FLUXLIST: Re: rhubarb variation
rhubarb variations rhublurb rudebarb rhubarbarian rhuthedayyouwerebornbarb rhuboob rhuthlessbarb
FLUXLIST: Stopwords
a above according across actually adj after afterwards again against all almost alone along already also although always among amongst an and another any anyhow anyone anything anywhere are aren aren't around as at be became because become becomes becoming been before beforehand begin beginning behind being below beside besides between beyond billion both but by can can't cannot caption co could couldn couldn't did didn didn't do does doesn doesn't don don't down during each eg eight eighty either else elsewhere end ending enough etc even ever every everyone everything everywhere except few fifty first five for former formerly forty found four from further had has hasn hasn't have haven haven't he hence her here hereafter hereby herein hereupon hers herself him himself his how however hundred ie i.e. if in inc inc. indeed instead into is isn isn't it its itself last later latter latterly least less let like likely ll ltd made make makes many maybe me meantime meanwhile might million miss more moreover most mostly mr mrs much must my myself namely neither never nevertheless next nine ninety no nobody none nonetheless noone nor not nothing now nowhere of off often on once one only onto or others otherwise our ours ourselves out over overall own per perhaps rather re recent recently same seem seemed seeming seems seven seventy several she should shouldn shouldn't since six sixty so some somehow someone something sometime sometimes somewhere still stop such taking ten than that the their them themselves then thence there thereafter thereby therefore therein thereupon these they thirty this those though thousand three through throughout thru thus to together too toward towards trillion twenty two under unless unlike unlikely until up upon us used using ve very via was wasn we we well were weren weren't what whatever when whence whenever where whereafter whereas whereby wherein whereupon wherever whether which while whither who whoever whole whom whomever whose why will with within without won would wouldn wouldn't yes yet you your yours yourself yourselves
FLUXLIST: moderator
High! IPUT would like to know who is the moderator of the Fluxlist. Thank you. Hugh! aa
Re: FLUXLIST: Rhubarb
My wife just made the first rhubarb pie of the season. My very favorite! Thanks Cathy! John At 08:29 PM 6/23/01 -0700, you wrote: Hi to all, A great tip for cleaning tomato stains, or other difficult stains from your hands is to tear off a piece of rhubarb leaf, crush it and scrub the stains with it, then rinse your hands with water. I keep a rhubarb plant just for this purpose.
Re: FLUXLIST: Ahadada
you're gonna fit in just fine around here. I would like you to think about me for a few moments, then please post your thoughts to this list.
FLUXLIST: Knife wing
Knife wing Plane moat yr cockpit nap musty flation of the name dander plan o' neeps stun ned bildo sink yr clamber reef degardes, teepless shone, aft knockers stuck between yr teeth. mroan wrap, lug wash, train dip thick 'n stinky phone crabbing sample-bone each dink busy flight sunk, and stabbing John M. Bennett
Re: FLUXLIST: Rhubarb
actually when i thought of it was not bill lee but at that time another red sox pitcher who called cheese' a fastball-- Dennis eckersley (sp?) he was a very good starter for some years and later became one of the best relievers in history for the Oakland A's
Re: FLUXLIST: Ahadada
My name is Jesse Glass (Ahadada) and I am new to FLUXLIST. I would like you to think about me for a few moments, then please post your thoughts to this list. Any and all reports appreciated. To keep this FlUX experiment interesting, click on the link below only AFTER you have posted to the list. Fluxily yours, Ahadada. Welcome Jesse.I tried to think about you, I really did but I have very little imagination and am ashamed to say that I went to your site for inspiration..nothing.a writer :-)...then a couple of hours later I realised that if you're Ahadada I have some of your early tabla recordings on vinyl (Kashmir Karaoke and Last train to Nirvana)...do you still play with an ear of almost ripe corn? cheers, Sol ;-)
Re: FLUXLIST: Ahadada
Okay I thought, hmm, Glass - Philip Glass of course and Glass is very much a vogue material in the UK at the moment and a name ending in Dada reminding me of an advert for Air Canada (I think) covering billboards with Canadandandandandada and my thoughts starting wandering further afield, as thoughts do, to rhubarb
Re: FLUXLIST: London Fun
Roger wrote: My contribution to the afternoon was an event called Lost. The party were looking at a map of America from which all the place names except those containing the word lost had been removed. I thought that the partry were heading for the Beuys exhibits and so I made my way there ahead of them - unaware that they had changed their minds. They, of course, had no idea where I was - and so, from their viewpoint, I was lost. This was indeed a nice event by Roger. We were in fact viewing Kathy Prendergast's Lost Map. A particularly nice feature of the event was the genuine concern shown by Roger's family at his disappearance..and how they set out to search for himwonderful method work ;-) Roger, I don't suppose you could post the score for this event to the list? cheers, Sol.
