Re: [h-cost] Overlocker thread

2008-05-15 Thread Betsy Marshall
So, what was your solution; different brand/style of needles, or no more
silk thread?
Just Curious! Betsy

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
Behalf Of Audrey Bergeron-Morin
Sent: Monday, May 12, 2008 10:22 AM
To: Historical Costume
Subject: Re: [h-cost] Overlocker thread

 My new
 computerised Viking sews fine with brands like Metrosene and Mettler,
 but shreds silk thread.

When I had that problem with my Viking I found out it was the needle,
not the machine, that was shredding the thread.
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[h-cost] Danish Renaissance dress.

2008-05-15 Thread Leif og Bjarne Drews
Hi all,
I have received some close up photos of the portrait i am going to make the 
dress from, and i have uploaded to my webpage, mind the big files!
http://www.my-drewscostumes.dk/br.htm
Am i right to suggest that this could be a small wheelfarthingale?
To me the angle of the bodice - skirt is nearly 90 degrees.
Its not possible to see because of both hands covering the area, but i would 
make a pleated frill on top of the wheel? Am i quite wrong with this, please 
let me know what you think:
Comments most welcome and greatly apreciated.
Portrait painted in 1614 and Denmark was a little behind new fashions.

Bjarne
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Re: [h-cost] Danish Renaissance dress.

2008-05-15 Thread AlbertCat
It does look like a small French Farthingale or perhaps just a padded  
rollthere being a very small [or none at all] bit of bulk at the CF [the  
strip 
of trim there seems to have a bit of a highlight at the point of the  bodice]
 
It is my understanding that at this point in time you sometimes see a  
Spanish Farthingale under a fuller pleated skirtsometimes with a pad at the 
 
top. The angle at the waist looks too severe to be just the pleats of the  
skirt 
holding it out. But the skirt definitely has a hint of that conical shape  you 
get with a Spanish farthingale.



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Re: [h-cost] Danish Renaissance dress.

2008-05-15 Thread Alexandria Doyle
Because the top of this is rounded, rather than flat, I'd go with a
padded roll/cushion kind of thing.

The wheel fathingales were also much larger in portion to the waist
than this one is, though it's bigger than a typical padded hip/bum
roll.  Maybe a transtional style?

The shape I'd go with would be a c shape for the waist with a larger
C for the outer edge with the distance at the sides about 6 inches
(15 cm) maybe a little larger in the back.  Thickness of the pad would
be what sits best on the hips to make the skirts stand out as
required.

hope this helps
alex

On 5/15/08, Leif og Bjarne Drews [EMAIL PROTECTED] wrote:
 Hi all,
 I have received some close up photos of the portrait i am going to make the 
 dress from, and i have uploaded to my webpage, mind the big files!
 http://www.my-drewscostumes.dk/br.htm
 Am i right to suggest that this could be a small wheelfarthingale?
 To me the angle of the bodice - skirt is nearly 90 degrees.
 Its not possible to see because of both hands covering the area, but i would 
 make a pleated frill on top of the wheel? Am i quite wrong with this, please 
 let me know what you think:
 Comments most welcome and greatly apreciated.
 Portrait painted in 1614 and Denmark was a little behind new fashions.

 Bjarne
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know, having to suddenly make presents for everyone, sickness,flood,
injury, mosquito infestations, not enough silk in the house, it's
Friday...  ;)
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Re: [h-cost] Knitting machines

2008-05-15 Thread Bambi TBNL
WEll actually ...do you remember having the spool with the nails and the yarn 
got looped over the nail and then you wrapped again and...well if you ever had 
one...this is making sense...a knitting loom is sort of like that concept 
with the lay the yarn out nd loops come through and ..gosh im not helping am I?
but they come in a few different forms...
Bambi

[EMAIL PROTECTED] wrote:  
In a message dated 5/13/2008 11:38:47 P.M. Central Daylight Time,  
[EMAIL PROTECTED] writes:

How much  is it like using a weaving loom?

