Re: [h-cost] Working with velvet

2005-11-30 Thread Kimiko Small

At 08:46 PM 11/28/2005, you wrote:

Anyone have some favorite velvet tricks they'd like to share? It's
been ages since I worked with the stuff.

I'm particularly concerned about dealing with areas where multiple
layers meet.  I'm doing an early Stuart informal doublet with set in
sleeves and epaulettes.  That's a lot of layers.  In wool, I'd just
grade down the interfacing then steam it to a fair-thee-well and whack
the whole think with a clapper.  If I do that on velvet I'll have a
nasty squished mess.

Got any hints?
--cin
Cynthia Barnes
[EMAIL PROTECTED]



Hmmm... use a walking foot; baste with silk thread first, not just pins; 
grade with pinking shears and not too close to the seam line, or the turned 
edge will fray over time. Use a velvet board or fluffy dry towel or another 
piece of velvet to press with. There isn't much I've been able to do with 
multiple layers, other than to grade carefully and try to place as few 
seams in overlapping places as I can.


May I ask why both a set in sleeve and the epaulettes?

Kimiko


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Re: [h-cost] ironing

2005-11-30 Thread Kate M Bunting
I've never owned a steam iron and neither has my Mum. Now that I have a tumble 
dryer, I only give the clothes a short tumble (which shakes the worst creases 
out of knitted cotton garments) and iron them while still damp. If they have 
got too dry I spray them with water.

Kate Bunting
Librarian and 17th century reenactor

 [EMAIL PROTECTED] 29/11/2005 20:20  wrote:
I once did the ironing for the priest on my campus (the linens we use at 
mass and such). He had washed them but did not put them in the dryer. To 
keep them wet he kept them in the ridge and then while you ironed you not 
only took out all wrinkles but also dried them!!
Another side effect is having a slight steam facial. lol.

Since I am a poor student- and I dropped my iron at the beginning of last 
year so it leaks when I do put water in it. I have resorted to this method 
which really does work!

Katy- an eager learner.


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Re: [h-cost] ironing

2005-11-30 Thread AnnBWass
 
In a message dated 11/30/2005 4:15:17 A.M. Eastern Standard Time,  
[EMAIL PROTECTED] writes:

I've  never owned a steam iron and neither has my Mum. Now that I have a 
tumble  dryer, I only give the clothes a short tumble (which shakes the worst 
creases  out of knitted cotton garments) and iron them while still damp. If 
they 
have  got too dry I spray them with water.



I've found that a steam iron is required to do modern (or even 19th  century) 
tailoring.  I'm currently still using my Norelco; however, when it  dies, I 
will be in the same pickle, as Norelco doesn't make steam irons  anymore.  I've 
found Black and Decker not very satisfactory. Haven't tried  a Rowenta, but I 
had a Rowenta toaster once, and the thermostat never seemed to  be 
consistent, so haven't high hopes for an iron.
 
May consider a Sunbeam when the time comes.
 
Ann Wass
 
 
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Re: [h-cost] ironing

2005-11-30 Thread Lloyd Mitchell
My problem with the Rowenta is that they 'spit' after a while.  When
behaving Well, it is still my favorite for long distance ironing.
Presently, I am enjoying the Sunbeam...especially since I discovered how to
use the self -cleaning mode.  I can even get the 'burst of steam' which was
also a best feature with the Rowenta.

Kathleen

- Original Message - 
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday, November 30, 2005 7:28 AM
Subject: Re: [h-cost] ironing



 In a message dated 11/30/2005 4:15:17 A.M. Eastern Standard Time,
 [EMAIL PROTECTED] writes:

 I've  never owned a steam iron and neither has my Mum. Now that I have a
 tumble  dryer, I only give the clothes a short tumble (which shakes the
worst
 creases  out of knitted cotton garments) and iron them while still damp.
If they
 have  got too dry I spray them with water.



 I've found that a steam iron is required to do modern (or even 19th
century)
 tailoring.  I'm currently still using my Norelco; however, when it  dies,
I
 will be in the same pickle, as Norelco doesn't make steam irons  anymore.
I've
 found Black and Decker not very satisfactory. Haven't tried  a Rowenta,
but I
 had a Rowenta toaster once, and the thermostat never seemed to  be
 consistent, so haven't high hopes for an iron.

 May consider a Sunbeam when the time comes.

 Ann Wass


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[h-cost] Re: velvet pressing...

2005-11-30 Thread cahuff

At 12:27 AM -0700 11/30/05, [EMAIL PROTECTED] wrote:

as well.  I'm lucky - mine is 4 x 12, with a heavy cotton canvas
base which lets it curve over a ham if needed.  I got it at least 20
years ago, and it cost $50 then.  I panic if I forget where I left it
last, and I need it.


Yah know they make straight toothed carding cloth. I know I've used 
my flat backed carder in a pinch, but don't do enough velvet to 
actually go and buy a bit o carder cloth...

Ta
Carol
--
Creative Clutter is Better Than Idle Neatness!
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Re: [h-cost] ironing

2005-11-30 Thread AnnBWass
 
In a message dated 11/30/2005 7:52:02 A.M. Eastern Standard Time,  
[EMAIL PROTECTED] writes:

My  problem with the Rowenta is that they 'spit' after a  while.


Yes, and the spit usually indicates that the iron is not getting hot  
enough--hence, the unreliability of the thermostat.
 
