Re: [Finale] 2012 vs 2010

2012-04-24 Thread Michael Meyer
Hi Raglan --

I'm using 2011 -- no problems so far!

-- Mike

On Apr 20, 2012, at 4:17 AM, rglan wrote:

 At 8:21 AM +1000 19/4/12, David McKay wrote:
 Raglan is the name of a village which is en route to
 Sydney, from Bathurst, where I live.
 
 it's also a very famous surfing break in N.Z. :-)
 
 Wondering if you have ever transcribed The London Derrière?
 
 Transcribed for what? As it happens I have 
 transcribed (roughly) Grainger's version for solo 
 piano. Un peu étrange que you should ask such a 
 question :-/
 
 we used FinWin 2004b for many years, but upgraded
 to FinWin2011 and enjoy its comparative simplicity
 
 You seem to be the only person here currently 
 using 2011, everyone else seems to have jumped 
 from 2010--2012. I wonder why? I guess I'll just 
 have to look back in the archives for further 
 enlightenment re 2011. I'm a little wary of 2012 
 from what I've read here despite a longing for 
 Unicode fonts.
 
 At 6:05 PM -0700 18/4/12, dershem wrote:
 It is just FULL of bugs and errors.  2010 works, 
 2012 does not - it takes more effort to do
 what 2010 did effortlessly.
 
 raglan
 
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Re: [Finale] 2012 vs 2010

2012-04-21 Thread rglan
Many thanks to all who chimed in on 2011, beaucoup apprécié :-)

raglan

At 9:22 AM -0400 20/4/12, Raymond Horton wrote:
WinFin2011  I like it - no real problems
At 2:31 PM +0100 20/4/12, Steve Parker wrote:
2011 mac fine for me.
At 8:32 AM -0500 20/4/12, Robert Patterson wrote:
I can only think of one reason not to go from Fin11 to Fin12
At 8:48 AM -0700 20/4/12, Harold Owen wrote:
I'm using 2011 and have no
major complaints
At 12:21 PM -0400 20/4/12, Aaron Sherber wrote:
I've stayed with Win2011
At 7:31 PM +0200 20/4/12, Daniel Wolf wrote:
I'm very happy with Finale 2011
At 3:25 PM -0700 20/4/12, Jamin Hoffman wrote:
I prefer to use 2010

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Re: [Finale] 2012 vs 2010

2012-04-21 Thread Nigel Hanley
I paused at FinMac 2011. I wrote one arrangement on 2012, but thought that the 
Score Manager wasn't reason enough to upgrade, and then have to re-do my macros.

I find FinMac 2011 quite stable. I'm on OSX 10.6.

Frankly, Jari's recent plugins are far more value to me than the 2012 update.

- Nigel Hanley




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Re: [Finale] 2012 vs 2010

2012-04-21 Thread Robert Patterson
I should probably clarify my position. My belief is that there is never any
reason to upgrade unless there is something in the new version you want.
One of the other posters stated that they wanted the Unicode features in
Fin12 and was already on Fin11. In that case, there is no reason not to
upgrade unless you are planning to enter a lot of pre-1900 instrumental
music in Finale.

On Sat, Apr 21, 2012 at 8:28 AM, Nigel Hanley i...@nigelhanley.com wrote:

 I paused at FinMac 2011. I wrote one arrangement on 2012, but thought that
 the Score Manager wasn't reason enough to upgrade, and then have to re-do
 my macros.

 I find FinMac 2011 quite stable. I'm on OSX 10.6.

 Frankly, Jari's recent plugins are far more value to me than the 2012
 update.

 - Nigel Hanley




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Re: [Finale] 2012 vs 2010

2012-04-21 Thread Nigel Hanley
I agree, Robert. In my case the Score Manager was the only improvement. After a 
month of playing with 2012 and re-working a few macros, I thought I'd wait for 
2013. 

Unless it's a dog of course  :)

Nigel Hanley

ps I really hope it's not.



On 22/04/2012, at 12:05 AM, Robert Patterson wrote:

 I should probably clarify my position. My belief is that there is never any
 reason to upgrade unless there is something in the new version you want.
 One of the other posters stated that they wanted the Unicode features in
 Fin12 and was already on Fin11. In that case, there is no reason not to
 upgrade unless you are planning to enter a lot of pre-1900 instrumental
 music in Finale.
 
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Re: [Finale] 2012 vs 2010

2012-04-21 Thread dershem
On 4/19/2012 1:19 AM, SN jef chippewa wrote:

 Extract Parts would NOT save as [filename+partname+ whatevr] - I
 had to manually name each part.

 There is a standard option for extracting parts, and it has been
 there for many years.  It existed as a menu option but never worked.

 i think i have extracted parts maybe once since the (admittedly
 faulty) implementation of linked parts (F2007), but just had a quick
 look at the dialogue in 2010.  what is the issue you are having
 exactly?  i just tried this and it seems to work fine.

It works fine for you.  Many thin gs apparently designed into the 
program do not work on this computer.  Probably all of the bugs I am 
having issue with are on this computer, but getting that fixed would be 
more trouble than it is worth.

 If it consistently does the wrong thing, it's a bug.  I could send
 you files, but instead I will just revert to 2010, which works just
 fine.

 well, if there are such serious bugs as you mention they should also
 be checked and documented, and sent to MM.  i would encourage you to
 send the file to christopher for checking.

I have doubts it is the fle - it is almost certainly the program, as 
installed on this machine.  And as I used the default settings here, 
there is probably some conflict with my other software that is causing 
it, and I'm not willing to change programs that work to possibly help 
one that doesn't, especially if I have an alternative that DOES work.

 The only option I would like that 2010 doesn't have is to hide
 staves in the piano part, and I am used to doing that with a
 T-square and x-acto knife.

 hein?!?! once the system is optimized you can remove any staff by
 selecting the lower handle at the start of the staff (staff tool) and
 deleting it (from appearing in the system).  despite my own
 criticisms of the programme i have never come across something that
 could not be resolved somehow in the file itself.  knife and ruler...
 sheesh, sounds so... 1980s.  notation in the dark ages, barbaric =-O

As said earlier, I used that back in the 70's and 80's, before computer 
notation.  And now that I am back on 2010, it is not necessary any more. 
  I only did a dozen or so scores in 2012 before I gave up on it, so 
there is little damage done, and for those clients that still want stuff 
in 2012 format, that can be done by just opening there and saving in a 
new folder.

 It is just FULL of bugs and errors.  2010 works, 2012 does not - it
 takes more effort to do what 2010 did effortlessly.

 could you list a few more of these bugs?

 cheers,
 jef

Hmmm...  trying to get away from them.

One of the more annoying ones was that every time I opened FinWin2012, 
it would ask if I wanted to use the .bak extension for Finale, as 
Photoshop uses it for something else.  No matter how many times I said 
Yes and checked the Don't ask again box, it still came up EVERY 
TIME.  Very annoying.

Then the 'save as' problem when extracting parts (which I have to do a lot).

The page size glitch.

The piano optimization/hiding empty staves problem (Almost all of what I 
do is big band music.  For those who don't do much of this - the piano 
part is usually a few bars of clear notation to establish a pattern of 
interpretation, followed by many measures of just chord changes.  The 
end is often more clear notation, and there is occasionally something in 
the middle.  But in a 200-250 measure piece, there might only be 20-30 
bars of grand staff needed, and empty bass clef staves waste a lot of 
paper and cause page turn problems for my piano player).

Those are the most egregious.

Carl
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Re: [Finale] 2012 vs 2010

2012-04-21 Thread dershem
On 4/18/2012 11:32 PM, Jari Williamsson wrote:
 On 2012-04-19 03:05, dershem wrote:

 For one thing, I could not upgrade on-line.  I simply would NOT
 function, so even though I bought the upgrade on-line, I had to pay
 extra for a CD.

 Windows with anti-virus program active?