I love knitted sweaters, I used to  crochet, but for some reason I just 
have never wanted to knit by  hand.

Fran


I don't know if anyone has answered this yet but I don't think it's  anything 
like a weaving loom. You have to manually increase and decrease and  bind 
off, and if you're using the ribbing attachment you have to manually  transfer 
the stitches over to it. Other than that it's just a matter of moving  the 
carriage back and forth. If you want a design, you just put a punch card in,  
add 
the other color you want, then just go back and forth with the carriage. I  
also have a lace attachment but I've never tried using it. You still have to 
sew  
the pieces together by hand or you could use a serger. I didn't have a serger 
at  the time I was using my knitting machine a lot. There is a special 
carriage or  machine you can buy to connect the pieces. I actually have an old 
one I 
bought  somewhere but never tried it out.
 
Chris



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Bambi (To be named ater) TBNL

I am made for great things by GOD
and walk with Pride
Walladah bint al Mustakfi c 900ad
(please correct me if i have the date wrong!)
   
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Re: [h-cost] Danish Renaissance dress.

2008-05-15 Thread Leif og Bjarne Drews
Hi,
Thanks Alexandria,
In patterns of Fashion vol. 1560- 1620 there actually are small wheel 
farthingales shown on effigy figures (page 68-69) About the same size these 
are dated 1610 so it would be very close to 1614 in Denmark.
Could off cause also be a roll as you have mentioned, and i am aware that 
the foot of the skirt, suggests a spanish farthingale.
What i wondered was if it would be way two far out to make the dress with 
this pleated frill in the top at (either the roll or the wheel) It was very 
fashionable at this time.
Thanks for your comments!
Bjarne
- Original Message - 
From: Alexandria Doyle [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Thursday, May 15, 2008 4:02 PM
Subject: Re: [h-cost] Danish Renaissance dress.


 Because the top of this is rounded, rather than flat, I'd go with a
 padded roll/cushion kind of thing.

 The wheel fathingales were also much larger in portion to the waist
 than this one is, though it's bigger than a typical padded hip/bum
 roll.  Maybe a transtional style?

 The shape I'd go with would be a c shape for the waist with a larger
 C for the outer edge with the distance at the sides about 6 inches
 (15 cm) maybe a little larger in the back.  Thickness of the pad would
 be what sits best on the hips to make the skirts stand out as
 required.

 hope this helps
 alex

 On 5/15/08, Leif og Bjarne Drews [EMAIL PROTECTED] wrote:
 Hi all,
 I have received some close up photos of the portrait i am going to make 
 the dress from, and i have uploaded to my webpage, mind the big files!
 http://www.my-drewscostumes.dk/br.htm
 Am i right to suggest that this could be a small wheelfarthingale?
 To me the angle of the bodice - skirt is nearly 90 degrees.
 Its not possible to see because of both hands covering the area, but i 
 would make a pleated frill on top of the wheel? Am i quite wrong with 
 this, please let me know what you think:
 Comments most welcome and greatly apreciated.
 Portrait painted in 1614 and Denmark was a little behind new fashions.

 Bjarne
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 -- 
 I'm buying this fabric/book now in case I have an emergency...you
 know, having to suddenly make presents for everyone, sickness,flood,
 injury, mosquito infestations, not enough silk in the house, it's
 Friday...  ;)
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Re: [h-cost] Danish Renaissance dress.

2008-05-15 Thread Saragrace Knauf
Because of its small size you could probably get away with a French 
farthingale.  You might want to read Robin's exhausitive expirmentation on that 
subject.  I personally don't see much roundness but as small as it is, based 
on Robin's work, I'd say you could achieve it that way.  And based on her hand 
position, I'd say it is flat in front.I think the flounce is totally 
appropriate.  This style lasted, in various forms well in to the 1630's in the 
Germanic states.
 