Ann Wass
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Re: [h-cost] A Rant about commercial patterns

2005-11-30 Thread elena_o_tighearnaigh
What I've done in the past is to cut a bit of elastic, and sew ribbon to *both* 
ends.  This way the ribbon doesn't need to be very long (shorter dangly bits) 
and you get a bit of 'give' for sizing.

When I thread the elastic/ribbon through the casing, I also tack (backstitch) 
'across' the elastic in the casing at least in the middle (I hope that's 
clear), so it doesn't keep slipping out.

I hope this helps!
Elena/Gia

-- Original message -- 

 How about threading a pretty ribbon through the casing so your (very 
 lucky to have a grandma sewing for them!!) granddaughters can just tie 
 off and have an attractive bow showing? Although, maybe not a good 
 solution for babies...someone in an earlier post suggested leaving an 
 extra length of elastic for Mama to finish off? 
 
 Good luck, 
 
 Theresa Eacker 
 
 [EMAIL PROTECTED] wrote: 
  I've been sewing for my granddaughters for Christmas and have come across, 
  again, something that has long bothered me in most commercial patterns. The 
  sleeves have elastic in them and the directions say, Cut elastic to a 
  comfortable measurement. Now, the girls are in Florida, and I am in 
 Maryland, so 
  how am I supposed to do that? The same holds when making baby clothes for 
  babies who aren't born yet, for example. (Snipping) 
  Does this peeve anyone else as it does me? 
  
  Ann Wass 
 
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Re: [h-cost] Re: opera

2005-11-30 Thread Bjarne og Leif Drews

Dear Mia,
Yes i agree on your words. The reason why i went to this opera was because 
the orkestra was Concerto Copenhagen, wich makes historical music. They go 
as far as standing up all the time while all the music is played, because 
this is what they did back then, and the opera was a 3 hours long 
performance.
I go each time they play, because they are my favourite orkestra, last i 
went it was with Haendels Julius Ceasar, with Andreas Scholl as contra 
tenor.

They also play copies of old instruments.

Bjarne
- Original Message - 
From: Mia Dappert [EMAIL PROTECTED]

To: [EMAIL PROTECTED]
Sent: Monday, November 28, 2005 7:16 PM
Subject: [h-cost] Re: opera


And not only do you have to consider the costumes and the direction of the 
production, with opera and any other Period  Music, You have to consider 
whether it is one with period instruments and sensibilities, or if it is 
done with a modern orchestra.  (and vocal talents...were there castrati or 
at least male altos singing some of the parts?)  There are some groups 
that head in this direction, and the sound is very different.  Modern 
music is often times very different from the intent of the composer.


 And thanks for some of the DVD suggestions

 18th c Mia in Charlotte, formerly Baroque Mia from the University of MD 
Chorus, who was lucky enough to sing with some male altos and instruments 
from the Smithsonian instution and Barouge performance artists from many 
places at the Handel festival



-
Yahoo! Music Unlimited - Access over 1 million songs. Try it free.
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Re: [h-cost] ironing

2005-11-30 Thread Diana Habra

 My problem with the Rowenta is that they 'spit' after a while.  When
 behaving Well, it is still my favorite for long distance ironing.
 Presently, I am enjoying the Sunbeam...especially since I discovered how
 to
 use the self -cleaning mode.  I can even get the 'burst of steam' which
 was
 also a best feature with the Rowenta.

I love how my Rowenta presses (and the steam is great) but the spitting
is SOOO annoying!  I went to press out my tablecloth yesterday and there
was water everywhere!!  This is my second one and I can't recommend them. 
I might just go get me a Sunbeam even though my iron isn't dead yet
because I am tired of the problems.

And it seems like an iron would be such a simple device!! Who knew?

Diana

www.RenaissanceFabrics.net
Everything for the Costumer

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RE: [h-cost] Dressing a doll as Pocahontas

2005-11-30 Thread Dinah Harold Tackett
-Original Message-From Abel, Cynthia
Snipped:
The excellent biography Pocahontas and the Powhatan Dilemma only says that
Pocahontas' wedding ensemble was imported from England and her father sent
her a necklace of pearls. The 12th Night gown isn't described either.

I'm guessing the pearls were freshwater, but have no idea as to the length
or color of the necklace (white, natural, pink, grey, and mixed?) Does
anyone on the list know what pearls (white beads were worn, I know) a
Powhatan noble woman would wear.

I grew up in Gloucester County, VA and Elementary school was a mile
from the location of Powhatan village, so I am pretty sure that the would
have been Saltwater Pearls. But considering the scale of a doll to adult,
the freshwater ones should work well. On color, I would go with what works
best for the outfit.

Also I'm thinking of adding a white Jacobean surcoat, but made of white
feathers. I know from the biog that Powhatan's wives were recorded as
wearing blue feather capes, made so densely, that one Englishman recorded
them as appearing more of satin than feathers, but have no idea
as of type of feather or shade of blue.
Many thanks for any help.
Cindy Abel

On the research I have done on time period, I do not feel that the
Europeans would have appreciated ANY native elements in dress (except the
Pearls:-)). Most Europeans believed that they were civilizing the natives,
and could not appreciate the culture.
Dinah Tackett
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Re: [h-cost] ironing

2005-11-30 Thread Lloyd Mitchell
I have had three R's and even experimented using distilled water
exclusively! and even that was not the ultimate solution. Don't try working
on a wedding dress !! Table linen is bad enough.
Kathleen

- Original Message - 
From: Diana Habra [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Wednesday, November 30, 2005 10:41 AM
Subject: Re: [h-cost] ironing



  My problem with the Rowenta is that they 'spit' after a while.  When
  behaving Well, it is still my favorite for long distance ironing.
  Presently, I am enjoying the Sunbeam...especially since I discovered how
  to
  use the self -cleaning mode.  I can even get the 'burst of steam' which
  was
  also a best feature with the Rowenta.

