Re: [h-cost] feather dress

2007-09-07 Thread Sue
I think the easiest way to sew feathers is by using the feather pads. Here 
is a url for pads. The peacock or pheasant look the best for you want, I 
think.

Victorian Millinery
[EMAIL PROTECTED]
401 Fairview Ave.
Frederick,MD 21701
301-694-8950




http://www.ostrich.com/shop/cat?cmd=pad-index 



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Re: [h-cost] 1432 doublet - fastening?

2007-05-30 Thread Sue Clemenger
Hello, everyone.  Robin caught something yesterday, and followed up on her
idea, and sent it on to me, and I did some following-up of my own, and it
appears that I may have been leading y'all astray.
Although I did not remember Sir John's effigy as being armored (and this is
unclear from my photograph), I did find a better shot of the effigy online
by googling for his name, and wading past all the stuff that was about his
more-famous son, also known as Sir John.
http://www.ukgraves.info/review.asp?id=24pic=10
As you can see, he's clearly armored.  I do not know enough about 14th
century armor so say with any degree of certainty that what he's got on
could just be some sort of partial set of armor, such as one sometimes sees
in 16th century portraits, or if he's wearing some sort of coat or jupon
over armor.  At best, my photo is an example of *something* (most likely
body armor) being laced on the side.  It is very likely *not* an example of
side-laced clothing.
(On the plus side, Sir John, jr. appears to have been a very interesting
fellow, and the ukgraves site has got all kinds of interesting images, so
this wasn't a total loss!)
--Sue, going off feeling like a right eejit! :o)


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Re: [h-cost] RE: Re: 1432 doublet - fastening?

2007-05-29 Thread Sue Clemenger
There's the one I've got, from the effigy in Salisbury (dated 1380...at
least, that's when the gentleman in question died).  Of course, that's on a
gentleman's cote, and not a lady's.  Still, quite definitely side-laced.  If
you want a copy of the photo for your collection, let me know, and I'd be
glad to send it on
--Sue

- Original Message -
From: Robin Netherton [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Monday, May 28, 2007 11:40 PM
Subject: RE: [h-cost] RE: Re: 1432 doublet - fastening?




 I have seen occasional side lacings -- very rare, and the one that comes
 to my mind immediately is northern Italian.


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Re: [h-cost] Printed Cotton

2007-05-28 Thread Sue Clemenger
Authentic for what? (time period, basically)Knowing a bit more would
give us a better base from which to offer advice. ;o)
--Sue

- Original Message -
From: Serena Dyer [EMAIL PROTECTED]
To: h-costume@mail.indra.com
Sent: Monday, May 28, 2007 7:03 AM
Subject: [h-cost] Printed Cotton


 I found some suprisingly authentic printed cotton at my local fabric
 suppliers and I had to have it.  However there was only roughly 1.5-2m.
Any
 ideas about what I could do with it?

 Thanks

 Serena Dyer
 http://www.pemberleydesigns.co.uk


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Re: [h-cost] Testing...

2007-05-27 Thread Sue Clemenger
3-day weekend in the U.S.  I'd imagine a lot of us are off doing family
stuff, camping, etc.  I've just come back from seeing Pirates3,
myselflots of fun.
Obligatory Costume Content: I, myself, am spending a good part of the
weekend getting my garb ready for SCA tourney seasonMending, finishing
hems, finally making that outer garment I swore I didn't want to do without
for another year;o)
--Sue
- Original Message -
From: Saragrace Knauf [EMAIL PROTECTED]
To: h-costume [EMAIL PROTECTED]
Sent: Sunday, May 27, 2007 9:01 AM
Subject: [h-cost] Testing...


 Sure is quiet out there lately.


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Re: [h-cost] Split drawer's expert?

2007-05-17 Thread Sue Clemenger
That's a very cool website, although I find the graphics a little
distracting.  Thanks for the link!
Now, I'm not a 19th century geek, but I find myself with a question about
those split drawers (truly, just odd timing g...I went to a play this
weekend that had midwestern-US-cancan-dancers in it, and for some reason, I
was wondering if that flip the skirts up over one's head and wiggle one's
backside move, or the high kicks, originally offered more of a *koff* view
than we'd think).  When did it become common practice for the split to be
sewn up?
--Sue

- Original Message -
From: Suzi Clarke [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Tuesday, May 15, 2007 10:55 AM
Subject: Re: [h-cost] Split drawer's expert?



 The lady in question is Elizabeth Stewart Clark.
 http://www.elizabethstewartclark.com/


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Re: [h-cost] Split drawer's expert?

2007-05-17 Thread Sue Clemenger
Dunno about the 18th century, but there are rare surviving examples of them
from the 16th century.  I suspect that it was something that came and went,
as a style.
--Sue

- Original Message -
From: Bjarne og Leif Drews [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Thursday, May 17, 2007 6:51 AM
Subject: Re: [h-cost] Split drawer's expert?


 Just a little note, when talking about split drawers.
 When i went to the exhibition about the elegant courtlife in the time of
 Frederik V, there was in the catalogue pictures of the queens midges
 clothes. Its a whole outfit, chemise- split drawers,stays, petticoat with
 hip pads, skirt and a Brunswick overdress with hood. Its 1770ies, and i
 thoaght they didnt wear underdrawers?
 Now Denmark had a cold climate during the winter season, perhaps it was a
 nescesity for the ladies two?


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Re: [h-cost] Split drawer's expert?

2007-05-17 Thread Sue Clemenger
Thanks, Sunny...those were the ones I was thinking of when I posted this
morning (the ones in _QE Unlocked_).
--Sue

- Original Message -
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Thursday, May 17, 2007 12:48 PM
Subject: Re: [h-cost] Split drawer's expert?



  I'm neew to this list and have enjoyed learning a lot of
  different things.  I do recreating the 1500's.  I didn't
  realize that they had split drawers in the 16th cen.  Do you
  have any historical evidence that they had them in the
  nobility class in the midto late 1500's, and what they were
  made of?  I would appreciate any information.  Lynn

 I'm not an expert on split drawers, but I believe the surviving examples
in the 1500s are all Italian (and all decidedly upper-class). They are
discussed in either _Moda a Firenze_ or _Queen Elizabeth's Wardrobe
Unlock'd_ (I'm away from my library so I can't check, sorry! It may be
discussed in both...). Another place to look is the Realm of
VenusLibraryDrawers - Brache or Calze:

 The article is:
http://realmofvenus.renaissanceitaly.net/library/drawers.htm

 Pictures of extant drawers (not all with split legs):
http://realmofvenus.renaissanceitaly.net/library/extdraw.htm
 http://realmofvenus.renaissanceitaly.net/library/extdraw1.htm
 http://realmofvenus.renaissanceitaly.net/library/extdraw2.htm

 A while ago, I thought someone from this list went to the Met in NY to
look at extant 16th cent. Italian chemises and drawers, but I no longer
remember _who_...
 Hope that helps,
 -sunny


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Re: [h-cost] Ahem-something interesting

2007-05-09 Thread Sue Clemenger
My copy of the Tres Riches Heures does show that scene (one of the winter
ones), and it has not only male peasants warming themselves, but at least
one female one, as well.  The anatomical differences are, uhm, pretty
obvious. ;o)
--sue in montana

- Original Message -
From: Kate M Bunting [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday, May 09, 2007 2:06 AM
Subject: Re: [h-cost] Ahem-something interesting


 On the subject of bowdlerised paintings - isn't there a medieval scene
 (I think in the Tres Riches Heures) showing people warming themselves by
 a fire, including a man holding up his tunic (?) skirts and showing
 everything? I've seen a reproduction of that with the relevant area
 blurred over. Also, Hogarth painted a friend of his leaning out of bed
 being sick in a chamber pot, which was later repainted at the request of
 the man's family to make him appear to be reading in bed.


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Re: [h-cost] Medieval embroidery

2007-05-06 Thread Sue Clemenger
We're out here, but at least one of us (me) was completely involved in
helping with a local SCA event yesterday, and just now getting caught up in
the flood of emails! ;o)
--Sue
- Original Message -
From: Robin Netherton [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Saturday, May 05, 2007 7:56 PM
Subject: RE: [h-cost] Medieval embroidery


 And here I thought this list would be full of people who who were
 obsessive about embroidery history who would have this stuff at their
 fingertips. I have no clue what sources are standard on stitch types,
 existing artifacts, etc.


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Re: [h-cost] Medieval embroidery

2007-05-06 Thread Sue Clemenger
The earliest known *dated* sampler is the Bostocke sampler at the VA, but
it's not actually the oldest sampler.  There are several in my book
Embroideries and Samplers from Islamic Egypt, and they *all* significantly
predate the Bostocke sampler.  Which is, nonetheless, one of my favorite
pieces in the world g...I pretty much expected beams of light and choirs
of angels, when I actually found that sampler in the textile rooms at the
VA.  But then, I'm an embroidery geek of long standing!
--Sue in Montana

- Original Message -
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Saturday, May 05, 2007 6:36 PM
Subject: RE: [h-cost] Medieval embroidery





 Although with some stitches you can't help making the back nearly as neat
as
 the front (classics indeed being blackwork and tent stitch, etc), I'm not
 aware of any medieval embroidery being made this way on purpose.

 And whether styles like blackwork or asissi work, or several others, very
 much depends on your geographical context.

 Its appearance at cuffs and collars doesn't have any real relevance to the
 state of the back, as embroidery was done prior to the making up of the
garment
  (usually), so that the back of the work would be unlikely to be seen.

 As far as I'm aware the neatness of the back of embroidery dates to the
 beginnings of samplers - and the earliest known one of these is late 16th
century
 (I think - the one in the va textiles room).

 Both sides same embroidery, where the intention of the work is to have
both
 sides looking exactly the same is 19th century thing (possibly late
18th??),
 that came about for use on things like military standards.  It's also
 incredibly difficult to do, and one of the banes of my life!!:o)






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Re: [h-cost] Medieval embroidery

2007-05-06 Thread Sue Clemenger
There are actually 16th century portraits out there, in which there are
clearly two *different* patterns on the two sides of a collar.  It's also
obvious, from some of the construction details, that collars had both an
inside layer of fabric and an outer (I'm avoiding saying always, of
course).  There's a boy's shirt from, I think, the 1540's, currently at
the VA, which has a small ruffle extending out from the shirt collar.  It's
pretty clear that the shirt-edge of the ruffle is enclosed between two
layers of collar.
I'm guessing that your friend is more likely to find evidence of
reversability in the cuffs and ruffles (applied or integral), than in the
collars.
--Sue
- Original Message -
From: Robin Netherton [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Saturday, May 05, 2007 6:47 PM
Subject: RE: [h-cost] Medieval embroidery



 On Sat, 5 May 2007 [EMAIL PROTECTED] wrote:

  Its appearance at cuffs and collars doesn't have any real relevance to
  the state of the back, as embroidery was done prior to the making up
  of the garment (usually), so that the back of the work would be
  unlikely to be seen.

 That would certainly be the case for, say, a doublet, but for the cuffs or
 collars of linen chemises, which are not lined, why would the embroidery
 be done in advance, or assumed not to be seen? Chemises in 16th century
 paintings are often shown with blackwork embroidery on cuff edges and
 collars; presumably the insides of the cuffs would be readily visible, and
 collars might be turned out in some cases.

 --Robin

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Re: [h-cost] Medieval embroidery

2007-05-06 Thread Sue Clemenger
The closest that I can think of, would be this book (one of my faves):
Embroideries ans Samplers from Islamic Egypt by Marianne Ellis. (Ashmolean
Museum, University of Oxford, 2001).  ISBN: 1-85444-135-3 (for the paperback
version).
It's an examination of embroidered textiles, most of which (they think) were
used for clothing and light furnishings, and examples range from the Tulunid
period (late 9th century) through the Mamluk period (up to 1517).  There are
a fair number of pieces containing surface embroidery stitches (split
stitch, chain stitch, stem stitch, cross stitch, etc.), but a significant
number of the pieces comprise some form of monochrome
embroidery--double-running stitch, pattern darning, pulled-thread and
drawn-thread work, etc.
There's a rather nice sampler, for instance, which has been carbon-dated to
the 14th century, and which was done in blue silk (and plain linen) threads
on linen, and uses double-running stitches and drawn-thread work.  There's
also a fragment of something they're assuming was part of a towel border,
and it's done in blue silk, using double-running stitch.  (a repeating
pattern of birds, late 14th-early 15th century).  There are also a couple of
pieces clearly meant to be shirts/tunics, but the embroidery is being used
on the sleeves, body, etc., and not so much on collar and cuffs.
It's clearly not an examination of European textiles and embroidery, but the
author does go to some effort to point out stylistic connections between
these bits and later European usage.  (Theory being short version that
these Islamic-based styles and techniques spread into Europe on trade
routes.)
--Sue


- Original Message -
From: Robin Netherton [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Saturday, May 05, 2007 10:02 PM
Subject: RE: [h-cost] Medieval embroidery



 On Sat, 5 May 2007, Susan B. Farmer wrote:

  There are lots of examples from this period both in English and
  Italian art where the collar/cuffs are embroidered with the
  implication that both sides will be seen -- more can be forthcoming if
  you need additional examples.  I don't know what the earliest such
  example is, though.

 I've sent my contact the images already cited as proof-of-concept for
 Tudor period, and the information posted here that there were stitches
 that could be reversible. That's a good start, but for publication
 purposes she needs a published source on the stitch types for that period
 (as seen in real examples); is there a book that examines historic
 stitching with close regard to period, e.g. not just saying this stitch
 is medieval but rather these stitches appear in X type of artifacts from
 Y time and Z place?

 Holy grail here would be examples of embroidery from c. 1400 clearly meant
 to be viewed on the reverse. Possibly not available, though. Extant pieces
 from 1400 are a lot rarer than from 1550.

 But it's not my area so I don't know all the standard sources the way I do
 in my own specialties.

 --Robin


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Re: [h-cost] Metrosexual???? OT

2007-05-05 Thread Sue Clemenger
*snerk*
I'd always assumed that it meant someone (gender unspecified) who was
somewhat...omnivorous in his/her tastes in partners.  ;o)
--Sue, apparently pretty clueless about this one

- Original Message -
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Saturday, May 05, 2007 4:43 PM
Subject: Re: [h-cost] Metrosexual OT



 In a message dated 5/5/2007 2:49:01 P.M. Eastern Daylight Time,
 [EMAIL PROTECTED] writes:

 I heard  the word Metrosexual (MS) for the first time in my life earlier
this
 week in  reference to what I can't remember, then I heard it yesterday for
 the second  time on the TFS, and just now on NPR on Wait Wait Don't Tell
Me.



 Jeez, that expression is so last year, or is it two years ago?  No,  not
gay,
 as others have already said.  But really into  grooming--professional
 manicures, facials, and such, and clothes, too, I  suppose, although
exactly what THE
 fashion look was, I'm not clear on--not sure  there was ONE look,
 clothes-wise.  Fastidious, though, for  sure.

 I think maybe I would consider Henry VIII a little too lusty to  qualify.
 While metrosexuals weren't gay, I also don't think they were  into, you
know,
 whatever, whenever.