FLUXLIST: FluxFortune
Hi all, Over a late lunch at our little Fluxlist get together on Saturday Joe Decie gave us all fortune cookies. I saved mine to open later at a significant date. Of course I had no significant date in mind so needed suggestions. Jill suggested sometime in 2003 since I'd been mentioning how the number 23 often pops up in mysterious circumstances, in fact Saturday was the 23rd June. I thought I'd offer the list the chance to send in their thought. So, any suggestions...I want to know exactly when I should open the cookie and why. cheers, Sol.
Re: FLUXLIST: Ahadada
And for anyone that's interestedKoyaanisqatsi is playing at the LUX cinema in Hoxton Square this Thursday evening, about 7pm I think. No rhubarb served at the cafe though, which is sad. jason - Original Message - From: Roger Stevens To: [EMAIL PROTECTED] Sent: Monday, June 25, 2001 2:56 PM Subject: Re: FLUXLIST: Ahadada Okay I thought, hmm, Glass - Philip Glass of course and Glass is very much a vogue material in the UK at the moment and a name ending in Dada reminding me of an advert for Air Canada (I think) covering billboards with Canadandandandandada and my thoughts starting wandering further afield, as thoughts do, to rhubarb
Re: FLUXLIST: FluxFortune
on the 23rd. opportunity is elusive, and you should never put it off when its in your grasp. which is some fortune cookie wisdom itself. Alex From: Sol Nte [EMAIL PROTECTED] Reply-To: [EMAIL PROTECTED] To: [EMAIL PROTECTED] Subject: FLUXLIST: FluxFortune Date: Mon, 25 Jun 2001 14:57:47 +0100 Hi all, Over a late lunch at our little Fluxlist get together on Saturday Joe Decie gave us all fortune cookies. I saved mine to open later at a significant date. Of course I had no significant date in mind so needed suggestions. Jill suggested sometime in 2003 since I'd been mentioning how the number 23 often pops up in mysterious circumstances, in fact Saturday was the 23rd June. I thought I'd offer the list the chance to send in their thought. So, any suggestions...I want to know exactly when I should open the cookie and why. cheers, Sol. _ Get your FREE download of MSN Explorer at http://explorer.msn.com
Re: FLUXLIST: Ahadada
Roger wrote: Glass is very much a vogue material in the UK at the moment Yes, I believe wooden windows have finally met their match ;-) cheers, Sol.
FLUXLIST: RE: exerpt from Poisoned Jerusalum
jason pierce wrote: He who has suffer'd you to impose on him, knows you. [diary of a peach] etc This would make a great piece for performance, with one voice (I imagine a deep manly voice) reading the first part, and another voice (I imagine a chirpy female voice) interuppting with the other. -Josh Ronsen http://www.nd.org/jronsen --== Sent via Deja.com ==-- http://www.deja.com/
Re: FLUXLIST: FluxFortune
when: you shoull not open it. you should send it to the 23rd person to respond to your querie, in hopes that they will incorporate the fortune into a small fluxart piece and send back to you why: oh who knows
Re: FLUXLIST: FluxFortune
wait. i do know why:because only then will the true meaning of the fortune be revealed to you
FLUXLIST: RE: Stopwords
Heiko Recktenwald wrote: a above according across actually adj after etc 10 long years ago, I decided I was going to write poetry by cutting up words from two other poems (a long Sylvia Plath poem and Cage's Where Are We Going? What Are We Doing?) and combining them. I spent a week, cutting all the words onto little bits of paper. First I sorted all the words by length in a LISP computer program I had written, which sorted them alphabetically by word length (to conserve paper). My initial experiments in making poetry were awful. I'd grab a handful of words and put them on the table and try to arrange them into something meaningful. Producing not much worth reading. The poetry made by my LISP program TUNC (a reference to the poetic supercomputer of the Lawrence Durrell novel of the same name), was much better. Anyway, so now I have a few small boxes full of words. Sometimes when I have people over to my house in my workroom, I will grab a box and announce Everybody grab a word! and I make them take the word with them. Maybe in 20 years I will have gotten rid of all the words. Unless, someone on Fluxlist wants a envelope with a few words... -Josh Ronsen http://www.nd.org/jronsen --== Sent via Deja.com ==-- http://www.deja.com/
Re: FLUXLIST: RE: Stopwords
me, please!