 I love how my Rowenta presses (and the steam is great) but the spitting
 is SOOO annoying!  I went to press out my tablecloth yesterday and there
 was water everywhere!!  This is my second one and I can't recommend them.
 I might just go get me a Sunbeam even though my iron isn't dead yet
 because I am tired of the problems.

 And it seems like an iron would be such a simple device!! Who knew?

 Diana

 www.RenaissanceFabrics.net
 Everything for the Costumer

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[h-cost] Re: Question about display...

2005-11-30 Thread Catherine Kinsey
Now, my questions are, am I correct in my understanding that vintage
clothes 
should be displayed flat, and not to clean them  (We've got the whole -
no 
UV thing covered already)?

And is there anything I'm not thinking about?

Marc
==
My only experience with this is a small local museum but they regularly
vacuum their costume pieces, which are stored flat in acid-free tissue
and boxes.  For display, they are mounted on padded maneguins or forms,
occasionally laid across a bed or something like that.  A lot of the
choice on how to display depended on the condition of the garment.  They
try to rotate their displays several times a year but that depends on
staff/volunteer availability.

Good luck :).
Catherine



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RE: [h-cost] Re: Question about display...

2005-11-30 Thread kim baird
Most clothes (exception: shawls, kimono) were never intended to be flat,
but are shaped to the human body.

One thing to beware of in display or storage is creasing. Use
well-washed muslin or acid-free tissue inside sleeves and folds to
prevent sharp creases forming.

Another consideration is acid--avoid unsealed wood or cardboard, or any
plastics that give off fumes.

Clothes on display will definitely collect dust, and vacuuming is the
way to remove it. BUT--it can also remove loose buttons and trim! Get a
piece of fiberglass window screening, tape the cut edges to avoid snags,
and always vacuum through the screen. Thisis not a job for your shop
vac--low suction is preferred.

Kim

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
On Behalf Of Catherine Kinsey
Sent: Wednesday, November 30, 2005 11:32 AM
To: [EMAIL PROTECTED]
Subject: [h-cost] Re: Question about display...


Now, my questions are, am I correct in my understanding that vintage
clothes 
should be displayed flat, and not to clean them  (We've got the whole -
no 
UV thing covered already)?

And is there anything I'm not thinking about?

Marc
==
My only experience with this is a small local museum but they regularly
vacuum their costume pieces, which are stored flat in acid-free tissue
and boxes.  For display, they are mounted on padded maneguins or forms,
occasionally laid across a bed or something like that.  A lot of the
choice on how to display depended on the condition of the garment.  They
try to rotate their displays several times a year but that depends on
staff/volunteer availability.

Good luck :).
Catherine



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RE: [h-cost] ironing

2005-11-30 Thread kim baird
I am so glad I don't have any of these ironing problems--years ago I
bought a Euro-Pro system. It has a separate tank (no water in the iron)
and a suction table for ironing.

I found mine on sale, and have since had to replace the tank/iron unit
with another, but the suction table still works great.

It also doubles as a steamer, which is very handy for antique clothing.

Other companies make similar systems. Look for a commercial ironing
system.

Kim

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Re: [h-cost] ironing

2005-11-30 Thread Audrey Bergeron-Morin
Our iron here doesn't have any of the problems usually associated with 
irons... My mother wanted one that made a lot of steam, so she checked the 
ratings in Consumer Reports and other magazines of the kind, and chose the 
Philips azur exel 10. It's been a few years so it's probably not sold 
anymore. It wasn't the cheapest model, but we've never, ever had problems 
with it.


In any case, it makes *lots* of steam, even on low settings (I can steam 
wool), and it doesn't spit. I've never felt the need to use the spit button.


Now, our travel iron... now THAT one spits. Yikes! 


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RE: [h-cost] Dressing a doll as Pocahontas

2005-11-30 Thread otsisto
Usually, either blue jay, blue bird or hummingbird.

De
-Original Message-From Abel, Cynthia
 I know from the biog that Powhatan's wives were recorded as wearing blue
feather capes, made so densely, that one Englishman recorded
them as appearing more of satin than feathers, but have no idea as of type
of feather or shade of blue. Many thanks for any help.
Cindy Abel




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Re: [h-cost] Working with velvet

2005-11-30 Thread Cin
SgI will review my Threads articles on sewing with velvet.  I don't recall
any recommendations to do so, but I suppose you could shear the velvet
seam allowances like you do when working with fur.

Ah yes, that's a good fur trick.  Hadnt considered that.  An
interesting idea, but not sure how I'd do it. The idea of russet
cotton tufts in my beau's electric razor...hmmm.  Such things lead to
certain peril.

Ruth AnnBut I haven't got a trick to deal with thickness, other than
gritting my teeth, muttering under my breath, and pushing the fabric
that's under the presser foot down as hard as I can with my
forefingers! --That, or sew it by hand.

Yes, I suspect it will come to that!

Sunny Personally, I made a velvet ironing board cover, and it's
worked great for every velvet I've needed to iron.

How very classy!  This is a great idea.  i've always used bath towels
but this is ever so much more elegant.  (Like I worry how elegant my
ironing board is!)

