Re: [Finale] Finale/Sibelius -- which is truly faster?

2008-02-20 Thread dhbailey

Darcy James Argue wrote:
What, specifically, is slowing you down in Finale? My general impression 
is that Sibelius is still somewhat easier to learn, but expert Finale 
users can work more quickly and more efficiently, especially if you make 
full use of third-party plugins.


Back when I was a regular Sibelius user (v1.4), I found Finale MUCH 
faster to use -- mostly due to metatools, which were a huge advantage 
over Sib's methods for placing things like articulations and fingering 
numbers, etc. But that was years ago -- I am only just now starting to 
re-learn Sibelius (now up to v5.1) and I'm sure there are likely more 
efficient ways of working now than there were back then.




I started with Sibelius2 and I also found it incredibly slower than I 
was able to work in Finale.  But with each new version things have 
gotten streamlined and I find now that I can work equally fast in either 
program.


--
David H. Bailey
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Re: [Finale] Finale/Sibelius -- which is truly faster?

2008-02-20 Thread Eric Dannewitz
TGTools is really what makes Finale shine. I can't imagine using
Finale without it.


On 2/19/08, Darcy James Argue [EMAIL PROTECTED] wrote:
 What, specifically, is slowing you down in Finale? My general
  impression is that Sibelius is still somewhat easier to learn, but
  expert Finale users can work more quickly and more efficiently,
  especially if you make full use of third-party plugins.

  Back when I was a regular Sibelius user (v1.4), I found Finale MUCH
  faster to use -- mostly due to metatools, which were a huge advantage
  over Sib's methods for placing things like articulations and fingering
  numbers, etc. But that was years ago -- I am only just now starting to
  re-learn Sibelius (now up to v5.1) and I'm sure there are likely more
  efficient ways of working now than there were back then.

  Cheers,

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Re: [Finale] Finale/Sibelius -- which is truly faster?

2008-02-20 Thread Eric Dannewitz
*Yawn*

Yeah, you go Bob..

On 2/19/08, Bob Morabito [EMAIL PROTECTED] wrote:
 Well said, David..

  Peace, Bob Morabito

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RE: [Finale] Finale/Sibelius -- which is truly faster?

2008-02-20 Thread Steve Currington
Yep.  agree whole heartedly.   And in trying give both a fair
hearing.. ala rather than saying Oh bugger Finale doesn't do this well
or Sibelius as crap at that.. They should give both a complete se of
test run and see in reality which overall works best..  Both will have
advantages and both with have disadvantages.  It is choosing the one
that has the minimal or least negative impact that is the trick.

Steve


  Eric Dannewitz composed the following.


 Exactly. That is why it was a stupid question. One really needs to
 try them out and come to their own conclusions based on how they do
 things.  
 
 Steve Currington wrote:
 I can't answer based on current experiences or should I say products
 but I think the answer is .. it depends on how you work and your
 mental processes - some of which can be modified and some is inherent
 in ones personality or inbred work habits.


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RE: [Finale] Finale/Sibelius -- which is truly faster?

2008-02-20 Thread Steve Currington

  dhbailey composed the following.


 Robert Patterson wrote:
 Well, I wouldn't go so far as to say it is a stupid question. But it
 is a question that whose answer is very individual.
 
 The only reason I chime in here is to mention that if you are not
 making full use of 3rd-party plugins, and also using a 3rd-party
 keyboard macro program, you have no idea how fast you can really go
 with Finale. I have no idea what the relative benefits of these
 products with Sib are, but with Finale they are huge. (But the
 learning curve is steep.) 
 
 
 There is no need for a keyboard macro program with Sibelius because
 all of its functions are user-definable as keyboard shortcuts.  Why
 Finale hasn't done this is beyond me.  

Although Sibelius macro's can be written and then assigned within Sib
as it's own user defined keyboard shortcut.
Sib comes with a bunch already and some are brilliant.   
Yep no real need for an external keyboard macro tool in Sib.

Steve

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RE: [Finale] Finale/Sibelius -- which is truly faster?

2008-02-20 Thread Steve Currington

  Christopher Smith composed the following.