Sg
 
I still have part of my experimentation on farthingales for the Elizaben gown I 
did for the Phoenix Art Museum if you are interested.  I'd have to send you the 
individual links as my website is still under massive reconstruction after 
loosing all the picture links.
 
 



 From: [EMAIL PROTECTED] To: [EMAIL PROTECTED] Date: Thu, 15 May 2008 
 16:35:26 +0200 Subject: Re: [h-cost] Danish Renaissance dress.  Hi, 
 Thanks Alexandria, In patterns of Fashion vol. 1560- 1620 there actually are 
 small wheel  farthingales shown on effigy figures (page 68-69) About the 
 same size these  are dated 1610 so it would be very close to 1614 in 
 Denmark. Could off cause also be a roll as you have mentioned, and i am 
 aware that  the foot of the skirt, suggests a spanish farthingale. What i 
 wondered was if it would be way two far out to make the dress with  this 
 pleated frill in the top at (either the roll or the wheel) It was very  
 fashionable at this time. Thanks for your comments! Bjarne - Original 
 Message -  From: Alexandria Doyle [EMAIL PROTECTED] To: Historical 
 Costume [EMAIL PROTECTED] Sent: Thursday, May 15, 2008 4:02 PM Subject: 
 Re: [h-cost] Danish Renaissance dress.Because the top of this is 
 rounded,!
  rather than flat, I'd go with a  padded roll/cushion kind of thing.   
The wheel fathingales were also much larger in portion to the waist  than 
this one is, though it's bigger than a typical padded hip/bum  roll. Maybe a 
transtional style?   The shape I'd go with would be a c shape for the 
waist with a larger  C for the outer edge with the distance at the sides 
about 6 inches  (15 cm) maybe a little larger in the back. Thickness of the 
pad would  be what sits best on the hips to make the skirts stand out as  
required.   hope this helps  alex   On 5/15/08, Leif og Bjarne Drews 
[EMAIL PROTECTED] wrote:  Hi all,  I have received some close up photos 
of the portrait i am going to make   the dress from, and i have uploaded to 
my webpage, mind the big files!  http://www.my-drewscostumes.dk/br.htm  
Am i right to suggest that this could be a small wheelfarthingale?  To me 
the angle of the bodice - skirt is nearly 90 de!
 grees.  Its not possible to see because of both hands cover!
 ing the area, but i   would make a pleated frill on top of the wheel? Am i 
quite wrong with   this, please let me know what you think:  Comments 
most welcome and greatly apreciated.  Portrait painted in 1614 and Denmark 
was a little behind new fashions.   Bjarne  
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Re: [h-cost] Tie on pockets, dating correction

2008-05-15 Thread Cin
 If there were tie on pockets *before* the 1700s, well, it certainly
 could be possible, after all, these pockets couldn't have
 spontaneously appeared in the year 1700. :)

There are pockets in 16th C. Italian Paintings -- there just aren't...

Yes, Allesandro Allori frescoes show several.  Very practical 
unadorned; they dont appear embroidered, one appears to have some sort
of braid covering a possible seam line.  The pockets are not shown on
principal characters in the frescoes, instead they are on the birthing
room staff, for example.  Look for the gals with their sleeves rolled
up.

any extant pockets that I know of -- although, niggling in the back of
my brain is an extant pocket that dates from pre-1650.

Museo del Traje, there is a 1575-1600 pocket in silver? gold? bullion
on formerly white silk. Unknown provenance.  Perhaps someone reads
Spanish better than I do.  Check their website  look for bolsa and
indumentaria histórica.

--cin
Cynthia Barnes
[EMAIL PROTECTED]
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Re: [h-cost] Number of machines.Was Sewing and Embroidery Machines

2008-05-15 Thread Cin
 So why do people have so many? Do you not trade in the old one when
 buying a new one, which is what I do? Do you have machines that do
 different things?

Hi Suzi!