Windows7 (64 bit).  Tried several different browsers and anti-virus 
settings.  None of them worked.

cd
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Re: [Finale] 2012 vs 2010

2012-04-21 Thread dershem
On 4/19/2012 5:20 AM, Christopher Smith wrote:

 On Thu Apr 19, at ThursdayApr 19 2:14 AM, dershem wrote:


 The only option I would like that 2010 doesn't have is to hide
 staves in the piano part, and I am used to doing that with a
 T-square and x-acto knife.

 Carl


 Hi Carl,

 I know that the piano group is set by default to NOT allow
 optimisation, but you can edit the group to allow optimisation
 normally in the part. This hasn't changed for a very long time. Now,
 of course, in 2012 it's called hide empty staves instead of
 optimisation but the principle (and the restriction!) are the same.
 Please, put down the knife!

 Christopher

I'm an old guy - I put myself through college in the 70's (well, 
partway) doing notation by hand.  Didn't have to go back to that until 
this version of Finale, but it was pretty easy to re-adjust.

Going back to Fin2010b eliminated that need, so no problem.

cd
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Re: [Finale] 2012 vs 2010

2012-04-20 Thread rglan
At 8:21 AM +1000 19/4/12, David McKay wrote:
Raglan is the name of a village which is en route to
Sydney, from Bathurst, where I live.

it's also a very famous surfing break in N.Z. :-)

Wondering if you have ever transcribed The London Derrière?

Transcribed for what? As it happens I have 
transcribed (roughly) Grainger's version for solo 
piano. Un peu étrange que you should ask such a 
question :-/

we used FinWin 2004b for many years, but upgraded
to FinWin2011 and enjoy its comparative simplicity

You seem to be the only person here currently 
using 2011, everyone else seems to have jumped 
from 2010--2012. I wonder why? I guess I'll just 
have to look back in the archives for further 
enlightenment re 2011. I'm a little wary of 2012 
from what I've read here despite a longing for 
Unicode fonts.

At 6:05 PM -0700 18/4/12, dershem wrote:
It is just FULL of bugs and errors.  2010 works, 
2012 does not - it takes more effort to do
what 2010 did effortlessly.

raglan

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Re: [Finale] 2012 vs 2010

2012-04-20 Thread Rod McDonald
Hi David! I am amazed anyone actually lives at RAGLAN!!..I still use
2011..first year I haven't upgraded since 2005. Rod. Katoomba.

-Original Message-
From: finale-boun...@shsu.edu [mailto:finale-boun...@shsu.edu] On Behalf Of
rglan
Sent: Friday, 20 April 2012 6:17 PM
To: finale@shsu.edu
Subject: Re: [Finale] 2012 vs 2010

At 8:21 AM +1000 19/4/12, David McKay wrote:
Raglan is the name of a village which is en route to Sydney, from 
Bathurst, where I live.

it's also a very famous surfing break in N.Z. :-)

Wondering if you have ever transcribed The London Derrière?

Transcribed for what? As it happens I have transcribed (roughly) Grainger's
version for solo piano. Un peu étrange que you should ask such a question
:-/

we used FinWin 2004b for many years, but upgraded to FinWin2011 and 
enjoy its comparative simplicity

You seem to be the only person here currently using 2011, everyone else
seems to have jumped from 2010--2012. I wonder why? I guess I'll just have
to look back in the archives for further enlightenment re 2011. I'm a little
wary of 2012 from what I've read here despite a longing for Unicode fonts.

At 6:05 PM -0700 18/4/12, dershem wrote:
It is just FULL of bugs and errors.  2010 works,
2012 does not - it takes more effort to do what 2010 did effortlessly.

raglan

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Re: [Finale] 2012 vs 2010

2012-04-20 Thread rglan
At 6:44 PM +1000 20/4/12, Rod McDonald wrote:
I am amazed anyone actually lives at RAGLAN!!..

But are you amazed that RAGLAN actually lives? ;-)

I still use 2011..first year I haven't upgraded since 2005

That's encouraging, merci
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Re: [Finale] 2012 vs 2010

2012-04-20 Thread Raymond Horton
On Fri, Apr 20, 2012 at 4:17 AM, rglan rg...@free.fr wrote:

 You seem to be the only person here currently
 using 2011, everyone else seems to have jumped
 from 2010--2012. I wonder why? I guess I'll just ...


o/  (Hand raised.)

WinFin2011  I like it - no real problems,

Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com




At 6:05 PM -0700 18/4/12, dershem wrote:
 It is just FULL of bugs and errors.  2010 works,
 2012 does not - it takes more effort to do
 what 2010 did effortlessly.

 raglan

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Re: [Finale] 2012 vs 2010

2012-04-20 Thread Robert Patterson
I can only think of one reason not to go from Fin11 to Fin12, esp. if you
can use the Unicode. The Score Manager changes call for a little adjustment
in how you do things, but the significant regression matters only if you
need to enter a lot of instrumental music from before 1900 into Finale. In
that case, and that case only, I would stick with Fin11. The upgrading
troubles described by a few on this list are in no way typical and
doubtless had something to do with their specific setup.

On Fri, Apr 20, 2012 at 8:22 AM, Raymond Horton horton.raym...@gmail.comwrote:

 On Fri, Apr 20, 2012 at 4:17 AM, rglan rg...@free.fr wrote:

  You seem to be the only person here currently
  using 2011, everyone else seems to have jumped
  from 2010--2012. I wonder why? I guess I'll just ...
 

 o/  (Hand raised.)

 WinFin2011  I like it - no real problems,

 Raymond Horton
 Bass Trombonist, Louisville Orchestra
 Minister of Music, Edwardsville (IN) UMC
 Composer, Arranger
 VISIT US AT rayhortonmusic.com




 At 6:05 PM -0700 18/4/12, dershem wrote:
  It is just FULL of bugs and errors.  2010 works,
  2012 does not - it takes more effort to do
  what 2010 did effortlessly.
 
  raglan
 
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Re: [Finale] 2012 vs 2010

2012-04-20 Thread Steve Parker
2011 mac fine for me.

Steve P. 

On 19 Apr 2012, at 13:20, Christopher Smith christopher.sm...@videotron.ca 
wrote:

 
 On Thu Apr 19, at ThursdayApr 19 2:14 AM, dershem wrote:
 
 
 The only option I would like that 2010 doesn't have is to hide staves in
 the piano part, and I am used to doing that with a T-square and x-acto
 knife.
 
 Carl
 
 
 Hi Carl,
 
 I know that the piano group is set by default to NOT allow optimisation, but 
 you can edit the group to allow optimisation normally in the part. This 
 hasn't changed for a very long time. Now, of course, in 2012 it's called 
 hide empty staves instead of optimisation but the principle (and the 
 restriction!) are the same. Please, put down the knife!
 
 Christopher
 
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Re: [Finale] 2012 vs 2010

2012-04-20 Thread Harold Owen
Hello everyone,

It's been a while since I posted here. I'm using 2011 and have no 
major complaints. I'm on Mac using System 10.5.8. I'll consider 
getting Finale 2012B when it's available and when I can upgrade my 
system. I really like the convenience of using XML with friends who 
have Sibelius or older Finale versions. People are still asking me 
for my tutorials for Finale 2010. I guess it time to upgrade them too.

Hal Owen

On Fri, Apr 20, 2012 at 4:17 AM, rglan rg...@free.fr wrote:

  You seem to be the only person here currently
  using 2011, everyone else seems to have jumped
  from 2010--2012. I wonder why? I guess I'll just ...


o/  (Hand raised.)

WinFin2011  I like it - no real problems,

Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com




At 6:05 PM -0700 18/4/12, dershem wrote:
  It is just FULL of bugs and errors.  2010 works,
  2012 does not - it takes more effort to do
  what 2010 did effortlessly.

  raglan

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Re: [Finale] 2012 vs 2010

2012-04-20 Thread Eric Dannewitz
Apple also has released 10.6 for free in the hopes that people will
use that and then upgrade to Lion. You might want to check it out.
Going from 10.5 to 10.6 resulted in speed increases for my macs

Sent from my iSomething
--

On Apr 20, 2012, at 8:51 AM, Harold Owen hjo...@uoregon.edu wrote:

 Hello everyone,

 It's been a while since I posted here. I'm using 2011 and have no
 major complaints. I'm on Mac using System 10.5.8. I'll consider
 getting Finale 2012B when it's available and when I can upgrade my
 system. I really like the convenience of using XML with friends who
 have Sibelius or older Finale versions. People are still asking me
 for my tutorials for Finale 2010. I guess it time to upgrade them too.