 On Feb 19, 2008, at 7:23 PM, Adam Golding wrote:
 
 yeah i indeed tried the macro route for awhile--setting things up on
 finale with autohotkey and whatnot--mind you, i could never find an
 easy way to enter smartshapes from the keyboard--i think i would have
 to learn the actual plugin language to do that.  On the other hand,
 maybe i'm just so addicted to keyboard shortcuts that I can't
 realize that using the mouse *could* be fast too?  I have the same
 issues with removing articulations. 
 
 
 For removing articulations (I only mention this for other Finale
 users who might be unaware, as it seems not to be useful for you
 since you are on Sib now) when the articulation tool is selected you
 can hold down the Delete key and click individual articulations, or
 drag around entire passages across staves to remove articulations.
 
 There was a user on here a few years ago who had done his thesis on
 input devices, and settled on the mouse as being the most flexible
 overall, in addition to being much faster than people actually
 thought it was. For some things like entering Smart Shape crescendos,
 holding down the  or  keys and double-clicking turns out to be very
 quick, while for slurs it is hard to imagine a quicker way than
 double-click and drag.  
 
 Christopher

Again it all comes back to the way an individual works and thinks.
one persons click and drag is another persons keyboard press..

What do they call it.. Kinesthetic, Audial/Aural, Visual  as a primary
and secondary learning and usage processes??


S.

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RE: [Finale] Finale/Sibelius -- which is truly faster?

2008-02-20 Thread Steve Currington

  Christopher Smith composed the following.


 On Feb 19, 2008, at 5:33 PM, dhbailey wrote:
 
 And here all my teachers told me there were no stupid questions.  :-(
 
 That's what I say to MY students. There are no stupid questions.
 Only stupid students.
 
 8-)
 
 Christopher

Hmm and stupid answers   ;-)

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Re: [Finale] Finale/Sibelius -- which is truly faster?

2008-02-19 Thread dhbailey

Adam Golding wrote:

Eric,

I have used both Sibelius and Finale.  Sibelius is currently faster for me,
but I know it somewhat better than Finale---further practice on finale might
make it faster for me, on the other hand, further practice might be futile.

I agree that each program will produce different creative results if one
composes directly into it, so I should clarify that I'm probalby going to
start composing in Cubase and doing a score when the composition is said and
done, so I'm specifically wondering about engraving speed.



For the kind of work that Adam appears to be doing, I would say that 
Sibelius would be the better choice.


I work in both, although I'm not as fluent in Sibelius as I am in 
Finale.  I find that I can work equally fast in either program, but the 
more recent developments in Finale have made it a less desirable working 
environment for me (having used it since version 3.5) while recent 
developments in Sibelius make it a lot more enjoyable working 
environment for me.


Adam, you need to know, however, that there remain certain things which 
are easier in each program.  Such as having independent key signatures 
like 2/4 and 6/8 at the same time in different staves -- Finale makes it 
very easy and Sibelius makes the user jump through hoops.  But if you 
don't work on music like that it won't matter.  And it is possible in 
Sibelius, just not as easily as with Finale.


Both programs are really equal -- those who prefer one or the other do 
so for either of two reasons: 1) the program they like fits their 
working methods better; 2) the program they favor makes the musical work 
they do easier than the other program does.


Engraving speed is really determined by the type of music you will be doing.

For a large number of people in your situation Sibelius is easier from 
the start and remains easier.  The real differences show up with more 
complex scores, with the advantage going to Finale, but increasingly by 
a narrower margin with each new release.


Then there is the corporate future -- Sibelius is making huge advances 
in capturing the education market at all levels, enticing teachers to 
install it in school computer music labs, while Finale seems to have all 
but abandoned that market.  Which means that young students are learning 
Sibelius and are more likely to remain Sibelius users, broadening the 
marketplace significantly, while Finale seems to make no apparent effort 
to broaden its user base.  What that means is that Finale's future 
income is limited to corporate engraving and to current users locked 
into an annual upgrade subscription model, and increasingly more and 
more current users are reluctant to upgrade because newer Finale 
versions have introduced significant new problems while failing to fix 
some long-standing problems.