Two of them are for historical re-creation events.  I had a great time
at one San Jose Historical Society event sewing up a simple apron with
my 1890s hand cranked luggable Amazon machine.  Zillions of boy
scouts, little girls, curious parents had to try it.  I'd let people
crank and I'd sew simple straight seams.  Little boys are speed demons
 like to crank really fast... when they start competing, time to
switch to lecture mode... or distract them by asking if they can
figure out how the machine works.

And of the rest, yes, the sturdy Singer is for leather, kevlar,
canvas; the Viking embroiders; the Babylock overlocks, but the 1940s
machine is just charming. No special or unique features.
--cin
Cynthia Barnes
[EMAIL PROTECTED]
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Re: [h-cost] Tie on pockets, dating correction

2008-05-15 Thread lauren . walker

Hi,
This may be stupid, but -- aren't their pocket *slits* in some of the 
Herjolfsnes/Greenland finds? Which would suggest underlying pockets 13th 
century, even though they don't show up in paintings. 
Lauren
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Re: [h-cost] Tie on pockets, dating correction

2008-05-15 Thread Robin Netherton
[EMAIL PROTECTED] wrote:

 This may be stupid, but -- aren't their pocket *slits* in some of the 
 Herjolfsnes/Greenland finds? Which would suggest underlying pockets 13th 
 century, even though they don't show up in paintings. 

The pocket slits in 14th c. clothing are generally understood as being a way 
to provide access to a belt, fastened over an underdress but below an 
overdress, holding a pouch or other items out of sight. It's not absolutely 
certain, though.

The Herjolfsnes finds date mostly from the very late 14th c., not the 13th. 
Some bits appear to be rather earlier or later but I don't think they're 
relevant to this question.

--Robin
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Re: [h-cost] Tie on pockets, dating correction

2008-05-15 Thread lauren . walker
Thanks for the clarification, Robin, and sorry about the century -- I'm 
obsessed with the, like, three 13th century pieces out of the Greenland finds 
so I forget that the vast majority of stuff was later. 

-- Original message -- 
From: Robin Netherton [EMAIL PROTECTED] 

 [EMAIL PROTECTED] wrote: 
 
  This may be stupid, but -- aren't their pocket *slits* in some of the 
 Herjolfsnes/Greenland finds? Which would suggest underlying pockets 13th 
 century, even though they don't show up in paintings. 
 
 The pocket slits in 14th c. clothing are generally understood as being a way 
 to provide access to a belt, fastened over an underdress but below an 
 overdress, holding a pouch or other items out of sight. It's not absolutely 
 certain, though. 
 
 The Herjolfsnes finds date mostly from the very late 14th c., not the 13th. 
 Some bits appear to be rather earlier or later but I don't think they're 
 relevant to this question. 
 
 --Robin 
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Re: [h-cost] Tie on pockets, dating correction

2008-05-15 Thread Exstock
In case anyone had trouble finding the pocket on the Museo Del Traje 
website, here's the enlarged photo:
http://snipurl.com/290d3  [museodeltraje_mcu_es]
And here's the inventory [inventario] number: CE000790

As far as when they started carrying pockets goes, brace yourselves as I 
make a completely non-costume-geek-like statement:  I mean really, how 
different are separate pockets and pouches anyway?!

Ok, sorry, just having a moment.  Carry on.

-E House
(just bought her first house about 30 minutes ago) 

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Re: [h-cost] Tie on pockets, dating correction

2008-05-15 Thread lauren . walker
Congratulations on buying a house. If I were having a less stupid day I would 
make some kind of clever observation about your name and home ownership. 
Anyway, congrats and best wishes!
Lauren

-- Original message -- 
From: Exstock [EMAIL PROTECTED] 

 In case anyone had trouble finding the pocket on the Museo Del Traje 
 website, here's the enlarged photo: 
 http://snipurl.com/290d3 [museodeltraje_mcu_es] 
 And here's the inventory [inventario] number: CE000790 
 
 As far as when they started carrying pockets goes, brace yourselves as I 
 make a completely non-costume-geek-like statement: I mean really, how 
 different are separate pockets and pouches anyway?! 
 
