROTECTED]
 To: graham [tan] wilson [EMAIL PROTECTED];
 [EMAIL PROTECTED]
 Cc: 313@hyperreal.org
 Sent: Thursday, March 08, 2001 1:19 AM
 Subject: Re: [313] Drexciya was Venue Info
 
 
  Well if Somebody would set people straight
  as to who, Drexciya, Dopplereffekt, Ultrdyne,
  Elecktroids, Japanese Telecom, etc...are,
  Then maybe you could get credit for your
  own werk.  To me (and i'm sure allot of others)
  these groups above are all the werk of the
  same person/persons.  At least that's the
  concensus.
 
  Anyone care to Elaborate ?
 
  Dr.Robot ?
 
  well being,
  [`] (_DipfthonG_)
 
 
 
 

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Re: [313] nu era

2001-03-05 Thread Nick Walsh

--- Minto George [EMAIL PROTECTED] wrote:  
 Marc Mac is nu era? I always thought it was Dego.

Apparently...

 And
 I guess you can say Titonton sounds like he got some
 of his influences from nu era and dego and marc
 (4hero). 

He did... Titonton was on The Deepest Shade of Techno
Vol 2. on 4Hero's Reflective label. NuEra did a thing
on Trace Elements 3 on 21/22 (label linked to
Ele_mental, Titonton, Archetype/Monochrome and Todd
Sines are/were all Ele_mentals).

 If you want to hear the influence back up
 to
 1992 and dig for a copy of Beyond Gravity on
 Reinforced? or is it Reflective? 

Reflective...

 This is a classic
 album. And it's up there with all the great albums
 from that time period of techno when people like
 stefan robbers (terrace) innovated and made DEEP
 music.

Lots of Nu Era stuff can be found on the older
Freezone series of compilations available on SSR.

 great to hear titonton has a new album out...when is

It's not out yet... It's coming out April 9th... T has
lots of plans for the future (wait until May... lots
going on then:) but he's concentrating on touring
until the end of April... 

 Dan Curtin gonna get deep again? I loved the Player
 12 (we need more russ!) and the Delsin was great
 too.
 what else's new with the old ohio clan? todd,
 charles,
 21/22 corp/mr. Ed Luna, where you guys at? 

Archetype has lots of stuff going on soon too... 21/22
is still on it. There was some stuff out recently
there. Todd Sines effort for Titonton  TJ's Residual
imprint could be forthcoming... Titonton is always
busy tho and seems to change his mind at the last
minute...

As I have said before, if you need info about
Titonton. I'm programming the guys site so I know
what's happening...

Later,
Nick (Dj Pacific:)

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Juan Atkins mix on Enetronic

2001-03-02 Thread Nick Walsh
Does anyone know what the first track on the Juan
Atkins mix recorded at Backflip in NY. You can listen
to it at Enetronic and Yahoo Radio... What's that
tune? I've heard it before...

Cheers,
Nick (Dj Pacific:)

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Past, present and future

2001-02-20 Thread Nick Walsh
Hi 313 ppl,
Need a bit of help with some work I'm doing...

I need to find the tracklisting for the Past, Present
and Future compilation CD double pack that came out
on the Multiplex label ages ago(MOCD 005). Featured
stuff from John Tejada etc. It's kind of important. If
someone could send me a jpeg image of the cover too...
that'd be great.

Thanks,
Nick (Dj Pacific:)

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Re: [313] Electro

2001-02-09 Thread Nick Walsh
And what about Bunker, Plasmek, Electronic Corporation
etc... There's loads of new electro about... If you
wanna check old stuff... Twilight 22...

Nick (Dj Pacific:)

--- diana potts [EMAIL PROTECTED] wrote:  some
of my favorite electro stuff comes from Adult,
 LeCar and the Ersatz Aduio camp
 (http://www.ersatzaudio.com)
  I also highly suggest Ectomporph and some of the
 electro releases from NYC's Spelunk Records as well
 as
 some of the music DJ Godfather put out under his
 many
 alias' for production (sektor 17, i think) and
 always
 Mr.Will Web and AUX 88 and Drexciya:). Dopplereffect
 is always classic (i want to be a porno-star) too
 as
 well as the early cybotron  bambaataa material. 
 