Sibelius on the other hand appears to release new versions only when 
they're ready and not due to any pre-determined calendar model.  In my 
opinion, Sibelius' future seems rosier than Finale's future.  MakeMusic, 
who own and market Finale, have their business hopes pegged onto their 
SmartMusic Accompaniment System, which is specifically aimed at the 
student market and is based solely on annual subscription fees for 
access to the accompaniment files.  Finale appears to be less 
significant in corporate vision.


Sibelius (the company as well as the product) has been purchased by 
Avid, which owns M-Audio and other major music technology products, so 
it appears that it will have a more robust future.


Only time will tell, but when making a significant investment in a 
software product it is important to keep the company's long-term 
continued health into consideration.  Users of both programs likely have 
many files from abandoned notation programs of the past which they can't 
get at.


A word to the wise -- when completing a project in whichever program you 
finally go with, save it as MusicXML in addition to the native format, 
which may well be the key to the future access to the pieces without 
having to completely re-engrave in whatever notation software we're all 
using 20 years from now.  Finale will allow that now with no extra 
purchase, to do that in Sibelius you will need to purchase the Dolet 
plug-in from www.recordare.com.


--
David H. Bailey
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RE: [Finale] Finale/Sibelius -- which is truly faster?

2008-02-19 Thread Steve Currington
I can't answer based on current experiences or should I say products but
I think the answer is .. it depends on how you work and your mental
processes - some of which can be modified and some is inherent in ones
personality or inbred work habits.

I have both (NB I have not upgraded to the recent release of Finale) but
do most of my work in Sibelius because I find it suits my working style
best.   For my work patterns and way of thinking I found Sibelius more
intuitive but others on this list, that work  think differently than
me, would most likely suggest that Finale possibly suits them better and
so the end result is that they may be quicker when using Finale.

It also probably depends on the amount of work you have done in both..
This relates to the familiarity of the products and the ability to drive
each more efficiently to get the end result your require.  Again - Sib
is far quicker for me but that is because I simply use it far more.

I have to say I found I learned Sibelius far quicker. I was productive
within the hour with Sibelius whereas it took far longer with Finale.
maybe partly because of the reasons above.   I should note that I used
Finale first and then moved to Sibelius second, after about 18 months or
more of solely using Finale and to be honest a I am really glad I did.

Steve Currington
Wellington, New Zealand
  

  Adam Golding composed the following.


 Can anyone fluent in both Finale 2008 and Sibelius 5 comment on which
 is actually faster to work in?  If one isn't trying to create
 publishable scores, but merely trying to get scores and parts that an
 orchestral librarian would accept for rehearsal, I get the impression
 that sibelius 5 is much faster, but it's hard to tell without being
 fluent in both... 


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Re: [Finale] Finale/Sibelius -- which is truly faster?

2008-02-19 Thread Eric Dannewitz
Exactly. That is why it was a stupid question. One really needs to try 
them out and come to their own conclusions based on how they do things.


Steve Currington wrote:

I can't answer based on current experiences or should I say products but
I think the answer is .. it depends on how you work and your mental
processes - some of which can be modified and some is inherent in ones
personality or inbred work habits.
  


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Re: [Finale] Finale/Sibelius -- which is truly faster?

2008-02-19 Thread dhbailey

Eric Dannewitz wrote:
Exactly. That is why it was a stupid question. One really needs to try 
them out and come to their own conclusions based on how they do things.




And here all my teachers told me there were no stupid questions.  :-(

In defense of the question, he's really asking for opinions from 
experts in the field, which I would think many of us would do before 
leaping in to some product.  I know I ask my mechanic before I go car 
shopping.  Imagine how much business I'd give him in the future if he 
told me That's a stupid question -- go test drive them all and buy the 
one you like.


Certainly he needs to test them out, and he has since replied that he 
HAS tried them both.  And armed with that experience he simply wants 
some expert opinions.


I don't see what's so stupid about his question.

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Re: [Finale] Finale/Sibelius -- which is truly faster?

2008-02-19 Thread dhbailey

Robert Patterson wrote:

Well, I wouldn't go so far as to say it is a stupid question. But it
is a question that whose answer is very individual.