 Ann Wass


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Re: [h-cost]Theater vs Historic (was:new Butterick pattern

2007-05-03 Thread Sue Clemenger
Frankly, I thinking working with fabrics in authentic widths would be a
blast.  But then, I'm here more for the historical/reenactment end of
things.  And if I ever win the lottery (not that I play, mind you, but),
then porsches be darned, I'm getting some of those exquisite silk velvets
that cost, what was it, 1500? 1600? euro/meter?
--Sue

- Original Message -
From: Abel, Cynthia [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Thursday, May 03, 2007 1:45 PM
Subject: RE: [h-cost]Theater vs Historic (was:new Butterick pattern



 What most of us couldn't afford to today is the amount of money people
 in the past had to spend on a single outfit. One noble person's single
 ensemble,during the reign of Elizabeth I, for court wear, could cost as
 much as a Porshe or more today. And would we want to have to work with
 lengths of expensive fabrics as narrow as 21 wide?


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Re: [h-cost] i cant deside.........

2007-04-30 Thread Sue Clemenger
I agree with you about the ruching vs. the pleating.  There's definitely a
lot more color play with the ruching.
Dunno about the gold trim--it might be just right, or it might be too much.
I think it would depend on the overall scale of the gown.  If it's big and
oversized, etc., etc. you could go with the wider trim without a qualm.  But
if it's a more restrained style???
I'm saying this from a purely personal perspective, I should add, since I
really don't have much experience with 18th century clothing.  How does your
gold trim fit into the scale of how things were added to dresses then?
--Sue

- Original Message -
From: Bjarne og Leif Drews [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, April 30, 2007 1:01 PM
Subject: [h-cost] i cant deside.


 If you would give me your 2 cents, i would be very pleased.
 I spended this day desiding wich trim to use on the red francaise dress i
am
 going to make. But desided i have not yeat!
 On the left side i made box pleatings with a tiny gold trim in the edge.
On
 the right side i have made the trim ruched and used a bigger gold trim.
 I think the left box pleated side is two boring, its flat, and not at all
 like i wanted it, the ruched one gives more shading to the silk. Is the
gold
 trim two much?
 What do you think?

 http://www.my-drewscostumes.dk/sofie3-35.htm

 Bjarne


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Re: [h-cost] What's your dressmakers dummy wearing today?

2007-04-30 Thread Sue Clemenger
Nothing.  Or everything. g
Okay...I don't *have* a dummy.  I *am*, however, working on some early 13th
century gowns for this summer though--a couple in linen, at least one in
wool, and a gardecorps.
--Sue

- Original Message -
From: Cin [EMAIL PROTECTED]
To: h-cost [EMAIL PROTECTED]
Sent: Monday, April 30, 2007 7:08 PM
Subject: [h-cost] What's your dressmakers dummy wearing today?


 I just love starting this thread... such interesting answers.
 --cin
 Cynthia Barnes


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Re: [h-cost] knitted garters (when) are they period?

2007-04-13 Thread Sue Clemenger
You do see evidence of what we now call garter stitch in the sixteenth
century, but I don't know that we have
a. any evidence that it was *called* garter stitch *in the 16th century* or
b. any evidence that it was *used* for garters at that time.  ;o)
I'd have to defer to those of you who specialize in later time periods than
I, which is where I'd suspect that we find more info on the use of various
knitted items for the lower limbs, as they become more common...
--Sue

- Original Message -
From: Carol Kocian [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Thursday, April 12, 2007 10:12 PM
Subject: Re: [h-cost] knitted garters (when) are they period?



 On Apr 13, 2007, at 12:05 AM, [EMAIL PROTECTED] wrote:
  (we're told that the garter stitch is called that because it was
  used for garters--can anybody verify this?)

   I heard that too, however garter stitch can be found as the
 treatment for hand-knit stocking tops.  I've heard the tops called
 welts and also garters, so I wonder if that's how garter stitch gets
 its name?

   -Carol


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Re: [h-cost]Canadian Smocking

2007-04-12 Thread Sue Clemenger
The strapwork on the sleeves, I'm guessing.  But I think it's actual
strapwork, and not smocking
--Sue

- Original Message -
From: Saragrace Knauf [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Thursday, April 12, 2007 7:27 AM
Subject: Re: [h-cost]Canadian Smocking


 What are you looking at on this picture?I don't see anything that
looks like smocking.  I see a lot of slashing??

 Sg
   - Original Message -
   From: otsistomailto:[EMAIL PROTECTED]
   To: Historical Costumemailto:[EMAIL PROTECTED]
   Sent: Wednesday, April 11, 2007 8:35 PM
   Subject: RE: [h-cost]Canadian Smocking



http://www.tudor-portraits.com/Elizabeth12.jpghttp://www.tudor-portraitscom
/Elizabeth12.jpg

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Re: [h-cost] knitted garters (when) are they period?

2007-04-12 Thread Sue Clemenger
I think you'd be better off with cloth garters.  I don't know of any extant
knitted garters from the 16th century (nor any references to them, off the
top of my head).
You could make the cloth garters out of strips of fabric, or make your
own--inkle weaving or some other type of narrow ware like tablet weaving
(still a known technique in the 16th century, but not as popular as earlier,
from what I've heard).  Or perhaps a really wide strip of fingerloop braid,
which would certainly be an appropriate technique.
The Eleanor of Toledo remains had strips of fabric associated with her
knitted silk stockings, but it is now held that those weren't garters as
much as they were meant to hold her legs together for the actual burial.
I seem to recall seeing garters that looked like fabric in some men's
portraits, rather than leather.
I've got some inexpensive garters for my 14th c. linen hose (made of
bias-cut fabric).  They're a simple, dyed twill, cotton ribbon.  Eventually,
I'll be making some using tablet weaving, though.
--Sue

- Original Message -
From: Elizabeth Walpole [EMAIL PROTECTED]
To: Historic Costume [EMAIL PROTECTED]
Sent: Thursday, April 12, 2007 8:03 PM
Subject: [h-cost] knitted garters (when) are they period?


 hello everyone, I'm planning to make a pair of cloth hose for 16th century
 wear but as I don't have the fabric for the hose themselves yet I thought
I
 would start with the garters. Everyone I've seen wearing these hose seems
to
 use leather garters but I can't afford to go out and buy that sort of
thing
 at the moment so I thought of knitting some garters to hold up my hose.
Does
 anybody know of evidence for knitted garters at any point in history but
 preferably the 16th century? I ask because at the moment I'm doing an
 experiment using cheap acrylic yarn that I had on hand (bought by my
grandma
 a couple of years ago) and if knitted garters are period at all I will
knit
 another set in wool, but if not I'll use the acrylic ones until I can
 replace them with leather.
 thanks,
 Elizabeth


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Re: [h-cost] Movie influences on fashion - shoes

2007-04-10 Thread Sue Clemenger
That's entirely possible--it had the look of a really good costume--nice
design, and whoever sewed it did a nice job as well (and fabric choice--some
sort of crisp cotton in a non-inappropriate color).  I'm not really familiar
with what's available, commercially, for children, though, so I couldn't say
for sure.  I've heard of the whole American Girl thing (dolls and books
and all), but that's about it.
--Sue

- Original Message -
From: Sharon Collier [EMAIL PROTECTED]
To: 'Historical Costume' [EMAIL PROTECTED]
Sent: Monday, April 09, 2007 9:43 PM
Subject: RE: [h-cost] Movie influences on fashion - shoes


 Was she perhaps wearing an American Girl dress, Felicity reproduction?

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
 Behalf Of Sue Clemenger
 Sent: Monday, April 09, 2007 6:40 PM
 To: Historical Costume
 Subject: Re: [h-cost] Movie influences on fashion - shoes


 Speaking of historical influences, when I was at brunch with friends this
 past Sunday, we saw the cutest little girl (7 or 8), wearing the most
 adorable child's version of an 18th century gown, complete with petticoat.
 The rest of the family was in ordinary good clothes, and she was in her
 best dress.  (Nicely done, too, from what I can tell without being an
expert
 in the time)
 --Sue


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Re: [h-cost] Movie influences on fashion - shoes

2007-04-09 Thread Sue Clemenger
Speaking of historical influences, when I was at brunch with friends this
past Sunday, we saw the cutest little girl (7 or 8), wearing the most
adorable child's version of an 18th century gown, complete with petticoat.
The rest of the family was in ordinary good clothes, and she was in her
best dress.  (Nicely done, too, from what I can tell without being an expert
in the time)
--Sue

- Original Message -
From: WickedFrau [EMAIL PROTECTED]
To: 'Historical Costume' [EMAIL PROTECTED]
Sent: Monday, April 09, 2007 4:30 PM
Subject: RE: [h-cost] Movie influences on fashion - shoes


 Irrespective of all that, I think it is cool to see the influence on
modern
 dress.  Complete accuracy aside, it is a fun discovery when you find
 something that may pass for a period shoe.

 Sg


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Re: [h-cost] Re: Back from Costume Con

2007-04-05 Thread Sue Clemenger
I've met you, and I wouldn't have known it was you, either, from the
photographs!
--Sue, who'd love to go to one of these things some day

- Original Message -
From: Robin Netherton [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Thursday, April 05, 2007 8:23 AM
Subject: Re: [h-cost] Re: Back from Costume Con


 My teenage son declared that he wouldn't have known it was me if he hadn't
 seen me come down the stairs in our own house. And several people who knew
 me didn't recognize me in goth getup at Costume-Con. That made me feel a
 little better about walking by so many other people I should have known!

 --Robin


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Re: [h-cost] Translation help

2007-03-28 Thread Sue Clemenger
I've seen both terms used, so neither statement strikes me as particularly
jarring.  Feel comes off a little more, uhm, casual? colloquial? while
hand sounds a bit more inclusive.  Although it may just be my reading of
the words, I'd think of feel as more of a texture reference, while hand
is texture and drape and heaviness
Of course, I'm typing all of this while heating my morning tea, so it's all
done pre-caffeine. ;o)  Don't hold me overly accountable if I don't make too
much sense, please!
--Sue

- Original Message -
From: Robin Netherton [EMAIL PROTECTED]
To: Historic Costume List [EMAIL PROTECTED]
Sent: Tuesday, March 27, 2007 6:53 PM
Subject: [h-cost] Translation help



 I need reactions from a sampling of avid readers of textile literature,
 and where better to find it than here?

 I'm editing a paper on textile analysis written by someone whose native
 language is not English. Some of the terms and idioms have come through a
 bit odd, and part of my job is to smooth it out so as not to jar the
 reader.

 The author is listing characteristics of fabric, including its appearance,
 handle, and properties. Obviously handle is the word that doesn't ring
 true here. My co-editor pencilled in feel. The fabric-user in me thinks
 hand, but perhaps that is not so well-understood a term.

 If you read either of these phrases in an article, would it pull you up
 short, or would it make sense to you?

 ...the properties, hand, and appearance of a finished fabric.

 ...the properties, feel, and appearance of a finished fabric.

 Other suggestions welcome. I don't think texture will work in context,
 because that turns out to be one of many factors in the handle.

 --Robin

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Re: [h-cost] rich man

2007-03-22 Thread Sue Clemenger
sigh, drool, drool, indeed! I think I'm in love!
--Sue, craving the blue/yellow lampas weaveonly $240/yd.

- Original Message - 
From: Bjarne og Leif Drews [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Thursday, March 22, 2007 1:35 PM
Subject: [h-cost] rich man


 If i were a rich man:
 http://tinyurl.com/3888jm
 
 Sigh droll droll
 
 Bjarne
 
 
 
 
 
 
 
 Leif og Bjarne Drews
 www.my-drewscostumes.dk
 
 http://home0.inet.tele.dk/drewscph/
 
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Re: [h-cost] Thread question fabric sale

2007-03-14 Thread Sue Clemenger
I'm guessing that it refers to threads twisted/plied to the left, or
counter-clockwise.  That would make them S-twist, I think.
--Sue, who had to pretend-ply to figure it out ;o)

- Original Message -
From: Cynthia J Ley [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday, March 14, 2007 8:07 PM
Subject: Re: [h-cost] Thread question  fabric sale


 Fibers can be spun in S twist or Z twist, but I forget which is which.

 Arlys

 On Wed, 14 Mar 2007 13:15:12 -0400 Kate Pinner [EMAIL PROTECTED]
 writes:
  A colleague of mine was cleaning out some of his grandfather's stuff
  (he
  was a furrier)and brought me 2 cones of New Bedford Thread Co.
  thread,
  #90 left twist. It is wonderful stuff! What does left twist mean?


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Re: [h-cost] Returning to h-cost

2007-03-05 Thread Sue Clemenger
Welcome back!
I've seen stuff on leading strings in one of my (very few) books on 18th
century costuming for reenactors, but nothing for earlier time periods,
outside of those embroidered bands in the book on the embroidery of Mary
Stuart.
There was a recent thread concerning children's clothing and patterns--I'm
pretty *sure* it was on this list.  Burda as the manufacturer, maybe? It's
not something I saved, or paid too much attention to, so hopefully someone
can give you more details
--Sue in Montana

- Original Message -
From: Rebecca Schmitt [EMAIL PROTECTED]
To: 'Historical Costume' [EMAIL PROTECTED]
Sent: Monday, March 05, 2007 10:08 AM
Subject: [h-cost] Returning to h-cost


 Hello all!

 I am Rebecca and am returning to H-cost after a leave of absense due to
 child-rearing :) I signed off a bit over a year ago for childbirth, and
 figured toddlerhood was a good time to go back to something that might
help
 me keep my sanity (or lose even more of it - whichever feels better at the
 time :)

 I do mostly Elizabethan, and am on cast at the Bristol Renn Faire. Being
out
 of the loop for awhile, I'm wondering if any children's patterns have come
 on the market in the past year? Aforementioned toddler will need clothing
 for this season. Also, if anyone has good information on leading
 strings...toddler will be ~20 months when season starts, and we work
around
 an open fire, so I want to be able to have control of him at all times.
 Leading strings seemed to be a good start :)

 ***
 Rebecca Schmitt
 aka Agness Cabot, Guilde of St. Lawrence
 Bristol Renaissance Faire


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Re: [h-cost] silk jersey knit

2007-02-25 Thread Sue Clemenger
ProbablyI don't do gentleman's clothing (or 18th century, although I
dream of some day having a gown or two), but I'd think that the silk knit
would do fine.  I know that, during the period about which I know the most
(16th c. England), there were both knitted and woven-cloth hose, so if I
were going to use something like silk jersey, I'd probably base them on
extant examples.  You might have to play with bits of it, to test for
stretch, etc.  Silk's not the most resilient of fibers, and I've never had
any that was knitted as fine as a jersey, so I don't know how the
non-stretchy silk and the stretchy knit construction would interact around
your ankles, etc.  I'm determined to make myself a pair of Eleanor
stockings some day, and I haven't been in a yarn store, yet, that hasn't
tried to talk me out of doing 100% silk--most recommend a blend, without
understanding the whole recreationist thing
--Sue in wintery Montana, where she's given up on Spring, and *bought*
herself a pot of blooming crocus this afternoon

- Original Message -
From: Bjarne og Leif Drews [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Sunday, February 25, 2007 12:06 PM
Subject: [h-cost] silk jersey knit


 Hi,
 Found out James Hare has silk jersey and i wondered do you think i could
sew
 gentlemens stockings from this?
 18th century?

 Bjarne


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Re: [h-cost] what is your favorite magazine?

2007-02-21 Thread Sue Clemenger
Well, Harper's, but that's not an inspiration-source for
costuming/needlework, etc., so I'd have to say I really enjoy the following:
Piecework (especially the older ones)
SpinOff
Handwoven
and Knitty (which is electronic format)
Threads is good, too, but I don't have too much of a use for that sort of
thing, so I don't purchase it.
--Sue

- Original Message -
From: Chiara Francesca [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Wednesday, February 21, 2007 7:59 AM
Subject: [h-cost] what is your favorite magazine?