Thanks all!
BTW, Another off-list friend said that you can re-raise the pile on
natural fiber velvets by misting with a white vinegar/distilled water
solution (approx 2T in 1c water) and brushing up the nap with a new
toothbrush.  Some vile experiments are in order.
--cin

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RE: [h-cost] Dressing a doll as Pocahontas

2005-11-30 Thread otsisto
Oh yeah, and you can't use feathers from any of these bird as it will land
you a fine and a term in jail.
They are protected under the category of songbird.
Pigeons, starlings and mourningdoves you can hunt, kill, eat, and use their
feathers.

De

-Original Message-
Usually, either blue jay, blue bird or hummingbird.

De
-Original Message-From Abel, Cynthia
 I know from the biog that Powhatan's wives were recorded as wearing blue
feather capes, made so densely, that one Englishman recorded
them as appearing more of satin than feathers, but have no idea as of type
of feather or shade of blue. Many thanks for any help.
Cindy Abel


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[h-cost] RE: Question about display...

2005-11-30 Thread Marc Carlson

Ok, so I am on the right page with all this.  Great.  Thank you.

Has anyone tried those cans of compressed air rather than a vacuum?

Marc


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[h-cost] Re: working with velvet

2005-11-30 Thread Cin
Kimiko There isn't much I've been able to do with
multiple layers, other than to grade carefully and try to place as few
seams in overlapping places as I can.
May I ask why both a set in sleeve and the epaulettes?

Good question.  The shortest answer is that I think it looks sharp.  I
love the wide shoulder look of the late Eliz/early Stuart stuff. I'm
not very big or very tall.  It's a fun look for me to take up more
than my customary amount of space.
There's extant pieces  paintings showing this style.  However, as
perhaps you imply, leaving out the epaulette and 1/3 of my inseam bulk
certainly is an option.   Call it a late-in-the-construction-phase
design modification.  I'll angst over it a bit more.  Everything else
in the construction  trim is done.  Setting in the epaulettes 
sleeves is the next step.  Dither. Dither. I'l work on something else
and let it stew.

SandyP... thanks for the needleboard notes.  Greenberg  Hammer has
them from $50-300+ depending on the size.  Yow! Tough to justify if I
dont do much velvet.

--cin
Cynthia Barnes
[EMAIL PROTECTED]

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re: [h-cost] Question about display...

2005-11-30 Thread Cin
Marc CNow, my questions are, am I correct in my understanding that
vintage clothes
should be displayed flat, and not to clean them  (We've got the whole - no
UV thing covered already)?

And is there anything I'm not thinking about?

IMHO Clothes are meant to be seen in body shapes, not laid flat.  If
your garments are not fragile, unique or particular heavy I would
seriously consider mounting them stress-free on a manequin.  With
smaller, fragile or incomplete outfits you could gently stuff the
sleeves, shape collars, etc with acid-free or buffered papers so
people can see the body-shaping.

If your garment is so fragile  unique, like the Dolly Madison gown at
the Smithsonian, or the Eleanor of Toleado burial gown then let it lie
flat as those museums do.  Choose acid-free or buffered papers for the
garment(s) to rest upon.

Buffered papers, unlike run-of-the-mill papers are alkali permeated to
count the acidic effects of dyes, chems, and can slow deteriation.  I
collect vintage photographs and handcolored fashion plates.  My
speciality papers  photo sleeves come from Light Impressions an
archival supply shop.
--cin
Cynthia Barnes
[EMAIL PROTECTED]

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Re: [h-cost] Re: working with velvet/epaulettes

2005-11-30 Thread Suzi Clarke

At 21:06 30/11/2005, you wrote:

Kimiko There isn't much I've been able to do with
multiple layers, other than to grade carefully and try to place as few
seams in overlapping places as I can.
May I ask why both a set in sleeve and the epaulettes?

Good question.  The shortest answer is that I think it looks sharp.  I
love the wide shoulder look of the late Eliz/early Stuart stuff. I'm
not very big or very tall.  It's a fun look for me to take up more
than my customary amount of space.
There's extant pieces  paintings showing this style.  However, as
perhaps you imply, leaving out the epaulette and 1/3 of my inseam bulk
certainly is an option.   Call it a late-in-the-construction-phase
design modification.  I'll angst over it a bit more.  Everything else
in the construction  trim is done.  Setting in the epaulettes 
sleeves is the next step.  Dither. Dither. I'l work on something else
and let it stew.



When I use epaulettes I put in the sleeves in the normal way. I make 
up the epaulettes as complete units, and sew them on to the sleeve 
head seam from the underneath, so you don't see the stitching. Saves 
an awful lot of layers!


Suzi


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Re: [h-cost] ironing

2005-11-30 Thread rwfranz

I had the same problem with my old Sunbeam.

Roger

Diana Habra wrote:


My problem with the Rowenta is that they 'spit' after a while.  When
behaving Well, it is still my favorite for long distance ironing.
   



I love how my Rowenta presses (and the steam is great) but the spitting
is SOOO annoying!  I went to press out my tablecloth yesterday and there
was water everywhere!!  This is my second one and I can't recommend them. 
I might just go get me a Sunbeam even though my iron isn't dead yet

because I am tired of the problems.

And it seems like an iron would be such a simple device!! Who knew?
 


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[h-cost] Question about display...

2005-11-30 Thread Marc Carlson

Ok, you'll love this...

A couple of weeks ago I got saddled with the Special Collections department 
for the University Library (I'm pretty sure I was assigned this for my 
skills at cutting through academic pretention and getting things back on 
track more than anything else - and the fact that the faculty as a whole 
seem to not hate me).