 Hal Owen

 On Fri, Apr 20, 2012 at 4:17 AM, rglan rg...@free.fr wrote:

 You seem to be the only person here currently
 using 2011, everyone else seems to have jumped
 from 2010--2012. I wonder why? I guess I'll just ...


 o/  (Hand raised.)

 WinFin2011  I like it - no real problems,

 Raymond Horton
 Bass Trombonist, Louisville Orchestra
 Minister of Music, Edwardsville (IN) UMC
 Composer, Arranger
 VISIT US AT rayhortonmusic.com




 At 6:05 PM -0700 18/4/12, dershem wrote:
 It is just FULL of bugs and errors.  2010 works,
 2012 does not - it takes more effort to do
 what 2010 did effortlessly.

 raglan

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 Harold Owen
 1375 Olive Street #402, Eugene, OR 97401
 mailto:hjo...@uoregon.edu
 Visit my web site at:
 http://uoregon.edu/~hjowen/
 FAX: (509) 461-3608
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Re: [Finale] 2012 vs 2010

2012-04-20 Thread Aaron Sherber
On Fri, Apr 20, 2012 at 4:17 AM, rglanrg...@free.fr  wrote:
 You seem to be the only person here currently
 using 2011, everyone else seems to have jumped
 from 2010--2012. I wonder why? I guess I'll just ...

I've stayed with Win2011 because I really don't like the current implementation 
of the Score Manager. It makes nothing easier for me, and a few things harder.

Aaron.

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Re: [Finale] 2012 vs 2010

2012-04-20 Thread Daniel Wolf
I'm very happy with Finale 2011 (Win) but am weighing whether Unicode is  
important enough to switch to 2012.   (On the other hand, because I  
occasionally do Sibelius work, I did the upgrade from 6 to 7 for a  
specific project, but that's been regrettable, as the new ribbon design is  
an eye killer, so I'll insist that any Sib work in the future be sent in  
Sib 6 format.)

Daniel Wolf
Frankfurt
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Re: [Finale] 2012 vs 2010

2012-04-19 Thread dershem
On 4/18/2012 6:39 PM, Chuck Israels wrote:
 Carl,

 I have been using 2012 for months without problems (except for an
 issue with Lion compatibility for the paste multiple keyboard
 shortcut).  I no longer extract separate parts, so that may explain
 my ignorance of those problems.  Piano parts arrive by default with
 Hide Normally deselected, and you have to change that in group
 attributes in order to be able to hide a staff in the part. The app
 downloaded online without trouble for me.

 It's not that I doubt that there may be problems, but I want to weigh
 in in order that jef get another point of view.

 Chuck

Understood.  But the piano parts would not hide no matter what I did. 
All of the stupid things 2012 was doing were happening no matter what I 
did.  I would rather use a program slightly less powerful that works, 
instead of one potentially more powerful that fights me every step of 
the way.

cd

 On Apr 18, 2012, at 6:05 PM, dershem wrote:

 On 4/18/2012 12:03 AM, SN jef chippewa wrote:

 carl, i am about to upgrade a few things, including finale, and
 wonder if you could tell me what you found so disastrous moving
 from 2010 to 2012 (which is what i would be doing soon).

 For one thing, I could not upgrade on-line.  I simply would NOT
 function, so even though I bought the upgrade on-line, I had to
 pay extra for a CD.

 For another, many functions ceased to function: Hide staff for
 part of the piano staff didn't work. Extract Parts would NOT save
 as [filename+partname+ whatevr] - I had to manually name each
 part. Page format was messed up - the first 3 pages of every part
 and score had to be enlarged 10 112% to be seen/print normally, and
 pages after that needed to be reduced to 70% to then match the
 earlier pages.

 Those are just the three that I thought of first.  It is just FULL
 of bugs and errors.  2010 works, 2012 does not - it takes more
 effort to do what 2010 did effortlessly.

 cd -- http://projectselene.com




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Re: [Finale] 2012 vs 2010

2012-04-19 Thread dershem
On 4/18/2012 7:22 PM, Christopher Smith wrote:

 On Wed Apr 18, at WednesdayApr 18 9:05 PM, dershem wrote:

 On 4/18/2012 12:03 AM, SN jef chippewa wrote:

 carl, i am about to upgrade a few things, including finale, and
 wonder if you could tell me what you found so disastrous moving
 from 2010 to 2012 (which is what i would be doing soon).

 For one thing, I could not upgrade on-line.  I simply would NOT
 function, so even though I bought the upgrade on-line, I had to pay
 extra for a CD.

 Carl, did you give it enough time? The initial download is just the
 installer. Once you double-click it, the ACTUAL download starts and
 can take quite a while, especially if you don't have a super-fast
 connection or the MakeMusic server was overloaded. It took me well
 over an hour.

I tried at least a dozen times.  It would freeze solid every time.

 For another, many functions ceased to function: Hide staff for
 part of the piano staff didn't work.

 Had you enabled hide normally in the group attributes IN THE PIANO
 PART (just in the score might not do it)?

Yup.

 Extract Parts would NOT save as [filename+partname+ whatevr] - I
 had to manually name each part.

 I haven't seen this, as I don't extract parts that often. Do you
 have slashes in the staff/part name? That might kill a file creation
 on Mac (I see it all the time when creating PDFs), and it has been
 this way for a while. If you are on Windows, I don't know.

There is a standard option for extracting parts, and it has been there
for many years.  It existed as a menu option but never worked.

 Page format was messed up - the first 3 pages of every part and
 score had to be enlarged 10 112% to be seen/print normally, and
 pages after that needed to be reduced to 70% to then match the
 earlier pages.

 I have my suspicions about that. There are several explanations,
 involving the Zoom tool and the default page/system sizes, which I
 have had to suss out before. Short answer, it's not a bug, it's just
 an unwanted or misunderstood behaviour. If you could send me a file
 privately, I'll check it out, and you won't be bothered with it
 again.

If it consistently does the wrong thing, it's a bug.  I could send you
files, but instead I will just revert to 2010, which works just fine.
The only option I would like that 2010 doesn't have is to hide staves in
the piano part, and I am used to doing that with a T-square and x-acto
knife.

Carl

 Those are just the three that I thought of first.  It is just FULL
 of bugs and errors.  2010 works, 2012 does not - it takes more
 effort to do what 2010 did effortlessly.

 cd




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Re: [Finale] 2012 vs 2010

2012-04-19 Thread Jari Williamsson
On 2012-04-19 03:05, dershem wrote:

 For one thing, I could not upgrade on-line.  I simply would NOT
 function, so even though I bought the upgrade on-line, I had to pay
 extra for a CD.

Windows with anti-virus program active?


Best regards,

Jari Williamsson

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Re: [Finale] 2012 vs 2010

2012-04-19 Thread Lawrence Yates
In 2012 is it now possible to add new instruments (like horn in D or horn
in E) to the instrument list so that you can use them in future projects?

Cheers,

Lawrence
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Re: [Finale] 2012 vs 2010

2012-04-19 Thread SN jef chippewa

   Extract Parts would NOT save as [filename+partname+ whatevr] - I
   had to manually name each part.

There is a standard option for extracting parts, and it has been 
there for many years.  It existed as a menu option but never worked.

i think i have extracted parts maybe once since the (admittedly 
faulty) implementation of linked parts (F2007), but just had a quick 
look at the dialogue in 2010.  what is the issue you are having 
exactly?  i just tried this and it seems to work fine.


If it consistently does the wrong thing, it's a bug.  I could send 
you files, but instead I will just revert to 2010, which works just 
fine.

well, if there are such serious bugs as you mention they should also 
be checked and documented, and sent to MM.  i would encourage you to 
send the file to christopher for checking.