The only reason I chime in here is to mention that if you are not
making full use of 3rd-party plugins, and also using a 3rd-party
keyboard macro program, you have no idea how fast you can really go
with Finale. I have no idea what the relative benefits of these
products with Sib are, but with Finale they are huge. (But the
learning curve is steep.)



There is no need for a keyboard macro program with Sibelius because all 
of its functions are user-definable as keyboard shortcuts.  Why Finale 
hasn't done this is beyond me.



--
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Re: [Finale] Finale/Sibelius -- which is truly faster?

2008-02-19 Thread Robert Patterson
Well, I wouldn't go so far as to say it is a stupid question. But it
is a question that whose answer is very individual.

The only reason I chime in here is to mention that if you are not
making full use of 3rd-party plugins, and also using a 3rd-party
keyboard macro program, you have no idea how fast you can really go
with Finale. I have no idea what the relative benefits of these
products with Sib are, but with Finale they are huge. (But the
learning curve is steep.)

On Feb 19, 2008 2:55 PM, Eric Dannewitz [EMAIL PROTECTED] wrote:
 Exactly. That is why it was a stupid question. One really needs to try
 them out and come to their own conclusions based on how they do things.

 Steve Currington wrote:
  I can't answer based on current experiences or should I say products but
  I think the answer is .. it depends on how you work and your mental
  processes - some of which can be modified and some is inherent in ones
  personality or inbred work habits.
 

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Re: [Finale] Finale/Sibelius -- which is truly faster?

2008-02-19 Thread Christopher Smith


On Feb 19, 2008, at 5:33 PM, dhbailey wrote:


And here all my teachers told me there were no stupid questions.  :-(


That's what I say to MY students. There are no stupid questions.  
Only stupid students.


8-)

Christopher



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RE: [Finale] Finale/Sibelius -- which is truly faster?

2008-02-19 Thread Owain Sutton

 Eric Dannewitz wrote:
  Exactly. That is why it was a stupid question. One really 
 needs to try
  them out and come to their own conclusions based on how 
 they do things.
  
 
 And here all my teachers told me there were no stupid questions.  :-(
 
 In defense of the question, he's really asking for opinions from 
 experts in the field, which I would think many of us would 
 do before 
 leaping in to some product.  I know I ask my mechanic before I go car 
 shopping.  Imagine how much business I'd give him in the future if he 
 told me That's a stupid question -- go test drive them all 
 and buy the 
 one you like.


OK: how about if you asked him 'which car is the fastest?'

Do you mean around the Monaco circuit, a two mile oval, or an off-road
rally?


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Re: [Finale] Finale/Sibelius -- which is truly faster?

2008-02-19 Thread dhbailey

Owain Sutton wrote:

Eric Dannewitz wrote:
Exactly. That is why it was a stupid question. One really 

needs to try
them out and come to their own conclusions based on how 

they do things.
And here all my teachers told me there were no stupid questions.  :-(

In defense of the question, he's really asking for opinions from 
experts in the field, which I would think many of us would 
do before 
leaping in to some product.  I know I ask my mechanic before I go car 
shopping.  Imagine how much business I'd give him in the future if he 
told me That's a stupid question -- go test drive them all 
and buy the 
one you like.



OK: how about if you asked him 'which car is the fastest?'

Do you mean around the Monaco circuit, a two mile oval, or an off-road
rally?



Which I wouldn't ask him unless speed were an issue for me (with 55/65 
MPH speed limit, fast isn't an issue).  But I would ask his opinion 
about how the cars I had thought about handled, what sorts of repairs 
they generally need and how much they cost, which models need more 
repairs than others, which had the longest life.  Things within his area 
of expertise and which I couldn't really know from a simple test drive.


Which is what the person who started this was trying to do -- ask the 
people who use the programs which were the fastest.  He described the 
sort of work he wants to do and was simply asking for our opinions.


I have no idea why some people are getting their knickers in a twist 
over a simple question -- it's not like he insulted anybody's parentage 
or anything, yet he gets insulted and called stupid for asking such a 
question.


If you don't like a question, hit the delete key.  It does nobody any 
good to say that's a stupid question.


--
David H. Bailey
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Re: [Finale] Finale/Sibelius -- which is truly faster?