The reason I'm mentioning this is that IN this collection there is a small 
collection of vintage clothing, among other more obscure realia.  And I have 
a wide range of empty display cases.  I hate empty display cases.  So, I 
have empty display cases, and I have things to display.  Seems like an easy 
choice here.


So, I mentioned this to my assistant (who's been in this department for 20 
years or so, and she got a little unhappy (ok, the reality is she totally 
freaked out and spazzed all over the floor, but I've gotten her calmed down 
now, and she's just sadly resigned to me having my way with her stuff).  Her 
major stated complaints were a) the stuff's all dirty and needs to be 
cleaned and steamed before it could be displayed (because it will mess up 
her nice, clean display cases), and there's nothing to display the clothes 
*on* since these are generally flat cases.


Now, my questions are, am I correct in my understanding that vintage clothes 
should be displayed flat, and not to clean them  (We've got the whole - no 
UV thing covered already)?


And is there anything I'm not thinking about?

Marc


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Re: [h-cost] RE: OT - Pin Cushion-how many needles have you lost?

2005-11-30 Thread Lloyd Mitchell
Aint that the truth!  I had your experience, too. Amazed at all the hidden
steel, I stopped thinking that I had all these needles lurking in the rug.
This, after I returned from an 8 day stay in the hospital when one of the
hidden buggers entered my foot unbeknownst.

Kathleen

- Original Message - 
From: WickedFrau [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Wednesday, November 30, 2005 9:10 AM
Subject: Re: [h-cost] RE: OT - Pin Cushion-how many needles have you lost?


 Carolyn Kayta Barrows wrote:

  My grandmother was a weaver, and said one mustn't make a pin cushion
  out of fabric that includes sparkley silver threads.
 

 But the fabric wasn't the problem!  These had gotten driven so deep into
 the cushion that you'd never know they were there! =-O

 Sg

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Re: [h-cost] Regency embroidery question

2005-11-30 Thread Bjarne og Leif Drews

Hi Deredere,
I would buy a DMC cotton floss if i were you. Its stranded into 6 threads. 
You can try to use one strand, two strands and 3 strands, and deside wich 
you like!


Bjarne


- Original Message - 
From: Deredere Galbraith [EMAIL PROTECTED]

To: Historical Costume [EMAIL PROTECTED]
Sent: Tuesday, November 29, 2005 10:40 PM
Subject: [h-cost] Regency embroidery question



Hi,
I am planning on making a regency gown.
http://www.metmuseum.org/toah/hd/god1/hob_1983.6.1,07.146.5.htm
And I have found the perfect cotton voile.

But know I am wondering what kind of embroidery thread I should use.
The discription says heavy white cotton thread.
It looks not very tightly spun.
Has anyone any idea what I could use?

I wish I had some close up pictures of this type of embroidery.
There is one in the Kyoto book but that embroidery is too heavy to my 
taste.

Like the subtle smaller patterns better.

Greetings,
  Deredere



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Re: [h-cost] Re: working with velvet/epaulettes

2005-11-30 Thread WickedFrau
Can someone point us to an online pic to see what it is you are all 
talking about?  Sounds very interesting.

Thanks,
Sg



When I use epaulettes I put in the sleeves in the normal way. I make 
up the epaulettes as complete units, and sew them on to the sleeve 
head seam from the underneath, so you don't see the stitching. Saves 
an awful lot of layers!



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Re: [h-cost] Re: working with velvet

2005-11-30 Thread WickedFrau
This is an interesting observation.  One of the things we discovered 
in the process of making the Suitable gown for her majesty (same 
period), we wondered if one of the reasons 'Liz I  preferred the big 
gowns was because it makes one feel, well, imposing.


Sg

Cin wrote:


I'm not very big or very tall.  It's a fun look for me to take up more
than my customary amount of space.
 



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RE: [h-cost] Dressing a doll as Pocahontas

2005-11-30 Thread Abel, Cynthia
I'm going to use, if I do it, the usual feathers found in my local craft
hobby stores. Actually, the Europeans were really fascinated by the
so-assumed by them lesser civilized natives of other lands, so I thought
using feathers but making an Elizabethan/Jacobean surcoat was a clever,
if inaccurate idea. 

Camilla Townsend's recent biog of Pocahontas does a great job of prising
out the real meanings behind the engraving of Pocahontas. She points out
that the costume she is wearing, is much more upper-middle class,
reflecting almost Puritan morales(the body modestly covered and the high
capitain hat, which Queen Anne wore, but few other noblewomen did so in
portraits at that time), despite Pocahontas'/Matoaka/Lady Rebecca's high
birth which entitled her to wear the full coat costume of low neck and
French farthingale. 

Some authors have surmised that the all covering wear might have hidden
tatoos, but it is just as probable that Pocahontas, John Rolfe, the
Virginia Company sponsors or any combination of the three, would have
preferred a visual representation of the Christian convert Native
American princess as advertisement for prospective sponsors and
settlers not to be deliniated in full court costume(not only Puritans
railed against the extravagent required court costumes of the 16th and
17th centuries), thought by many as practically immoral, but in modest,
if expensive fabrics. Virginia needed hardworking serious-minded
investors and settlers, in order to succeed, not those who wanted to
find gold, get rich quickly, and return to Mother England.

Cindy Abel

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
On Behalf Of otsisto
Sent: Wednesday, November 30, 2005 2:44 PM
To: Historical Costume
Subject: RE: [h-cost] Dressing a doll as Pocahontas

Oh yeah, and you can't use feathers from any of these bird as it will
land you a fine and a term in jail.
They are protected under the category of songbird.
Pigeons, starlings and mourningdoves you can hunt, kill, eat, and use
their feathers.