  For a well put together history check out (copy and
 paste link into): 

http://www.ele-mental.org/ele_ment/think/original/think.html
 
 
 electric boogaloo,
 diana
 
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Re: [313] Electro

2001-02-09 Thread Nick Walsh

 Any comps of '80s American electro are usually a
 sure bet (can't think of 
 any names off hand, but will get back to you). 

The Street Sounds comps were where the hub of the
whole scene as far as I know... You can still buy
them... Loads of old schoolers on there inc Cybotron,
Twilight 22 etc... Gotta respect real electro...

L8r,
Nick:)

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Re: [313] Gemini CDJ Package For Sale

2001-02-01 Thread Nick Walsh
What about -15%? Play Silent Phase's Psychotic Funk
at 33rpm +8% and it becomes something new... Similar
things can be done with Monolake and Theo Parrish...
What is your problem? +/-15% is a nice addition... Why
do you have to complain about everything?

bye,
Nick(Dj Pacific:)
--- Sakari Karipuro [EMAIL PROTECTED] wrote:  On
Wed, 31 Jan 2001, Todd Smith wrote:
 
  Alot of electro guys actually keep their techs
 pitched up to 16% so they can
  get the really some really crazy electro beats
 happening.  Electro has a
  pretty wide BPM range and IMHO being able to pitch
 techs up to 16% is great
  for this purpose.
 
 i'll give another opinion; imho 4% is enough. and
 why would somebody want
 to break their technics turntables anyway, that 8%
 is really wide range
 already. 
 
 sakke
  
   Why ridiculous? Maybe not your taste or mine.
 Someone out there likes it.
   Ive even heard some guys notch it up more then
 15% for that fast booty
   house.  makes me wanna puke? of course. someone1
 else digs it though
 
 

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Re: [313] the LONG short of dj sets

2001-02-01 Thread Nick Walsh
Hi ppl,

--- FRED MCMURRY [EMAIL PROTECTED] wrote:  This
hits upon a problem in many DJ communities:
 
 Newcomers let the quality of the set fall ENTIRELY
 on their records,
 instead of using their SKILLS to pump up the crowd.
  Give some people
 nowadays a crate of records from just 8 years ago 
 they wouldn't know what 
 to do with themselves.
 
 Who is teaching these skills to the newcomers? In my
 town (not Detroit) most 
 DJs are so concerned about getting recognition and
 respect, and keeping it, 
 that they don't share what they know (if they know)
 with others. The local 
 DJ crews are impossible to break into... I have a
 friend who gave a tape to 
 this guy in one collective. The entire collective
 loved it but my friend was 
 bullshitted about being able to spin with them.
 Promises unfulfilled. He's a 
 good DJ and has skills to share as do the guys in
 the collective but since 
 they are so selective (rejective?) there is no
 chance of cross-pollination 
 of ideas. Where do many newcomers learn to spin? I'd

Well, I'm noone special and I haven't been djing
properly too long either so I'll explain how I did it.
I listened and watched others, no one helped me but I
pushed it in their faces if I wanted to get out
there.. I played on pirate radio once, I was made
friends with one of the guys on it. I was awful but
the people in the studio (a bedroom actually:)
respected it totally... Made a change from the usual
trancy kids that they let play:)

 say from listening to 
 mix CDs which are usually made to shift product
 which means they let the 
 entire song play out and use computer programs to
 mix. Only recently has 
 there been a fair amount of CDs that have the live
 sound (short mixes, 
 spinbacks, hard cuts, mixes that aren't seamless).

I used to buy live mixtapes not mix cd's... Most mix
cd's you could get around here were crappy charty
stuff... I have spent my whole life looking for
music... but even within the underground there's
still a lot of crap about... I used to try to filter
the best out, this is why I wanted to dj... to play
the music I like all together:)

 So I guess the point is 
 established DJs need to share skills with others, it
 worked for jazz.