2008-02-19 Thread Christopher Smith


On Feb 19, 2008, at 7:23 PM, Adam Golding wrote:

yeah i indeed tried the macro route for awhile--setting things up  
on finale
with autohotkey and whatnot--mind you, i could never find an easy  
way to

enter smartshapes from the keyboard--i think i would have to learn the
actual plugin language to do that.  On the other hand, maybe i'm  
just so
addicted to keyboard shortcuts that I can't realize that using the  
mouse
*could* be fast too?  I have the same issues with removing  
articulations.




For removing articulations (I only mention this for other Finale  
users who might be unaware, as it seems not to be useful for you  
since you are on Sib now) when the articulation tool is selected you  
can hold down the Delete key and click individual articulations, or  
drag around entire passages across staves to remove articulations.


There was a user on here a few years ago who had done his thesis on  
input devices, and settled on the mouse as being the most flexible  
overall, in addition to being much faster than people actually  
thought it was. For some things like entering Smart Shape crescendos,  
holding down the  or  keys and double-clicking turns out to be very  
quick, while for slurs it is hard to imagine a quicker way than  
double-click and drag.


Christopher



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Re: [Finale] Finale/Sibelius -- which is truly faster?

2008-02-19 Thread Chuck Israels


On Feb 19, 2008, at 4:23 PM, Adam Golding wrote:


  On the other hand, maybe i'm just so
addicted to keyboard shortcuts that I can't realize that using the  
mouse
*could* be fast too?  I have the same issues with removing  
articulations.




Not to dissuade you from keyboard shortcuts, but the speed of working  
with a mouse is highly hardware and software ballistics dependent.  It  
can be quite fast, and it is visually intuitive.  (There is no  
translation in your brain to understand that the keyboard shortcut  
is moving this thing to that place; you just visualize it and see it  
on the screen.  I don't mean to imply that this is the only way to  
work but, for some, it may be quick because it is visually concrete.)


A quality mouse ( I use a Logitech wireless super-duper-laser- 
something-or-other) and good software that makes the ballistics both  
fast and finely controllable go a long way to making this kind of work  
go smoothly.  (I have Patterson Beams programmed on a mouse button:  
drag-enclose, or click-select, click, done - a one handed operation.)


 Some people find good trackballs a solution for getting across big  
screen areas.  I used to use a terrific Kensington one and made the  
mistake of thinking that later versions were improvements when, in  
fact, they weren't.  The older steel roller bearings were far superior  
to later teflon bearings, and I could never get the speed of response  
or great feel of the original pre-USB/pre-optical one.  Everything  
about the older one suited me fine, but it became outdated, and I made  
the mistake of doing away with it (and the associated dongle that  
allowed it to communicate through a USB port).


As I have said before here: I am an upgrade whore.  Sometimes that  
works out; sometimes not.


Anyway, the point is Keyboard shortcuts can be a help.  I use them  
myself.  But they don't always do everything in the most intuitive or  
fastest way for everyone.


Chuck


Chuck Israels
230 North Garden Terrace
Bellingham, WA 98225-5836
phone (360) 671-3402
fax (360) 676-6055
www.chuckisraels.com

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Re: [Finale] Finale/Sibelius -- which is truly faster?

2008-02-19 Thread Bob Morabito

Well said, David..

Peace, Bob Morabito


On Feb 19, 2008, at 7:26 PM, dhbailey wrote:




Eric Dannewitz wrote:

Exactly. That is why it was a stupid question.


I have no idea why some people are getting their knickers in a  
twist over a simple question -- it's not like he insulted anybody's  
parentage or anything, yet he gets insulted and called stupid for  
asking such a question.


If you don't like a question, hit the delete key.  It does nobody  
any good to say that's a stupid question.


--
David H. Bailey
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Re: [Finale] Finale/Sibelius -- which is truly faster?

2008-02-19 Thread Chuck Israels


On Feb 19, 2008, at 4:26 PM, dhbailey wrote:



If you don't like a question, hit the delete key.  It does nobody  
any good to say that's a stupid question.




I have asked a number of questions here that might have seemed (or  
been) stupid to anyone with more experience with the issue than I  
have.  I am grateful for the thoughtfulness, courtesy and generosity  
of the responses to those questions.  It makes me wish I had more to  
contribute.