De

-Original Message-
Usually, either blue jay, blue bird or hummingbird.

De
-Original Message-From Abel, Cynthia  I know from the biog that
Powhatan's wives were recorded as wearing blue feather capes, made so
densely, that one Englishman recorded them as appearing more of satin
than feathers, but have no idea as of type of feather or shade of blue.
Many thanks for any help.
Cindy Abel


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Re: [h-cost] Re: working with velvet/epaulettes

2005-11-30 Thread Suzi Clarke

At 22:33 30/11/2005, you wrote:
Can someone point us to an online pic to see what it is you are all 
talking about?  Sounds very interesting.

Thanks,
Sg



When I use epaulettes I put in the sleeves in the normal way. I 
make up the epaulettes as complete units, and sew them on to the 
sleeve head seam from the underneath, so you don't see the 
stitching. Saves an awful lot of layers!




Never seen pictures of it - the first time I did it, it just made 
sense, and I  just always do it. Maybe I read it in Arnold - I've 
been doing it so long I forget now. I frequently put the sleeves to 
the body by binding both the armhole and the sleeve head, then whip 
stitching them together. The epaulette covers that!


Suzi 



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RE: [h-cost] Dressing a doll as Pocahontas

2005-11-30 Thread otsisto
it is also possible that she was dressing to Rolfe's income and station and
the fact that an American princess was not considered equal to a European
princess. Seeing as how they weren't quite civilized.
It should be noted that if a person was a chief or sachem it did not
necessarily mean that the children were princes and princess'. This was a
way that the Europeans seemed to identified the children of chiefs. Their
assumtion of how they thought things ranked. And usually the Europeans did
not understand how the system worked within a given tribe or nation. Among
the Akwesasne, you became a sachem by election.
There was one nation that had royalty/nobility, I think it was the
Narragansett but I'm not really sure.

De

-Original Message-
I'm going to use, if I do it, the usual feathers found in my local craft
hobby stores. Actually, the Europeans were really fascinated by the
so-assumed by them lesser civilized natives of other lands, so I thought
using feathers but making an Elizabethan/Jacobean surcoat was a clever,
if inaccurate idea.

Camilla Townsend's recent biog of Pocahontas does a great job of prising
out the real meanings behind the engraving of Pocahontas. She points out
that the costume she is wearing, is much more upper-middle class,
reflecting almost Puritan morales(the body modestly covered and the high
capitain hat, which Queen Anne wore, but few other noblewomen did so in
portraits at that time), despite Pocahontas'/Matoaka/Lady Rebecca's high
birth which entitled her to wear the full coat costume of low neck and
French farthingale.
Some authors have surmised that the all covering wear might have hidden
tatoos, but it is just as probable that Pocahontas, John Rolfe, the
Virginia Company sponsors or any combination of the three, would have
preferred a visual representation of the Christian convert Native
American princess as advertisement for prospective sponsors and
settlers not to be deliniated in full court costume(not only Puritans
railed against the extravagent required court costumes of the 16th and
17th centuries), thought by many as practically immoral, but in modest,
if expensive fabrics. Virginia needed hardworking serious-minded
investors and settlers, in order to succeed, not those who wanted to
find gold, get rich quickly, and return to Mother England.

Cindy Abel



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Re: [h-cost] A Rant about commercial patterns

2005-11-30 Thread Theresa Eacker
KL tips!! Those just made it into my sewing room tricks archive. 
Thanks so much for sharing,


Theresa Eacker

[EMAIL PROTECTED] wrote:

What I've done in the past is to cut a bit of elastic, and sew ribbon to *both* 
ends.  This way the ribbon doesn't need to be very long (shorter dangly bits) 
and you get a bit of 'give' for sizing.

When I thread the elastic/ribbon through the casing, I also tack (backstitch) 
'across' the elastic in the casing at least in the middle (I hope that's 
clear), so it doesn't keep slipping out.

I hope this helps!
Elena/Gia

-- Original message -- 




How about threading a pretty ribbon through the casing... (Snipped)


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[h-cost] epaulettes (was: working with velvet)

2005-11-30 Thread Cin
 When I use epaulettes I put in the sleeves in the normal way. I make
 up the epaulettes as complete units, and sew them on to the sleeve
 head seam from the underneath, so you don't see the stitching. Saves
 an awful lot of layers!

Suzi!  This is probably the best solution. Why didnt I think of it? 
I'd even get perfect placement of the epaulettes with full control. 
You're a genius.  Thanks!

Can someone point us to an online pic to see what it is you are all
talking about?  Sounds very interesting.
Thanks,
Sg

I was asking about Stuart doublets. Here's a few pics in books:
Look in Norah Waugh, Cut of Women's Clothes, plate 3b c 1610. See the
little wing at the top of shoulder?
Janet Arnold PoF: The Verney gown c 1600.
Blanche Payne: Fig 348 Purple  Gold costume of Adolphus the Great
1620 is a man's version of the same style.

You'll also find dozens in late Elizabethan portraits on men  women. 
Here's a Spanish one: Blanche Payne: fig 336 Infanta Isabella Clara
Eugenia 1590
--cin
Cynthia Barnes
[EMAIL PROTECTED]

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[h-cost] Re: speaking of Pocahontas

2005-11-30 Thread Gail Scott Finke

My newspaper today gave a little blurb about all the upcoming films, and
said that the new Pocahontas movie was about the doomed love between John
Smith and Pocahontas. Sigh. And of course the BIG film coming up is
Memoirs of a Geisha, which screwed up the portrayal of the way geisha
behaved so much that the leading geisha of the century had to insist on many
occasions that the character is NOT based on her. Plus, she's played by a
Chinese actress. I guess the film people decided that as far as Western
audiences are concerned, a Chinese woman is no different from a Japanese
woman! At least the costumes look good in that one.