These guys that won't share... Forget them... It's
gotta be in your soul... 

bubbye,
Nick (Dj Pacific:)

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Re: [313] streaming mixes

2001-02-01 Thread Nick Walsh
www.nortroute.net/

which are excellent and don't spend half an hour
buffering before telling you that the server has
reset:) 

Nick (Dj Pacific:)
--- Christian Bloch [EMAIL PROTECTED] wrote: 
www.paxahau.com
 www.groovetech.com/demf
 
 Christian Bloch
 www.mp3.com/bloch
 Tresor/LL/Deep Night Essentials/Simple Muzik/Funque
 Droppings/Set.Go
 
 
 - Original Message -
 From: Greg Malcolm [EMAIL PROTECTED]
 To: 313@hyperreal.org
 Sent: Thursday, February 01, 2001 4:19 PM
 Subject: [313] streaming mixes
 
 
  any goos sites out there that offer streaming
 mixes, besides freq detroit?
 
  Greg Malcolm
  Digital Audio Engineer/Multimedia
  http://www.ontimetraining.com
  330.422.2028x163
  [EMAIL PROTECTED]
 
 
 
 
 
 

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Re: [313] the LONG short of dj sets

2001-01-31 Thread Nick Walsh
Not everyone wants to be famous... Lots of people
paint and draw for pleasure...

Nick (Dj Pacific:)

 Well first, if the drive is there then those bedroom
 dj's need to go out and
 provide themselves with that opportunity...that
 chance.  Meet the right people
 ...start new friendships that can work for you and
 get you to where you 
 want to be.  You don't have to go to the extreme of
 kissing ass (to phred), 
 you just have to work it so that you have something
 people want and vice versa
 AND, be friends/comrades with them at the same time.
 
 
 There's nothing with trying to get an opportunity
 but don't be desperate 
 about it
 either.
   
 If you're not getting the chance in your hometown,
 go somewhere else.  Its a 
 big 
 move, but it comes down to whether you are serious
 about having this sort of 
 career.
 
 I mean c'mon, you spend all this time and money,
 heart and soul, in this 
 hobby, why not
 get some recognition?
 
 Stop making excuses, if you're good, then bring it
 on!
 
 Peace,
 Glyph
 

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Re: [313] the long dj set

2001-01-30 Thread Nick Walsh
I like to mix quick... but I sometimes wanna play the
best bit of a tune, which is often at the end... so I
generally end up playing it right through or taking
ages mixing between two records to make it really
smooth... I reckon it totally depends on the tunes
you're playing...

l8r,
Nick (Dj Pacific:)

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Re: [313] Ring ring ring ha ha hey!

2001-01-30 Thread Nick Walsh
My mate has got a phone with a built in sampler... you
can save a couple of seconds or so onto it and has
some really nasty old drum 'n' bass thing on there...
grrr... I'll find out the name of the model:)

nick (Dj Pacific:)
 I'm just waiting for the day when you can use a wave
 file as the actual ring
 tone. That would be cool. Maybe some mod-hacking
 needs to be done on those
 MP3 player/mobile phone combos.
 
 out.
 dave.
 

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[the most OT post of the planet] Re: [313] Haha, you are so lame!! (was future of DJ'ing)

2001-01-24 Thread Nick Walsh
Cyclone,
You have to remember that half of the guys on this
list now are children between 16-21 y o. This isn't a
personal attack either... but if you're as grown up as
you say you are you need to just take it like a pinch
of salt... just ignore it... 

Forgot those d*cks... If they bring up a good point
then fair enough but there is never any need for them
to be abusive... Some people never ever grow up and
there are a hell of a lot of w*nkers on this list...
It is impossible to strain all of these people out
because they make up the bulk of society... 

I have been that kind of t*sser before... when I was
about 16 or 17, I kept sending dirty emails to Isla
Fisher (remember her?). She actually replied to
some... and was really nice, put me down softly... 

An answer, when calm, turns away rage..., from the
Bible (but I don't know exactly where:) Time to stop
now... Tosh etc. can go and find some new friends...