 Ok, sorry, just having a moment. Carry on. 
 
 -E House 
 (just bought her first house about 30 minutes ago) 
 
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Re: [h-cost] Tie on pockets, dating correction

2008-05-15 Thread Suzi Clarke
At 17:24 15/05/2008, you wrote:
  If there were tie on pockets *before* the 1700s, well, it certainly
  could be possible, after all, these pockets couldn't have
  spontaneously appeared in the year 1700. :)

 There are pockets in 16th C. Italian Paintings -- there just aren't...

Yes, Allesandro Allori frescoes show several.  Very practical 
unadorned; they dont appear embroidered, one appears to have some sort
of braid covering a possible seam line.  The pockets are not shown on
principal characters in the frescoes, instead they are on the birthing
room staff, for example.  Look for the gals with their sleeves rolled
up.

 any extant pockets that I know of -- although, niggling in the back of
 my brain is an extant pocket that dates from pre-1650.

Museo del Traje, there is a 1575-1600 pocket in silver? gold? bullion
on formerly white silk. Unknown provenance.  Perhaps someone reads
Spanish better than I do.  Check their website  look for bolsa and
indumentaria histórica.

There is a basic English language version of the 
web site, which makes it easier to find things. 
The Bolso is in the Jewellery and Accessories 
part of the site. (The search thingy is case sensitive.)

Suzi

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Re: [h-cost] Tie on pockets, dating correction

2008-05-15 Thread Chris Laning
Lauren wrote:
This may be stupid, but -- aren't their pocket *slits* in 
some of the Herjolfsnes/Greenland finds? Which would suggest 
underlying pockets 13th century, even though they don't 
show up in paintings. 

It certainly seems likely that pocket slits are to provide access to 
*something* hidden under the outer layer of garments, and the common thought is 
that in at least some cases, that something is some sort of self-contained 
pocket or pouch (i.e. not sewn into the seam as is the case with modern 
pockets)
that is hung from some sort of waist tie or belt. 

What *form* that pouch takes, however, is less certain -- since we generally 
don't get to see it g. The surviving 17th-18th century pockets seem to be 
flat, closed at the top and with a slit or opened seam partway down one side, 
giving access to the contents. On the other hand, when we get to see earlier 
pouches (such as in a painting where someone has lifted up the outer layer to 
display them) they seem to be simple drawstring bags with the opening at the 
top. Same principle, different shapes.

I'd certainly consider it very plausible, for a lot of medieval and renaissance 
contexts, to make one or two of the drawstring type of pouch, hang it/them from 
a ribbon tied around my waist, and wear them under a top layer with pocket 
slits. I'd be more doubtful about the plausibility of the later, flat style of 
hanging pocket in contexts before about 1600. (Though I haven't looked at the 
Spanish example yet.) OTOH, I can testify that the later style is certainly 
easier to get one's hand into when you can't see what you're doing so 
practicality might win in that case. 

(I have a farthingaleI made with a two-piece adjustable waistband, and it has 
side openings from the waist down to about thigh level. I sewed a pair of just 
this sort of flat pockets into the lower part of the openings, so they hang 
down *inside* the hoops. There are corresponding pocket slits in the outer 
gown. Very practical to keep a bulky wallet, keys and checkbook in, and they 
don't show at all -- but I don't have any historical justification for it, just 
practicality.)


0  Chris Laning
|  [EMAIL PROTECTED]
+  Davis, California
http://paternoster-row.org  -  http://paternosters.blogspot.com

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Re: [h-cost] Tie on pockets, dating correction [was: Pockets; was: Italian Ren gowns and purses/pouches]

2008-05-15 Thread cw15147-hcost00
Replying to a couple of emails.