 After reading Bjarne's email about the embroidery magazine I started
 thinking about what all is out there that we actually purchase for
 ourselves and for inspiration when it comes to embroidery, costumes,
 design, or just plain relaxation.

 What magazines do you all purchase whether or not you have the time
 to actually read them right there and then?

 For me this would be Threads: http://www.taunton.com/Threads/

 I really have not had time to get any others lately but still am
 interested in what is out there that is actually being purchased
 cause there are just tons out there! :)

 Chiara

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Re: [h-cost] 2,6 oz silk taffeta

2007-02-19 Thread Sue Clemenger
I'd think so, Bjarnethe handkerchief linen I use for shifts and veils
is 3.1 oz, and it's fairly light.  A little more substantial than my ideal
(for handkerchief linen), but considered lightweight, nonetheless.
--Sue in Montana
- Original Message -
From: Bjarne og Leif Drews [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, February 19, 2007 6:48 AM
Subject: [h-cost] 2,6 oz silk taffeta


 Hi,
 Could someone help me out with this. A silk taffeta with the weight of 2,6
 oz would that be a very light thin silk taffeta?

 Thanks in advance

 Bjarne





 Leif og Bjarne Drews
 www.my-drewscostumes.dk

 http://home0.inet.tele.dk/drewscph/


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Re: [h-cost] historic academic robes

2007-02-07 Thread Sue Clemenger
Alcega? ;o)
Seriously, though, if you're thinking regular commercial pattern, I really
haven't seen anything out there that might qualify as a pattern for academic
robes.  Doesn't mean it's not out there, just that I, myself, haven't seen
it.
Good luck, though, and congrats on graduating!
--Sue

- Original Message -
From: Althea Turner [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Tuesday, February 06, 2007 9:37 AM
Subject: [h-cost] historic academic robes


 hello all,
 I've gotten permission to make my own cap, gown and hood for my
 graduation this June.  I would like to use the Alcega scholar's robe,
 or something similar.  Does anyone know of a good source for
 patterns?  Thank you!


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Re: [h-cost] anglaise??

2007-02-06 Thread Sue Clemenger
Something in an English style, or something (an accessory?) associated
especially strongly with the English?
--Sue

- Original Message -
From: Kate Pinner [EMAIL PROTECTED]
To: 'Historical Costume' [EMAIL PROTECTED]
Sent: Tuesday, February 06, 2007 4:08 PM
Subject: [h-cost] anglaise??



 Anybody know what an anglaise is?  The quote from Woyzeck (written by
 Beuchner in 1836) has him talking to a Captain '...if I were a proper
 gentleman with a watch and an anglaise '...

 Kate




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Re: [h-cost]Colour names, was Need Help

2007-01-26 Thread Sue Clemenger
I'm American, as well, and, like Patty, always thought of ultramarine as a
slightly greenish darkish blue (like a bright navy with a hint of green to
it).  If I remember to put aubergine through my mental translation
program, and think oh, yeah...that's equivalent to eggplant, I wouldn't
think of it as anything but a really strong, dark purple.
Dunno about the generational thing--maybe the yahoos who are coming up with
new names for next season's in colors are running out of ideas? ;o)
--Sue

- Original Message -
From: Rickard, Patty  [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Friday, January 26, 2007 7:58 AM
Subject: RE: [h-cost]Colour names, was Need Help


 American here - ultramarine was strong darkish slightly greenish blue
 for me -when I was a girl - maybe a generational, not national, thing?

 Patty

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
 On Behalf Of Suzi Clarke
 Sent: Friday, January 26, 2007 4:22 AM
 To: Historical Costume
 Subject: Re: [h-cost]Colour names, was Need Help

 At 09:06 26/01/2007, you wrote:


 Kate Bunting
 Librarian and 17th century reenactor
 
   Lavolta Press [EMAIL PROTECTED] 26/01/2007 02:58  wrote:
  Bear in mind that the meanings of many Victorian color names changed
  from fashion season to fashion season; and also, different, trendier
  names were often applied to the same old colors.
 
 I find this is still true. Here in the UK aubergine is usually a dark
 purple (the colour of what you Americans call eggplants), but in a
 recent catalogue I've seen the name applied to a lighter
 pinkish-purple.

 I was buying cotton thread yesterday, and the mauve/purple/paler
 aubergine thread was called Ultramarine. Now when I was a girl, as
 they say, ultramarine was a strong darkish bright blue. My American
 companion said that the purple-ish colour was a colour/name
 association she knew - I didn't!

 Suzi


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Re: [h-cost] As a courtesy .. .. ..

2007-01-21 Thread Sue Clemenger
She actually spammed a bunch of lists I'm on with this, and I don't know
that *any* of them were exclusively SCA
I'd have just deleted them, but I get those lists as digests
--Sue, working on ideas for weaving her own belt for a Norman gown

- Original Message -
From: Diana Habra [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Sunday, January 21, 2007 3:27 PM
Subject: Re: [h-cost] As a courtesy .. .. ..


 With all due respect, your announcement is off-topic.  Let's stick to
 costuming-related items, please :~)

 Diana


  Unto my friends and all the noble and gentle folk to whom this message
  comes, Greeting and Salutation.
 
  Let it be known amongst the Land, that as of this day 20 Ianuarii , I,
  until now known as Norayn of The Wood, from the great lands of the
Kingdom
  of Atlantia ,shall henceforth be known as Vederun (Frederun),in
conformity
  with the rules and usages of the Current Middle Ages.


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Re: [h-cost] man's coat

2007-01-18 Thread Sue Clemenger
That is very cool! It reminds me a *lot* of the stuff that Bjarne does!
--Sue

- Original Message - 
From: otsisto [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Thursday, January 18, 2007 2:44 AM
Subject: [h-cost] man's coat


 Thought some would like to see this.
 http://www.vintagetextile.com/new_page_32.htm
 
 De


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Re: [h-cost] Re: Help finding an article?

2007-01-16 Thread Sue Clemenger
I've got a photocopy in my stash somewhere
--Sue, blissfully lucky to know some *very* good librarians;o)

- Original Message - 
From: Catherine Kinsey [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, January 16, 2007 12:04 PM
Subject: [h-cost] Re: Help finding an article?


 Quoting Genie Barrett [EMAIL PROTECTED]:
 
  Hello All,
 
  I am trying to find a copy of Janet Arnold's copy of: Elizagethan
 and
  Jacobean Smocks and Shirts that is in Waffen-und Kostumkunde Pt. 2
  (1973) pp. 109-124.
 
  Is there anyone out there that might have a copy?  I need it for a
 bit
  of research I'm doing and, like usual, I am rather late in doing the
  research so can't ILL it.
 
 
 Don't have the journal, but my University generally gets stuff to me  
 in about a week.  I know that different libraries are different --  
 want me to try and get it for you?
 
 susan
 -
 
 Wait, I may have access to it elsewhere.  I'll let you know if I still
 need it.
 
 Thanks,
 Maggie 
 --
 
 Great minds are running down the same track!  This has been one of the
 few things my local ILL has failed to find for me so if anyone does have
 it, I would really appreciate a copy.
 
 Thanks!


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Re: [h-cost] Appearance of ladies' houpelandes???

2007-01-12 Thread Sue Clemenger
Thanks for the reminder on the terminology g.  It's awkward sometimes,
switching back and forth between terms used in a given period, and terms
used now, let alone oddities like garb that are subgroup specific.  ;o)
What I've been finding, graphically, certainly supports what you're saying.
I'm seeing bits and pieces in various texts (costuming books, mostly) that
mention the appearance of pleated gowns/houpelandes in men, earlier than in
women.  And I remember you talking in one of your lectures about wearing a
proper fitted gown as an underlayer for a houp.  Since, eventually, I'll
actually be making clothing appropriate for my SCA persona, who wears
English styles of the mid-late 1300s, I'm trying to pin down when houps
first appeared as feminine apparel, and in what forms.  I want to be able to
give myself more options than just a kirtle/fitted gown-and-surcoat
combination.  A couple of shifts, a couple of undergowns, and a couple of
options for the outer layer, ideally.  (Plus accessories, headgear, etc., of
course.)
I've got a friend with some books that have images of brasses--I'll check
those out.  Mostly what I've got, myself, is a moderately bad reprint of the
Tres Rich Heures, which I'll use if I have to;o)
--Sue

- Original Message -
From: Robin Netherton [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Thursday, January 11, 2007 10:01 PM
Subject: Re: [h-cost] Appearance of ladies' houpelandes???


 I've seen them in English brasses from the 1390s or so, but most of the
 manuscript images I can think of are 1400-1430.

 Be aware, too, that in the 1380s and 1390s you see some gowns that look
 like early versions of what we call houppelandes now -- full in the body
 but not quite so full as later, high neckline or a bit of a collar but not
 the very tall ones yet, fairly narrow but not tight sleeves that haven't
 yet grown into the big bells or bags. The transition is gradual, so it's
 hard to point to a moment when the gowns officially qualify as
 houppelandes, and probably most of the people at the time called them
 all gowns (or their language's equivalent of that word) anyway.

 --Robin


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[h-cost] Appearance of ladies' houpelandes???

2007-01-11 Thread Sue Clemenger
I'm in the early stages of thinking about undertaking a houp...like, in a
year or so, predicated, of course, on the theory that I'll actually have
built the correct garments to go *underneath* by then! ;o) I've been
wondering, though...when did they first start showing up as being worn by
women? I'm specifically interested in the earlier styles
--Sue, in a sunny-but-cold Montana winter (brrr...darned good time to stay
in and look through costuming books, and peruse fabric stash.)

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[h-cost] OT? Firefly/Serenity costumes....

2007-01-09 Thread Sue Clemenger
Hope this is okayH-costume being the only relatively-general costume
list I'm on.
Has anyone out there ever done anything with the costumes from either the
movie or the series? For some reason, the recent thread about hall costumes
for CostumeCon, combined with a recent Serenity marathon, has created this
odd urge to make something...different.  Something that would look good
under a brown coat.  Oh, and a brown coat, of course.
I think it would be a lot of fun to play with the combinations of western,
chinese, and futuristic style elements
--Sue, also feeling a craving for something from Middle
Earth.*sigh*..I don't have enough time as it is! ;o)

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Re: [h-cost] CostumeCon and projects

2007-01-06 Thread Sue Clemenger
That sounds like it would be an eye-watering match to my
long-planned-never-made Tequila Sunrise fitted gown.  Hot pink/fuchsia
wool gown (lined in matching hot pink linen), with a surcoat in tangerine
orange velvet.  I believe I have enough fuchsia-purple to do an optional
overgown, if'n I wanted.  ;o)
--Sue, tied to local (SCA) obligations in March, so no CostumeCon for her
;o(
- Original Message -
From: Suzanne [EMAIL PROTECTED]
To: h-costume h-costume@mail.indra.com
Sent: Friday, January 05, 2007 5:34 PM
Subject: [h-cost] CostumeCon and projects


 Answering more than one question at once:

 Yes, I plan on going to CostumeCon.  Mostly for the Netherton
 sequence  ;-)  but what the heck, might as well stay for Sunday,
 too.  Since I've never gone before, what do I need to know ahead of
 time?  Costuming is a hobby, not my profession, so I'm a little
 worried about how I'll fit in.  Like, what's a hall costume??!?
 I'm assuming that we all wear our stuff all the time but that you
 keep the competition main entries under wraps until the last minute,
 so anything else is a hall costume... is that about right?

 And because of CostumeCon, I've bumped the orange Italian Ren aka
 Hobby Lobby Florentine (no spinach, just cabbage) to the top of my
 list of projects to complete this year.  For the Sunday ORANGE hall
 costume contest.


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Re: [h-cost] The bead-net dress (was: movie costumes--Egyptian)

2007-01-06 Thread Sue Clemenger
Try Fire Mountain Gems, maybe? They're in Oregon, but I know that they do
mail order
--Sue

- Original Message -
From: Catherine Olanich Raymond [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Friday, January 05, 2007 11:00 PM
Subject: Re: [h-cost] The bead-net dress (was: movie costumes--Egyptian)


 On Friday 05 January 2007 8:33 pm, LuAnn Mason wrote:
  Dental floss would be one option, but ever since I discovered kevlar
  beading thread, I haven't used dental floss again.  The kevlar is nice
and
  thin like regular thread, cuts easily, and doesn't fray like dental
floss.
  Just an alternative

 Never heard of the stuff, but it sounds like it's worth a try!  Where does
one
 buy it?


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Re: [h-cost] velvet question

2007-01-04 Thread Sue Clemenger
I haven't heard of the Egyptian piled fabric, but as far as I know, velvet
was invented well *after* the Viking Age, so no velvet Viking poofy pants!
;oD
--Sue

- Original Message -
From: otsisto [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Thursday, January 04, 2007 2:38 PM
Subject: [h-cost] velvet question


 On a Norse list some people are trying to find out whether velvet or
velvet
 like material was around during the Viking age.
 There is something about Egypt having a pile type fabric but someone send
 that it was totally different from velvet.
 So does anyone have the skinny on the subject?
 Thank you,
 De


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Re: [h-cost] 2007

2007-01-04 Thread Sue Clemenger
I do remember, although mostly I remember you talking about silk fabric and
how it works with the whole GFD engineering ideas.  You actually showed us
a couple of different ones, including one that was wool in some sort of
diamond pattern? (foggy memory on the details).
--Sue, who is going to be dabbling in the 13th century this year, and if she
still fits into her GFD pattern, will be making one of those.  Finally.  ;o)

- Original Message -
From: Robin Netherton [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Thursday, January 04, 2007 1:42 PM
Subject: Re: [h-cost] 2007



  When thinking realistic, what do you think you will finish of
  historical costumes in 2007?

 I don't do much sewing these days, but I have a few must-do projects for
 the next few months. I have been dieting for health reasons, and after
 dropping 18 pounds have found that the Gothic fitted dress I use for my
 lectures is now too large for my new figure. I would like to re-make it
 before I speak at CostumeCon at the end of March. In a pinch I can wear my
 last lecture dress, about a decade old now, which once again fits me, but
 it is not ideal, as it is silk, and I like to demonstrate the effects of
 wool, which was historically more typical. (Sue C. will remember the silk
 dress as the one I wore in Boise.)


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Re: [h-cost] movie costumes

2007-01-03 Thread Sue Clemenger
See, for me, it wouldn't have been convincing at all, given the (to me)
obvious visual clues.  We'll all pick up on different things, depending on
our levels of interest/expertise, etc.  I'm betting that most people in the
intended audience of the movies discussed earlier in the thread would have
the same reaction to peasants in burlap as you do to an Egyptian queen
wearing clothing centuries, if not actual millenia, out of date.
--Sue

- Original Message -
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, January 02, 2007 10:40 AM
Subject: Re: [h-cost] movie costumes



 In a message dated 1/2/2007 7:52:42 A.M. Eastern Standard Time,
 [EMAIL PROTECTED] writes:

 Not if what she was wearing was obviously knitted.  That's a  humongous
 boo-boo, right there.

 

 Well it may have been crocheted...or just knotted in some waybut you
get
 the idea. I'm remembering, or trying to, something from long  ago.

 *

  Also, the color of the gown sounds really wrong--is
 there any  evidence of linens being dyed in Egypt at that time?