Re: FLUXLIST: RE: Stopwords
Hi Josh, First I sorted all the words by length in a LISP computer program I had written, which sorted them alphabetically by word length (to conserve paper). My initial experiments in making poetry were awful. I'd grab a handful of words and put them on the table and try to arrange them into something meaningful. Producing not much worth reading. The poetry made by my LISP program TUNC (a reference to the poetic supercomputer of the Lawrence Durrell novel of the same name), was much better. So what did TUNC do with the words?...can we see the source?...interested in a windows port? :-) cheers, Sol.
Re: FLUXLIST: RE: Stopwords
Yes, me please: John M. Bennett 137 Leland Ave. Columbus, OH 43214 USA At 08:04 AM 6/25/01 -0700, you wrote: Heiko Recktenwald wrote: a above according across actually adj after etc 10 long years ago, I decided I was going to write poetry by cutting up words from two other poems (a long Sylvia Plath poem and Cage's Where Are We Going? What Are We Doing?) and combining them. I spent a week, cutting all the words onto little bits of paper. First I sorted all the words by length in a LISP computer program I had written, which sorted them alphabetically by word length (to conserve paper). My initial experiments in making poetry were awful. I'd grab a handful of words and put them on the table and try to arrange them into something meaningful. Producing not much worth reading. The poetry made by my LISP program TUNC (a reference to the poetic supercomputer of the Lawrence Durrell novel of the same name), was much better. Anyway, so now I have a few small boxes full of words. Sometimes when I have people over to my house in my workroom, I will grab a box and announce Everybody grab a word! and I make them take the word with them. Maybe in 20 years I will have gotten rid of all the words. Unless, someone on Fluxlist wants a envelope with a few words... -Josh Ronsen http://www.nd.org/jronsen --== Sent via Deja.com ==-- http://www.deja.com/
Re: FLUXLIST: London Fun
A particularly nice feature of the event was the genuine concern shown by Roger's family at his disappearance..and how they set out to search for himwonderful method work ;-) This is true - my family did try to find me - and succeeded It must be said that the approach of the other party members was to sit in one place and wait. Home IS where the art is.
Re: FLUXLIST: RE: Stopwords
Thank you for your kind offer - but no I have plenty of words at the moment
Re: FLUXLIST: RE: Stopwords
someone on Fluxlist wants a envelope with a few words... Somebody on Fluxlist wants some spanish stopwords ? Or french ? Or even german ? H.
FLUXLIST: embrocation
Hysan Pain Relieving Oil Hysan Ho Medicated Oil and Embrocation is made of highgrade Chinese herb, using century old Taoism temple prescription. It is mild and applicable to a wild variety of sickness such as rheumatism bone-ache, dizziness, head ache, bone fractures swelling and bruise, catarrh, and that allover achy feeling. HYSAN HO Adopting the Improved Formula of Singapore Sole Agent by Singapore Hysan Medicing Co. .
Re: FLUXLIST: RE: Stopwords
Yes, please. Spanish and French and even German! - Original Message - From: Heiko Recktenwald [EMAIL PROTECTED] To: [EMAIL PROTECTED] Sent: Monday, June 25, 2001 8:45 PM Subject: Re: FLUXLIST: RE: Stopwords someone on Fluxlist wants a envelope with a few words... Somebody on Fluxlist wants some spanish stopwords ? Or french ? Or even german ? H. _ Do You Yahoo!? Get your free @yahoo.com address at http://mail.yahoo.com
FLUXLIST: Re: Stopwords
si, oui u. ja! - Original Message - From: Heiko Recktenwald [EMAIL PROTECTED] someone on Fluxlist wants a envelope with a few words... Somebody on Fluxlist wants some spanish stopwords ? Or french ? Or even german ? .