Chuck


Chuck Israels
230 North Garden Terrace
Bellingham, WA 98225-5836
phone (360) 671-3402
fax (360) 676-6055
www.chuckisraels.com

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Re: [Finale] Finale/Sibelius -- which is truly faster?

2008-02-19 Thread Darcy James Argue
What, specifically, is slowing you down in Finale? My general  
impression is that Sibelius is still somewhat easier to learn, but  
expert Finale users can work more quickly and more efficiently,  
especially if you make full use of third-party plugins.


Back when I was a regular Sibelius user (v1.4), I found Finale MUCH  
faster to use -- mostly due to metatools, which were a huge advantage  
over Sib's methods for placing things like articulations and fingering  
numbers, etc. But that was years ago -- I am only just now starting to  
re-learn Sibelius (now up to v5.1) and I'm sure there are likely more  
efficient ways of working now than there were back then.


Cheers,

- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY



On 19 Feb 2008, at 7:23 PM, Adam Golding wrote:

yeah i indeed tried the macro route for awhile--setting things up on  
finale
with autohotkey and whatnot--mind you, i could never find an easy  
way to

enter smartshapes from the keyboard--i think i would have to learn the
actual plugin language to do that.  On the other hand, maybe i'm  
just so
addicted to keyboard shortcuts that I can't realize that using the  
mouse
*could* be fast too?  I have the same issues with removing  
articulations.


I had originally decided to switch to finale from sibelius because  
of its
greater playback functions (tempo-tap was a BIG deciding factor, no  
more

having the computer coax me into abandoning rubato, and same with the
detailed articulation playback options and human playback settings,  
and it

records an audio track, and it's easy to control garritan with
articulations), but after about 8 months of finding finale rather  
slow to
use, I'm thinking, as i mentioend, of doing all my 'composing' in  
cubase and
engraving later.  Thus it might make sense to go back to faster  
sibelius.
However if there were some way to appraoch sibelius speeds with  
finale it
might be worth it to stay in practice with finale, in the hopes that  
it will
'one day' actually be the ideal sequencer/notation combination that  
none of
these programs is... but from what you tell me, david, that's  
probably a

pipe dream.


On 19/02/2008, dhbailey [EMAIL PROTECTED] wrote:


Robert Patterson wrote:

Well, I wouldn't go so far as to say it is a stupid question. But it
is a question that whose answer is very individual.

The only reason I chime in here is to mention that if you are not
making full use of 3rd-party plugins, and also using a 3rd-party
keyboard macro program, you have no idea how fast you can really go
with Finale. I have no idea what the relative benefits of these
products with Sib are, but with Finale they are huge. (But the
learning curve is steep.)



There is no need for a keyboard macro program with Sibelius because  
all
of its functions are user-definable as keyboard shortcuts.  Why  
Finale

hasn't done this is beyond me.


--
David H. Bailey
[EMAIL PROTECTED]
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Re: [Finale] Finale/Sibelius -- which is truly faster?

2008-02-18 Thread Eric Dannewitz
Wouldn't being fluent in one or the other or both really make it a moot point?


On 2/18/08, Adam Golding [EMAIL PROTECTED] wrote:
 Can anyone fluent in both Finale 2008 and Sibelius 5 comment on which is
 actually faster to work in?  If one isn't trying to create publishable
 scores, but merely trying to get scores and parts that an orchestral
 librarian would accept for rehearsal, I get the impression that sibelius 5
 is much faster, but it's hard to tell without being fluent in both...
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Re: [Finale] Finale/Sibelius -- which is truly faster?

2008-02-18 Thread Eric Dannewitz
But people work differently, so, say you have two people who are
fluent in both, but one thinks better doing things like Finale does
it, and the other thinks like how Sibelius thinks.

It is really a lame question. What you really need to do, if you are
really interested in it, is to download both demos, and try them out.
Then YOU can figure out what works best for YOU.