 **


 Good question. But in this case, I don't care. This was TV... a movie,
not a
 museum piece. And she still looked great and totally convincing. It's
 Potiphar's wife y'know. She doesn't even have a name as far as I know. And
he  was
 sexy and seductive, as per her theatrical purpose. It was beautiful!






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Re: [h-cost] movie costumes

2007-01-03 Thread Sue Clemenger
Did I *ever* say, or intimate that Egyptians were primitive? Huh? Wherever
did you get *that* idea? I asked if there was any evidence of *linens* being
dyed *at that time.*  Linens are notoriously difficult to dye using natural
dyes.
Good grief.
--Sue

- Original Message -
From: otsisto [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Tuesday, January 02, 2007 1:04 PM
Subject: RE: [h-cost] movie costumes


 The Coptic's had a form of needle knitting and to my understanding a form
of
 macramé' was known in Egypt. They also knew how to dye their fabrics.
 This is a start.
 http://www.touregypt.net/featurestories/fabrics.htm
 http://africanhistory.about.com/od/hieroglyphs/a/ColorTech.htm

 What makes you think that they were so primitive as to not know how to dye
 fabrics?
 De

 -Original Message-
 Not if what she was wearing was obviously knitted.  That's a humongous
 boo-boo, right there.  Also, the color of the gown sounds really wrong--is
 there any evidence of linens being dyed in Egypt at that time?
 --Sue


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Re: [h-cost] movie costumes

2007-01-03 Thread Sue Clemenger
You mean nalbinding? I don't believe there's any evidence of it being used
for larger items of clothing, such as dresses.  I know of socks, and a hat.
No dresses.
--Sue

- Original Message -
From: Carolyn Kayta Barrows [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Tuesday, January 02, 2007 12:18 PM
Subject: Re: [h-cost] movie costumes


  Not if what she was wearing was obviously knitted.  That's a  humongous
  boo-boo, right there.

 The Coptic people did a thing that looked a lot like knitting.  Is this
 movie example something so far off?


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Re: [h-cost] name of a hat?

2007-01-03 Thread Sue Clemenger
DunnoI've always heard them referred to in informal terms--coffee filter
hat, pie-crust hat, etc., depending on the particular style.  You might look
at the hat section in Cynthia Virtue's website--I recall seeing hat-ish
stuff there in the past.
--Sue
- Original Message -
From: Julie [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, January 02, 2007 5:47 PM
Subject: [h-cost] name of a hat?


 What is the correct name of the medieval hat commonly referred to as the
coffee filter hat?  It looks like a sailor's hat without any crown and
usually involves a chin strap and a hair net.

 I finished one over the holidays.  Looks pretty good but I don't know what
to call it so I can turn it in as an arts project GG

 Julie

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Re: [h-cost] movie costumes

2007-01-03 Thread Sue Clemenger
A beaded/netted overgown? How cool is that? ;o) I hadn't heard of that
intriguing garment, so thanks to you and the other poster who mentioned it.
I can see now why the designers of AlbertCat's movie might have tried to
imitate it.
--Sue

- Original Message -
From: Heather Rose Jones [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Tuesday, January 02, 2007 9:34 PM
Subject: Re: [h-cost] movie costumes



 On Jan 2, 2007, at 5:00 AM, Sue Clemenger wrote:


  Not if what she was wearing was obviously knitted.  That's a humongous
  boo-boo, right there.  Also, the color of the gown sounds really
  wrong--is
  there any evidence of linens being dyed in Egypt at that time?
  --Sue
 

  From the description, it sounds like it might have been inspired by
 a surviving Egyptian bead net dress -- a very open network made of
 threaded beads.  The one I'm thinking of is basically a tubular
 sheath with shoulder straps and at the bottom hem it has a fringe
 of dangling flower-shaped beads.  _Might_ -- I'd have to see the
 original to know if the suspicion holds up.  There's a rather dark
 photograph of the item I'm thinking of about halfway down the page at:

 http://www.thekeep.org/~kunoichi/kunoichi/themestream/sexuality.html

 Heather


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[h-cost] 1870s buttons....

2007-01-03 Thread Sue Clemenger
I have a question for you 19th century types, born out of completely idle
curiosity.  This Christmas, I was given a lovely bracelet comprising
different buttons from the 1870s.  They are all about 1/2 inch in diameter,
and have surprisingly complex and lovely designs in them.  They are made of
cut steel and brass, with occasional tiny flecks of what looks like
marcasite, and are fairly hefty in weight for their size (because of the
metal, I'm guessing).
What on earth would something like that have been used on? The garment
fabric would have to be pretty substantial to not deform or tear from the
weight
--Sue in Montana

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Re: [h-cost] movie costumes

2007-01-02 Thread Sue Clemenger
Not if what she was wearing was obviously knitted.  That's a humongous
boo-boo, right there.  Also, the color of the gown sounds really wrong--is
there any evidence of linens being dyed in Egypt at that time?
--Sue

- Original Message -
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, January 01, 2007 10:07 PM
Subject: Re: [h-cost] movie costumes


 In the one about Joseph, Potiphar and his wife look fantastic! If I
 remembershe was in a sheer coral red crinkled gauze shift to her  feet
that had a
 turquoise knitted over dress, very open in its working,  that made the
whole
 thing appear like a coral and turquoise  geometric patterned tube that
clung
 tightly to the body. The naked  body showed thru the bright gauze and the
open
 work knitted shift had bits  of gold bobbles worked into it...and it ended
in
 tied tassels at her  ankles. She wore that familiar wig, like a big hair
helmet
 with hammered gold  leaves that dangled and shimmered all over it. The
dark
 cole eyes and red  lipsshe looked like she stepped off a Pyramid
wall!


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Re: [h-cost] Christmas gift exchange

2006-12-27 Thread Sue Clemenger
Hmmma nifty place to stop at, if I ever get stuck visiting
relatives(my Mom grew up in Bridgeport.)
--Sue

- Original Message -
From: Ruth Anne Baumgartner [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Wednesday, December 27, 2006 3:00 PM
Subject: Re: [h-cost] Christmas gift exchange


 The shop is called (creatively) Discount Fabrics. He's on the
 northern end of Main Street in Bridgeport. My phone book says 4198
 Main, but he moved from one shop to another this summer and I'm not
 sure if this is the old address or the new address (several blocks
 apart). The phone number is 203-373-1025 (I assume that wouldn't have
 changed). I'm embarrassed to say I don't know his name!
 The shop is maybe a mile (maybe less) straight down from the Main
 Street exit off the Merritt Parkway, on the eastern side of the
 street. Harder to get to off I-95 but not impossible.

 --Ruth Anne

 On Dec 27, 2006, at 4:14 PM, Beth Chamberlain wrote:

  Could you share his name  address, the shop that is. I'm on Long
  Island and
  my boyfriend is in Massachusetts so I drive by Bridgeport
  constantly. Not
  that I really need more fabric, trim, or anything else!
 
  Beth
 
  -Original Message-
  From: [EMAIL PROTECTED] [mailto:h-costume-
  [EMAIL PROTECTED] On
  Behalf Of Ruth Anne Baumgartner
  Sent: Wednesday, December 27, 2006 2:04 PM
  To: Historical Costume
  Subject: Re: [h-cost] Christmas gift exchange
 
  He's in the north end of Bridgeport, CT. I've been telling him he HAS
  to go online, but so far he hasn't. He's kind of a shy man. Anyway,
  last week I did get him to promise maybe in the new year for a
  website.
 
  It's a mill-end shop, so the stock varies, but he has gorgeous
  silks (including dupioni) and linens, both 100% and various blends,
  and a great variety of trims. (Plus of course cotton prints,
  sequinned and embroidered fancy fabrics, fake furs, muslin in every
  width known to wo/man, etc. etc.) Prices are very good generally. I
  just succumbed to 3 yards of upholstery fabric in what the Crayola
  crayon company used to call Prussian blue with a brocade design of
  squares filled with Jacobean-style flowers alternating with a lattice
  pattern, tones of gold and rose. Sixty inches wide. $10 a yard. I
  didn't ask re fiber content, but it's got a very good hand and soft
  sheen--and the back, being primarily those rose tones, is almost
  pretty enough to show off on its own. Putting this on my livingroom
  futon would upgrade my whole home--but maybe I'll upholster MYSELF in
  it rather than my couch!  Also got a yard of Czech rhinestone
  beading, $12.50--so far, just to look at! And what I bought two yards
  of and STAYED IN MY H-COST SANTA LIMIT is I think remarkable.
  His wife is Indian and he is from one of the Arab countries, and
  occasionally they also have scarves and pashminas, if they've
  recently taken a little trip to see their folks.
 
  Hop on a plane and come see me, Kimiko, and we can wallow around.
 
  --Ruth Anne
 
 
 
  On Dec 26, 2006, at 11:52 PM, Kimiko Small wrote:
 
  Alright Ruth Anne, where is this fabric store, and can we get there
  online? Do share anyways even if a physical store only, as I'm
  collecting good store recommendations.
 
Kimiko
 
 
  Ruth Anne Baumgartner [EMAIL PROTECTED] wrote:
  I went to my favorite discount
  fabric store to shop for my partner's gift--he has gorgeous trims
  that are remarkably affordable--
 
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Re: [h-cost] Re: Christmas gift exchange

2006-12-26 Thread Sue Clemenger
Okay, with a hint like that, you just gotta tell us what the dye substance
was, or we'll just *DIE* of curiosity! ;o)
--Sue

- Original Message -
From: Genie Barrett [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Tuesday, December 26, 2006 1:35 PM
Subject: Re: [h-cost] Re: Christmas gift exchange


 At 01:32 AM 12/25/2006, you wrote:

 Reading some of these marvelous descriptions of gift packages, I'm amazed
 that they fit in the prescribed $10-$15 range! I think some of our
 talented listmembers undervalued their abilities ;-)
 
 I'm so dull. Two years now I have sent fabric. But very nice, useful
 fabric.
 
 --Robin


 I'm like you, Robin, I just sent one thing Music.

 But I love the hand died wool I got from Debbie Lough!  I just have
 to think of the right sort of embroidery to use it on.
 And no, Debbie, I wasn't offended by what was used to make that
 lovely yellow. GRIN

 Happy Holidays to all... And a very happy New Year!
 Genie Barrett

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Re: [h-cost] Re: Christmas gift exchange

2006-12-26 Thread Sue Clemenger
Cool!  I've wanted to do a fermented indigo vat, at least one version of
that involving a similar substance, but don't have the space/place for it,
given the odiferous results.  I live in a house chopped up into apartments,
and I'm pretty sure the neighbors wouldn't care for it! ;o)
I haven't heard of using pee with weld, though...I wonder how the change in
pH affects the weld?
--Sue, occasional dabbler in natural dyes

- Original Message -
From: Genie Barrett [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Tuesday, December 26, 2006 2:09 PM
Subject: Re: [h-cost] Re: Christmas gift exchange


 At 02:54 PM 12/26/2006, you wrote:
 Okay, with a hint like that, you just gotta tell us what the dye
substance
 was, or we'll just *DIE* of curiosity! ;o)
 --Sue


 Oh fine

 GRIN

 and I quote...

 Weld and piss

 Genie


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Re: [h-cost] 1450 - pregnant?

2006-12-24 Thread Sue Clemenger
If I recall correctly, through the mists of time and cold medicine ;o), I
remember you pointing out (at the workshop in Boise) that the different
silhouettes we were coming up with during the fittings were appropriate to
different decades/time periods.  The one I got, which was a smoother,
rounded, slightly lower version, was, I *think* a slightly older style than
that achieved by the younger/slimmer/perkier types.  Suits me just fine,
though--with the size of my chest, something really perky gives me a
horizontal shelf right below my chin!
I don't remember you talking much about the skirt fullness, although the
weekend was so chock-full of details and bits, that I may just have missed
it.  Do the skirts getting increasingly full as the decades pass, or less
so?
I'm grumpy, though...I've misplaced my fitting shell.  I'm really keeping my
fingers crossed that it's in the storage unit.  I will be almightily peeved
if it's not--there's no one here with the right skills to help me make
another one!
--Sue in Montana, up late listening to Bach's Christmas Oratorio, and
waiting for the tea water to boil (Happy Christmas, Everyone!)

- Original Message -
From: Robin Netherton [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Sunday, December 24, 2006 10:33 AM
Subject: Re: [h-cost] 1450 - pregnant?


 I should note that the term GFD seems to be applied much more broadly
 these days than I ever intended when I began lecturing on the Gothic
 fitted style 20+ years ago. I suppose that's unavoidable, but I do want to
 clarify that the cut of supportive gowns does change over time, and the
 cut that I'm identified with does not cover all of that larger period.
 When I lecture on this, I try to make clear that I bookend the
 construction approach I describe to be from roughly 1350-1450, peaking at
 around 1400 (and I outline a number of changes within that period,
 particularly in bust height, skirt fullness, and the degree of curve in
 the silhouette).


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Re: [h-cost] re: The other Boleyn girl

2006-12-22 Thread Sue Clemenger
(also whispering)
Me, either...so you're not alone
--Sue, ignoring the enormous pile of packages she needs to wrap

- Original Message -
From: Dianne  Greg Stucki [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Friday, December 22, 2006 2:52 PM
Subject: RE: [h-cost] re: The other Boleyn girl


 At 01:19 PM 12/22/2006, you wrote:
 As for the novel itself, it was disappointing, but the Constant
Princess
 made me nuts. It was so PC! And it had no end-- it ...
 ...snip...
 ... person and the narritive. UGH. The only person I have
 ever seen do that well is Diana Gabaldon. Now that woman can write!
 
 Oh, yeah!  Preach it, sister!  Any news on The Next Book?
 
 susan


 (dons flameproof suit)

   (whispering)Can't stand Diana Gabaldon either...

 Dianne


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Re: [h-cost] Even Weave Fabric

2006-12-20 Thread Sue Clemenger
It sounds like she's asking for fabric that's specially woven for use in
Hardanger embroidery (the pairs of threads is a good give-away).  Depending
on where you are located, you should be able to find it in packets at your
local Michael's or JoAnn's.  Come to think of it, I think my local JoAnn's
may have it by the yard.
You might also try googling for Hardanger fabric.
--Sue

- Original Message -
From: Elisabeth Doornink [EMAIL PROTECTED]
To: 'Historical Costume' [EMAIL PROTECTED]
Sent: Tuesday, December 19, 2006 2:26 PM
Subject: [h-cost] Even Weave Fabric


 My mother has requested even weave fabric for Hardanger Embroidery (a
 Norwegian form of drawn thread work and counted thread white work
 embroidery). I haven’t been able to locate any besides the tremendously
 overpriced stuff at a local Scandinavian shop. This isn’t the cross stitch
 stuff, but is woven with a pair of threads, instead of the large basket
 weave.  Does anybody know where I could buy this?


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Re: [h-cost] Oh boy oh boy

2006-12-12 Thread Sue Clemenger
Which that sound is it making?
And Happy Chanukah, by the wayWhen my gift arrives, I'm going to save it
until the 21st (Yule).
--Sue
- Original Message -
From: Robin Netherton [EMAIL PROTECTED]
To: Historic Costume List [EMAIL PROTECTED]
Sent: Tuesday, December 12, 2006 12:28 PM
Subject: [h-cost] Oh boy oh boy



 My holiday exchange gift just arrived. I haven't yet opened it, but I know
 roughly what it is -- only one thing in the world makes *that* sound when
 you shake it.

 Friday is the first night of Chanukah, which is my family's holiday, so
 I'm going to open it then, so there. I want it right now!