Gail Finke


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Re: [h-cost] soulletz herigaudz definition

2005-11-30 Thread Robin Netherton

On Wed, 30 Nov 2005, Stephanie Smith wrote:

  Commandez ke vos chiualers e trestoutz vos gentils
  hommes qe vos robes pernent ke meymes ces robes
 chescun ionr e nomement
  a voster manger e en voster presence usut pur vostre
 honour garder ne
  pas veuz tabartz e soulletz herigaudz en contrefetes
 curtepies.
 
 Command that your knights and see that your gentle
 men wear your dress, that these same dresses be worn
 by all during your meal and in your presence and to
 maintain your honour they must not be old tabbards or
 *soiled surcotes* a fake magpie(1) [would wear] 
 
 (1) uncertain

curtepies might be the French plural of courtepy, a type of surcote
(Chaucer used the word in English, and there's a lot of overlap in English
and French at this time). I don't know what a counterfeit courtepy would
be.

--Robin

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[h-cost] Re: working with velvet

2005-11-30 Thread Cin
This is an interesting observation.  One of the things we discovered
in the process of making the Suitable gown for her majesty (same
period), we wondered if one of the reasons 'Liz I  preferred the big
gowns was because it makes one feel, well, imposing.

Sg,

Other people react to that sort of outfit, too, not just the wearer. 
Oh, I expect it's partly size, but it's also to do with obvious
complexity, near perfect tailoring, walking with dignity and killer
materials.  Take away any element and the effect disappears. Back in
Aug, I wore a c 1590 drum farthingale in tawney sarceonet  with as
many jewels, shinies, accessories  as much big hair as I could
muster.  At this particular Renn ball, 3 people dropped me curtesies
while they were in the middle of a figured dance.  Two of them claimed
it was quite literally a knee-jerk reaction.  One guy said he'd made a
leg, before his head even processed whether he should or not.
I got to use my current favorite Maggie Thatcher line: Oh, I'm not
the Queen, I'm only in politics.  (I'm Campaign Treasurer for a
county judicial candidate.)
--cin
Cynthia Barnes
[EMAIL PROTECTED]

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Re: [h-cost] Re: working with velvet/epaulettes

2005-11-30 Thread Suzi Clarke

At 23:59 30/11/2005, you wrote:

Quoting Suzi Clarke [EMAIL PROTECTED]:


At 22:33 30/11/2005, you wrote:
Can someone point us to an online pic to see what it is you are 
all talking about?  Sounds very interesting.

Thanks,
Sg



When I use epaulettes I put in the sleeves in the normal way. I 
make up the epaulettes as complete units, and sew them on to the 
sleeve head seam from the underneath, so you don't see the 
stitching. Saves an awful lot of layers!




Never seen pictures of it - the first time I did it, it just made 
sense, and I  just always do it. Maybe I read it in Arnold - I've 
been doing it so long I forget now. I frequently put the sleeves to 
the body by binding both the armhole and the sleeve head, then whip 
stitching them together. The epaulette covers that!


Any chance that we could understand what it is that you do by looking
at some close-up photos of a finished gown?




Very possibly, but I don't have finished gowns, as I am a costume 
maker and sell what I make! I don't bother to take closeup photos, as 
I don't need them. If I am teaching, it's show and tell, so no 
teaching examples, and I don't draw! I am not being very helpful here, am I?


It is an instruction from Hunnisett, the 1500-1800 book, but there 
are no pictures of it or the sleeve application. If you make up the 
epaulette, however you like, bagging out, turning the edges together 
and stitching, so you have a thing that is completely finished. You 
have the sleeve sewn into the sleeve head. Then you put the curved 
edge of the epaulette just to the shoulder side of the sleeve seam, 
and either stab stitch it from the right side, or fold it back over 
the shoulder and stitch it from the underside. When you fold it back 
into place, you then do not see the stitching. (or you cover it with 
braid, like they did!)


Is that any clearer?

Suzi 



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Re: [h-cost] RE: OT - Pin Cushion-how many needles have you lost?

2005-11-30 Thread Carolyn Kayta Barrows


My grandmother was a weaver, and said one mustn't make a pin cushion out 
of fabric that includes sparkley silver threads.


But the fabric wasn't the problem!  These had gotten driven so deep into 
the cushion that you'd never know they were there! =-O


Her problem was that pinheads hid in the Mylar silver threads in the weave, 
and needles similarly hid before they got lost inside.


   CarolynKayta Barrows
dollmaker, fibre artist, textillian
 www.FunStuft.com

  \\\
-@@\\\
      7 )))
(((   
   )   ((
  /\   /---\))

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Re: [h-cost] A Rant about commercial patterns

2005-11-30 Thread AnnBWass
 
In a message dated 11/30/2005 6:31:21 P.M. Eastern Standard Time,  
[EMAIL PROTECTED] writes:

KL  tips!! 


Yes, thanks all for the suggestions.  Unfortunately, none of them work  for 
this particular project.  I've found that, with size 3 garments, I  can't set 
the sleeve in the round.  Therefore, I sew the sleeve to the  bodice flat, 
then insert the elastic, then sew the side seams.  So leaving  the elastic 
unfinished, or using ribbon, doesn't work this time.  But I  might plan a way 
to 
use the ribbon next time.
 