On 2/18/08, Adam Golding [EMAIL PROTECTED] wrote:
 Not in the slightest.  Suppose that someone is maximally fluent in both
 programs--that is to say, they use each program as fast as humanly
 possible.  It doesn't follow that they use each program at the same speed,
 since the maximum humanly possible speed might be different for each
 program.  I'm pretty sure the user interface of each program imposes some
 upper bound.

 On 18/02/2008, Eric Dannewitz [EMAIL PROTECTED] wrote:
 
  Wouldn't being fluent in one or the other or both really make it a moot
  point?
 
 
  On 2/18/08, Adam Golding [EMAIL PROTECTED] wrote:
   Can anyone fluent in both Finale 2008 and Sibelius 5 comment on which is
   actually faster to work in?  If one isn't trying to create publishable
   scores, but merely trying to get scores and parts that an orchestral
   librarian would accept for rehearsal, I get the impression that sibelius
  5
   is much faster, but it's hard to tell without being fluent in both...
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Re: [Finale] Finale/Sibelius -- which is truly faster?

2008-02-18 Thread Adam Golding
Not in the slightest.  Suppose that someone is maximally fluent in both
programs--that is to say, they use each program as fast as humanly
possible.  It doesn't follow that they use each program at the same speed,
since the maximum humanly possible speed might be different for each
program.  I'm pretty sure the user interface of each program imposes some
upper bound.

On 18/02/2008, Eric Dannewitz [EMAIL PROTECTED] wrote:

 Wouldn't being fluent in one or the other or both really make it a moot
 point?


 On 2/18/08, Adam Golding [EMAIL PROTECTED] wrote:
  Can anyone fluent in both Finale 2008 and Sibelius 5 comment on which is
  actually faster to work in?  If one isn't trying to create publishable
  scores, but merely trying to get scores and parts that an orchestral
  librarian would accept for rehearsal, I get the impression that sibelius
 5
  is much faster, but it's hard to tell without being fluent in both...
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Re: [Finale] Finale/Sibelius -- which is truly faster?

2008-02-18 Thread Eric Dannewitz
Then stick with Sibelius. You really don't need to use TWO different
programs to do notation. It would be like learning Logic and Cubase.

On 2/18/08, Adam Golding [EMAIL PROTECTED] wrote:
 Eric,

 I have used both Sibelius and Finale.  Sibelius is currently faster for me,
 but I know it somewhat better than Finale---further practice on finale might
 make it faster for me, on the other hand, further practice might be futile.

 I agree that each program will produce different creative results if one
 composes directly into it, so I should clarify that I'm probalby going to
 start composing in Cubase and doing a score when the composition is said and
 done, so I'm specifically wondering about engraving speed.

 On 19/02/2008, Eric Dannewitz [EMAIL PROTECTED] wrote:
 
  But people work differently, so, say you have two people who are
  fluent in both, but one thinks better doing things like Finale does
  it, and the other thinks like how Sibelius thinks.
 
  It is really a lame question. What you really need to do, if you are
  really interested in it, is to download both demos, and try them out.
  Then YOU can figure out what works best for YOU.
 
  On 2/18/08, Adam Golding [EMAIL PROTECTED] wrote:
   Not in the slightest.  Suppose that someone is maximally fluent in both
   programs--that is to say, they use each program as fast as humanly
   possible.  It doesn't follow that they use each program at the same
  speed,
   since the maximum humanly possible speed might be different for each
   program.  I'm pretty sure the user interface of each program imposes
  some
   upper bound.
  
   On 18/02/2008, Eric Dannewitz [EMAIL PROTECTED] wrote:
   
Wouldn't being fluent in one or the other or both really make it a
  moot
point?
   
   
On 2/18/08, Adam Golding [EMAIL PROTECTED] wrote:
 Can anyone fluent in both Finale 2008 and Sibelius 5 comment on
  which is
 actually faster to work in?  If one isn't trying to create
  publishable
 scores, but merely trying to get scores and parts that an orchestral
 librarian would accept for rehearsal, I get the impression that
  sibelius
5
 is much faster, but it's hard to tell without being fluent in
  both...
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Re: [Finale] Finale/Sibelius -- which is truly faster?

2008-02-18 Thread Adam Golding
Well, if finale could potentially be faster, it might be worth it.  Users
who have used both extensively and prefer finale might have some valuable
workflow insights in their explanation as to why finale is faster for them.