The only option I would like that 2010 doesn't have is to hide 
staves in the piano part, and I am used to doing that with a 
T-square and x-acto knife.

hein?!?! once the system is optimized you can remove any staff by 
selecting the lower handle at the start of the staff (staff tool) and 
deleting it (from appearing in the system).  despite my own 
criticisms of the programme i have never come across something that 
could not be resolved somehow in the file itself.  knife and ruler... 
sheesh, sounds so... 1980s.  notation in the dark ages, barbaric =-O


It is just FULL of bugs and errors.  2010 works, 2012 does not - it 
takes more effort to do what 2010 did effortlessly.

could you list a few more of these bugs?

cheers,
jef

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Re: [Finale] 2012 vs 2010

2012-04-19 Thread Christopher Smith

On Thu Apr 19, at ThursdayApr 19 2:14 AM, dershem wrote:

 
 The only option I would like that 2010 doesn't have is to hide staves in
 the piano part, and I am used to doing that with a T-square and x-acto
 knife.
 
 Carl


Hi Carl,

I know that the piano group is set by default to NOT allow optimisation, but 
you can edit the group to allow optimisation normally in the part. This hasn't 
changed for a very long time. Now, of course, in 2012 it's called hide empty 
staves instead of optimisation but the principle (and the restriction!) are 
the same. Please, put down the knife!

Christopher

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[Finale] 2012 vs 2010

2012-04-18 Thread SN jef chippewa

carl, i am about to upgrade a few things, including finale, and 
wonder if you could tell me what you found so disastrous moving from 
2010 to 2012 (which is what i would be doing soon).

At 17:59 -0700 4/16/12, dershem wrote:
I still get some good stuff from the list, even though I went back 
to Finale 2010b after 2012 being such a disaster.

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Re: [Finale] 2012 vs 2010

2012-04-18 Thread Girard Bowe
Hi, Jef - I made the same upgrade from 2010 to 2012 without any problems. I
was on WinXP at the time, then migrated to a new box with Win7. The updater
caused no problems. I mostly do horn charts  transcriptions - no lyrics.

Giz

|-Original Message-
|From: finale-boun...@shsu.edu [mailto:finale-boun...@shsu.edu] On Behalf Of
|SN jef chippewa
|Sent: Wednesday, April 18, 2012 3:04 AM
|To: finale@shsu.edu
|Subject: [Finale] 2012 vs 2010
|
|
|carl, i am about to upgrade a few things, including finale, and wonder if
you could
|tell me what you found so disastrous moving from
|2010 to 2012 (which is what i would be doing soon).
|
|At 17:59 -0700 4/16/12, dershem wrote:
|I still get some good stuff from the list, even though I went back to
|Finale 2010b after 2012 being such a disaster.
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Re: [Finale] 2012 vs 2010

2012-04-18 Thread Jari Williamsson
On 2012-04-18 09:03, SN jef chippewa wrote:

 carl, i am about to upgrade a few things, including finale, and
 wonder if you could tell me what you found so disastrous moving from
 2010 to 2012 (which is what i would be doing soon).

If you're unsure, I would suggest to wait until 2012B. There might be 
additions/changes in that version that we don't know of yet.

Best regards,

Jari Williamsson

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Re: [Finale] 2012 vs 2010

2012-04-18 Thread rglan
At 4:20 PM +0200 18/4/12, Jari Williamsson wrote:
I would suggest to wait until 2012B

How does 2011 figure in all this?

raglan

ps. sorry if I'm throwing a spanner in the works
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Re: [Finale] 2012 vs 2010

2012-04-18 Thread David H. Bailey
On 4/18/2012 10:39 AM, rglan wrote:
 At 4:20 PM +0200 18/4/12, Jari Williamsson wrote:
 I would suggest to wait until 2012B

 How does 2011 figure in all this?


It comes in between 2010 and 2012.  Are you asking whether it's better 
than 2010 and/or worse/better than 2012?


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Re: [Finale] 2012 vs 2010

2012-04-18 Thread rglan
At 11:30 AM -0400 18/4/12, David H. Bailey wrote:
It comes in between 2010 and 2012.

Lol :-D I know that andouille ;-)

Are you asking whether it's better
than 2010 and/or worse/better than 2012?

Oui, yes, and how does it/they compare to other versions too in terms 
of stability and lack of annoying bugs?

raglan
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Re: [Finale] 2012 vs 2010

2012-04-18 Thread Robert Patterson
I can't speak to the specifics of Fin11, having barely used it. But if you
are already on Fin10, the main differences you will notice are

1. Score Manager. This could possibly be a step forward, but if you need to
have transpositions separate from instruments or if you need to upgrade
pre-Fin12 files that contain instrument doublings (including percussion) on
the same staff, you will find the current implementation of Score Manager
to be huge pain in the patootie.

2. Staff Groups are now associated with measure ranges instead of systems.
I like this a lot, but the upgrade process makes a huge mess of them, so
working with upgraded files can be a pain.

3. All systems are optimized, and you cannot exclude staves with music in
them without going through an explicit process. Again, this is a good
thing, but it does create complexity in dealing with upgraded files.

4. You have to be extremely careful about how you drag staves up and down
on a system. I have finally adjusted to the new way, I think, but I still
screw up every now and then, and the screw ups are very costly. Rule of
thumb: always click white space to clear any selection (possible not
visible) before attempting to grab a handle. If you fail to grab the
handle, click white space before the next attempt.

5. I don't know if this matters to you, but a huge new benefit is support
for Unicode fonts. Not only does this mean straightforward support for
non-Western characters, but it also includes a huge variety of symbols that
can now be incorporated directly as articulation marks, etc. This feature
was the decisive feature that got me to move my work from Fin08 to Fin12
and live with the minor regressions.

On Wed, Apr 18, 2012 at 10:40 AM, rglan rg...@free.fr wrote:

 At 11:30 AM -0400 18/4/12, David H. Bailey wrote:
 It comes in between 2010 and 2012.

 Lol :-D I know that andouille ;-)

 Are you asking whether it's better
 than 2010 and/or worse/better than 2012?

 Oui, yes, and how does it/they compare to other versions too in terms
 of stability and lack of annoying bugs?

 raglan
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Re: [Finale] 2012 vs 2010

2012-04-18 Thread rglan
At 11:13 AM -0500 18/4/12, Robert Patterson wrote:
the main differences you will notice are

Merci for the très compréhensif answer. Are all 
these things you mention new to 2012 or did they 
appear earlier?

I am not familiar with the Score Manager, is there anything good about it?

  the current implementation of Score Manager to be huge pain in the patootie

You mean derrière (arse) ?

Staff Groups are now associated with measure ranges instead of systems snip
working with upgraded files can be a pain. snip systems are optimized...
complexity in dealing with upgraded files

I have a lot of old files, many of them back 
going back to Finale 1988 that I would like to 
access again, and some of those, the ones I most 
want to access again, are quite complex music.

I don't know if this matters to you, but a huge 
new benefit is support for Unicode fonts.

Yes, that would be very welcome for me. And that appeared with 2012 or earlier?

raglan

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Re: [Finale] 2012 vs 2010

2012-04-18 Thread christopher.smith
Ha ha! I just learned that word andouille! I saw an episode of The Family 
Guy where two of the characters are competing for the attentions of the same 
lady (one is a dog, but no matter), so they take her to a fancy French 
restaurant called l'espèce d'andouille. That sounded a little off to me, then 
I found out that it was an expression of Homer Simpson's (in the French dub). 
Apparently it's literally a kind of sausage (but probably all French people 
know that) and the makers of Family Guy were paying a little tribute to The 
Simpsons.

More to the point, 2012 has Unicode support (yay!) and the Score Manager, which 
is mostly an excellent new feature (changing transpositions of the same 
instrument are a bit of a kludge, but changing instruments is much easier) and 
stability is about the same, which is to say, quite good. I haven't been able 
to recreate the old bug where custom arrowheads in Smart Shapes breaks EPS 
creation, so maybe that bug is quashed. Otherwise, most of the old existing 
bugs are still there. I hear they are trying to address bug fixes in an 
additional release.