Take care,
Nick:)

--- Cyclone Wehner [EMAIL PROTECTED] wrote:
 I don't think it's funny at all. I can't see why we
 couldn't just continue
 to discuss it in a grown up manner. If we had
 misconstrued points they could
 have been cleared up. People can disagree without it
 getting personal. I
 never made a personal attack on Tosh. I thought he
 had originally raised an
 interesting issue.
 
 What's more, I was singled out when others made
 similar points - with
 irrelevant slurs on my nationality (even more
 irrelevant since I'm wog
 anyway) and level of intelligence.
 
 
 this is, by FAR, the funniest post of the year!!
 
 I am going to carry bony and rabbit fur everywhere
 I go!!
 
 I swear, this is getting printed and going on the
 wall or something...
 

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Re: [313] re[313] equipment

2001-01-22 Thread Nick Walsh
Get a Korg ES-1 and sample them all... They're damn
cheap and really useful...

Nick (Dj Pacific:)
--- RocketKids [EMAIL PROTECTED] wrote:  
 lots of laughs
 
 
 -Ursprüngliche Nachricht-
 Von: dr [EMAIL PROTECTED]
 An: [EMAIL PROTECTED] [EMAIL PROTECTED];
 313@hyperreal.org
 313@hyperreal.org
 Datum: Sonntag, 21. Januar 2001 02:51 RON
 Betreff: Re: [313] equipment
 
 
 'lovely percussive deep detroit-like filtered
 organs and strings'
 does not equal novation bass station.
 
 At 12:52 AM + 1/21/01, Saul Goode wrote:
 you should buy my mint novation super bass
 station they're $700
 new, but i'm selling mine for $350 w/box and
 manual.
 
 'm also selling a korg kaoss pad
 
 offers anyone???
 
 peace
 
 
 From: [EMAIL PROTECTED] (RocketKids)
 Reply-To: RocketKids [EMAIL PROTECTED]
 To: 313 313@hyperreal.org
 Subject: [313] equipment
 Date: Thu, 18 Jan 2001 15:08:42 +0100
 
 hi,
 im planning to buy some synthesizers or
 expanders, and im looking for
 those
 lovely percussive
 deep detroit-like filtered organs and
 strings...you should know what i
 talk
 about,,...maybe someone
 could tell me, what synth i should spend my money
 on?
 thanx ron
 
 


 ron lux _ salierstr.30 _ d-75177 pforzheim
 (+49)_7231_568568 _ cell (+49)_179_5251805
 
 come to
 www.megahertz.org
 www.fortransit.com
 ---
 

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Re: [313] Future of DJ'ing, also anyone at MIDEM?

2001-01-22 Thread Nick Walsh
The smell of brand new vinyl out of the sleeve, the
crackle of the record under the needle... there's
something spiritual and special about vinyl that no
other media can replicate... Old vinyl especially.

I don't want your stupid toy... Who cares about the
future... time and forces move around and come back on
themselves... just because something is new, doesn't
make it good...

Nick (Dj Pacific:)
--- Cyclone Wehner [EMAIL PROTECTED] wrote:
 Sounds horrible, going through the box is part of
 the artform. It would make
 it too calculated, you can't flick through your box,
 land on something else
 and think hmmm, now maybe I can play that instead.
 The advantage is that it
 overcomes the dreaded, 'the airline lost my records,
 damn I will have to
 borrow Judge Jules' records or make a quick sortie
 to the local record
 store' syndrome.
 
 Anyone at MIDEM and see the release of Final
 Scratch?
 
 You know how I've been going on about the future of
 DJ'ing?  Well Hawtin
 and Acquaviva along with N2IT out of The
 Netherlands did their press
 release of Final Scratch yesterday.  It's not the
 first time they've
 used the system, it was used during their Peel show
 a few months ago,
 and John has been using it at almost every gig for
 the last few months.
 
 Essentially the only aspect of DJ'ing that it
 changes is the carrying of
 vinyl and selecting of tracks to play.  Now instead
 of carrying boxes of
 vinyl you need only a suitable powerful laptop, and
 instead of flipping
 through your record box you just double-click a
 track and it's ready to
 go.  That is the only aspect of DJ'ing as we all
 currently know that
 changes.
 