On 19/02/2008, Eric Dannewitz [EMAIL PROTECTED] wrote:

 Then stick with Sibelius. You really don't need to use TWO different
 programs to do notation. It would be like learning Logic and Cubase.

 On 2/18/08, Adam Golding [EMAIL PROTECTED] wrote:
  Eric,
 
  I have used both Sibelius and Finale.  Sibelius is currently faster for
 me,
  but I know it somewhat better than Finale---further practice on finale
 might
  make it faster for me, on the other hand, further practice might be
 futile.
 
  I agree that each program will produce different creative results if one
  composes directly into it, so I should clarify that I'm probalby going
 to
  start composing in Cubase and doing a score when the composition is said
 and
  done, so I'm specifically wondering about engraving speed.
 
  On 19/02/2008, Eric Dannewitz [EMAIL PROTECTED] wrote:
  
   But people work differently, so, say you have two people who are
   fluent in both, but one thinks better doing things like Finale does
   it, and the other thinks like how Sibelius thinks.
  
   It is really a lame question. What you really need to do, if you are
   really interested in it, is to download both demos, and try them out.
   Then YOU can figure out what works best for YOU.
  
   On 2/18/08, Adam Golding [EMAIL PROTECTED] wrote:
Not in the slightest.  Suppose that someone is maximally fluent in
 both
programs--that is to say, they use each program as fast as humanly
possible.  It doesn't follow that they use each program at the same
   speed,
since the maximum humanly possible speed might be different for each
program.  I'm pretty sure the user interface of each program imposes
   some
upper bound.
   
On 18/02/2008, Eric Dannewitz [EMAIL PROTECTED] wrote:

 Wouldn't being fluent in one or the other or both really make it a
   moot
 point?


 On 2/18/08, Adam Golding [EMAIL PROTECTED] wrote:
  Can anyone fluent in both Finale 2008 and Sibelius 5 comment on
   which is
  actually faster to work in?  If one isn't trying to create
   publishable
  scores, but merely trying to get scores and parts that an
 orchestral
  librarian would accept for rehearsal, I get the impression that
   sibelius
 5
  is much faster, but it's hard to tell without being fluent in
   both...
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Re: [Finale] Finale/Sibelius -- which is truly faster?

2008-02-18 Thread Adam Golding
Eric,

I have used both Sibelius and Finale.  Sibelius is currently faster for me,
but I know it somewhat better than Finale---further practice on finale might
make it faster for me, on the other hand, further practice might be futile.

I agree that each program will produce different creative results if one
composes directly into it, so I should clarify that I'm probalby going to
start composing in Cubase and doing a score when the composition is said and
done, so I'm specifically wondering about engraving speed.

On 19/02/2008, Eric Dannewitz [EMAIL PROTECTED] wrote:

 But people work differently, so, say you have two people who are
 fluent in both, but one thinks better doing things like Finale does
 it, and the other thinks like how Sibelius thinks.

 It is really a lame question. What you really need to do, if you are
 really interested in it, is to download both demos, and try them out.
 Then YOU can figure out what works best for YOU.

 On 2/18/08, Adam Golding [EMAIL PROTECTED] wrote:
  Not in the slightest.  Suppose that someone is maximally fluent in both
  programs--that is to say, they use each program as fast as humanly
  possible.  It doesn't follow that they use each program at the same
 speed,
  since the maximum humanly possible speed might be different for each
  program.  I'm pretty sure the user interface of each program imposes
 some
  upper bound.
 
  On 18/02/2008, Eric Dannewitz [EMAIL PROTECTED] wrote:
  
   Wouldn't being fluent in one or the other or both really make it a
 moot
   point?
  
  
   On 2/18/08, Adam Golding [EMAIL PROTECTED] wrote:
Can anyone fluent in both Finale 2008 and Sibelius 5 comment on
 which is
actually faster to work in?  If one isn't trying to create
 publishable
scores, but merely trying to get scores and parts that an orchestral
librarian would accept for rehearsal, I get the impression that
 sibelius
   5
is much faster, but it's hard to tell without being fluent in
 both...
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