Christopher


- Original Message -
From: rglan rg...@free.fr
Date: Wednesday, April 18, 2012 11:40 am
Subject: Re: [Finale] 2012 vs 2010
To: finale@shsu.edu

 At 11:30 AM -0400 18/4/12, David H. Bailey wrote:
 It comes in between 2010 and 2012.
 
 Lol :-D I know that andouille ;-)
 
 Are you asking whether it's better
 than 2010 and/or worse/better than 2012?
 
 Oui, yes, and how does it/they compare to other versions too in 
 terms 
 of stability and lack of annoying bugs?
 
 raglan
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Re: [Finale] 2012 vs 2010

2012-04-18 Thread Robert Patterson
I was listing differences from 2010 to 2012.

Many people like score manager because it is a modeless window and allows
quicker access to the instrument list. I will get used to it I am sure.

You correctly translated patootie.

Upgrading files from 1988 will be a challenge. To get useuful results you
will first need to upgrade to the last pre 3.0 version of finale. This may
require you to have an antique Macinstosh. It may be possible to do it with
an emulator. There is one that can run old finale versions but I never
tried to upgrade files with it. if you able to get your file upgraded to
that last pre 3.0 version then I would import into fin 2002 before jumping
to 2012. 2002 did a much better job than later versions of upgrading old
files. No matter what you do you will have to reedit the files. In many
cases I decided it was easier to reenter from scratch.

Unicode support is new in 2012.

On Wednesday, April 18, 2012, rglan rg...@free.fr wrote:
 At 11:13 AM -0500 18/4/12, Robert Patterson wrote:
the main differences you will notice are

 Merci for the très compréhensif answer. Are all
 these things you mention new to 2012 or did they
 appear earlier?

 I am not familiar with the Score Manager, is there anything good about it?

  the current implementation of Score Manager to be huge pain in the
patootie

 You mean derrière (arse) ?

Staff Groups are now associated with measure ranges instead of systems
snip
working with upgraded files can be a pain. snip systems are optimized...
complexity in dealing with upgraded files

 I have a lot of old files, many of them back
 going back to Finale 1988 that I would like to
 access again, and some of those, the ones I most
 want to access again, are quite complex music.

I don't know if this matters to you, but a huge
new benefit is support for Unicode fonts.

 Yes, that would be very welcome for me. And that appeared with 2012 or
earlier?

 raglan

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Re: [Finale] 2012 vs 2010

2012-04-18 Thread SN jef chippewa

yeah all features robert mentioned are of interest to me and seem to 
make the upgrade worth doing, was curious why carl reverted to 2010, 
what problems he (or anyone else) found when upgrading from 2010 (or 
even 2011, which i don't have) to 2012.

i plan to completely rebuild my template and prefs from scratch and 
for the moment will be working only on one new and big score, so 
upgrading files isn't an issue for me (right now).

still no linked parts fix... pf

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Re: [Finale] 2012 vs 2010

2012-04-18 Thread rglan
At 12:26 PM -0400 18/4/12, christopher.sm...@videotron.ca écrit:
a kind of sausage

Oui, porc flesh mixed with chopped tripe and 
herbs and put inside the intestine :-) salivate 
In the 12th c. this word also denoted the male 
sexe ;-)  And I hope David H. Bailey didn't take 
offense; unlike most French people I tend to use 
this word very loosely, there was no malice 
intended. It's rarely used in France these days, 
has gone out of fashion, but I love it. 
Andouillette is still commonly used being a much 
smaller version of an andouille i.e. small 
sausage ;-)

Thank you for the further insight into the modern Finale.

raglan

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Re: [Finale] 2012 vs 2010

2012-04-18 Thread Robert Patterson
I am sure Carl can speak for himself, but my recollection was that it was
the transposition problem. If you are entering big 19th scores in Finale,
2012 is a non-starter because of this problem, esp. if an earlier version
is available.

The transposition problem is that Fin2012 forces you to change instruments
just to change transposition. While this may make sense for saxophones or
oboe/e.h., it makes absolutely no sense for trumpets, french horns, or
wagner tubas in a 19th century setting.

On Wed, Apr 18, 2012 at 11:53 AM, SN jef chippewa 
shirl...@newmusicnotation.com wrote:


 yeah all features robert mentioned are of interest to me and seem to
 make the upgrade worth doing, was curious why carl reverted to 2010,
 what problems he (or anyone else) found when upgrading from 2010 (or
 even 2011, which i don't have) to 2012.

 i plan to completely rebuild my template and prefs from scratch and
 for the moment will be working only on one new and big score, so
 upgrading files isn't an issue for me (right now).

 still no linked parts fix... pf

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Re: [Finale] 2012 vs 2010

2012-04-18 Thread rglan
At 12:35 PM -0500 18/4/12, Robert Patterson wrote:
Upgrading files from 1988 will be a challenge.

:-( Merci beaucoup for all the pointers.

This may require you to have an antique Macinstosh

Plenty of those lying around :-) I have a Macinstash ;-)

2002 did a much better job than later versions of upgrading old files

That's very good to know. I think I have one of those lying around too ;-)

In many cases I decided it was easier to reenter from scratch

Merde X;{

raglan
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Re: [Finale] 2012 vs 2010

2012-04-18 Thread Robert Patterson
BTW: Fin2012 does have some linked parts improvements with respect to how
it works with plugins. For expressions, page titles, and (I believe) smart
shapes, if you edit them in part view it unlinks them from the score. This
makes using existing plugins more palatable as well as opening up
opportunities for automation that I have already begun to incorporate in my
v4.0 version of plugins.

On Wed, Apr 18, 2012 at 1:11 PM, rglan rg...@free.fr wrote:

 At 12:26 PM -0400 18/4/12, christopher.sm...@videotron.ca écrit:
 a kind of sausage

 Oui, porc flesh mixed with chopped tripe and
 herbs and put inside the intestine :-) salivate
 In the 12th c. this word also denoted the male
 sexe ;-)  And I hope David H. Bailey didn't take
 offense; unlike most French people I tend to use
 this word very loosely, there was no malice
 intended. It's rarely used in France these days,
 has gone out of fashion, but I love it.
 Andouillette is still commonly used being a much
 smaller version of an andouille i.e. small
 sausage ;-)

 Thank you for the further insight into the modern Finale.

 raglan

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Re: [Finale] 2012 vs 2010

2012-04-18 Thread David H. Bailey
On 4/18/2012 2:11 PM, rglan wrote:
 At 12:26 PM -0400 18/4/12,christopher.sm...@videotron.ca  écrit:
 a kind of sausage

 Oui, porc flesh mixed with chopped tripe and
 herbs and put inside the intestine :-)salivate
 In the 12th c. this word also denoted the male
 sexe ;-)  And I hope David H. Bailey didn't take
 offense; unlike most French people I tend to use
 this word very loosely, there was no malice
 intended. It's rarely used in France these days,
 has gone out of fashion, but I love it.
 Andouillette is still commonly used being a much
 smaller version of an andouille i.e. small
 sausage ;-)

 Thank you for the further insight into the modern Finale.


Nope, I didn't take offense.  Even though I didn't know exactly what it 
was I knew it was something derogatory but used in jest.



-- 
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dhbai...@davidbaileymusicstudio.com
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Re: [Finale] 2012 vs 2010

2012-04-18 Thread Williams, Jim
French equivalent of Haggis, is it then?

Sent from my iPhone, so please pardon all the typos.