 --Robin

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Re: [h-cost] Re: striped skirt

2006-12-11 Thread Sue Clemenger
Au contraire! There's a huge amount of difference between the two--just ask
any skilled spinner, and many weavers and knitters as well.  The original
processing of the fiber is different, the spinning methods are different,
the end results are different.  Fineness has little to do with it--I'm
actually in the middle of spinning some laceweight singles out of
hand-carded targhee, and I'm deliberately spinning them with a woolen
technique.
--Sue

- Original Message -
From: monica spence [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Monday, December 11, 2006 10:09 AM
Subject: RE: [h-cost] Re: striped skirt


 Yup. Thanks for the post. That is the kind of thing I was remembering.

 Worsted vs woolen-- pretty funny, since both are wool. Worsted is just a
 fine spun wool.
 Monica


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Re: [h-cost] Forgive me, for I have sinned...

2006-12-10 Thread Sue Clemenger
Nope.  In my defense, I not only have the IRS on my butt about not filing my
2000 tax return, but I just finished collecting 2 years' worth of financial
information for a review of the books for my local SCA group.  I haven't had
time to do much more than blink, feed the cats, and sleep.
The thing I'm making for my secret person will be in the mail just as soon
as I can possibly get it--and before the 25th, come hell or high water.
--Sue, slinking off to go burn some midnight oil working on ??? ;o)
- Original Message -
From: Robin Netherton [EMAIL PROTECTED]
To: Historic Costume List [EMAIL PROTECTED]
Sent: Saturday, December 09, 2006 2:30 PM
Subject: [h-cost] Forgive me, for I have sinned...



 My h-cost gift exchange package has not yet gone out. It was supposed to
 be out yesterday. It is all ready and packed and will be in the mail
 Monday.

 Bet I'm not the only one.

 --Robin

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Re: [h-cost] not getting mail

2006-12-10 Thread Sue Clemenger
I didn't get any all weekend, and then a whole bunch of them all this
evening (after 5 p.m.), starting back from Friday morning.  Must have been
some sort of glitch, although I'd just figured it had been a quiet
weekend
--Sue
- Original Message -
From: Katy Bishop [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Saturday, December 09, 2006 7:39 AM
Subject: [h-cost] not getting mail


 I am not getting any h-costume mail, got almost none yesterday (just
 one at 4AM), just testing to see if I get this.

 Katy


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 --
 Katy Bishop, Vintage Victorian
 [EMAIL PROTECTED]www.VintageVictorian.com
  Custom reproduction gowns of the Victorian Era.
   Publisher of the Vintage Dress Series books.
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Re: [h-cost] Re: striped skirt

2006-12-06 Thread Sue Clemenger
Applied? Really? I hadn't ever thought of that as an option--figured it was
either woven in, or fabric sewn in strips, like the later one of Lucretia?
(green/gold with stripes of varying widths), which is definitely religious.
I wonder if it was a regional style or something
--Sue, who thinks maybe her memory is out partying somewhere with Bella's,
'cuz it's certainly not here at home where she can use it!
- Original Message -
From: Bella [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Tuesday, December 05, 2006 8:38 PM
Subject: Re: [h-cost] Re: striped skirt


 You see what I mean about my memory Sue?! Yes, Beatrice d'Este is a very
good example (I think most opinions I've heard say that the stripes are
applied in that example, to relate this back to the original question). I
have not studied the Manesse Codex and can't speak to that. And yes, she is
another Italian example. I'm sure there are more out there, but as I said,
anything not 16thc Venetian or Italian is not my forte. :-)


 Bella


 - Original Message 
 From: Sue Clemenger [EMAIL PROTECTED]

 What about the occasional stripes showing up in the Manesse Codex?
 There's also that picture of Beatrice Sforza, and it's clearly striped
 (black and white, IIRC).  Okay, so she's Italian, but she wasn't Venetian.
 --Sue

 - Original Message -
 From: Bella [EMAIL PROTECTED]
  Are stripes ever found anywhere outside of Italy?
 
 
  I'm not really the right person to answer that - I'm too focused on
Venice
 and the rest of Italy to take much else in. :-) But I will say that I
 _cannot remember_  having seen stripes on any non-religious or
 non-allegorical person in any other SCA region/time frame. That's not
saying
 much though, because my memory doesn't always co-operate. :-)

 Send instant messages to your online friends http://au.messenger.yahoo.com
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Re: [h-cost] A visit from your English major

2006-12-06 Thread Sue Clemenger
Not offended at all! Some of us native English speakers assumed it was a
pun--a play on words, exploring the similar spellings/sounds and different
meanings between the two words transvestite and travesty.
- Original Message -
From: Deredere Galbraith [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Wednesday, December 06, 2006 11:18 AM
Subject: Re: [h-cost] A visit from your English major


 OOps :-[
 English is not my native language.
 So I hope I didn't offended anyone because it was certainly not my
 intention.
 In Dutch it is called a travestiet
 Didn't know that you write it different in English.
 :-)
 Greetings,
Deredere

 Lauren Walker wrote:
  Deredere Galbraith wrote:
 
 
  One of the mistakes a lot of travesties make is that they use to much
  makeup.
  And colors that are too hard.
  Greetings,
Deredere
 
 
  I hope I am not being dense about a deliberate pun, but I think we are
  talking about transvestites here, not travesties. Though of course
  camp is itself something of a good-natured sort of travesty.
  Best,
  Lauren
  Lauren M. Walker


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Re: [h-cost] Re: striped skirt

2006-12-05 Thread Sue Clemenger
What about the occasional stripes showing up in the Manesse Codex?
There's also that picture of Beatrice Sforza, and it's clearly striped
(black and white, IIRC).  Okay, so she's Italian, but she wasn't Venetian.
--Sue

- Original Message -
From: Bella [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Tuesday, December 05, 2006 3:44 PM
Subject: Re: [h-cost] Re: striped skirt



 Are stripes ever found anywhere outside of Italy?


 I'm not really the right person to answer that - I'm too focused on Venice
and the rest of Italy to take much else in. :-) But I will say that I
_cannot remember_  having seen stripes on any non-religious or
non-allegorical person in any other SCA region/time frame. That's not saying
much though, because my memory doesn't always co-operate. :-)


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Re: [h-cost] striped skirt

2006-12-03 Thread Sue Clemenger
Boy, those are really narrow stripes, aren't they? I've never seen such a
nice, large image of this painting before, so I've never noticed them.
I've seen stripes show up occasionally in other Italian dresses in the 16th
century, and even earlier, so they're definitely not unknown, and not all
are allegorical.  The ones I'm able to recall this a.m., though, were all
wider, and looked almost pieced (solid areas of contrasting color, and not
especially patterned), but then, I'm just an Italian dabbler, and by no
means an expert.
Style-wise, I couldn't tell you...you might be able to cross-reference the
painting with the nationality of the painter and the region in which it was
painted, and come up with some similar examples.  There was so very much
going on in Italy during this time period, politically and economically and
culturally, that it's hard to say what was and wasn't foreign, especially
since Italy was still a collection of city-states and not a single Italy
until much, much later.
--Sue

- Original Message -
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Saturday, December 02, 2006 8:18 PM
Subject: [h-cost] striped skirt



 _http://www.renaissancewoman.net/realmofvenus/wardrobe/Dance1565.jpg_
 (http://www.renaissancewoman.net/realmofvenus/wardrobe/Dance1565.jpg)
 Just an idle question here -- in the image above, the woman with her back
 turned to us has a skirt that appears to be striped. Would this be a
brocaded or
  patterned fabric of some sort, or an embellishment like embroidery or
 couching?  Or is it artistic license? I haven't seen a skirt like that on
a
 realistic 16th  century person before (only allegorical or foreigners),
but then
 these seem to be Italians, and I don't do Italian (not yet, anyway).

 Tea Rose


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Re: [h-cost] What's your dressmakers dummy wearing?

2006-12-03 Thread Sue Clemenger
The fishes did evil grin, but not the clothing afaik!
--Sue

- Original Message -
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Saturday, December 02, 2006 9:20 PM
Subject: Re: [h-cost] What's your dressmakers dummy wearing?



 In a message dated 12/2/2006 12:22:47 P.M. Eastern Standard Time,
 [EMAIL PROTECTED] writes:

 , 1030's  era with a fishtail
 ruffle down the back.


 And an evil response to what I assume is a typo--did they do fishtails in
 the 1000s?

 Ann Wass
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Re: [h-cost] What's your dressmakers dummy wearing?

2006-12-01 Thread Sue Clemenger
I don't have a dressmaker's dummy, unless it's me g.  My costume/clothing
project du jour, though, is an interpretation of a 12th? century depiction
of Philosophy.  She wears a mid-calf outer gown with a fabric patterned in
diamond shapes; it has modestly-wide, full-length sleeves, and does not have
very full skirts.  Trim bands on the sleeve hands and hem (can't tell about
the neckline--it's covered by the veil.) Her inner gown has tight, wrinkled
sleeves, and a hem long enough to puddle on the floor.  From the wrinkles,
it's much more full than the outer garment, and probably made of a fabric
with a softer hand as well.
I'm guessing that the original outer garment was some sort of fancy wool, or
perhaps a silk brocade, and of a distinctly heavier weight than the under
layer.  I found some red/gold upholstery fabric that will work well as the
outer garment, although it's not from authentic materials.  I'd intended the
under layer to be royal blue silk, but the stuff I ordered, although lovely,
is a shade or so off from what I'd envisioned.  So I'm not sure if I'm going
to use the silk anyway, or just some lightweight, royal-blue linen that I
have.
I'll be wearing a standard, mid-calf, plain linen shift and wool hose with
garters underneath.  And turnshoes (black).  The veil is hemmed, and I
intend to play with it this weekend, since I've not worn many of them.
I need to get my act together, though--the SCA event at which I want to wear
it is in exactly two weeks! Eeek!
After the Christmas rush, I'm going to have time to go back to practicing my
crochet stitches for my Mrs Weasley cardigan.  ;o) I've just *got* to have
a HP outfit (suitable robes and all, although I'm far past the age where I'd
make a believable Hogwarts student, so instead, I'm a graduate who currently
has a shop in Diagon Alley).
--Sue

- Original Message -
From: Cin [EMAIL PROTECTED]
To: h-cost [EMAIL PROTECTED]
Sent: Friday, December 01, 2006 11:58 AM
Subject: [h-cost] What's your dressmakers dummy wearing?


 It's that oh so fashionable time of the year.  Holiday parties, gifts,
 theater season, formal dress of all eras. Maybe even a New Years Eve
 ensemble  What are you working on?
 --cin
 Cynthia Barnes
 [EMAIL PROTECTED]
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Re: [h-cost] What's your dressmakers dummy wearing?

2006-12-01 Thread Sue Clemenger
I've been making those, too, this year.  Have a few in a big pile of linen
and wool on my kitchen table, as a matter of fact. g  Ahh, the advantages
of living alone! ;o)
--Sue
- Original Message -
From: Catherine Olanich Raymond [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Friday, December 01, 2006 5:35 PM
Subject: Re: [h-cost] What's your dressmakers dummy wearing?


 Lots and lots of Viking apron dresses.  I've made about 5 so far this
year.

 Now to make the tunics and smocks to wear with them.  :-)



 --
 Cathy Raymond [EMAIL PROTECTED]

 A civilized society is one which tolerates eccentricity to the point
 of doubtful sanity.  --Robert Frost


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Re: [h-cost] Madame de Canaples by Jean Clouet--need better image

2006-12-01 Thread Sue Clemenger
Now, that is one *seriously* cool portrait, and not one I've seen before!
Those undersleeves *rock!*
I like the hint of an undergown in the corners of her neckline
It'd definitely be a fun outfit to do, if I ever get back to the 16th
century
--Sue
- Original Message -
From: E House [EMAIL PROTECTED]
To: [EMAIL PROTECTED]; [EMAIL PROTECTED];
[EMAIL PROTECTED]
Sent: Thursday, November 30, 2006 1:54 PM
Subject: [h-cost] Madame de Canaples by Jean Clouet--need better image


 Does anyone have a larger/higher resolution version of this painting?
 http://nationalgalleries.org/collections/artist_search.php?objectId=4764

 I'm especially interested in the sleeves, but also the neckline and the
headwear.

 -E House
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Re: [h-cost] Madame de Canaples by Jean Clouet--need better image

2006-12-01 Thread Sue Clemenger
I never quite thought of it that way, but you're right!
I just really grooved with the 16th century because it was there that I
found that I could make clothing that looked good on me (sort of a major
revelation), plus, I got into monochrome embroidery in a very major way.
It's what I'm mostly known for in the SCA (at least, I think so! ;o)  And of
course, when I started down the slippery slope of historical costuming, a
couple of decades ago, most of what I could find for good sources on pre
17th-century clothing were are later stuff.
Now, though, I've been tempted into earlier paths.  I've kind of turned into
a pan-european/medieval clothing and fiber geek.  Most of what I'm doing is
much earlier, and then there's the eventual 14th century wardrobe ;o), and
the 16th century Venetian outfit to go with the blackworked camicia
Never mind fibery pursuits like wanting to weave my own fabric for
historical clothing
Geez, I think I need to win the lottery! ;o)
--Sue

- Original Message -
From: E House [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Friday, December 01, 2006 8:16 PM
Subject: Re: [h-cost] Madame de Canaples by Jean Clouet--need better image


 - Original Message -
 From: Sue Clemenger [EMAIL PROTECTED]
  Now, that is one *seriously* cool portrait, and not one I've seen
before!
  Those undersleeves *rock!*
  I like the hint of an undergown in the corners of her neckline

 See, this is why I love this particular stretch of time so much--they come
 up with so many weird variations, before settling on the 'Tudor' style...

 -E House

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Re: [h-cost] linnen kammerdug

2006-11-29 Thread Sue Clemenger
Hi, Bjarne! The transparency sounds like something your new linen fabric
shares with the silk gauze, but what about linen's tendency to ravel
fiercely? I'd imagine you sure could use it for trimmings, but you'd
probably have to hem all the bits and such, instead of pinking the edges.
Of course, I'm coming from the standpoint of someone who doesn't know much
of value about 18th century clothes, but I do recall seeing some pinked
stuff in some of my books.  So I guess it would depend on two things:
1.  What kind of trimmings you're talking about, and
2.  Whether or not linen trimmings are authentic for your time period (and
whether or not you care, too, come to think of it).

In the meantime, I'm sticking my tongue out at you, across all of the
continent and an ocean or two, in pure envy.  I'd roll over and play dead
for linen that fine!

--Sue, in Montana, where it's really, really cold and she wishes like the
dickens that she could just stay home and be cozy instead of venturing out
into sub-zero (farenheit) temps and going to work.

- Original Message -
From: Bjarne og Leif Drews [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday, November 29, 2006 6:56 AM
Subject: [h-cost] linnen kammerdug


 Hi,
 Sorry i keep on with this subjekt, i managed to get the fine linnen from
my
 old embroidery shop.
 The linnen is very very fine and transparent, and i wondered could i use
 this for trimmings two on gowns, in stead of silk gauge?

 Bjarne





 Leif og Bjarne Drews
 www.my-drewscostumes.dk

 http://home0.inet.tele.dk/drewscph/


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Re: [h-cost] question on velvets

2006-11-28 Thread Sue Clemenger
I've got a little, tiny sample of it, but it came as part of a class kit for
an online class that Drea taught through Penny's Costume Classroom several
years ago
It looks like a midpoint between cotton velveteen and cotton upholstery
velvet
--Sue

- Original Message -
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, November 28, 2006 6:46 AM
Subject: [h-cost] question on velvets


 I vaguely remember somebody ages ago mentioning that they had a supplier
of
 linen velvets (and other materials).