Thank you to whomever found the photo at Museo de Traje (can't find that email 
at the moment). I'm adding it to my collection. :)

Susan Farmer wrote:
 A lady in the SCA has her research (and the snippets from a couple of  
 the paintings) here
 http://katerina.purplefiles.net/garb/diaries/Kat's%20Soccaccia.html

Yes, I saw this link posted earlier. Unfortunately, she says this is so 
without citing where she may have read it or why she came to such a conclusion.

But I love these pictures, because they do predate the 1700s, and the pouches 
do so much resemble 18th century pockets in shape and style. I wanted to see 
the whole paintings, and fortunately Kimiko uploaded scans:
http://www.kimiko1.com/research-16th/ModaFirenze/index.html
She quoted a bit of what _Moda a Firenze_ had to say about these 
pocket-pouches, which the above website appears also to be quoting, and when I 
have a chance I'll have to crack open my copy and read up on it myself.

Exstock wrote:
 As far as when they started carrying pockets goes, brace yourselves as I 
 make a completely non-costume-geek-like statement:  I mean really, how 
 different are separate pockets and pouches anyway?!

I couldn't agree with you more! I don't know why 18th century tie-on pockets 
are called pockets at all and not pouches, but pocket is a documentably 
period term.

Congratulations on the house. House in the house! Sorry, I had to try. :)



Claudine

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Re: [h-cost] Tie on pockets, dating correction

2008-05-15 Thread otsisto
This just hit my brain. Looking at
http://katerina.purplefiles.net/garb/diaries/Kat%27s%20Soccaccia.html
the second picture, it looks as if the pocket might have been made from what
was originally the slit in an outer garment for reaching in for the pouch or
pocket. That the triangle pieces may have been the tops of gores.

De



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Re: [h-cost] Overlocker thread

2008-05-15 Thread Audrey Bergeron-Morin
On Thu, May 15, 2008 at 5:19 AM, Betsy Marshall
[EMAIL PROTECTED] wrote:
 So, what was your solution; different brand/style of needles, or no more
 silk thread?
 Just Curious! Betsy


In my case, new needles. The type, size and brand of needle also makes
a difference. Your dealer should know which ones are better with what
kind of thread.
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Re: [h-cost] Overlocker thread

2008-05-15 Thread Audrey Bergeron-Morin
 So, what was your solution; different brand/style of needles, or no more
 silk thread?
 Just Curious! Betsy

Sorry I hit send too soon.

I wanted to say I didn't use silk thread, but I was using very fine
synthetic thread (my brain wants me to say rayon but it might have
been nylon). It kept shredding and being generally very annoying,
until I changed my needle.
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Re: [h-cost] House, was: Tie on pockets, dating correction

2008-05-15 Thread Exstock
- Original Message - 
From: [EMAIL PROTECTED]
 Congratulations on the house. House in the house! Sorry, I had to try. :)


Hee, thanks!  Hey, after almost 11 years of marriage, I still haven't gotten 
over being amused by my own last name.  (And it gets even better--the 
husband just became a PhD candidate, so in 3-5 years I'll be married to Dr. 
House.  One of my favorite TV shows!)

-the future Mrs. Dr. House... 

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Re: [h-cost] 1830s-40s Boots and Shoes

2008-05-15 Thread Elizabeth Walpole

- Original Message - 
From: Serena Dyer [EMAIL PROTECTED]
To: h-costume@mail.indra.com
Sent: Tuesday, May 13, 2008 3:34 AM
Subject: [h-cost] 1830s-40s Boots and Shoes


 Can anyone recommend a good maker of 1830s-40s ladies' boots or shoes? 
 Accurate ones seem to be a very hard to come by thing!