On Apr 18, 2012, at 2:34 PM, David H. Bailey 
dhbai...@davidbaileymusicstudio.com wrote:

 On 4/18/2012 2:11 PM, rglan wrote:
 At 12:26 PM -0400 18/4/12,christopher.sm...@videotron.ca  écrit:
 a kind of sausage
 
 Oui, porc flesh mixed with chopped tripe and
 herbs and put inside the intestine :-)salivate
 In the 12th c. this word also denoted the male
 sexe ;-)  And I hope David H. Bailey didn't take
 offense; unlike most French people I tend to use
 this word very loosely, there was no malice
 intended. It's rarely used in France these days,
 has gone out of fashion, but I love it.
 Andouillette is still commonly used being a much
 smaller version of an andouille i.e. small
 sausage ;-)
 
 Thank you for the further insight into the modern Finale.
 
 
 Nope, I didn't take offense.  Even though I didn't know exactly what it 
 was I knew it was something derogatory but used in jest.
 
 
 
 -- 
 David H. Bailey
 dhbai...@davidbaileymusicstudio.com
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Re: [Finale] 2012 vs 2010

2012-04-18 Thread rglan
At 6:36 PM + 18/4/12, Williams, Jim wrote:
French equivalent of Haggis, is it then?

A slightly paler version, I think Haggis is probably closer to the 
Greek Kokoretsi

raglan
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Re: [Finale] 2012 vs 2010

2012-04-18 Thread rglan
At 2:24 PM -0400 18/4/12, David H. Bailey wrote:
Nope, I didn't take offense.

:-)

raglan
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Re: [Finale] 2012 vs 2010

2012-04-18 Thread Claude Guéganno
It's rarely used in France these days,
has gone out of fashion,

  not in Brittany !
   http://www.andouille-guemene.com/cadre.htm
  (the most famous in the world)

  I like this Andouille mailing list

  kenavo !

claude


Le 18/04/2012 20:11, rglan a écrit :
 At 12:26 PM -0400 18/4/12,christopher.sm...@videotron.ca  écrit:
 a kind of sausage
 Oui, porc flesh mixed with chopped tripe and
 herbs and put inside the intestine :-)salivate
 In the 12th c. this word also denoted the male
 sexe ;-)  And I hope David H. Bailey didn't take
 offense; unlike most French people I tend to use
 this word very loosely, there was no malice
 intended. It's rarely used in France these days,
 has gone out of fashion, but I love it.
 Andouillette is still commonly used being a much
 smaller version of an andouille i.e. small
 sausage ;-)

 Thank you for the further insight into the modern Finale.

 raglan

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Re: [Finale] 2012 vs 2010

2012-04-18 Thread rglan
18/04/2012 20:11, raglan a écrit :
It's rarely used in France these days,
has gone out of fashion,

At 8:51 PM +0200 18/4/12, Claude Guéganno wrote:
not in Brittany !

Bretagne n'est pas la France ;-)

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Re: [Finale] 2012 vs 2010

2012-04-18 Thread Claude Guéganno
Goood! +1
bien vu!
I think , you had the last word !

Le 18/04/2012 21:18, rglan a écrit :
 18/04/2012 20:11, raglan a écrit :
 It's rarely used in France these days,
 has gone out of fashion,
 At 8:51 PM +0200 18/4/12, Claude Guéganno wrote:
 not in Brittany !
 Bretagne n'est pas la France ;-)

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Re: [Finale] 2012 vs 2010

2012-04-18 Thread David McKay
Bonjour Raglan. Raglan is the name of a village which is en route to
Sydney, from Bathurst, where I live.

Wondering if you have ever transcribed The London Derrière?

And, slightly on topic, we used FinWin 2004b for many years, but upgraded
to FinWin2011 and enjoy its comparative simplicity, though I don't use it
lot and that, combined with being in my 60th year, means i have to keep
relearning the changes.

David McKay
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Re: [Finale] 2012 vs 2010

2012-04-18 Thread Christopher Smith

On Wed Apr 18, at WednesdayApr 18 2:19 PM, Robert Patterson wrote:

 I am sure Carl can speak for himself, but my recollection was that it was
 the transposition problem. If you are entering big 19th scores in Finale,
 2012 is a non-starter because of this problem, esp. if an earlier version
 is available.
 
 The transposition problem is that Fin2012 forces you to change instruments
 just to change transposition. While this may make sense for saxophones or
 oboe/e.h., it makes absolutely no sense for trumpets, french horns, or
 wagner tubas in a 19th century setting.

Robert,

It's not really that big a kludge. Here is the procedure from MakeMusic, to 
change the transposition but keep the same playback.

To change the transposition of a staff you will need to change the instrument, 
then adjust the playback sounds and transposition. To do so:

1. Use the Selection Tool
2. Highlight the measure you would like the transposition to occur in
3. Go to Utilities  Change Instrument and select a different instrument (each 
new transposition on the same line will need a different instrument selected. 
Any single line instrument will work because we will change the playback sound)
4. Go to Window  ScoreManager and click on the Instrument List tab
5. Just to the left of the instrument name you will see an arrow pointing at 
the name. Click on that arrow to expand that instrument information. Select the 
instrument that you changed the line to at the bottom of the expanded section
6. With this instrumented selected, you can change the transposition with the 
pull-down menu at the bottom right of the ScoreManager. If it is not one of the 
common transpositions in the menu, you can select Other and create your own.
7. Still in the ScoreManager, change the playback sound of the new instrument 
by clicking on the assigned sound and selecting Horn in F from the pull-down 
menu.
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Re: [Finale] 2012 vs 2010

2012-04-18 Thread Ryan Beard
The issue is changing to an instrument that isn't already preloaded. For 
example, Horn in D, Horn in E, etc. 

On Apr 18, 2012, at 4:36 PM, Christopher Smith christopher.sm...@videotron.ca 
wrote:

 
 On Wed Apr 18, at WednesdayApr 18 2:19 PM, Robert Patterson wrote:
 
 I am sure Carl can speak for himself, but my recollection was that it was
 the transposition problem. If you are entering big 19th scores in Finale,
 2012 is a non-starter because of this problem, esp. if an earlier version
 is available.
 
 The transposition problem is that Fin2012 forces you to change instruments
 just to change transposition. While this may make sense for saxophones or
 oboe/e.h., it makes absolutely no sense for trumpets, french horns, or
 wagner tubas in a 19th century setting.
 
 Robert,
 
 It's not really that big a kludge. Here is the procedure from MakeMusic, to 
 change the transposition but keep the same playback.
 
 To change the transposition of a staff you will need to change the 
 instrument, then adjust the playback sounds and transposition. To do so:
 
 1. Use the Selection Tool
 2. Highlight the measure you would like the transposition to occur in
 3. Go to Utilities  Change Instrument and select a different instrument 
 (each new transposition on the same line will need a different instrument 
 selected. Any single line instrument will work because we will change the 
 playback sound)
 4. Go to Window  ScoreManager and click on the Instrument List tab
 5. Just to the left of the instrument name you will see an arrow pointing at 
 the name. Click on that arrow to expand that instrument information. Select 
 the instrument that you changed the line to at the bottom of the expanded 
 section
 6. With this instrumented selected, you can change the transposition with the 
 pull-down menu at the bottom right of the ScoreManager. If it is not one of 
 the common transpositions in the menu, you can select Other and create your 
 own.
 7. Still in the ScoreManager, change the playback sound of the new instrument 
 by clicking on the assigned sound and selecting Horn in F from the pull-down 
 menu.
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 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale

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Re: [Finale] 2012 vs 2010

2012-04-18 Thread dershem
On 4/18/2012 12:03 AM, SN jef chippewa wrote:

 carl, i am about to upgrade a few things, including finale, and
 wonder if you could tell me what you found so disastrous moving from
 2010 to 2012 (which is what i would be doing soon).

For one thing, I could not upgrade on-line.  I simply would NOT 
function, so even though I bought the upgrade on-line, I had to pay 
extra for a CD.

For another, many functions ceased to function:
Hide staff for part of the piano staff didn't work.
Extract Parts would NOT save as [filename+partname+ whatevr] - I had 
to manually name each part.
Page format was messed up - the first 3 pages of every part and score 
had to be enlarged 10 112% to be seen/print normally, and pages after 
that needed to be reduced to 70% to then match the earlier pages.