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Titonton @ Betalounge, 25th Jan 2001 8pm (PT)

2001-01-22 Thread Nick Walsh
Hi 313ers,

It is my duty to tell everyone bout this so check it
if you can... 

25th January 2001
8.00pm (Pacific Time(? If this is wrong... I'm sorry))

*Titonton Duvante on Betalounge*

and someone called
Dj Anna (who I've never heard of)

l8r,
Nick (Dj Pacific:) 

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Re: [313] radio2

2001-01-22 Thread Nick Walsh
Okay,

THIS WEDNESDAY IS DETROIT... so don't miss it okay? It
prolly won't be techno but it'll be Motown at the very
least... 

cya,
Nick (Dj Pacific:)
--- FRANK JACK DANIEL [EMAIL PROTECTED] wrote: 
Radio 2 - 9pm wednesday 'sounds of the city' with
 charly gillet - a journey 
 round the different rhythms of different cities. 
 the first one was great, 
 covering the rhythms of New Orleans and their
 influence on reggae. Mr gillet 
 and Taj Mahal were tracking the changes.
 
 I am pretty sure there was to be one on Detroit, but
 I missed the last two 
 so I don't know if its been and gone.

_
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Re: [313] Re: 2000 black release on Planet E

2001-01-18 Thread Nick Walsh
I've heard tell that a new Tom and Jerry (4Hero under
ANOTHER name)release is coming soon too... Yeah the
Broken techno Ep is nice... Some very detroity
sounding melodies on there... 

l8r,
Nick (Dj Pacific:)

--- stephen kelly [EMAIL PROTECTED] wrote: 
not sure if you all realise - but the track listings
 for the planet-e 
 version of 'the good good' is going to be different
 from the 2000 black one, 
 not greatly, but different all the same... you could
 say that the planet-e 
 version is a round up of previous releases with a
 couple of exclusives - 
 while the 2000 black version is aimed at people
 who've been collecting all 
 the twelves - it's all exclusives... both are
 probably worth picking up... 
 maybe check out nu era's 'broken techno' just out on
 archive as well - more 
 fantastic stuff from marc mac and dego...
 
 i've got a tracklisting for the 2000 black version
 of 'the good good' on 
 http://twoplayer.net
 
 many thanks to everyone who's been tuning into
 nortroute - hope you enjoy it 
 ;)
 
 all the best - [EMAIL PROTECTED]
 
 http://twoplayer.net
 http://nortroute.net
 

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Re: [313] Re: 2000 black release on Planet E

2001-01-18 Thread Nick Walsh
Hi there,

--- stephen kelly [EMAIL PROTECTED] wrote: 
previously...
 
 I've heard tell that a new Tom and Jerry (4Hero
 under
 ANOTHER name)release is coming soon too... Yeah the
 Broken techno Ep is nice... Some very detroity
 sounding melodies on there...
 
 snip
 
 i hadn't heard about a tom and jerry release - but
 there's lots going on at 
 reinforced again... marc mac is partly resposible
 for the recent special 
 touch releases, there's a new twelve by code071
 (remember london sumtin'?), 
 the awesome nu-wave ep by alpha omega and the
 forthcoming 'urban jungle 
 sountrack' comps mixed by strech...

yeah... that Nubian mindz lp on Archive recently was
awesome!!! And the Total Science thing on
Reinforced... Infact, most of the major forces in the
jazzbeat movement are all reinforced heads!!! 
 
 i was made up when i first heard the 4hero mix of
 amazon - always considered 
 them and reinforced to be the uk's answer to
 underground resistance, so it 
 made me very happy - although timeline is the better
 track ;)

I dunno if you remember the Deepest Shade of Techno
Complilation way back. UR did a few tracks for that:)
Dego and Marc have been involved with detroity things
for a looong time and have pretty strong feelings and
heavy involvement with the scene... and pushing things
forward... I've not heard anything by them that's ever
disappointed me:)
So 2000 Black and jazzbeat as a whole is definitely
hugely 313 relevant:) 

later,
Nick (Dj Pacific:)

Ps. I heard about that Tom and J thing through
Titonton... supposedly doing a remix for them... I
know Dego was involved with the Ele_mentals in
Columbus at one point and NuEra released something on
21/22:) Anyway, I'll find out the label if you want...
I think it's a label called Foreplay... I'm currently
programming Titonton's official site for my final year
project (and taking far too long over it:) so if
anyone has any questions about him...