 Thanks

 Serena Dyer

I've heard good things about Robert Land 
http://www.robertlandhistoricshoes.com/servlet/StoreFront from the 1860s 
American Civil War crowd. From the little bit of research I've done 1840s 
shoes (at least for women, I haven't looked at mens shoes) were not hugely 
different in style to the 1860s so you might try asking him if he would do 
something a little earlier.
HTH
Elizabeth

Elizabeth Walpole
Canberra Australia
ewalpole[at]grapevine.com.au
http://au.geocities.com/amiperiodornot/

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Re: [h-cost] Tie on pockets, dating correction [was: Pockets; was: Italian Ren gowns and purses/pouches]

2008-05-15 Thread Kimiko Small
I'm a bit behind in my emails, but I hope those images
of the loose pockets help. The book doesn't state much
beyond what I posted, tho I haven't read it all yet,
so I may have missed a comment elsewhere in the book.

The earliest I've found comments on 16th century
pockets in general were from the trial of Anne Boleyn,
when one of her supposed lovers Wyatt claimed that
Anne had given him a jewel (or something) from her
pocket. What the pocket looked like or how it was
accessed, I do not know. The story was mentioned
briefly in the book Dress in the Court of King Henry
VIII, but the author did not go into any details on
pockets (much to my surprise).

Doing a quick google search, Jstor has the article
that mentions the Anne Boleyn story, but I don't have
access to those articles.
The Fall of Anne Boleyn
G. W. Bernard
http://www.jstor.org/pss/573258

Also, there is an image of an attached pocket on a
man's jacket skirt in the Mary Rose book (name escapes
me, but the one that has all the extant items in it).

I think I've wandered a different direction on
pockets, so I will end here.

Kimiko


--- [EMAIL PROTECTED] wrote:
 But I love these pictures, because they do predate
 the 1700s, and the pouches do so much resemble
 18th century pockets in shape and style. I wanted to
 see the whole paintings, and fortunately Kimiko
 uploaded scans:

http://www.kimiko1.com/research-16th/ModaFirenze/index.html
 She quoted a bit of what _Moda a Firenze_ had to say
 about these pocket-pouches, which the above website
 appears also to be quoting, and when I have a chance
 I'll have to crack open my copy and read up on it
 myself.



  
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Re: [h-cost] House, was: Tie on pockets, dating correction

2008-05-15 Thread Betsy Marshall
Hope he's easier to live with than that TV guy...

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
Behalf Of Exstock
Sent: Thursday, May 15, 2008 3:58 PM
To: Historical Costume
Subject: Re: [h-cost] House, was: Tie on pockets, dating correction

- Original Message - 
From: [EMAIL PROTECTED]
 Congratulations on the house. House in the house! Sorry, I had to try. :)


Hee, thanks!  Hey, after almost 11 years of marriage, I still haven't gotten

over being amused by my own last name.  (And it gets even better--the 
husband just became a PhD candidate, so in 3-5 years I'll be married to Dr. 
House.  One of my favorite TV shows!)

-the future Mrs. Dr. House... 

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Re: [h-cost] Knitting machines

2008-05-15 Thread Carol Kocian

On May 15, 2008, at 10:28 AM, Bambi TBNL wrote:
 Well actually ...do you remember having the spool with the nails  
 and the yarn got looped over the nail and then you wrapped again  
 and...well if you ever had one...this is making sense...a knitting  
 loom is sort of like that concept with the lay the yarn out nd  
 loops come through and ..gosh im not helping am I?
 but they come in a few different forms...
 Bambi


  You're talking about a peg frame, which is not like a modern  
home knitting machine and not like the knitting frame invented by  
Reverend Lee in 1589.

  The terms can be confusing — Lee's machine was called a  
knitting frame, a hand frame and a stocking loom among other things.

  There are peg frames from the late 18th century, purse moulds,  
that were used to make small purses.  Peg frame enthusiasts will  
sometimes cite the terms for the Lee frame as being proof of the use  
of peg frames, but it is not the same thing.

  Lee's machine was really quite complex.  It would knit an  
entire row at once (in a series of steps), whereas modern latch hook  
machines (both domestic and industrial) knit as the carriage goes  
across, essentially knitting one stitch after another.

  -Carol
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