Re: FLUXLIST: RE: Stopwords
Yes - Original Message - From: Heiko Recktenwald [EMAIL PROTECTED] To: [EMAIL PROTECTED] Sent: Monday, June 25, 2001 8:45 PM Subject: Re: FLUXLIST: RE: Stopwords someone on Fluxlist wants a envelope with a few words... Somebody on Fluxlist wants some spanish stopwords ? Or french ? Or even german ? H. _ Do You Yahoo!? Get your free @yahoo.com address at http://mail.yahoo.com
Re: FLUXLIST: RE: Stopwords
On Mon, 25 Jun 2001, Josh Ronsen wrote: Anyway, so now I have a few small boxes full of words. Sometimes when I have people over to my house in my workroom, I will grab a box and announce Everybody grab a word! and I make them take the word with them. Maybe in 20 years I will have gotten rid of all the words. --- Perhaps there's an enlightened fortune-cookie factory nearby... (?) /:b
Re: FLUXLIST: RE: Stopwords
Yes, please. Spanish and French and even German! Ok, here is also something in my own language. Not dutch, but the language of poets and thinkers: ab aber als am an auch auf aus bei beim bin bis bist da dadurch daher dann darum das dass daß dein deine dem den der deren des deshalb die dies dieser dieses doch dort du durch ein eine einem einen einer eines er es euer eure euren für fuer haben hatte hatten hattest hattet hätte haette hätten hätten hier hinten ich ihr ihre im in ist ja jede jedem jeden jeder jedes jener jenes jetzt kann kannst können könnt könnte konnte koennen koennte könnten koennten machen mein meine mit muss muß musst mußt muessen müssen muesst müßt muesste müßte nach nachdem nein nicht noch nun oder seid sein seine seit sich sie sind soll sollen sollst sollt solltest sonst soweit sowie und unser unsere unter über ueber vom von vor wann warum war waere wäre was weiter weitere welcher welcher wenn wer werde werden werdet weshalb wie wieder wieso wir wird wirst wo wurde zu zum zur zurück
FLUXLIST: RE: FLUXLIST-digest V1 #751
-- Date: Thu, 21 Jun 2001 12:24:05 -0400 From: John M. Bennett [EMAIL PROTECTED] Subject: FLUXLIST: visual poetry Pedro et al: Sorry to take so long to respond further to this matter - I've been on a retreat (during which I took a field trip to the Sackner Archive of Concrete and Visual Poetry in /Miami Beach) - John, I envy you having been able to visit the Sackners' archive- I had just been asking John Held what was up with them... he said they were trying to sell their collection, but I suspect this was just another of John's I'm-trying- to-make-myself-look-important-by-starting-rumours-about-something-I-have-no- clue-about responses. Which brings me to the question- so what actually IS going on with the Sackners? I remember in the early 90's some of the older mailartists I met were bemoaning the fact that they could no longer count on the Sackners to buy their work, that the well had run dry so to speak. I'm not so concerned about money, only whether they are still collecting work or is the collection closed? Also, Pedro et al. one really great publication in which some folks tried to get at defining the whole area of visual poetry is the survey/book called CORE: A Symposium on Visual Poetry edited by John Byrum (Generator) and Crag Hill (SCORE) around 1993. You can get it (as I did) from John Byrum for $15 + $2 postage from Generator/3503 Virginia Ave./Cleveland/OH/44109. Highly recommended. RA but as to defining What visual poetry is, that's a tough one. I tend to think of it as anything in which there is a visual element to the work (that is, SEEING it is part of the experience). That, however, could well include almost all poetry, so I think it also includes a quality of the work which makes it in one way or another totemic and/or talismanic. That is, its physical presence is part of the thing; it's not just abstract like a purely linguistic artifact is. The Sackner archive is AMAZING - there's nothing else like it anywhere. Onword, John
Re: FLUXLIST: RE: Stopwords