Ann Wass
 
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Re: [h-cost] soulletz herigaudz definition

2005-11-30 Thread Susan Carroll-Clark

Greetings--

Stephanie Smith wrote:


I'm reading a friends circa 14th c manuscript by


Robert Grosseteste


Actually, Grosseteste (aka Bobby Fathead--and not Bobby Big Balls, as 
my husband kept joking) died in 1253. Grosseteste is quite a significant 
scholarly figure of the 13th century, writing numerous theological and 
scientific works, as well as things like books of manners in Norman 
French :-) As Bishop of Lincoln, he headed a pretty big household, 
including numerous sons of nobility sent to learn them some manners.


Susan
friend of Bobby Fathead (hey, he's my SCA persona's bishop, although 
he's due to die in a couple of years :-)



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Re: [h-cost] A Rant about commercial patterns

2005-11-30 Thread ruthanneb
Can't you turn the seam allowance under for the elastic casing, and then leave 
that bit of the seam open when you sew the side seam? It could be hand-finished 
once the elastic was properly sized and stitched, no? I'm trying to think 
three-dimensionally here, and I THINK I have done this once or twicewhen I 
was in some kind of pinch or anotherBecause I use my costumes over and 
over, I use elastic whenever I can, particularly on breeches and waistbands, 
and I like to just tie the elastic so that it can be re-sized for the next 
character the next yearand what I THINK I'm describing is one way to keep 
access to the ends of the elastic.
--Ruth Anne Baumgartner
scholar gypsy and amateur costumer

-Original Message-
From: [EMAIL PROTECTED]
Sent: Nov 30, 2005 8:02 PM
To: [EMAIL PROTECTED]
Subject: Re: [h-cost] A Rant about commercial patterns

 
In a message dated 11/30/2005 6:31:21 P.M. Eastern Standard Time,  
[EMAIL PROTECTED] writes:

KL  tips!! 


Yes, thanks all for the suggestions.  Unfortunately, none of them work  for 
this particular project.  I've found that, with size 3 garments, I  can't set 
the sleeve in the round.  Therefore, I sew the sleeve to the  bodice flat, 
then insert the elastic, then sew the side seams.  So leaving  the elastic 
unfinished, or using ribbon, doesn't work this time.  But I  might plan a way 
to 
use the ribbon next time.
 
Ann Wass
 
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RE: [h-cost] Re: Question about display...

2005-11-30 Thread monica spence
Just be careful that you don't cause stress to the fabric. Vintage fabrics
can rip easily if they have not been cared for properly. If you put too much
stress on it, it could tear. For example, be careful that you don't hang
something from, say pins in the shoulders of a garment, without supporting
it. There are people here who would know more than I do...

Cans of air vs vaccuum... Be careful that the vaccuum is not to strong. It
can damage fibers as well.

Regards--

Dame Catriona MacDuff

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Behalf Of Catherine Kinsey
Sent: Wednesday, November 30, 2005 12:32 PM
To: [EMAIL PROTECTED]
Subject: [h-cost] Re: Question about display...


Now, my questions are, am I correct in my understanding that vintage
clothes
should be displayed flat, and not to clean them  (We've got the whole -
no
UV thing covered already)?

And is there anything I'm not thinking about?

Marc
==
My only experience with this is a small local museum but they regularly
vacuum their costume pieces, which are stored flat in acid-free tissue
and boxes.  For display, they are mounted on padded maneguins or forms,
occasionally laid across a bed or something like that.  A lot of the
choice on how to display depended on the condition of the garment.  They
try to rotate their displays several times a year but that depends on
staff/volunteer availability.

Good luck :).
Catherine



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Re: [h-cost] Re: working with velvet

2005-11-30 Thread Audrey Bergeron-Morin

'Liz I  preferred the big
gowns was because it makes one feel, well, imposing.



Other people react to that sort of outfit, too, not just the wearer.
Oh, I expect it's partly size, but it's also to do with obvious
complexity, near perfect tailoring, walking with dignity and killer
materials.


Anybody on this list plays SCA in the East Kingdom? You know the... hmm... 
she's probably duchess now... Isabella? Those who've met her will know what 
I mean.


Very tall, and imposing in normal clothing. Even when she's not playing 
SCA, she's probably the center of attention pretty often.


First time I saw her, she was in full Elizabethan. All white, with a 
standing ruff and tons of pearls. Wow was she imposing. I took to moving 
away every time she came near, she was that intimidating. And... well... the 
clothing helps :-) 


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[h-cost] !5th Century coat

2005-11-30 Thread roscelinlimoges
  I need help with a coat  from a book.  The book is The Medieval Soldier and 
the picture is on page 92; a pikeman is standing at the top of the page with a 
rust colored coat on.  This is the first time I'm recreating a costume from a 
picture in a book.
  What I need to know is would the seam of the arm placed towards the back like 
many of the other clothes at that time?  I'm going to have to make my own 
pattern for this coat - it's actually for my fiance' for Christmas.  I have his 
measurements and a  pattern made up for a similar piece that is form fitting.  
But wanted to be sure of the arm seam.  Plus, I'm having problems determing how 
wide I need to make the whole sleeve - the sleeve in the picture is pretty 
loose.  The pattern I have already; the sleeve is snug fitting with buttons 
from the wrist to the elbow.
   I hope that all made sense - insomnia is trying to get the best of me.  :-)

Roscelin
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