 Am I right, or am I imagining things, and if so can whoever it was let me
 know, please?

 Thanks loads,

 Debbie.
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Re: [h-cost] kammerdug/linnen

2006-11-27 Thread Sue Clemenger
I have the remnants (carefully hoarded) of two bolts of a cotton/linen blend
that has a thread count of roughly 60/inch.  Better, it's evenweave, same
count in both directions.  It is, too date (after almost 20 years in the
SCA) the finest linen or linen approximation I have personally seen for
sale.  *sigh*
--Sue
- Original Message -
From: Kimiko Small [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Monday, November 27, 2006 10:50 PM
Subject: Re: [h-cost] kammerdug/linnen


 Hi Bjarne,

   I have been chatting with others on a different list on fine linen
recently, so your news is rather sad to hear. We are searching for that
elusive fine linen.

   However, there is at least one site I know of a draper who sells fine
2.8 oz (~ 79.38 grams) linen.
   http://wmboothdraper.com/Linen/linens_index.htm
   100% white handkerchief linen, 2.8 oz., 35 wide, $14.50/yd.
 WLG 112 Please specify white (below) or off-white

   He claims it is some of the finest commercially produced today. At 55
threads to the inch it is also tightly woven. (~ 22 threads per cm, if my
math is right.) He also calls it cambric. I don't know how fine your
kammerdug was, but does this come close? He does send swatches upon request,
as he just sent me 4 of different types of fine linen.

   The linen to my hand is a bit crisp, and not as soft as other
handkerchief weights I have samples of, but it feels smooth. However, I am
no expert on linens, so I don't know how fine they can get. I am still
learning.

   It may be worth a look for you.

   Kimiko


 Bjarne og Leif Drews [EMAIL PROTECTED] wrote:
   Hi,
 I just wondered if some of you have had the same experienses.
 I contakted the danish handicraft guild to enquire to their kammerdug
(very
 fine handkerchief linnen) and was quite surprised to hear from them that
 this no longer is made.
 I had baught from them about 10 years ago when i made a christening gown
 with bobbin lace. And i wanted more for a gentlemans shirt.
 The only substitute they have is a linnen with 14 threads pr. centimeter,
 but thats not as fine as the old kammerdug.
 Blast!

 Bjarne



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 Check out the all-new Yahoo! Mail beta - Fire up a more powerful email and
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Re: Sewing speeds was Re: [h-cost] Re: gores in skirt inlateMiddleages???

2006-11-14 Thread Sue Clemenger
I didn't have a chance to look at it last night, Michaela, but it is very,
very cool! ;o) I don't think I've seen a costume of yours yet that doesn't
make my jaw just drop! I don't think you're afraid to try anything!
I wouldn't worry about discussing the rest of it overly much--wouldn't be
the first time we discussed a recent movie's costumes, but then, since I'm
not a movie/theatre/costume fiend, that's the part of this list I find the
most enlightening and fascinating.
--Sue, in snowy/drippy Montana...

- Original Message -
From: michaela [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Tuesday, November 14, 2006 1:49 AM
Subject: Re: Sewing speeds was Re: [h-cost] Re: gores in skirt
inlateMiddleages???


   http://costumes.glittersweet.com/other/catwoman.htm
   http://pulpspace.net.nz/joomla/index.php?option=com_exposeItemid=30
 
  Oh my goodness, this looks brilliant! And you wear it well.


 Thank you:) And to keep it on h-cost topic... the corset is remarkably
 simialr ot the 1900 corset in Corsets and Crinolines by Waugh. The changes
 are: shortening the basque/hip panels, cutting it to underbust and (work
CF
 to CB) combining the first and second body panels and the third and
fourth.
 It's the most comfortable corset I have and I suspect it's due to the
 underbust and the basques. My waist to hip is atm 71cm:98cm and I can get
a
 rather narrow waist so I think the shaping helps with that but without
 compressing my ribs.

 Michaela de Bruce
 http://glittersweet.com
 (no idea how to work the rest of the costume into h-cost territory;)
Unless
 the 1990s are now retro enough...)


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Re: [h-cost] Hair

2006-11-14 Thread Sue Clemenger
It also works to kill wasps and yellow jackets.  Completely OT, I know, but
I just *had* to share! I really hate those buggers.
I have very slippery, fine hair as well, and decently long (mostly about
bra-strap length...it just won't grow much further), but not in any great
quantity, alas.  I've noticed that I have a LOT more success keeping the
stuff braided and quiescent, and the wispy bits controlled, if it's, well,
not exactly freshly washed.  I suspect that the residual oils remaining even
if I rinse, but don't use shampoo, serve much the same function (in this
case) as would a styling product.  Adds a bit of texture/volume, etc.
--Sue

- Original Message -
From: otsisto [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Tuesday, November 14, 2006 7:13 AM
Subject: RE: [h-cost] Hair


 I learned a trick once with hairspray. After you have braided, take
 hairspray and spray your hand and then smooth it over the braids to hold
the
 stragglers in place without coating the hair. I learned this trick along
 with using hairspray on water stains on a ceiling tile to seal it before
you
 paint it and spray the edge of satin were you are going to sew a seam to
 light baste it and keep the satin from slipping. (haven't tried the last
 one)
 De

 -Original Message-
 I'd be dee-lighted to hear the solution to this problem, since I have
 it too.  My hair is fine but plentiful, and nothing I've tried seems
 able to hold it in place for more than 10 minutes.  Argh! In fact,
 back in the 80s, my hair wouldn't even hold a perm for more than a
 week or two.


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Re: [h-cost] Blue on Judith

2006-11-14 Thread Sue Clemenger
Maybe something of the same chemical reaction as when dyeing with woad or
indigo?
My book on Red Dyes: Cochineal, Madder and Murex Purple, notes a number of
things regarding the use of mollusk secretions as a dye stuff.   There are,
for instance, several types of mollusks used for this, and they occur in
different parts of the world AND produce different shades.  There's a bluish
one called purpura hyacintha and a more reddish one called purpura blatta
or Tyrian purple.
According to the book, we don't have a lot of details about the actual
process used in making ancient colors like Tyrian purple, although it sounds
like it started with the extraction of the snail, removal of the gland in
question, and then, any one of a number of possibilities.  Too much history
and war and destruction of dye works in the last 3000 years, I guess! ;o(
Further on in the same section, the author discusses purple dyes that occur
in the western hemisphere, and in that area, I found something that sounds
much like what you're talking about.  In 1909, an anthropologist wrote about
mollusk dyeing along the Pacific Coast of Mexico, and mentions:
' When the cotton thread is moistened with the color secretion it first
turns green.  Then, when it is dried by the rays of the sun, the green turns
purple and becomes permanent.'
Interestingly, the section closes with a brief discussion on just what we
mean when we say purple, since it's really not one single color, but
rather an entire ranges of shades.  Some of them are virtually blue, others,
much more distinctly red.  A number of very old texts (such as the Old
Testament) make clear distinctions between red-purple and blue-purple.
There's even some 2nd century apocrypha describing Mary (mother of Jesus)
being specifically honored in being chosen to spin the purple-red and
scarlet-red fibers (I assume wool or silk)--I'm assuming as a young woman,
because when she returns the finished yarns/threads to the priest, there's a
bit of foreshadowing when the priest tells her that she will be blessed
among all the people of the world.
(The same bit of apocrypha mentions the gold, the white, the flax, the
silk, the dark blue, the scarlet red, and the purple red, so something
pretty expensive was going on;o)
--Sue in Montana
p.s.  Oh, yeah, the book I mentioned is The Red Dyes: Cochineal, Madder,
and Murex Purple, and it's written by Gosta Sandberg.  Out of print, I
believe, but a fascinating read.

- Original Message -
From: Kelly Grant [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, November 14, 2006 4:59 AM
Subject: RE: [h-cost] Blue on Judith


 Funny how this comes up today!

 Last night on 'Naked Archeaologist' the show was about the colour blue in
 ancient times.  How it was produced from the snail.  The trick to getting
 blue from the snail was to expose the dye to sunlight.  The ultra violet
 light produces a very vivid blue, if not exposed the dye will come out
 purple.

 I thought it was fasinating.

 There is also quite a controversy in some sects of the Jewish faith over
the
 use of snails or cuttlefish to produce the dye.  The archeaological
evidence
 suggests snails though, due to the amount of snail shells at dye sites.

 How they suggest the dye is made

 rotten dried up snail
 caustic soda
 boiling water
 sunlight

 I am not a dyer, so I don't say this would work, I also don't know the
 quantities of each.  It was interesting to see them dye the fibre
 though...when it first came out of the dye pot it was yellow, then once
rung
 out of liquid and probably exposed to the air turned blue before their
eyes!

 Discussion?


 Kelly



 An insolent reply from a polite person is a bad sign.


 Hippocrates (c.460-c.370 bc), Greek physician





 From: Kathy Page [EMAIL PROTECTED]
 
 On another list I am on, a topic coming up regarding the relevance the
 colour blue is to Jewish women came up, relative to the Book of Judith
and
 all the spin off paintings it has created particularly in Italian ren
 paintings.
 

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Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-13 Thread Sue Clemenger
I wasn't including cutting time in that estimate--I was thinking in more
industrial/mass quantity terms.  If you're doing a whole bunch of that sort
of thing all at once, you can get really fast at it, and the type of machine
you have can greatly assist in that.  The website didn't say anything, that
I recall, about types of seams used, or finishings on the insides, outside
of the mention of the dress being half-lined.  So I more or less assumed
that it was serged or something similar.  More labor-intensive,
detail-oriented choices would of course take more time! And I certainly
wouldn't want anyone doing this sort of work to under-pay themselves! It's
just that I've only ever done sewing as either a strictly recreational
thing, or in an industrial setting, so my costuming experiences may likely
differ from other people, who are doing it on a more of a cottage industry
scale.
--Sue

- Original Message -
From: Sylvia Rognstad [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Monday, November 13, 2006 8:25 AM
Subject: Re: [h-cost] Re: gores in skirt in late Middle ages???


 You must sew awfully fast.  I've been sewing most all my life and I can
 see that taking me a couple days, including cutting of course, so that
 would bring my price, just for labor, up to $400.I don' think the
 asking price is unreasonable.  My garments are quite well made, though,
 and fully lined if necessary.

 Sylrog

 On Nov 12, 2006, at 10:51 PM, Sue Clemenger wrote:

  With a serger? Couple of hours, tops.  Of course, I could build a
  complete
  tent in a couple of hours, when I did it for a living.  Now I deal
  with maps
  and data bases and school buses, thank goodness, and get to do my
  sewing for
  fun.
  --Sue in Montana, not Susan in TN ;o)
 
  - Original Message -
  From: Sylvia Rognstad [EMAIL PROTECTED]
  To: Historical Costume [EMAIL PROTECTED]
  Sent: Sunday, November 12, 2006 9:34 PM
  Subject: Re: [h-cost] Re: gores in skirt in late Middle ages???
 
 
  Really?  How long do you estimate it would take you to make such a
  gown?
 
  On Nov 12, 2006, at 8:27 PM, Susan B. Farmer wrote:
 
  Quoting Sylvia Rognstad [EMAIL PROTECTED]:
 
  I should go into business.  Wonder how many this company sells at
  those
  prices.
 
  Who Knows!  But I could sure sell them a lot cheaper than that!
 
  susan
  -
  Susan Farmer
  [EMAIL PROTECTED]
  University of Tennessee
  Department of Ecology and Evolutionary Biology
  http://www.goldsword.com/sfarmer/Trillium/
 
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Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-13 Thread Sue Clemenger
Answered privately.
--Sue (from Montana)
- Original Message -
From: Voncile W. Dudley [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Monday, November 13, 2006 7:23 AM
Subject: Re: [h-cost] Re: gores in skirt in late Middle ages???


 WOW ! !!  I use a regular machine and it takes me a while  to
finish a beautiful garment of this nature.  The gown can be constructed
using less expensive but good quality fabric.  It would take that long to
just lay and cut the pattern (or least for me) but then I have Rheumatoid
Arthritis and take frequent breaks but still if I worked straight through it
would take much longer than 2 hours.  That is fantastic sewing.  I love to
sew the Ren garb but I also provide garments for today's fashion depending
on the customer.

   Anyway, not all of us who sew for others provide [EMAIL PROTECTED]

   Just my 2 cents worth.
   Lady Von

 Sue Clemenger [EMAIL PROTECTED] wrote:
   With a serger? Couple of hours, tops. Of course, I could build a
complete
 tent in a couple of hours, when I did it for a living. Now I deal with
maps
 and data bases and school buses, thank goodness, and get to do my sewing
for
 fun.
 --Sue in Montana, not Susan in TN ;o)

 - Original Message -
 From: Sylvia Rognstad
 To: Historical Costume
 Sent: Sunday, November 12, 2006 9:34 PM
 Subject: Re: [h-cost] Re: gores in skirt in late Middle ages???


  Really? How long do you estimate it would take you to make such a gown?
 
  On Nov 12, 2006, at 8:27 PM, Susan B. Farmer wrote:
 
   Quoting Sylvia Rognstad :
  
   I should go into business. Wonder how many this company sells at
   those
   prices.
  
   Who Knows! But I could sure sell them a lot cheaper than that!
  
   susan
   -
   Susan Farmer
   [EMAIL PROTECTED]
   University of Tennessee
   Department of Ecology and Evolutionary Biology
   http://www.goldsword.com/sfarmer/Trillium/
  
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   Lady Von

   http://www.wildthangstreasures.com



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Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-13 Thread Sue Clemenger
Absolutely! I may have been making incorrect assumptions about the
construction of this dress, but the website wasn't exactly forthcoming with
details! ;o)
I've not really ever bought historically-themed clothing or costumes, as I
usually make my own, but I have definitely purchased my share of
off-the-rack clothing over the years, and have looked at some items that
friends have purchased.  There's an awfully wide range of construction
options out there, and certainly, an item that was more carefully
constructed would be worthy of a higher asking price.  I just don't assume
the reverse, especially given that the website didn't provide many details,
which I've seen a number of others do, especially when they're aiming at a
reenactor's market, in which authentic construction is a definite selling
point for some folks.
--Sue

- Original Message -
From: Sylvia Rognstad [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Monday, November 13, 2006 7:47 PM
Subject: Re: [h-cost] Re: gores in skirt in late Middle ages???


 I sew for a living (among other things) and I don't like to rush myself
 too much.  I certainly don't sew fast by commercial industrial
 standards.  That would be too stressful and not at all enjoyable.I
 was thinking of the dress being lined, faced, etc, when I said it would
 probably take me a couple days.  And I don't sew and serge at the same
 time.  I prefer to sew my seams and then serge them, in case I have to
 take something out.  I realize sewing and serging in one step cuts out
 a lot of extra time.