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Re: [313] Re: 2000 black release on Planet E

2001-01-18 Thread Nick Walsh
Vinyl Junkies has copies in too... maybe I shouldn't
have told you this tho... I only just placed my
order!!! I hope there's a copy left for me

http://www.vinyl-junkies.co.uk/

l8r,
Nick (Dj Pacific:)

--- stephen kelly [EMAIL PROTECTED] wrote: 
previously...
 
 Where can I find both formats?
 
 snip
 
 like somebody said earlier - i think amazon are
 taking pre-orders for the 
 planet-e version, the 2000 black i'd recommend you
 give a good shop like 
 rushhour a ring (or drop them an email) - i'm sure
 they can help you out...
 
 you're all pretty keen to get you hands on this
 aren't you :)
 
 [EMAIL PROTECTED]
 
 http://twoplayer.net
 http://nortroute.net

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Re: [313] track id's laurent garnier

2001-01-17 Thread Nick Walsh
Hi there,

 It's the second track in the mix, first track being
 Phuture's 'String Free', it has a kind of new wave
 male vocal in it singing: my force is in my soul, 
 my force is in my heart, come to me, come to me,
 love me, don't leave me, leave me alone, the track
 itself is a driving techhouse thing, vox reminds me
 of Jimi Tenor or New Order.

I haven't heard the mix (no speakers on this machine)
but I can tell it is...

Technasia - Force - Technasia (hear more at
http://www.technasia.com/ )

This was big for a little while last year...

 And around 33 min into that mix there is another gem
 I don't know. Reminds me of some of the softer stuff
 of Johannes Heil. A typical Garnier-as-a-dj-track.
 
 Right, part 2. I have this tape from a radio show
 called Nightgroove, I believe in Frankfurt in
 Germany. Laurent once again spinning the tracks. The
 first 6 tracks of that mix are pure magic, and I
 only know one of them... Here we go:
 
 Track 1: electro-track, machine vox saying: You've
 got no work, because of me. I'm a machine, I never
 sleep. And now you pray all night and day. A funny
 way, I'm human made
 
 Track 2: definitely Björk, but probably a remix,
 lyrics: I'm a hunter, I bring back the goods, I'm
 not stopping, Leaving it all behind, someone told
 me this was a rare remix by Funkstörung? Label?

Possibly Studio !K7, I think A Guy Called Gerald did
some remixes too... 
 
 Track 3: typical track for Garnier to play, heavenly
 synth line, and a driving loop coming in around half
 of the track going higher and higher, no vox here
 :-((
 
 Track 4 is ME's 'Ride' on Trax-records.
 
 Track 5: WHAT IS THIS? Detroit-styled rhythms
 and drums, synth lines equalling Jaguar, and then
 suddenly someone starts stabbing a synth/organ sound
 in a Carl Craig way.
 
 Track 6: purpose maker styled with an overwhelming
 synth kicking in

I'll have a listen on Thursday to the rest and try to
find out for you unless someone beats me to it:)

take care,
Nick (Dj Pacific:)

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Calling Holly (sorry about this)

2001-01-12 Thread Nick Walsh
Hi,

Holly recently changed her email addy. She posted
something recently but I deleted it and I have some
important stuff going on that she may be able to help
me with. Sorry to all people who this doesn't concern
but if anyone can tell me her new email addy it'd be
appreciated.

Thanks,
Nick (Dj Pacific:)

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Re: [313] dodgy mixing

2001-01-04 Thread Nick Walsh

--- darw_n [EMAIL PROTECTED] wrote:  he was
still desperately listening to his
 headphones (with both ears...)
 
 
 He might have been desperately listening, but I
 just want to point out
 that there are DJ's that listen to nothing but
 headphones.