Those are just the three that I thought of first.  It is just FULL of 
bugs and errors.  2010 works, 2012 does not - it takes more effort to do 
what 2010 did effortlessly.

cd
-- 
http://projectselene.com




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Re: [Finale] 2012 vs 2010

2012-04-18 Thread Christopher Smith
Yes, the procedure I outlined is to do just that. It isn't preloaded, but it 
isn't all that difficult. Make this change in your default document and you 
shouldn't have to do it again.

Actually, I haven't checked to see if it saves to my default doc. But I'm 
hoping it will work!

Christopher


On Wed Apr 18, at WednesdayApr 18 7:53 PM, Ryan Beard wrote:

 The issue is changing to an instrument that isn't already preloaded. For 
 example, Horn in D, Horn in E, etc. 
 
 On Apr 18, 2012, at 4:36 PM, Christopher Smith 
 christopher.sm...@videotron.ca wrote:
 
 
 On Wed Apr 18, at WednesdayApr 18 2:19 PM, Robert Patterson wrote:
 
 I am sure Carl can speak for himself, but my recollection was that it was
 the transposition problem. If you are entering big 19th scores in Finale,
 2012 is a non-starter because of this problem, esp. if an earlier version
 is available.
 
 The transposition problem is that Fin2012 forces you to change instruments
 just to change transposition. While this may make sense for saxophones or
 oboe/e.h., it makes absolutely no sense for trumpets, french horns, or
 wagner tubas in a 19th century setting.
 
 Robert,
 
 It's not really that big a kludge. Here is the procedure from MakeMusic, to 
 change the transposition but keep the same playback.
 
 To change the transposition of a staff you will need to change the 
 instrument, then adjust the playback sounds and transposition. To do so:
 
 1. Use the Selection Tool
 2. Highlight the measure you would like the transposition to occur in
 3. Go to Utilities  Change Instrument and select a different instrument 
 (each new transposition on the same line will need a different instrument 
 selected. Any single line instrument will work because we will change the 
 playback sound)
 4. Go to Window  ScoreManager and click on the Instrument List tab
 5. Just to the left of the instrument name you will see an arrow pointing at 
 the name. Click on that arrow to expand that instrument information. Select 
 the instrument that you changed the line to at the bottom of the expanded 
 section
 6. With this instrumented selected, you can change the transposition with 
 the pull-down menu at the bottom right of the ScoreManager. If it is not one 
 of the common transpositions in the menu, you can select Other and create 
 your own.
 7. Still in the ScoreManager, change the playback sound of the new 
 instrument by clicking on the assigned sound and selecting Horn in F from 
 the pull-down menu.
 ___
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 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale
 
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Re: [Finale] 2012 vs 2010

2012-04-18 Thread Ryan Beard
Yes, but it gets complicated when you have a piece with horn in D and horn in E 
and horn in F, and their bass clef counterparts, like so many 19th century 
pieces. 
If MakeMusic can preload the Vuvuzela in the instrument list, they should 
certainly include standard horn and trumpet transpositions. 

On Apr 18, 2012, at 6:15 PM, Christopher Smith christopher.sm...@videotron.ca 
wrote:

 Yes, the procedure I outlined is to do just that. It isn't preloaded, but it 
 isn't all that difficult. Make this change in your default document and you 
 shouldn't have to do it again.
 
 Actually, I haven't checked to see if it saves to my default doc. But I'm 
 hoping it will work!
 
 Christopher
 
 
 On Wed Apr 18, at WednesdayApr 18 7:53 PM, Ryan Beard wrote:
 
 The issue is changing to an instrument that isn't already preloaded. For 
 example, Horn in D, Horn in E, etc. 
 
 On Apr 18, 2012, at 4:36 PM, Christopher Smith 
 christopher.sm...@videotron.ca wrote:
 
 
 On Wed Apr 18, at WednesdayApr 18 2:19 PM, Robert Patterson wrote:
 
 I am sure Carl can speak for himself, but my recollection was that it was
 the transposition problem. If you are entering big 19th scores in Finale,
 2012 is a non-starter because of this problem, esp. if an earlier version
 is available.
 
 The transposition problem is that Fin2012 forces you to change instruments
 just to change transposition. While this may make sense for saxophones or
 oboe/e.h., it makes absolutely no sense for trumpets, french horns, or
 wagner tubas in a 19th century setting.
 
 Robert,
 
 It's not really that big a kludge. Here is the procedure from MakeMusic, to 
 change the transposition but keep the same playback.
 
 To change the transposition of a staff you will need to change the 
 instrument, then adjust the playback sounds and transposition. To do so:
 
 1. Use the Selection Tool
 2. Highlight the measure you would like the transposition to occur in
 3. Go to Utilities  Change Instrument and select a different instrument 
 (each new transposition on the same line will need a different instrument 
 selected. Any single line instrument will work because we will change the 
 playback sound)
 4. Go to Window  ScoreManager and click on the Instrument List tab
 5. Just to the left of the instrument name you will see an arrow pointing 
 at the name. Click on that arrow to expand that instrument information. 
 Select the instrument that you changed the line to at the bottom of the 
 expanded section
 6. With this instrumented selected, you can change the transposition with 
 the pull-down menu at the bottom right of the ScoreManager. If it is not 
 one of the common transpositions in the menu, you can select Other and 
 create your own.
 7. Still in the ScoreManager, change the playback sound of the new 
 instrument by clicking on the assigned sound and selecting Horn in F from 
 the pull-down menu.
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Re: [Finale] 2012 vs 2010

2012-04-18 Thread Chuck Israels
Carl,

I have been using 2012 for months without problems (except for an issue with 
Lion compatibility for the paste multiple keyboard shortcut).  I no longer 
extract separate parts, so that may explain my ignorance of those problems.  
Piano parts arrive by default with Hide Normally deselected, and you have to 
change that in group attributes in order to be able to hide a staff in the 
part. The app downloaded online without trouble for me.

It's not that I doubt that there may be problems, but I want to weigh in in 
order that jef get another point of view.  

Chuck


On Apr 18, 2012, at 6:05 PM, dershem wrote:

 On 4/18/2012 12:03 AM, SN jef chippewa wrote:
 
 carl, i am about to upgrade a few things, including finale, and
 wonder if you could tell me what you found so disastrous moving from
 2010 to 2012 (which is what i would be doing soon).
 
 For one thing, I could not upgrade on-line.  I simply would NOT 
 function, so even though I bought the upgrade on-line, I had to pay 
 extra for a CD.
 
 For another, many functions ceased to function:
   Hide staff for part of the piano staff didn't work.
   Extract Parts would NOT save as [filename+partname+ whatevr] - I had 
 to manually name each part.
   Page format was messed up - the first 3 pages of every part and score 
 had to be enlarged 10 112% to be seen/print normally, and pages after 
 that needed to be reduced to 70% to then match the earlier pages.
 
 Those are just the three that I thought of first.  It is just FULL of 
 bugs and errors.  2010 works, 2012 does not - it takes more effort to do 
 what 2010 did effortlessly.
 
 cd
 -- 
 http://projectselene.com
 
 
 
 
 ===
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Chuck Israels
8831 SE 12th Ave.
Portland, OR 97202

land line: (503) 954-2107
cell phone: (360) 201-3434

www.chuckisraels.com
www.chuckisraelsjazz.com

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Re: [Finale] 2012 vs 2010

2012-04-18 Thread Christopher Smith
I agree that the instruments should be there in the default file, but my point 
was that it is doable and not too hard. It isn't a dealbreaker for upgrading to 
2012. Once you do it, it is very easy to select it the second time the same 
instrument appears. It is no harder to create a horn in D than it is to create 
a horn in E.

Yes, it's a kludge for now. I am confident that the instruments will be there 
in a future version.

Christopher


On Wed Apr 18, at WednesdayApr 18 9:48 PM, Ryan Beard wrote:

 Yes, but it gets complicated when you have a piece with horn in D and horn in 
 E and horn in F, and their bass clef counterparts, like so many 19th century 
 pieces. 
 If MakeMusic can preload the Vuvuzela in the instrument list, they should 
 certainly include standard horn and trumpet transpositions. 
 