 SYlrog

 On Nov 13, 2006, at 7:39 PM, Sue Clemenger wrote:

  I wasn't including cutting time in that estimate--I was thinking in
  more
  industrial/mass quantity terms.  If you're doing a whole bunch of that
  sort
  of thing all at once, you can get really fast at it, and the type of
  machine
  you have can greatly assist in that.  The website didn't say anything,
  that
  I recall, about types of seams used, or finishings on the insides,
  outside
  of the mention of the dress being half-lined.  So I more or less
  assumed
  that it was serged or something similar.  More labor-intensive,
  detail-oriented choices would of course take more time! And I certainly
  wouldn't want anyone doing this sort of work to under-pay themselves!
  It's
  just that I've only ever done sewing as either a strictly recreational
  thing, or in an industrial setting, so my costuming experiences may
  likely
  differ from other people, who are doing it on a more of a cottage
  industry
  scale.
  --Sue
 
  - Original Message -
  From: Sylvia Rognstad [EMAIL PROTECTED]
  To: Historical Costume [EMAIL PROTECTED]
  Sent: Monday, November 13, 2006 8:25 AM
  Subject: Re: [h-cost] Re: gores in skirt in late Middle ages???
 
 
  You must sew awfully fast.  I've been sewing most all my life and I
  can
  see that taking me a couple days, including cutting of course, so that
  would bring my price, just for labor, up to $400.I don' think the
  asking price is unreasonable.  My garments are quite well made,
  though,
  and fully lined if necessary.
 
  Sylrog
 
  On Nov 12, 2006, at 10:51 PM, Sue Clemenger wrote:
 
  With a serger? Couple of hours, tops.  Of course, I could build a
  complete
  tent in a couple of hours, when I did it for a living.  Now I deal
  with maps
  and data bases and school buses, thank goodness, and get to do my
  sewing for
  fun.
  --Sue in Montana, not Susan in TN ;o)
 
  - Original Message -
  From: Sylvia Rognstad [EMAIL PROTECTED]
  To: Historical Costume [EMAIL PROTECTED]
  Sent: Sunday, November 12, 2006 9:34 PM
  Subject: Re: [h-cost] Re: gores in skirt in late Middle ages???
 
 
  Really?  How long do you estimate it would take you to make such a
  gown?
 
  On Nov 12, 2006, at 8:27 PM, Susan B. Farmer wrote:
 
  Quoting Sylvia Rognstad [EMAIL PROTECTED]:
 
  I should go into business.  Wonder how many this company sells at
  those
  prices.
 
  Who Knows!  But I could sure sell them a lot cheaper than that!
 
  susan
  -
  Susan Farmer
  [EMAIL PROTECTED]
  University of Tennessee
  Department of Ecology and Evolutionary Biology
  http://www.goldsword.com/sfarmer/Trillium/
 
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Re: [h-cost] Questionable color

2006-11-13 Thread Sue Clemenger
This isn't my time frame, either, but what does pop up into my brain, for
some reason, is shark skin suits.  Could the connotation be similar for
porpoise skin?
--Sue

- Original Message -
From: Kimiko Small [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Monday, November 13, 2006 10:21 PM
Subject: Re: [h-cost] Questionable color


 Hi Penny,

   To me, it sounds like the texture of the silk has the appearance of
Porpoise skin. I am not reading a color, but then, I don't know much about
that time frame for garments.

   Kimiko

 Penny Ladnier [EMAIL PROTECTED] wrote:
 I am working on a 1916 designers' fashion catalog. I am not sure if
something is a color or not. Please read the following ladies' dress
description and let me know if you think porpoise is a color or what. The
color dove is not capitalized when used as a color name. But the word
Porpoise is.

 DESCRIPTION:
 Dove colored gabardine, with trimmings of navy blue. Porpoise skin
silk. Vest and collar of white organdy. Smoke pearl buttons and buckle. Coat
of navy blue Porpoise skin silk. Collar and cuffs of dove gabardine.

 Penny Ladnier,
 Owner, The Costume Gallery Websites
 www.costumegallery.com
 www.costumelibrary.com
 www.costumeclassroom.com
 www.costumeencyclopedia.com



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Re: [h-cost] gores in skirt in late Middle ages???

2006-11-12 Thread Sue Clemenger
Gores themselves? Certainly, although not necessarily placed in the manner
depicted.
Gores made of a contrasting fabric? Not that I know of.  I've seen this
particular fashion error show up at an occasional SCA event, but not very
often.  I'm not sure of its point of origin, but I'm pretty darned sure that
it wasn't in the middle ages! ;o)
--Sue


- Original Message -
From: Zuzana Kraemerova [EMAIL PROTECTED]
To: h-costume h-costume@mail.indra.com
Sent: Sunday, November 12, 2006 8:33 AM
Subject: [h-cost] gores in skirt in late Middle ages???


 By the way, looking at the chimera costumes' web page, is there any
historical evidence of this kind of dress:
   http://chimera-costumes.co.uk/slideshows/view.php?c=43 ? I mean the
gores in the skirt (or lower part of the dress) - does anybody know?

   Zuzana



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Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-12 Thread Sue Clemenger
Interesting, that you liked it.  It made my eyes bleed, and the
authenticity-nut part of me back up hissing and spitting.  I was also pretty
taken aback by the price (starting at 350 pounds??? Wowser!).
I guess our respective mileages are varying greatly on this one, huh? ;oD
--sue in montana
- Original Message -
From: Branwyn Maura [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Sunday, November 12, 2006 11:46 AM
Subject: [h-cost] Re: gores in skirt in late Middle ages???


 Gores in various configurations were used to widen skirts from the early
middle ages on (it's an early step in the evolution of tailoring), but the
use of a contrast gore for stylish effect is not really documentable for
this period (I think there is some use of this technique in the 19th
century, but I'm not sure).

 It looks really nifty, however. Makes me wish it *was* documentable...

 Marg.





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Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-12 Thread Sue Clemenger
Personally, I wouldn't touch it if it were mailed to me, free.  And sure not
for several hundred dollars.  I've seen some seriously tacky [EMAIL PROTECTED] 
aimed at
the non-sewing SCA crowd (and, I assume at other non-sewing
reenactors/hobbyists of relatively same time frame and required authenticity
level), and that particular gown's right in there with the please, god,
make it go away stuff
IMHO, of course.
--Sue, needing to go fondle some of her wool flannels just to take the taint
away ;o)

- Original Message -
From: Elizabeth Walpole [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Sunday, November 12, 2006 8:29 PM
Subject: Re: [h-cost] Re: gores in skirt in late Middle ages???


 Well, except that in reality what costs $1 in the USA costs £1 in the UK.
So
 from the UK seller's point of view it would be a more accurate reflection
of
 their how much they are earning (in terms of paying the bills, keeping
food
 on the table etc.) if you just change the dollar symbol to a pounds
symbol.
 Now change your estimate to $350 (or even better look at more local
 websites) and see if it's still worth it.
 Elizabeth
 
 Elizabeth Walpole
 Canberra Australia
 ewalpole[at]tpg.com.au
 http://au.geocities.com/amiperiodornot/

 - Original Message -
 From: Sylvia Rognstad [EMAIL PROTECTED]
 To: Historical Costume [EMAIL PROTECTED]
 Sent: Monday, November 13, 2006 2:13 PM
 Subject: Re: [h-cost] Re: gores in skirt in late Middle ages???


 I should go into business.  Wonder how many this company sells at those
 prices.
 
  On Nov 12, 2006, at 7:28 PM, Susan B. Farmer wrote:
 
  Quoting Sylvia Rognstad [EMAIL PROTECTED]:
 
  How much is 350 pounds?
 
  $700 USD -- approximately
 
  susan
  -

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Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-12 Thread Sue Clemenger
With a serger? Couple of hours, tops.  Of course, I could build a complete
tent in a couple of hours, when I did it for a living.  Now I deal with maps
and data bases and school buses, thank goodness, and get to do my sewing for
fun.
--Sue in Montana, not Susan in TN ;o)

- Original Message -
From: Sylvia Rognstad [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Sunday, November 12, 2006 9:34 PM
Subject: Re: [h-cost] Re: gores in skirt in late Middle ages???


 Really?  How long do you estimate it would take you to make such a gown?

 On Nov 12, 2006, at 8:27 PM, Susan B. Farmer wrote:

  Quoting Sylvia Rognstad [EMAIL PROTECTED]:
 
  I should go into business.  Wonder how many this company sells at
  those
  prices.
 
  Who Knows!  But I could sure sell them a lot cheaper than that!
 
  susan
  -
  Susan Farmer
  [EMAIL PROTECTED]
  University of Tennessee
  Department of Ecology and Evolutionary Biology
  http://www.goldsword.com/sfarmer/Trillium/
 
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Re: [h-cost] Happy Halloween!

2006-10-30 Thread Sue Clemenger
Oh, Elizabeth! That is so very funny! ;oD Especially since I'm sort of built
like a very large, very short Valkerie anyway.  Dear god, but I'm laughing
at the idea of my chest in a brass bra set up!  I'll have to remember it
for next year!  This year, though, I don't have time to come up with
anything genuinely schlocky and costumey, or good but costumey so I'm either
going in SCA garb, or I'm wearing my weekday clothes, and going as a Muggle.
--Sue

- Original Message -
From: Elizabeth Walpole [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Sunday, October 29, 2006 7:17 PM
Subject: Re: [h-cost] Happy Halloween!


 snip
  --Sue, who's going to work on Tuesday as a 10th century Norse woman
  (okay...I'm lazy this year...it's SCA garb g)
 
 ah but it's Halloween, you need to add a Wagnerian style 'Viking' horned
 helmet (preferably with long blonde braids attached) and call yourself
 Brunhilda, for Halloween you've got to be a modern stereotype, not an
 accurate historical 'everyman' (or 'everywoman' in this case), you can
dress
 as a famous historical figure (Marie Antoinette, Cleopatra, Napoleon,
Henry
 VIII etc) but if you're an average woman of year X in true Halloween
 tradition it should be a stereotype like a 'wench' or a 'flapper' or a
 'Viking' (in the style of a Wagnerian opera). Halloween is about
pop-culture
 stereotypes, not historical accuracy :-D
 I won't be dressing up for Halloween as I'll be at home all day preparing
 for an exam on Friday so I suppose I can't really talk.
 Elizabeth


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Re: [h-cost] Happy Halloween!

2006-10-29 Thread Sue Clemenger
Cute bunny! And *fierce* pumpkin face! ;oD
You have a good one, too!
--Sue, who's going to work on Tuesday as a 10th century Norse woman
(okay...I'm lazy this year...it's SCA garb g)

- Original Message -
From: Deredere Galbraith [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Sunday, October 29, 2006 1:40 PM
Subject: [h-cost] Happy Halloween!


 I wish you all a happy and creative Halloween!
 http://www.deredere.dds.nl/HappyHalloween.jpg

 Greetings,
Deredere


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Re: [h-cost] Holiday Gift Exchange

2006-10-17 Thread Sue Clemenger
Me, too? I'll send it tonight, in case I'm squeeking under the wire
--Sue
- Original Message -
From: Dawn [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Tuesday, October 17, 2006 9:49 AM
Subject: Re: [h-cost] Holiday Gift Exchange


 [EMAIL PROTECTED] wrote:
  Dawn--
  I loved participating last year and would like to do so this year.
Missed the deadline because I haven't had time to write up a little who I
am paragraphis it really too late?
  --Ruth Anne Baumgartner
  scholar gypsy and amateur costumer
 

 Ruth, I haven't made assignments yet, so if you send me your info I can
 add you to the list.


 Dawn


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Re: [h-cost] white embroidery

2006-10-05 Thread Sue Clemenger
What I'd heard/read, was that the strains of flax that produced those
ultra-fine threads went extinct about the time of WWI.
Maybe it's demand, I don't know.  Technology may also be a factor, although
I'd think that if it were just a matter of hand-spun vs machine-spun,
someone would have tried it by hand by now.  I'm learning to spin linen, but
I'm lightyears away from being that skilled!
--Sue in Montana

- Original Message -
From: Caryn Sobel [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Wednesday, October 04, 2006 4:11 PM
Subject: Re: [h-cost] white embroidery


 It's the *fineness* of
 the linen threads used then, that can't be duplicated now.  In linen.

 Please pardon my ignorance, but why can't we have the same fineness now?
Is
 it a difference in the spinning techniques, or the variety of the plant
 itself? Or a lack of demand for finer thread?

 Thanks!

 Caryn


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Re: [h-cost] white embroidery

2006-10-04 Thread Sue Clemenger
You can certainly get linen lace, and linen threads.  It's the *fineness* of
the linen threads used then, that can't be duplicated now.  In linen.  So
you've either got to use a thicker linen, or use a fine thread, but in a
different fiber/material.  Even when using another plant-based fiber (such
as the cotton about which Bjarne spoke), the finished product isn't going to
be quite the same.  *Especially* if you're comparing using something like a
cotton thread (cotton has really, really short fibers) with something like a
hand-spun, wet-spun linen thread made from line flax (which has fibers many
times longer than cotton thread).  The two fibers even come from different
parts of their respective plants, require different amounts of twist when
spinning, different techniques, etc.
You can see the difference, somewhat, if you think of the feel of modern
cotton fabric and a modern linen fabric of the same weight, even though the
linen fabric most likely was *not* woven out of thread made from line flax.
--Sue, apparently channeling the spinning part of herself this morning

- Original Message -
From: Sharon at Collierfam.com [EMAIL PROTECTED]
To: 'Historical Costume' [EMAIL PROTECTED]
Sent: Tuesday, October 03, 2006 8:06 PM
Subject: RE: [h-cost] white embroidery


 Just out of curiosity, why can't you get flax lace anymore? Is the thread
 not available, or is no one  making it?

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
 Behalf Of Bjarne og Leif Drews
 Sent: Tuesday, October 03, 2006 1:56 PM
 To: Historical Costume
 Subject: Re: [h-cost] white embroidery


 Dear Ruth,
 Oh i must say that i really dont know. But i would say that it was not the
 case. My guess is they just picked up a lace for the pillow after it was
 embroidered. But you must remember they had many different design laces to
 choose from, in Denmark f. instance, several thousind lacemakers worked in
 the south of Jutland near Tonder.
 The lace has yellowed a little by the age, i think it would have ben more
 white, when new. I have planned to ask at the lace list, wich kind of lace
 it is, as i really dont have any expertise with 18th century lace. The
feel
 of that linnen lace, makes me cry, because we cant have that kind of
bobbin
 lace thread in flax anymore. The cotton i use, is much more collapsable
 and needs a little starch, if i want to have that feeling to it.

 Bjarne
 - Original Message -
 From: Ruth Anne Baumgartner [EMAIL PROTECTED]
 To: Historical Costume [EMAIL PROTECTED]
 Sent: Tuesday, October 03, 2006 9:15 PM
 Subject: Re: [h-cost] white embroidery


  The embroidery is exquisite, and I'm thrilled by the way the lace
  perfectly complements the embroidered motifs. Do you know, would the
  designer of the embroidery have purposely set out to achieve this
  effect? --that is, did the selection of the lace precede the designing
of
  the pillowcase? I know you couldn't say for sure of course! but was such
a

  practice customary?
  --Ruth Anne Baumgartner
  scholar gypsy and amateur costumer
 
  On Oct 3, 2006, at 10:22 AM, Bjarne og Leif Drews wrote:
 
  Hi,
  As i promissed yesterday, i wanted to let you se the wonderfull 18th
  century pillow case i got as a gift:
 
  http://www.my-drewscostumes.dk/pillowcase.htm
 
  It needs washing, but ill waite a little with this. Thoaght about
  using
  destilled water, and soap flakes. How about ironing after the wash,
  shouldnt i use a thick towel on the front of the embroidery and iron on
  the back? As it is the finest linnen you can imagine, i suppose i
should
  be carefull with the ironing...
  I think i want to frame the pillow case, and hang it where no sun will
  harm it.
 