Yeah, me included... I find it pointless to do one ear
mixing when you can switch between channels within the
headphones. Some people find mixing in the headphones
difficult... Everyone does it differently... I know
ppl that just use the channel faders and not the
crossfader to mix... 

Nick (Dj Pacific:)

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[OT sort of] Fwd: psy trance

2001-01-04 Thread Nick Walsh
Hi ppl,
Don't mean to be a bore but I got this the other day.
Backs up my statement that goa/psy is a direct
descendant of heavy metal... 

I dunno how this guy got my email or found out about
the discussion but he sent it to me all the same...
Check it...

I won't be posting anymore about this subject tho even
if God himself mails me with more evidence...

L8r,
Nick (Dj Pacific:)

--- james [EMAIL PROTECTED] wrote: 
From: james [EMAIL PROTECTED]
 To: 'Nick Walsh' [EMAIL PROTECTED]
 Subject: psy trance
 Date: Thu, 28 Dec 2000 12:40:22 -
 
 Nick,
 For those friends of those believe you about the
 links between psy trance
 and hard rock I suggest you play them Martin
 Freeland (aka Man With No
 Name)'s stuff as No God. Much of the current
 influence went through the
 Israeli industrial scene of the late '80s but the
 metal influence is
 constant through the lot. Listening to any Astral
 Projection tracks off
 Trust In Trance should persuade your mates.
 
 Also you might not know but most of the original
 Return To The Source lot
 were heavy metallers before discovering E. The name
 comes from a psychedelic
 rock/thrash metal band three of the key members (I
 can't remember which ones
 but I reckon Stevie was one of them) were in.
 
 I hope this gives you the ammo you need
 
 Regards,
 James Kendall
 Freelance Journalist
 DJmag
 [EMAIL PROTECTED]
 www.audiostreet.com
 01293 40 20 40
 psy trance is for life not just for christmas
 
 


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RE: [313] Detroit techno isn't techno?

2001-01-02 Thread Nick Walsh
I spose everyone has their different ideas... Looking
back in time the origins are blurred. It doesn't
really matter anyhow... What characterises the detroit
sound?.. What does detroit techno actually sound like?
I prefer music to be a stew of influences, which
everyone interprets differently and creates new
offshoots where their own ideas and mentality come
into play... Techno probably doesn't necessarily have
to be electronic... what is techno?... I assume it's
possible to make techno without using electronic
instuments(?). What is music anyway? Where do you draw
the line between music and just sound and noise? 


Nick (Dj Pacific:)
--- Sean Deason [EMAIL PROTECTED] wrote:  yes
Virginia, Detroit Techno is very funky!
 reminds me of a conversation I had with a girl at a
 bar couple weeks back.
 she was trying to explain to me the difference
 between techno and
 electronic music i couldnt seem to get my head
 around what she was saying
 (to me techno *is* electronic music) since she
 obviously knew more on the
 subject than I ever would she was adamant that
 techno meant
 hard/harsh/fast and that electronic was more
 pretty/musical/ambient
 sounding. I finally conceeded to her superior
 knowledge on the subject.
 learn something new everyday. I've had numerous
 conversations like this
 where people explain to me what techno is or isnt
 and explain to me why the
 rest of the world is so much more clued in to the
 whole techno thing than
 Detroit is :^) guess we just havent caught on yet.
 -sean
 
 -Original Message-
 From: ab [mailto:[EMAIL PROTECTED]
 Sent: Thursday, December 28, 2000 9:37 PM
 To: 313@hyperreal.org
 Subject: Re: [313] Detroit techno isn't techno?
 
 
  Lay wrote:
  In an interview I made with Derrick some time
 ago, I asked him about
  the influence of House in his music. Here's the
 answer:
  
  «L: What influence has House Music had in your
 music making?
  DM: It had an influence. The club scene in
 Chicago was extremely
  powerfull when I was young and had a great
 impression in my way of
  thinking and the way I felt about the music. It
 pushed me even deeper on
  the soulfull side. That's why I think the
 electronic music that I
  was doing was realy... personal.»
 