Hi, On Mon, 25 Jun 2001, Losonczi Júlia wrote: Yes, please. Spanish and French and even German! Spanish in the other mail, but I did promise to much, there is no french version. But, thats life, *dutch*, voila: aan achter af alle als behalve ben bent bij daar daardoor daarom dan dat de derhalve deze die echter een elk elke en enige haar had hadden heb hebben hebt heeft hen het hier hij hun ieder iedere iemand ik in is ja jij jouw jullie kan kunnen maak maakt maar maken met mijn mits moest moet moeten na nee niemand niet noch nog nu of omdat onder ons onze ook over overige sinds tot totdat tussen u uw van vanaf verder voor voorts waar waarom wanneer wat wederom weer welk welke werd werden wie wij word worden wordt zal zich zij zijn zoals zou zouden zullen
Re: FLUXLIST: RE: Stopwords
Ok, On Tue, 26 Jun 2001, Losonczi Júlia wrote: Yes Here comes spanish, aybe tomorrow french ? Sorry, nothing from italy yet. Voila: a al ante atras asi aun aunque aqui alli bajo cabe con contra cada casi como cual cuales cualquiera cuando como cuanto cuantos de desde del demas donde en entre el este esta esto estos estas ese esa eso esos esas aquel aquella aquello aquellos aquellas ella ello ellos ellas etc hacia hasta la lo los las mas me mio mia mios mias mi mis no ni ningun ninguno ninguna nosotros nosotras nunca nuestro nuestra nuestros nuestras para por porque pero pues que quiza quizas segun si so sobre se sin sino suyo suyas sus tras tu te tal tales tambien tampoco tan tanto tantos tanta tantas tuyo tuyos tus un uno unos unas vosotros vosotras vuestro vuestra vuestros vuestras y yo ya
Re: FLUXLIST: visual poetry
At 12:24 PM 6/21/01 -0400, you wrote: Pedro et al: Sorry to take so long to respond further to this matter - I've been on a retreat (during which I took a field trip to the Sackner Archive of Concrete and Visual Poetry in /Miami Beach) - but as to defining What visual poetry is, that's a tough one. I tend to think of it as anything in which there is a visual element to the work (that is, SEEING it is part of the experience). That, however, could well include almost all poetry, so I think it also includes a quality of the work which makes it in one way or another totemic and/or talismanic. That is, its physical presence is part of the thing; it's not just abstract like a purely linguistic artifact is. That's useful, yet doesn't cut much out. It seems that most non-visual poetry could be experienced aurally and not visually without losing too much. Would you agree with that? Pedro The Sackner archive is AMAZING - there's nothing else like it anywhere. Onword, John
Re: FLUXLIST: FluxFortune
Hi Sol! I think you should open it in the 23rd mysterious circumstance that came out the number 23. (your CD is SoooOO gRReat!) xxbibi _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: FLUXLIST: RE: Stopwords
I can help you with the french: a, aux, alors, abord,accolade, accord, ail, adage, americaine, aimant bruit, boison, boulangerie, beaux, beau, bonne, brie croit, crir, cette, ce, ceci, celle, congé,coeur, chien, chat, cher drol, droit, de, du, dans, dar, deça, donc, depuis, doux, dit, dela ecoute, eau, et, ecrir, en, enfant, enfin,epais, entre, entendu, elle fait, fromage, façade, fille, famille, facile, fondu, fesse grillé, glas, gai, gagner, gage, guerre, gratin heureusse, heure, hopital, haut,humeur, hostile, hélas ici, impot, ir, inscrire, ilogique, impulsif, inusité jouer, jupe, jeune, june, juillet, jour, jus, jusque, je kilogramme, kilomettre lire, la, le, leur, les, lever, leçon, lui, lunette mere, mettre, mot, moi, mois, modifiquer, moque, meme, maison ne, natte, nu, nous, noir,nuit, non orange, o, oleur, oncle, ou, oublie, oreille papillon, pere, plasir, pendant, poison, pret, presque, pour, par que, quelque, quelle, qui, quel, quoi rapport, rappel, rouge, robe,revue, retrait,rever, rue, role sur, sentir, souffle, satin, sourcir, sauf, savoir, sommes tu, tes, ta, ton, til, tache, tendre, tendu, tete, tourner,tromp ultime, unifier, usine, un, une voila, voir, volatile, va, veau, velo, vernissage,vous, vu wagon xeres y, yeux zero, zeste, zebre _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