  Bjarne
 
 
 
 
 
  Leif og Bjarne Drews
  www.my-drewscostumes.dk
 
  http://home0.inet.tele.dk/drewscph/
 
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Re: [h-cost] was: recent history now: 80's looks

2006-10-04 Thread Sue Clemenger
Paisley mini dresses, sure, but not Madonna or Flashdance or Cyndi!
--Sue

- Original Message -
From: otsisto [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Wednesday, October 04, 2006 6:29 PM
Subject: RE: [h-cost] was: recent history now: 80's looks


 Ummm... that is also a late '60s, early '70s look.
 De

 -Original Message-
 from
 day-glo paisley mini dresses, pleather mini dresses  white go-go boots to
 Madonna  Flashdance  Cyndi Lauper looks. Entirely too frightening to
think
 I used to wear those types of things!
 Lisa W. in MT


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Re: [h-cost] Mona Lisa

2006-09-29 Thread Sue Clemenger
Did they say how much of her dress was covered? I just assumed the upper
chest (which is sometimes covered by the veils/whatever about which you and
I are talking), and I'm pretty sure that the dress styles included ones with
a pretty high neckline.  Of course, it's been a while since I looked at
them, so I may be wrong.  I thought it worth pursuing as an alternative
explanation is all. ;o)
--Sue
- Original Message -
From: Audrey Bergeron-Morin [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Thursday, September 28, 2006 11:03 PM
Subject: Re: [h-cost] Mona Lisa


  Actually, it sounds like they're talking about a distinct style that
I've
  seen in lots of ItalianRen paintings, although usually a little more
  obviously in view.  They look (to my fading memory) like an early cross
  between a fichu and a partlet
  --Sue

 Oh, THOSE. But if it were that, it wouldn't cover her dress, only the open
 neckline. Too few explanations and too much guessing...

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Re: [h-cost] Missing posts

2006-09-29 Thread Sue Clemenger
Not that I'm aware of (speaking strictly for myself at this point).  I've
had that problem with other lists in the past, thoughIf it's really
wide-spread, it can definitely be a hang-up or glitch on the list server,
but most of the time, it seems to be issues with a person's ISP
good luck
--sue

- Original Message -
From: Kate M Bunting [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, September 29, 2006 2:05 AM
Subject: [h-cost] Missing posts


 There's definitely something peculiar going on. As I complained last
 week, I'm seeing replies to posts but never getting the original
 message. I've just read a post from Sharon C. quoting Lyonet's question
 about A Christmas Carol (as well as seeing some other replies to it
 yesterday), but did not receive Lyonet's post. Some posts from last
 week, to which I've seen replies, never reached me at all.

 Anyone else having this experience?

 Kate Bunting
 Librarian and 17th century reenactor
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Re: [h-cost] Mona Lisa

2006-09-28 Thread Sue Clemenger
Actually, it sounds like they're talking about a distinct style that I've
seen in lots of ItalianRen paintings, although usually a little more
obviously in view.  They look (to my fading memory) like an early cross
between a fichu and a partlet
--Sue
- Original Message -
From: Audrey Bergeron-Morin [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Thursday, September 28, 2006 4:23 PM
Subject: Re: [h-cost] Mona Lisa


  If they're describing it as a  gauzy, nearly transparent layer over her
  dress then I doubt it was worn for modesty.

 Didn't Queen Elizabeth wear such a gauzy overdress on some of her
portraits?
 She sure didn't give birth... And I'm pretty sure I've seen other
portraits
 with this too...

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Re: [h-cost] Bad historical costume movies

2006-09-25 Thread Sue Clemenger
IMNSHO, the entire movie was having a bad day.  Llamas, for cris' sake...the
animals are native to South America, not the Mediterranean!
--sue

- Original Message -
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, September 25, 2006 11:45 AM
Subject: Re: [h-cost] Bad historical costume movies



 Troy was not great [one of my fave designers though, Bob Ringwood. He
 designed Dune. But maybe he was having a bad day on Troy] Still
there's a
 consistency to the look.


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Re: [h-cost] Deadwood

2006-09-24 Thread Sue Clemenger
Mine, either (well, at least not the one I knew...I think that man was
*born* in a 3-piece suit!)
I haven't seen any of these Deadwood episodes, so I'm not exactly sure which
phrases y'all are trying to skate genteelly around, but it occurs to me that
maybe, in what seems to have been a concerted effort for nitty-gritty
realism, that the writers/people in charge went with words that would convey
to a modern audience what the swear words from back then actually would have
been? Almost like a translation?
--Sue, taking a break from garden-digging and bulb planting...

- Original Message -
From: Chris [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Sunday, September 24, 2006 1:41 PM
Subject: Re: [h-cost] Deadwood


 Nor my grandfather :) (I NEVER heard either of them ever say a single
swear word, let alone the two 'popular' ones in this show), but you've got
to remember this town was founded by a lot of people who were NOT the
quality of folk who were raised in the best of surroundings and mostly
uneducated and to them it was just what they grew up with

   A site of possible interest:

   http://www.wordorigins.org

   There are some things I surely don't want to be to accurate about in my
re-enacting!

 kelly grant [EMAIL PROTECTED] wrote:
   I don't have an objection to foul language, it has it's place, it was
the
 word they were using I had a problem with...I highly doubt certian words
 were used that frequently at that time!

 I could be wrong, but I doubt my grandfather would have used some of those
 words at any point in his life.

 Kelly
 - Original Message -
 From: Sylvia Rognstad
 To: Historical Costume
 Sent: Sunday, September 24, 2006 3:57 PM
 Subject: Re: [h-cost] Deadwood



 -
 Get your own web address for just $1.99/1st yr. We'll help. Yahoo! Small
Business.
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Re: [h-cost] Deadwood

2006-09-24 Thread Sue Clemenger
I can see how that would be jarring to a person's sensibilities, but then, I
haven't seen any of the shows.  I have had a similar experience with other
films, though! ;o)
--Sue
- Original Message -
From: Sylvia Rognstad [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Sunday, September 24, 2006 3:56 PM
Subject: Re: [h-cost] Deadwood


 Except that the rest of the language is quite old fashioned.  I like
 that they went for that kind of realistic speech, and it seems a bit
 anachronistic that they combine that with all the profanity, unless
 people of that ilk really tended to use it that much back then.

 On Sep 24, 2006, at 3:55 PM, Sue Clemenger wrote:

  Mine, either (well, at least not the one I knew...I think that man was
  *born* in a 3-piece suit!)
  I haven't seen any of these Deadwood episodes, so I'm not exactly sure
  which
  phrases y'all are trying to skate genteelly around, but it occurs to
  me that
  maybe, in what seems to have been a concerted effort for nitty-gritty
  realism, that the writers/people in charge went with words that would
  convey
  to a modern audience what the swear words from back then actually
  would have
  been? Almost like a translation?
  --Sue, taking a break from garden-digging and bulb planting...
 
  - Original Message -
  From: Chris [EMAIL PROTECTED]
  To: Historical Costume [EMAIL PROTECTED]
  Sent: Sunday, September 24, 2006 1:41 PM
  Subject: Re: [h-cost] Deadwood
 
 
  Nor my grandfather :) (I NEVER heard either of them ever say a single
  swear word, let alone the two 'popular' ones in this show), but you've
  got
  to remember this town was founded by a lot of people who were NOT the
  quality of folk who were raised in the best of surroundings and mostly
  uneducated and to them it was just what they grew up with
 
A site of possible interest:
 
http://www.wordorigins.org
 
There are some things I surely don't want to be to accurate about
  in my
  re-enacting!
 
  kelly grant [EMAIL PROTECTED] wrote:
I don't have an objection to foul language, it has it's place, it
  was
  the
  word they were using I had a problem with...I highly doubt certian
  words
  were used that frequently at that time!
 
  I could be wrong, but I doubt my grandfather would have used some of
  those
  words at any point in his life.
 
  Kelly
  - Original Message -
  From: Sylvia Rognstad
  To: Historical Costume
  Sent: Sunday, September 24, 2006 3:57 PM
  Subject: Re: [h-cost] Deadwood
 
 
 
  -
  Get your own web address for just $1.99/1st yr. We'll help. Yahoo!
  Small
  Business.
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Re: [h-cost] Alternative headdress for 1460's houppelande?

2006-09-17 Thread Sue Clemenger
I'm sorry, but I don't know enough about 15th century fashion to be able to
help much with anything specific.
One thing I did notice, however (and this is pre-breakfast tea, so take it
for what it's worth...g).  The painting is from a specific area of the
continent (Netherlands, yes?).   What about looking at head/hat styles of
the same time period, but from other countries like England or France or
Italy or Germany? Time permitting, of course, but there might be something
in another, regional style that would work for you.
Having said that, I'm now going to start envying you to bits, over the sheer
idea of going to York (where I've been only once...*sniff*), let alone
having an event in a medieval building!
--Sue in Montana
- Original Message -
From: Suzi Clarke [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Sunday, September 17, 2006 7:15 AM
Subject: [h-cost] Alternative headdress for 1460's houppelande?




 I am going to an event in a medieval building in York at the end of
 this month, and will be wearing a gown similar in style to this one,
 only in a plain fabric. I have a beautiful horned headdress which
 fits perfectly, and looks good, again based on the painting, but is a
 pain in the b*tt to eat in as the veil keeps deciding it's a part of
 the meal, and gets in my way.

 http://www.metmuseum.org/toah/ho/08/euwl/ho_1975.1.110.htm

 Does anyone have any suggestions as to what I could wear instead? A
 coif is unsuitable as I will be with other people, not in a domestic
 situation. My hair is very short and needs concealing. Bear in mind
 please I have two costumes for other people to make in that two
 weeks, and therefor have zero time to fiddle and make anything
 elaborate for myself. Oh, and hennins of any shape and size are not me!

 Suzi

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Re: [h-cost] Hourly Wages

2006-09-04 Thread Sue Clemenger
Also depends on cost of materials, I'd think.  Good quality fabrics, beads,
trims could get really expensive, really fast.  I strongly suspect that the
outfit is more along the lines of a couture-level costume, rather than a
cheesy, cotton-broadcloth Elizabethan equivalent of a prom dress from
Hellmart.g
If the person who made that 2K outfit were giving him/herself a base wage
of, say, $25/hour, which is probably pretty low for highly skilled custom
sewing (I'm basing this purely on what my old employer from a couple of
decades ago used as a base to figure costs for the custom sewing jobs I
did), that would only be about 80 hours of labor for the entire outfit,
assuming that the raw materials' costs were NOT included in the 2K.  I've
spent that much time just on beading some things, never mind the 100s of
hours one can devote to embroidering something.  I'll have something like 15
or 16 hundred hours into the embroidered stripes on my Venetian camicia by
the time I'm done.
--Sue in Montana, enjoying her rare, Labor Day vacation ;o)



- Original Message -
From: MaggiRos [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Monday, September 04, 2006 11:37 AM
Subject: RE: [h-cost] Hourly Wages


 Clients in my experience want to know in advance how
 much they'll be paying, so I set a per-hour rate in my
 head but quote a flat amount depending on the garment
 and level of ornamentation--with adjustments for
 anticipated aggravation, of course. :-) That way I
 don't have to keep careful watch on the clock, or
 remember that I work more slowly as the day goes on.

 Not that I do this for a living, but that's the method
 I developed when I was sewing for other people. Now
 it's just a recommendation.

 $2,000 seems quite high, but jewelling and any
 handwork does take a lot of time. (That's why I
 learned to sew, in the end.) I guess it depends on
 what your market will bear.

 MaggiRos

 --- Sharon at Collierfam.com [EMAIL PROTECTED]
 wrote:

  A friend of mine had an Elizabethan court dress and
  hat made, with removable
  sleeves and separate underskirt. It was beaded and
  had a good amount of
  trim. Quite lovely. I believe she paid about
  $2,000.00 US.


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Re: [h-cost] Is this wool flannel appropriate for any costuming uses?

2006-08-30 Thread Sue Clemenger
20% Nylon? Well, crap
I was excited, too, but hadn't had time yet to check it out.  Bummer.
--Sue, looking for some wool for an early-Medieval clothing item
(gardecorps)
- Original Message -
From: Linda Rice [EMAIL PROTECTED]
To: 'Historical Costume' [EMAIL PROTECTED]
Sent: Wednesday, August 30, 2006 6:55 AM
Subject: RE: [h-cost] Is this wool flannel appropriate for any costuming
uses?


 I saw this yesterday morning as well. And I was pretty darned excited,
 until I saw the fiber content. It's 20% nylon, which is too much for me.
 Also, I'm not all that thrilled with the colors. It all depends on your
 needs, for ACW/Victorian it might be just fine. For Early Period, it's
 not what I'm looking for.

 It is an excellent price, though.

 ::Linda::


 -Original Message-
 On Behalf Of Susan Data-Samtak
 Sent: Tuesday, August 29, 2006 11:44 PM
 Subject: Re: [h-cost] Is this wool flannel appropriate for any costuming
 uses?

 Saw this on fabric.com website and thought I would alert folks to it
 and ask if it was worthy of use in Period Attire.


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Re: [h-cost] Is this wool flannel appropriate for any costuming uses?

2006-08-30 Thread Sue Clemenger
I've got some lovely, lovely flannel, purchased earlier this summer from
Pastiche, but was looking for a few more yards for a 13th century project,
and then some wool that's in between flannel and melton, weight-wise.  I
want it for an outer garment (the gardecorps), but I don't want it so stiff
and heavy that it's like wearing armor.  I'm built like a tank as it is g,
so I need something that drapes a bit more than the meltons I've met.
--Sue

- Original Message -
From: Catherine Olanich Raymond [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Wednesday, August 30, 2006 7:59 PM
Subject: Re: [h-cost] Is this wool flannel appropriate for any costuming
uses?


 On Wednesday 30 August 2006 10:55 am, Joan Jurancich wrote:
  At 07:08 AM 8/30/2006, you wrote:
  20% Nylon? Well, crap
  I was excited, too, but hadn't had time yet to check it out.
Bummer.
  --Sue, looking for some wool for an early-Medieval clothing item
  (gardecorps)
 
  Fooey! I didn't look at the individual fabric listings, so I missed
  the nylon content.  But they do have some 100% wool gabardine which
  might be nice, it's a bit lighter weight,
  though.
 
http://www.fabric.com/apparel-fashion-fabric-wool-fabric-wool-gabardine.asp

 I don't believe in wool gabardine for medieval clothing; it looks way too
 shiny, even if it is 100% wool.

 Fabric.com does have nice flannels from time to time, though the color
choice
 is often too restricted for my taste.  The selection varies a lot; they
often
 do have 100% wool melton and flannel, just not now (apparently).

 --
 Cathy Raymond [EMAIL PROTECTED]

 A civilized society is one which tolerates eccentricity to the point
 of doubtful sanity.  --Robert Frost


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Re: [h-cost] Glove booklett published

2006-08-28 Thread Sue Clemenger
I got mine.  It looks very thorough! ;o) I was showing it to another (SCA)
friend, and she was drooling at your biblio!
Well done!
--Sue

- Original Message -
From: Chiara Francesca Arianna d'Onofrio [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Monday, August 28, 2006 1:44 PM
Subject: [h-cost] Glove booklett published


 After nearly 20 years of off and on working on it I got my book
 published. :)

 The Compleat Anachronist Spring 2006
 Making Elizabethan Gloves
 CA0131
 http://tinyurl.com/q4lh7

 It says Spring but it actually got published this month. It arrived
 in most mail boxes this weekend. :)

 HL Chiara

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