  Derrick May, as the most prominant (and best?)
 Detroit techno DJ, has
 always
  rated Ron Hardy as probably the BEST club DJ ever.
 
  What goes around, comes around...
 
  ~Askew
 
 the first time i saw derrick may live i thought he
 was playing 'house'. I
 have no idea about techno or house but it sounded
 like what i would call
 house music.
 
 It was later explained to me that he was playing
 techno - i never thought
 techno was all funked up!!
 
 i still have no idea!
 
 ab
 
 
 
 

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Re: [313] 313 rumor...

2000-12-20 Thread Nick Walsh
yeah, you'd get mayonnaise all over it otherwise...
could permanently damage the tape! 

l8r,
Nick (Dj Pacific:)
--- * ani * [EMAIL PROTECTED] wrote:  yeah, i
heard this story, but i heard that he gave
 carl a tape between 2
 slices of bread in addition to his order.
 
 check out the cover art on recloose's so this is the
 dining room 12 - audio
 tape between 2 pieces of bread.
 
 ani
 record time
 [EMAIL PROTECTED]
 icq# 33610265
 ph  810.775.1550
 fax 810.775.5830
 - Original Message -
 From: Gwendal Cobert [EMAIL PROTECTED]
 To: 313@hyperreal.org
 Sent: Wednesday, December 20, 2000 5:42 AM
 Subject: [313] 313 rumor...
 
 
  This one is 313, and it does not even concern
 Atkins' drug addiction : I'd
  like to have some confirmation for the following
 story :
  Matt from detroit is
   recloose, who has released four 12inches on
 carl craig' s planet e.
   matt was working in a deli right next to the
 planet e office, where
   carl craig and hannah went out to having
 brunch every day. one day
   carl craig found a tape in the sandwich just
 between ham, salad and
   mayonnaise. this was from matt. that's why
 the first recloose
   release on planet e had a comic sandwich on
 the cover!
 
  And as a general rule : this rumor seems very
 similar to the one about Kid
  Koala and Ninja Tune - is there some common urban
 legend there, or are
 there
  other verified examples of producers  DJs
 getting attention by finding
  some weird way of giving their tapes to label
 people ?
  Gwendal
 
 
 

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Re: [313] [[313] Jazzy Detroit Techno weather report]]]

2000-12-18 Thread Nick Walsh

--- glyn [EMAIL PROTECTED] wrote:  not
strictly 313, but check dan curtin, morgan
 geist, and titonton duvante's stuff.  all jazzy,
 all pretty nicely detroit-influenced.  

Dan Curtin definitely lots of new stuff coming out by
him at the mo. Titonton is more melodic tech tho...
Heavily influenced by early 4Hero and, going back, the
likes of John Cage and Stravinsky... His release on
2000 Black was the jazziest... 

Also, check Archive recs Italy. Jazzbeat but there's a
techno twist in some of the stuff there... Check the
new Nu Era release...

Nick (Dj Pacific:)

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Re: [313] Jazzy Detroit Techno weather report

2000-12-18 Thread Nick Walsh

  
  i saw a programme on improvisation a few years ago
 (I think it was
  produced/presented by Derek Bailey) where house
 djs in New York said that
  their sets are not usually planned beforehand but
 take form through
  interaction with the responses of the dancers (as
 well I guess with other
  djs and whatever inspires them at the moment).
  
  
  chris t

Most good dj's do this, Chris T... Only beginners need
to prearrange their sets. You're meant to just throw
records down... depending on how you feel at the time.
You've just gotta freestyle. The kind of freestyling
you do in your bedroom, you know how I mean? 

Still, a lot of good dj's also have a general idea of
what they want to play by keeping some records for the
end of the set and some for warming it up at the
beginning... If you can't do this you shouldn't think
yourself any good. You have to really push yourself if
you wanna be good but many dj's these days seem to
serve half measures and don't try their best...

Johnny Fiasco's Shifted and Dan Curtin's
Extrapolation remixes have been my favourite bombs
for ages. Absolutely raw...:)

l8r,
Nick (Dj Pacific:) 

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