 On Apr 18, 2012, at 6:15 PM, Christopher Smith 
 christopher.sm...@videotron.ca wrote:
 
 Yes, the procedure I outlined is to do just that. It isn't preloaded, but it 
 isn't all that difficult. Make this change in your default document and you 
 shouldn't have to do it again.
 
 Actually, I haven't checked to see if it saves to my default doc. But I'm 
 hoping it will work!
 
 Christopher
 
 
 On Wed Apr 18, at WednesdayApr 18 7:53 PM, Ryan Beard wrote:
 
 The issue is changing to an instrument that isn't already preloaded. For 
 example, Horn in D, Horn in E, etc. 
 
 On Apr 18, 2012, at 4:36 PM, Christopher Smith 
 christopher.sm...@videotron.ca wrote:
 
 
 On Wed Apr 18, at WednesdayApr 18 2:19 PM, Robert Patterson wrote:
 
 I am sure Carl can speak for himself, but my recollection was that it was
 the transposition problem. If you are entering big 19th scores in Finale,
 2012 is a non-starter because of this problem, esp. if an earlier version
 is available.
 
 The transposition problem is that Fin2012 forces you to change instruments
 just to change transposition. While this may make sense for saxophones or
 oboe/e.h., it makes absolutely no sense for trumpets, french horns, or
 wagner tubas in a 19th century setting.
 
 Robert,
 
 It's not really that big a kludge. Here is the procedure from MakeMusic, 
 to change the transposition but keep the same playback.
 
 To change the transposition of a staff you will need to change the 
 instrument, then adjust the playback sounds and transposition. To do so:
 
 1. Use the Selection Tool
 2. Highlight the measure you would like the transposition to occur in
 3. Go to Utilities  Change Instrument and select a different instrument 
 (each new transposition on the same line will need a different instrument 
 selected. Any single line instrument will work because we will change the 
 playback sound)
 4. Go to Window  ScoreManager and click on the Instrument List tab
 5. Just to the left of the instrument name you will see an arrow pointing 
 at the name. Click on that arrow to expand that instrument information. 
 Select the instrument that you changed the line to at the bottom of the 
 expanded section
 6. With this instrumented selected, you can change the transposition with 
 the pull-down menu at the bottom right of the ScoreManager. If it is not 
 one of the common transpositions in the menu, you can select Other and 
 create your own.
 7. Still in the ScoreManager, change the playback sound of the new 
 instrument by clicking on the assigned sound and selecting Horn in F from 
 the pull-down menu.
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Re: [Finale] 2012 vs 2010

2012-04-18 Thread Christopher Smith

On Wed Apr 18, at WednesdayApr 18 9:05 PM, dershem wrote:

 On 4/18/2012 12:03 AM, SN jef chippewa wrote:
 
 carl, i am about to upgrade a few things, including finale, and
 wonder if you could tell me what you found so disastrous moving from
 2010 to 2012 (which is what i would be doing soon).
 
 For one thing, I could not upgrade on-line.  I simply would NOT 
 function, so even though I bought the upgrade on-line, I had to pay 
 extra for a CD.

Carl, did you give it enough time? The initial download is just the installer. 
Once you double-click it, the ACTUAL download starts and can take quite a 
while, especially if you don't have a super-fast connection or the MakeMusic 
server was overloaded. It took me well over an hour.


 
 For another, many functions ceased to function:
   Hide staff for part of the piano staff didn't work.

Had you enabled hide normally in the group attributes IN THE PIANO PART (just 
in the score might not do it)?


   Extract Parts would NOT save as [filename+partname+ whatevr] - I had 
 to manually name each part.

I haven't seen this, as I don't extract parts that often. Do you have slashes 
in the staff/part name? That might kill a file creation on Mac (I see it all 
the time when creating PDFs), and it has been this way for a while. If you are 
on Windows, I don't know.


   Page format was messed up - the first 3 pages of every part and score 
 had to be enlarged 10 112% to be seen/print normally, and pages after 
 that needed to be reduced to 70% to then match the earlier pages.

I have my suspicions about that. There are several explanations, involving the 
Zoom tool and the default page/system sizes, which I have had to suss out 
before. Short answer, it's not a bug, it's just an unwanted or misunderstood 
behaviour. If you could send me a file privately, I'll check it out, and you 
won't be bothered with it again.


 
 Those are just the three that I thought of first.  It is just FULL of 
 bugs and errors.  2010 works, 2012 does not - it takes more effort to do 
 what 2010 did effortlessly.
 
 cd

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Re: [Finale] 2012 vs 2010

2012-04-18 Thread Robert Patterson
Just to iterate this further, I visited the IMSLP site and looked at the
horn and trumpet parts for Lohengrin. It calls for horns transposing in (at
various times in 4 horn parts) E, D, Eb, F, G, Ab, A, C, Bb and trumpet
transpositions in C, D, Eb, E, and F.

Entering that many transpositions for the same instrument in Finale 2012
would require maintenance of a spreadsheet to keep it all straight, which
is the most damning evidence of a failed computer program: it would require
you to use a spreadsheet to use it.

On Wed, Apr 18, 2012 at 8:48 PM, Ryan Beard ry.squa...@gmail.com wrote:

 Yes, but it gets complicated when you have a piece with horn in D and horn
 in E and horn in F, and their bass clef counterparts, like so many 19th
 century pieces.
 If MakeMusic can preload the Vuvuzela in the instrument list, they should
 certainly include standard horn and trumpet transpositions.

 On Apr 18, 2012, at 6:15 PM, Christopher Smith 
 christopher.sm...@videotron.ca wrote:

  Yes, the procedure I outlined is to do just that. It isn't preloaded,
 but it isn't all that difficult. Make this change in your default document
 and you shouldn't have to do it again.
 
  Actually, I haven't checked to see if it saves to my default doc. But
 I'm hoping it will work!
 
  Christopher
 
 
  On Wed Apr 18, at WednesdayApr 18 7:53 PM, Ryan Beard wrote:
 
  The issue is changing to an instrument that isn't already preloaded.
 For example, Horn in D, Horn in E, etc.
 
  On Apr 18, 2012, at 4:36 PM, Christopher Smith 
 christopher.sm...@videotron.ca wrote:
 
 
  On Wed Apr 18, at WednesdayApr 18 2:19 PM, Robert Patterson wrote:
 
  I am sure Carl can speak for himself, but my recollection was that it
 was
  the transposition problem. If you are entering big 19th scores in
 Finale,
  2012 is a non-starter because of this problem, esp. if an earlier
 version
  is available.
 
  The transposition problem is that Fin2012 forces you to change
 instruments
  just to change transposition. While this may make sense for
 saxophones or
  oboe/e.h., it makes absolutely no sense for trumpets, french horns, or
  wagner tubas in a 19th century setting.
 
  Robert,
 
  It's not really that big a kludge. Here is the procedure from
 MakeMusic, to change the transposition but keep the same playback.
 
  To change the transposition of a staff you will need to change the
 instrument, then adjust the playback sounds and transposition. To do so:
 
  1. Use the Selection Tool
  2. Highlight the measure you would like the transposition to occur in
  3. Go to Utilities  Change Instrument and select a different
 instrument (each new transposition on the same line will need a different
 instrument selected. Any single line instrument will work because we will
 change the playback sound)
  4. Go to Window  ScoreManager and click on the Instrument List tab
  5. Just to the left of the instrument name you will see an arrow
 pointing at the name. Click on that arrow to expand that instrument
 information. Select the instrument that you changed the line to at the
 bottom of the expanded section
  6. With this instrumented selected, you can change the transposition
 with the pull-down menu at the bottom right of the ScoreManager. If it is
 not one of the common transpositions in the menu, you can select Other and
 create your own.
  7. Still in the ScoreManager, change the playback sound of the new
 instrument by clicking on the assigned sound and selecting Horn in F from
 the pull-down menu.
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